Alexa 35 Reaction: Arri's First New Sensor In 12 Years
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- เผยแพร่เมื่อ 1 มิ.ย. 2024
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My first reaction to details about the Alexa 35 prior to the release of the camera.
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0:00 Introduction
0:46 Background
1:30 Super 35 4.6K
2:42 Specs
5:26 Sponsored Message
6:21 Textures
7:55 Ergonomics
10:45 Conclusion
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I can’t wait to buy this camera to use it for my vlogging and selfies.
I got to see a couple Alexa 35s this week. The mini LF viewfinder supported HDR monitoring this whole time, now unlocked with the new camera. The ES modes do some noise sampling and cancelling magic, that combined with the audio module could make it the king of documentary cameras for users like the BBC. The new app will be useful (you can grab screenshots straight from camera to phone). The SDI 2 with return video will be highly useful for productions with VFX or compositing. It is great to be able to use 35mm cinema lenses again. Master anamorphics are back!
Using ur phone....unlocked features it already had....god i love technology...so innovative....
7:20 this is actually done right between the sensor and dsp, very cool. Baked into raw as well because of that
I spent an hour with an Arri super specialist at the Cine expo booth wth the camera, and man I tell you this is something else, calling it a game changer is understating what it is. I've shot on film stock many times before and seeing the images from this camera, its the first time a digital camera convinced me
Really? I don't buy it, the image except dynamic range looks worse than previous Alexa. It's unfortunate really.
@@chronokoks oh
Still doesn't come close to how film handles highlights on skin and the skin tones.
@@Janken_Pro Comes close but doesn't replace
I'm not in cinematography. I might as well be watching a review of new scalpels for open-heart surgery. But still .... I must ... watch.
I had the luck to test the alexa 35 this week, and i asked about the nds. They told me that was because of the camera size. If they had more internal nd filters it would became an LF size wise! And with the 35 they want to mantain the mini LF size.
I was thinking about upgrading to this I currently have the Canon EOS R6 would this be a good upgrade. Mainly for home movies and some interviews here and there. Just a bit worried about the auto focus as it doesn’t have any.
jesus! why? why would you do this?
If your worried about auto focus it might not be for you. This is a full on cine camera with little to no assists.
An $80,000 camera for home movies and interviews?
I upgraded the 2022 I Mac full spec just for checking email sometime.
Get canon c70 is totally just your need. Cinema camera and has auto focused.
Memory car is still affordable. Sony Fx6 also really nice as well. For the price of the entire set up of Arri camera is enough for you traveling the world and use a c70 capture the most amazing footage and you still have money left.
get well soon!
Those still images in the beginning looked really good. Very nice quality.
Always a pleasure listening to your videos.
4:41 very interesting how they do this. One exposure will be black and they subtract the noise on that exposure from the others to reduce noise in the final image
Is this the same technique that are also used by astrophotographers? Called black frame?
@@matthewlau42 im not sure about black frame but it's at least not something revolutionary. this is how most denoising algorithms work.
@@JPC4 it looks like temporal noise reduction to me
@@AnimeZone247 that's pretty much exactly what it is according to another video with an arri rep.
@@JPC4 imho that’s the best noise reduction. Go into resolve use temporal, 2 frames set both options to 5, plus unlink spatial, and set the chroma reduction to 10, and that will solve majority of your noise problems lol
You have COVID and you still make a video? You’re amazing. Get well soon!
Could you release a list of the movies used as examples in the video? Otherwise great work! Loved the breakdown!
All those “Everything Everywhere” battery clips lol 😂😂
Could you do a style breakdown on Dante Spinotti? I’ve seen some of his other films but I think Manhunter is one of the best shot films I’ve seen in a while
Only three ND filters but increased dynamic range... awesome video
He has successfully trolled all of you 😂
It looks like the perfect webcam for me!
