There was a very distinct shadow of Miyan ki malhar in the beginning, which could have easily avoided. Interested listeners may listen to Pandit Bhimsen Joshi's dhrupadanga exposition of the same bandish available in youtube.
Definitely was Pt Ajay Joglekar ji on harmonium as Rajan ji mentions him towards end - I believe it is Pt. Sanju Sahai on tabla, not 100% sure but I can tell by the tone of his playing that it is for sure Benares style and from listening to him play a lot I think it's him. My second guess would be Pt. Kumar Bose but Rajan ji mentions "chota bhai" so not sure.
rangraliyan (Langarayian) ham sang na karo | Manamohan pyare nand ke chhayla | Ramdas Kahe Mohan Pyare Ab tum roko no hame kayala | - as far as I could understand
राग विस्तार में कभी कभी ऐसे टुकडे सुनाई पडते हैं जिनमें पहले शुद्ध निषाद पर थोडी देर रुककर धीरे से उसे जोडकर कोमल निषाद गाया गया हैं| (याने दोनों निषाद एक साथ) बढिया! एक प्रश्न हैं! इस राग को गाते वक्त कही गलती से मियां मल्हार की झलक ना दिखे, इसके लिये क्या सावधानी बरतनी होगी?
Namaste ji. Miya Malhar gaate vakht hum generally MA PA ke baad komal nishad lagake DHA lagate hain aur uske baad shuddha Nishad lagake SA pe aate hain. Aur Bindrvani Sarang mein MA PA ke baad direct shuddha Nishad hi lagana padta hain aur fir SA. The difference is that Bindrvani Sarang mein you can't take shuddha Nishad immediate after komal nishad. For going to SA you compulsorily need to come back to PA after Komal Nishad and then sing SA. And in Miya Malhar Komal Nishad ke baad you have to touch DHA and then direct sing Shuddha Nishad and then SA . Hope this helps somewhat ☺️🙏🙏 Can't record and send otherwise wohi send kar deta 😀
Aisa gana ab Kab sunnay ko mileaga
25:16 (Raag Brindavan Saranga Drut)
The God's themselves singing Brindavani Sarang! ❤🎉🙏🙏
Such singers born once in a century
अति अति सुंदर इट can't be change for better
Bahut sundr guruji
tum rab tum sahib..tum hi karta
Ati sundar bhajan.
नमन 🙏💝
pandityapoorna gayaki. So much melodies rendering of sarang. pranaam 🙏🙏
Very beautiful. Namaskar to pandit jis.
अद्भुत
Beautiful
Panditji just heart touching
beautiful singing
Beautiful miya malhar
this is vrindavani sarang.. beginners usually face difficulty to differentiate it from miyan malhar..
There was a very distinct shadow of Miyan ki malhar in the beginning, which could have easily avoided. Interested listeners may listen to Pandit Bhimsen Joshi's dhrupadanga exposition of the same bandish available in youtube.
We can't say this. It's dependent on the garana , guru and personal choice of singers in the touches they want...it fine if they little mix up.
Thanks for posting Rajubhai. Do you have any more info on who the accompanists are, and where this was performed?
Looks like it is Ajay Joglekar ji on the harmonium.
Definitely was Pt Ajay Joglekar ji on harmonium as Rajan ji mentions him towards end - I believe it is Pt. Sanju Sahai on tabla, not 100% sure but I can tell by the tone of his playing that it is for sure Benares style and from listening to him play a lot I think it's him. My second guess would be Pt. Kumar Bose but Rajan ji mentions "chota bhai" so not sure.
Actually sounds like Pt Kumar Bose
@@Legodude501st I think it is Pt. Kumar Bose....
It's Arvind Kumar Azad on Tabla 🙏
Can someone please give me the lyrics of the teental bandish???
rangraliyan (Langarayian) ham sang na karo | Manamohan pyare nand ke chhayla | Ramdas Kahe Mohan Pyare Ab tum roko no hame kayala | - as far as I could understand
@@vudatalar Bilkul sahi.quite right.
Badish ke bol Kya h
Langaraiya hum sanga na karo, man mohan pyare, nanda ki chhayala. Ram das ki mohan pyare, aab tuma humare din dayala
Antarara :Ramdas ke Mohan pyare, ab tum hamro roko na gayala.
@@paruldxt1 correct
Kindly tell me is it "रंगरलिया" or "लँगरैया" ? Rangraliya or Langraiya? What is the meaning of this word?
Both are right.as I understand.it means "preet" Aashiquee.
langraiyan is the word and langar is referred to krishna bhagwan often in bandish
राग विस्तार में कभी कभी ऐसे टुकडे सुनाई पडते हैं जिनमें पहले शुद्ध निषाद पर थोडी देर रुककर धीरे से उसे जोडकर कोमल निषाद गाया गया हैं| (याने दोनों निषाद एक साथ) बढिया! एक प्रश्न हैं! इस राग को गाते वक्त कही गलती से मियां मल्हार की झलक ना दिखे, इसके लिये क्या सावधानी बरतनी होगी?
Namaste ji. Miya Malhar gaate vakht hum
generally MA PA ke baad komal nishad lagake DHA lagate hain aur uske baad shuddha Nishad lagake SA pe aate hain. Aur Bindrvani Sarang mein MA PA ke baad direct shuddha Nishad hi lagana padta hain aur fir SA. The difference is that Bindrvani Sarang mein you can't take shuddha Nishad immediate after komal nishad. For going to SA you compulsorily need to come back to PA after Komal Nishad and then sing SA. And in Miya Malhar Komal Nishad ke baad you have to touch DHA and then direct sing Shuddha Nishad and then SA .
Hope this helps somewhat ☺️🙏🙏
Can't record and send otherwise wohi send kar deta 😀