Survival was off the album YES of 1969. Yes changed once Steve Howe joined on The YES Album. I suggest to everyone who is just discovering YES, start with The YES Album, and then Fragile. ANY of the longer songs are classics. Then move on to the epics in Close to the Edge, Gates and Going for the One. Grow into their experiences, as YES is more than just music. Hope you keep exploring YES and great reaction!
What's funny about this is that you have started where I did with them - notwithstanding their success in the 1980s that I was vaguely aware of but too young to really notice. This was also an era in British rock and pop that was starting to recognize its debt to European influences and that made it rather exotic to an American audience.
The Yes family tree takes you to many other great music. The lead singer Jon Anderson as an example takes you to King Crimson, Kitaro, Vangelis, The Flower Kings, Jean Luc Ponty, Motown, Donna Summer, Native American music, Irish Music, Brazilian Music etc.
❤❤❤GREAT that you began your YES adventure at their beginnings because from here the journey goes into the most beautifully complex and imaginative music EVER in Rock. YES became the leaders in originating the PROGRESSIVE ROCK genre fusing Classical, Folk, Jazz, New Age, Psychedelic and Funk full of chord, mood and tempo changes together seamlessly like no other band. Continue with 70s YES, and your mind and heart will be amazed. Their greatest epics went for 20miins.
That was just a pail introduction to the greatness of this band. They came into their own on their next album The Yes Album. As mentioned by another commenter, the introduction of Steve Howe into the band changed everything. Yes is unlike ANY other band and their music (in the 70s) is timeless. Each member were masters at their craft. They pioneered Prog Rock, executing amazing and well crafted transitions, incorporating jazz and classical influences in such a unique way, and at the same time they made prog accessible with their wonderful melodies and harmonies. On your next listen start with Yours is No Disgrace and Starship Trooper -- heck, do all the tracks on The Yes Album! Then go chronologically. I am sure that you will be amazed by this band.
Survival was off the debut eponymous record _Yes_ , the next album was _Time and a Word_ . That album featured an orchestra, a horrible move that was not supported by guitarist Peter Banks, and something that increased the tensions between him and the band and resulted in his being replaced with Steve Howe. Howe was then featured in their third record, _The Yes Album_ . I love the first record, mainly because the jazz influences were more apparent and the pretentiousness that characterized the band's work after 1972 hadn't taken hold yet. Bank's work, although not as dazzling as Howe's was elegant and subdued. Kaye's keyboard work was pretty organic (no pun intended), and it filled out all the holes in the sound left open by Banks. I wouldn't call this a pale introduction to this band, in fact, it might be the perfect place to start for someone unfamiliar with their work. They would know were the bases were, and subsequent work would show their development from there.
@@Azabaxe80 I find it hilarious when people misuse the word pretentious especially when applying to Yes. Definition of Pretentious - attempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed. “Than actually possessed” - the musicianship of the members of Yes were of the highest caliber! Saying that they were trying to seem more important but you don’t think that they were has more to do with you and your judgement. Yes were artists and they portrayed their music/art in a unique way, always pushing the boundaries of their craft - and it worked marvellously. Pretension is more like how one talks to, or how one treats other - being snobby / holier than thou. But this is music, it’s an art-form - then you’d call all the great composers pretentious, all the master painters pretentious - which is total nonsense.
@@roygaiot8105 I see where you're coming from. Hear me out. _Time and a Word_ was not an ambitious, but rather, a pretentious exercise because (and I'm using Neil Peart's definition of pretension here) instead of augmenting the music, the orchestral arrangements actually diminished the songs and their effectiveness. Yes pretended to be something they were not. Coming back to self-contained arrangements with _The Yes Album_ saw the band actually pushing boundaries and showing what real virtuosity (effective communication of ideas and theme developments through application of talent) was. You saw that immediately with "The Clap". Imagine what a Brahms-inspired interlude would have done to that piece. And yes, I think Rick Wakeman would have thought such an idea to be cool. _Fragile_ , by contrast, is made up of four great songs and a wonderful individual piece ("Mood for a Day"). The rest is a series of individual instrumental showcases that say very little. Bruford, Wakeman, Anderson and Squire, great as they were, did not pull their individual weight the way Howe did. Totally unnecessary. Pretentious. _CTTE_ is Yes' most ambitious and challenging and crowning piece of work. And all of it worked because of the quality and discipline in its conception, arrangement and execution. There isn't a single bum note in that album. Everyone in the band had their moments to shine within the concepts laid down by Anderson and Howe. Great, superlative music. Greatest prog rock album ever, superior to anything The Crimson ever conceived. And then the unfocused, meandering work in bigger and bigger settings found in _Topographic Oceans_ and subsequent albums became the norm for this band. They went back and stayed making pretentious music because (and now I'm using your definition) there was no there there. The cruel irony was that it took a couple of non-core Yes people named Trevor (Horn and Rabin) to push Yes into making interesting, _good_ music again. I'm sure you found all this hilarious, but I believe your comment deserved the respect of a serious answer with actual evidence and devoid of generalities. Tell me where I've gone wrong.
