Será un gran tenor lírico, en un futuro no muy lejano. Ahora disfrutará del repertorio de ligero. FELICIDADES XAVIER!!!! Además tiene 23 añitos, una gran presencia y figura. Lo tiene todo.
Sr. Anduaga, usted es absolutamente extraordinario. Tiene un color de voz de tenor lírico bellisimo, una afinación perfecta, dicción inobjetable, una coloratura perfecta. Pero por sobre todo, un interpretación que sale de su alma hasta alcanzar niveles épicos. Usted hará historia en el canto lírico ( ya la está haciendo). Saludos cordiales y bendiciones desde Santiago de Chile. Dr.Fernando Rivas-Burattini. 🤝🎼🎼🙏✝️🙏✝️🇨🇱🇨🇱🇪🇸🇪🇸.
I agree, he may need some polish, but you can’t start comparing him to Camarena, Brownlee, Flores or even back when A young Rockwell Blake to the stage. He’s def missing that color throughout his mid range. But he’s the tenor of the future. Wishing him nothing but the best!!!
Falta definir más las agilidades, técnicamente rossinianl está en proceso de perfeccionamiento. Tal vez podría nadar como pez en el agua en Donizetti. Mozart
Wonderful young artist and singer. But I would have had such a battle with the stage director. While the tenor is singing his heart out, and very beautifully, the director has tried every trick in the book to upstage the tenor...to draw the attention away from the singer. Fool! It is all about the singer here!
Tom Salmon He Is a youngster, But Look to his Master Juan Diego Flórez in this Role, He was a Student in his masterclass 3 years ago in Spain And He Learned a lot of him 🎵🎵🎵
escuche grabaciones de Juan Diego Florez cuando salió al estrellato a sus 23 años y de verdad sus capacidades vocales y artisticas ya eran de un cantante muy experimentado a este joven que si no me equivoco tiene 22 o 23 años tiene un timbre muy bonito pero le falta , mucha técnica y claro es normal porque tiene 23 años unos años mas y veremos
This is a developing young Artist. He is Just starting out of course he has not the polish and experience of these older and more seasoned singers but he certainly has the voice and a wonderful technique. Give him time and experience and the chance to work with really good musicians and Conductors and this young man shall surprise you, He has the quality!
@@joemiller6975 Joe, you may well be right, and I hope you are. We need young singers who can do what the "Big Three" have been doing as they move toward retirement some day. But keep in mind that coloratura can get harder, not easier, with the passage of time. Juan Diego Flórez was already sensational back in 1997 when he was 24 years old. (Check his singing in the recording of the live concert "Rossiniana" from Milan.) And when I heard him live for the first time on Feb 2, 2002 in a Met radio broadcast of "Il Barbiere di Siviglia" (at age 29), I knew I was hearing a kind of agility, authority, and charisma that had been unknown in the entire 20th century (and maybe in the 19th but we have no recordings for certainty). Beautiful tenor voices such as those of mid-century singers Nicola Monti, Luigi Alva, and Cesare Valletti did not come close to Floréz's rapid-fire flexibility. They sounded like many baritones and bases do today when they try to sing coloratura, "smudging" the runs. In fact, it is awkward to hear those tenors performing next to and with sopranos and mezzos like Callas and Simionato, to say nothing of Sutherland and Horne. Take a look at the TH-cam recordings of this same aria by Flórez, Brownlee, and Camarena. I think you'll see what I mean. And compare not only the singing itself but also their faces with Anduaga's. He is very wooden in expression here, perhaps because what he is attempting is so difficult and he really needs to concentrate. But take a look at Brownlee, especially. It will knock your socks off! And this must be the effect that Rossini was aiming for. One other thought: perhaps bel canto, and in particular Rossini with all those roulades, is not the right repertoire for Xabier. His lovely sound might be more effective in straightforward lyrical music.
@@jamesnickoloff6692 Here on YT You can see Xabier, Anduaga being coached in a Master Class by Florez who seems very much impressed by this kid who he rightly calls at then age 21 a Baby , Florez coaches him in the Aria Una Furtiva and in the ending of Si Ritrovarla from La Cenerentola. Florez gives him some much needed tips and instructs him on how to not force down or tire the voice. Having listened to many up and coming young tenors of promise, Xabier stands out for the naturalness and beauty of his voice and I feel he is a gifted and intelligent young man who is attempting to learn and study with the best coaches and musicians he has access to. Artist develop at different points and stages . Some bloom later than others . I think Xabier Anduaga will over time be one of the outstanding voices of the future in the Bel Canto and Lyric repertoire. Florez seems to agree and applauds his efforts. I think you will enjoy watching rhis clip. Florez has a knack for teaching and is funny, warm and sensitive to young Singers. I admire both Florez and Camarena for working with young developing Artist while they are still in their prime and not waiting till retirement to do so.
@@joemiller6975 Thanks for directing me to this master class, Joe. What strikes me most here is Xabier's humility. He was already a fine performer but was willing to be coached and critiqued by the master. However, little attention was given in this lesson to coloratura--and that is what I think Anduaga is far less skilled at than Flórez, Brownlee, or Camarena. I'm not a singer or teacher of singing, but it seems to me that coloratura is a matter of technique, of agility, more than of intelligence or beauty of tone. He has the latter, but not the former. And without that, you can't really be a great Rossini singer (in any range). As I said before, I think coloratura gets harder with age, not easier.