Why leaked? It's officially announced right? Think there are multiple showcase videos on YT channels out
Yeah it’s officially out
The final firmware is not released, neither are the white papers, manuals, nor interface simulator. And they're not shipping... yet. Arri is a stubbornly thorough company, to our benefit
This was probably recorded before they announced. I had someone send the leaked document a few days before the official announcement was made by arri
Waiting for the video which Arri camera is best for Vlogging
hii in depth cine...i have a question :
so you have a super 35 sensor built in alexa 35 and it can shoot 4.6 k and it uses the whole surfaces of the sensor
my first question is :
when i want to shoot 1080p with alexa 35 , does it use a small part of the sensor only for this to achieve ?
what if it use the whole surface of the sensor for shooting lower resolutions like 1080 p and 720 but instead it will have bigger pixel size,bigger than 6.5 micro meter
is it possible that the camera merges some 4 pixels together so they represent one pixel to shoot 720p for example?
When shooting HD the camera uses a sensor area of 4096 x 2304, most but not all of the full sensor. It will downsample from that resolution, so yes, it will create an average of a certain number of recorded photocites to create one recorded pixel.
Pre-ordered one…….shipping will start in July, tho no idea when would my unit reach 🙇🏻♂️
What kind of work do you do to be able to afford one?
I too would like to know this. I didn’t even know you could own Alexa’s. I thought you had to rent them
He runs Newcastle United
@@markoboychuk rental house
@@tatehildyard5332 only arri 65 you can’t buy, the remaining you can.
From where do you get your music from for the videos? Or does anyone know a good place to get music and sound fx?
Artlist.io
The lack of flip screen is really why I won’t get this camera.
But it has a flip screen…
@@renehuwae is it articulating? If not, can’t do it. 😉
@@EJNakamura Yes, it’s just the same as we know from the Mini LF.
Ikr. How am i to use this camera for vlogging if there isn't a flip screen to watch myself.
Price please
I’d love to have information about the effect of the smaller pixel size in the 35 and if this might mean that cinematographers might stick with the original
Good point. AFAIK, the reason it took nearly 12 years for them to deliver a new sensor was just that: increasing resolution without sacrificing DR and highlight rolloff (both of which ended up being superior to Alev III). Pricing aside, I don't see any other reason why anyone would choose the original Alexa over 35.
@@mereobserver1727 very promising, looking forward seeing the first features with this for sure
@@mereobserver1727 It has 17 stops compared to the original arri alexa's 14 stops... Thats a pretty big one to be fair.
Would this camera be good for music videos?
I'v been wacth this channel so long, and so help me for film education. Can i request some video? I still not undersand for gamma, grey card or anything about colour in production, i think that was lot information for grade
Does the dynamic range stops measurements in cinema camera and stills camera the same? Or is it just manufacturer's claim?
In DXOMark the top 5 stills cameras with the highest dynamic range has 14.8 stops of DR, 4 of them are FF, and 1 MF. This super-35 sensor has 2.2 stops more? I know it's down to the sensor quality and algorithm, but generally speaking the larger the sensor area, the better DR you can get. Is that why this Arri will cost as much as a mansion?
it is manufacturer's claim. it's hard to tell behind all the marketing mumbo jumbo and specs but most of what we use to judge the performance of a camera on paper does not always translate into how well it manages to produce an image. it's like you said, there are indeed differences between consumer cameras and these type of cameras for production environments beyond what the simple "specs" say.
It’s all a matter of sensor technology. The Fuji XH2s is APSC and sees 14.9 stops of DR (15 stops pretty much) and costs $2500. It has more DR than most full frame cameras, and even many cinema cameras. That is beyond the claims, rather realworld tests. Unlike many companies that will boast 14-15 stops, but don’t get anything near that in the real world because of sensor readout… the XH2s has a 14bit readout (which used to be reserved for high end cinema cameras), which means it comfortably handles 14 stops of DR.
I say this to say, it’s more a matter of sensor technology than sensor size. There are plenty of FF cameras that have very poor DR
Also, yes, DR in photo and video is measured differently.
I really need a Cinematography Style of Robert Richardson!
I am very interested where I could try such things in lithuania :D or i have to emigrate due to it being too expensive for my country cinema XD
I think the idea with NDs is not to replace the front NDs but to be able to adjust a little once front ND is attached, so that you dont need to test out the strength so much before filming
Bronco henry approves this video.
