It's nice to hear MP acknowledge our unique physiognomies (6:18). I wish all teachers were good at observing, analyzing, and dealing with the differences in lips, teeth, and jaws that can hinder good tone production, although I think she focuses on only the music in her masterclasses where the students have already mastered embouchure technique.
That got real deep at the end. Thanks for the video.
Good analogy with the bow string.
It's nice to hear MP acknowledge our unique physiognomies (6:18). I wish all teachers were good at observing, analyzing, and dealing with the differences in lips, teeth, and jaws that can hinder good tone production, although I think she focuses on only the music in her masterclasses where the students have already mastered embouchure technique.
So glad I listened til the end. What a great message. Thank you!
Thank you so much 🙏 very practical way on how to approach soft playing with good attitude 🎊🎊🎊❤️
Love her, I only know two people with that headjoint. Not sure if Lafin make sis any longer, but I need one.
What kind of head joint is it?
Very good video. Regards!
Artistry and ego don't match, thank you for saying this ❤
I'm a trombonist, and I believe everything you said here can be applied to brasswind playing.