Más o menos, pero las vocales están todas como engomadas, no hay claridad cristalina y definición entre ellas, y falta el espíritu de diversión de Rossini
Some technical problem to resolve but lots of potential. I'm sure the chorus didn't have enough rehearsals to get the choreography right. It would have been better if they just stood still.
@@TenoreMr A lot of technical problems, actually. Funny, that you haven't mentioned them. They are too obvious. Mr. Anduaga needs a lot of work and study, despite he won the Operalia prize. But one interested in opera know what this Domingo's conquest really is. There are a lot of tenors who can sing this peace much better and with true Rossinian style which Anduaga doesn't have. Nevertheless wish Mr. Anduaga career success.
No me gustó en esta presentación. Le falta mucha agilidad en la voz para ese papel. Va ahogado con la coloratura. Debe pulir un poco la técnica. Madera tiene.
![[풀영상] 2024 김연경 초청 세계여자배구 올스타전 "팀 스타 VS 팀 월드" [유료광고 포함] #김연경 #국가대표 #배구 #배구올스타전 #팀스타 #팀월드](http://i.ytimg.com/vi/SUKUgH1ltng/mqdefault.jpg)
Muy Bién!!!
Superbe, une belle ligne de chant !
Bellissimo timbro scuro! Grande performance! ❤🎉😊
Grande Xabier Anduaga, llegarás muy lejos en el mundo de la ópera
Very beautiful voice! 🎼🎶🎶🎶
congratulations for this amazing performance I had the chance to listen to in Rouen 👍👍👍
Meeega. Absolute Weltklasse. Zu solch fein differenziertem Ausdruck fähig (5.50). Da kann sich auch Diego "strecken".
beautiful and powerful voice!!! young nasal voice but extraordinary!!!
LOL THE SHADE
and what are your singing accomplishments? Miss "nasal"
Sim, voz maravilhosa mas deixa a desejar na presença de palco!
Singing and acting artistry combined with unmistakable star quality.
Really?
che bellissima voce
Impressive BRAVO !!!
¡Preciosa voz!
precioso!
Bella voz!!!
Una voce brillante.
Блестящая техника
Será un gran tenor lírico, en un futuro no muy lejano. Ahora disfrutará del repertorio de ligero. FELICIDADES XAVIER!!!! Además tiene 23 añitos, una gran presencia y figura. Lo tiene todo.
Sr. Anduaga, usted es absolutamente extraordinario.
Tiene un color de voz de tenor lírico bellisimo, una afinación perfecta, dicción inobjetable, una coloratura perfecta. Pero por sobre todo, un interpretación que sale de su alma hasta alcanzar niveles épicos.
Usted hará historia en el canto lírico ( ya la está haciendo).
Saludos cordiales y bendiciones desde Santiago de Chile.
Dr.Fernando Rivas-Burattini. 🤝🎼🎼🙏✝️🙏✝️🇨🇱🇨🇱🇪🇸🇪🇸.
Si es y será seguro
absolutely beautiful voice, so natural.
I agree, he may need some polish, but you can’t start comparing him to Camarena, Brownlee, Flores or even back when A young Rockwell Blake to the stage. He’s def missing that color throughout his mid range. But he’s the tenor of the future. Wishing him nothing but the best!!!
Bravo
Falta definir más las agilidades, técnicamente rossinianl está en proceso de perfeccionamiento. Tal vez podría nadar como pez en el agua en Donizetti. Mozart
👍👏👏👏👏👏👏
Non conoscevo e non avevo mai ascoltato questo tenore. Bravissimo!
Notable, precioso timbre, un fraseo elegante. Bravo Xavi!!!
Genial sencillamente, le escuché en un recital en el teatro de la Zarzuela de Madrid y se erizaba la piel al escucharle
XAVIER ANDUAGA, amb només 26 anys, un tenor cap al estrellat ?
Xavier tu voz es arte 👌
Wonderful young artist and singer. But I would have had such a battle with the stage director. While the tenor is singing his heart out, and very beautifully, the director has tried every trick in the book to upstage the tenor...to draw the attention away from the singer. Fool! It is all about the singer here!
Tom Salmon He Is a youngster, But Look to his Master Juan Diego Flórez in this Role, He was a Student in his masterclass 3 years ago in Spain And He Learned a lot of him 🎵🎵🎵
escuche grabaciones de Juan Diego Florez cuando salió al estrellato a sus 23 años y de verdad sus capacidades vocales y artisticas ya eran de un cantante muy experimentado a este joven que si no me equivoco tiene 22 o 23 años tiene un timbre muy bonito pero le falta , mucha técnica y claro es normal porque tiene 23 años unos años mas y veremos
But he has “line”.
Pienso que los ejemplos a seguir en este repertorio eran Chris Merritt y Rockwell Blake. Y no los siguió ninguno. Una lástima.