Ha! I feel dumb for not realising the old Alexa's weren't 4K, I just always assumed they were! :-)
Arri please put an ND.3 in camera 🥲
I low key wish you waited until the key note was released to start making this video. Although still good.
❤️🔥
😍
Yet another Battery system, at least the light panels still accept the 14.4AntonBauer Gold mount
If you’ve watched the Arri video explaining B-Mount it both makes sense and it much much nicer than gold. I’m into it. Although it’s annoying to have to buy all new batteries.
08:33 whats her @ ? :P
Hopefully this will make the older arri alexa price drop :p
**looks at ebay** lol nope
I was really hoping they were gonna come out with an 8K full frame sensor camera capable of handling 240FPS like a boss, but this is cool too.
If you know Arri you knew they weren't gonna do that
@@matthijsblomjous3671 All I know about them is that they have arguably the best color science. I love the way footage looks that was shot on the Alexa LF. Can I ask you why they won’t come out with a Full Frame 8K camera?
@@walmartpimp2 it comes down to a bunch of things, really. for starters 8k is very much overkill, as cinemas still use a 2k resolution, only some have 4k capacity. 8k may be nice for digital zooming and reframing, but on top level productions I'm not sure that's much of an issue. many top cinematographers will also tell you that at some point, resolution just does not matter that much anymore, and that is where I think Arri is considered to have the most beautiful looking image. Arri doesn't chase specs like other brands, instead they make sure that the specs they use are fully optimised and create the most beautiful image possible. last thing I can think of right now is that 8k requires so much processing power and storage that it's too much of a hassle. the negatives outweigh the positives in Arri's view.
@@matthijsblomjous3671 Yeah, it does kill storage, but as far as processing goes I’m pretty sure the new Mac Pro will be able to handle 8K 120FPS like a champ, but anyways thanks for your incite.
@@matthijsblomjous3671 Do you know anything about the Panavision Milinium DXL2? Would you say it's on par with the Alexa LF or better or inferior? Sorry to bother you again, but you seem to know your stuff. If you don't want to reply I understand.
The thing of it being cut with existing Alexa Cameras makes no sense when you hear Arri saying that the process of working with the image in postproduction is different because the Log Curve is different. That to me means that yeah, you can cut it with other cameras from Arri, but you'll have to work to make them look similar. That's the same as working to make it look similar to a Venice or a RED. If you can't use conversion LUTs or Resolve Color space transform with it the same way as you did with previous Arri Cameras, I don't see how that is something they are selling. It makes no sense.
This guy just makes random videos and never verify infos. In every video you would see a bunch of misinformation he spreads without thinking twice. I feel bad because there are people who use this channel as a learning medium and rely on them.
@@saikatchattopadhyay8263 Well the channel owner is just a kid and it's not like there is a big competition on YT.
It's been so interesting seeing all the hype of the cinematography channels for the Alexa 35 but for us in the professional industry the main response has been a mix of excitement for the colour, but also skepticism as there are some disappointments in this design. Bad timing seeing as the Venice 2 just came out and the LF's and Mini's sit on the shelves collecting dust while the Sony Venice is currently experiencing an industry shortage.
You can decode older LogC3 raw using Reveal, presumably the SDK will have a way of handling the difference in the log curve internally, similarly to how Red made their IPP2 pipeline backwards compatible with older cameras.
"First new sensor in 12 years"
Arri Alexa 65: "Am I a joke to you?" :D
He means new technology. This is ALEV 4. That was Alev 3
Looking forward to the new LF that’ll sport these sensors! This looks good but I’m not really a fan of the smaller look of super 35 anymore.
I’ll be excited when that comes out as well, although that probably won’t be for a while unfortunately. Arri have stated that due the the sensor design, they can’t stitch multiple together. Meaning an LF version of the sensor has to be developed from scratch.
in what way is the difference appreciable?
@@marianoguy it's not
@@Janken_Pro i agree
this sensor look like shit compared to the alexa classic sensor i hope they improve before they ship
I think so too. This looks more video-y and less filmic