確實很像 Juan Diego Flórez 的學生
Sorry, but he doesn't come even close to Flórez, Brownlee, or Camarena. Long way to go.
This is a developing young Artist. He is Just starting out of course he has not the polish and experience of these older and more seasoned singers but he certainly has the voice and a wonderful technique. Give him time and experience and the chance to work with really good musicians and Conductors and this young man shall surprise you, He has the quality!
@@joemiller6975
Joe, you may well be right, and I hope you are. We need young singers who can do what the "Big Three" have been doing as they move toward retirement some day.
But keep in mind that coloratura can get harder, not easier, with the passage of time. Juan Diego Flórez was already sensational back in 1997 when he was 24 years old. (Check his singing in the recording of the live concert "Rossiniana" from Milan.) And when I heard him live for the first time on Feb 2, 2002 in a Met radio broadcast of "Il Barbiere di Siviglia" (at age 29), I knew I was hearing a kind of agility, authority, and charisma that had been unknown in the entire 20th century (and maybe in the 19th but we have no recordings for certainty). Beautiful tenor voices such as those of mid-century singers Nicola Monti, Luigi Alva, and Cesare Valletti did not come close to Floréz's rapid-fire flexibility. They sounded like many baritones and bases do today when they try to sing coloratura, "smudging" the runs. In fact, it is awkward to hear those tenors performing next to and with sopranos and mezzos like Callas and Simionato, to say nothing of Sutherland and Horne.
Take a look at the TH-cam recordings of this same aria by Flórez, Brownlee, and Camarena. I think you'll see what I mean. And compare not only the singing itself but also their faces with Anduaga's. He is very wooden in expression here, perhaps because what he is attempting is so difficult and he really needs to concentrate. But take a look at Brownlee, especially. It will knock your socks off! And this must be the effect that Rossini was aiming for.
One other thought: perhaps bel canto, and in particular Rossini with all those roulades, is not the right repertoire for Xabier. His lovely sound might be more effective in straightforward lyrical music.
@@jamesnickoloff6692 Here on YT You can see Xabier, Anduaga being coached in a Master Class by Florez who seems very much impressed by this kid who he rightly calls at then age 21 a Baby , Florez coaches him in the Aria Una Furtiva and in the ending of Si Ritrovarla from La Cenerentola. Florez gives him some much needed tips and instructs him on how to not force down or tire the voice. Having listened to many up and coming young tenors of promise, Xabier stands out for the naturalness and beauty of his voice and I feel he is a gifted and intelligent young man who is attempting to learn and study with the best coaches and musicians he has access to. Artist develop at different points and stages . Some bloom later than others . I think Xabier Anduaga will over time be one of the outstanding voices of the future in the Bel Canto and Lyric repertoire. Florez seems to agree and applauds his efforts. I think you will enjoy watching rhis clip. Florez has a knack for teaching and is funny, warm and sensitive to young Singers. I admire both Florez and Camarena for working with young developing Artist while they are still in their prime and not waiting till retirement to do so.
I also greatly admire Brownlee and do feel he is a very good actor! Give Mr. Anduaga time .I feel it will be this young man's great friend!
@@joemiller6975 Thanks for directing me to this master class, Joe. What strikes me most here is Xabier's humility. He was already a fine performer but was willing to be coached and critiqued by the master.
However, little attention was given in this lesson to coloratura--and that is what I think Anduaga is far less skilled at than Flórez, Brownlee, or Camarena. I'm not a singer or teacher of singing, but it seems to me that coloratura is a matter of technique, of agility, more than of intelligence or beauty of tone. He has the latter, but not the former. And without that, you can't really be a great Rossini singer (in any range). As I said before, I think coloratura gets harder with age, not easier.
Great! Ma, I think Little bit nasal
Hearing is all in one's ears. In my ears, he is not a bit "nasal".
Más o menos, pero las vocales están todas como engomadas, no hay claridad cristalina y definición entre ellas, y falta el espíritu de diversión de Rossini
A tu voz le falta más brillo en el centro. Muy apagado, hasta parece q cantas sin ganas.
Tus agudos buenos. Parecen dos cantantes diferentes.
🙄
XABIER, BEJONDEIZULA, HAU POZA NIREA ZU HORRELA ABESTEN IKUSTEAN! MUXU ANAIKOR HANDI BAT PARISTIK.
Some technical problem to resolve but lots of potential. I'm sure the chorus didn't have enough rehearsals to get the choreography right. It would have been better if they just stood still.
What technical issues do you hear?
@@TenoreMr A lot of technical problems, actually. Funny, that you haven't mentioned them. They are too obvious. Mr. Anduaga needs a lot of work and study, despite he won the Operalia prize. But one interested in opera know what this Domingo's conquest really is. There are a lot of tenors who can sing this peace much better and with true Rossinian style which Anduaga doesn't have. Nevertheless wish Mr. Anduaga career success.
He needs again lessons with Juan Diego Flórez, the master of Rossinicompositions, urgently 🎶🎶🎶
Buff. Bonita voz pero...
No me gustó en esta presentación. Le falta mucha agilidad en la voz para ese papel. Va ahogado con la coloratura. Debe pulir un poco la técnica. Madera tiene.