Nice review Keely. I still remember hearing Roundabout from Fragile for the first time back in 1971 I think it was. I played it on my little stereo with 10 watts per channel speakers. After Steve Howe's iconic guitar intro, Chris Squire's bass came thundering in and I was hooked. It sounded amazing.
Ladies and gentlemen, Chris Squire and YES, the greatest show on earth. Lovely reaction. Enjoy your YES journey. Roundabout off the Fragile album is a peach. A band called Genesis and their song Cinema Show is a nice listen. The drummer is Phil Collins and the singer is Peter Gabriel. YES is prog rock and Genesis is theatrical prog. ✨️🎶✨️
This is really early Yes, before their classic lineup and more popular albums. They sound much different by the time The Yes Album comes out (1st album with guitarist Steve Howe). And even more different with Fragile (first album with keyboardist Rick Wakeman).
LOL, yeah Yes can be a challenge for younger people with short attention spans! 😀 But this song -- as ambitious as it is -- is from their 1969 debut album, before the classic Yes era of sprawling album-side epics. Still, your comparison to Jethro Tull and Pentangle is actually pretty good (Yes' first US tour in 1971 was opening for Jethro Tull!) Early Yes was a weird amalgam of psych, rock, folk, jazz and pop. They sort of built on what The Moody Blues and Simon and Garfunkle were doing in the late 60's but then raised the bar in terms of compositional scope and instrumental ambition. BTW, the album you're getting this from is a 1975 compilation, with cover art by Yes' long-time cover artist (and logo designer) Roger Dean. But you were smart to start at the beginning. If you like what you hear you can pick a couple other songs off that compilation to get a feel for Yes' early stuff before original guitar player Peter Banks was replaced by Steve Howe ("Looking Around" especially). Then move on to 'The Yes Album' and 'Fragile'. If those albums haven't bored you to tears you can then tackle the big enchilada of progressive rock: 'Close to the Edge'.
I'm a huge Pink Floyd / Roger Waters fan but as climb into my 60's I'm really warming up to Yes. Yes! I hear a bit of Jefferson airplane and Late sixties Beachboys in their music.
The Beach Boys influence is pretty plain to see, the Jefferson Airplane bit is a bit more difficult to pick up, mainly because I'm not as familiar with their work. BTW, I can totally see how a Waters fan wouldn't warm up to Yes.
This is from 1969 before they became the greatest band that has graced this planet. Wee tip Keely don't talk too much during songs. However I do like that you have the knowledge to back up what you're saying.
You ain't heard nothing yet! I've never seen ayone react to this song the first time hearing them. It's a good one but there's so many that are better. You really need to listen to much more of their music. You won't be dissapointed. YES is the greatest progressive rock band in my opinion. I just subscribed. I subscribe to anyone who reacts to them as will many other YES fans so keep them coming. Loads of greats including "Roundabout", "Awaken", "The Gates of Delirium", "Close to the Edge", "And You and I", "Turn of the Century", "Starship Trooper", "Perpetual Change", "The Revealing Science of God", lots more.
(1) Idea - Ever heard Janacek's Sinfonietta (the main theme of the first and third movements may sound familiar) ? (2) Starting at the beginning - good idea - when I was 11 years old I was addicted to early 1968-70 Yes (3) Not pre-Bee Gees - the Gibb gang had their first hits in 1966-67
She is very busy to say as often as possible how much she likes this and that while her whole body cries "when is this song over?" Is it so hard to be honest and to say "that's not my music"?
Yes is fantastic, but thier best or most consistent music is in the 70's starting with the Yes Album. Yes are still together, but the singer went solo and is now 80, but touring and sounding great.
You haven't heard nothin' yet. Yes was a premier "prog rock" band for decades (back then we considered is jazz/rock fusion) . Everything from 69-77 are TOP KNOTCH compositions and musicianship. Ethereal and kick ass at the same time.
Not 60's. Yes is 70's. And no, they are after the Bee Gee's. The Bee Gees formed in the 60's. You should listen to some of their hits. Such as "Yours Is No Disgrace", "I've Seen All Good People", "Roundabout", and "Long Distance Runaround". The best Yes albums were/are "The Yes Album", "Fragile " and "Close to the Edge".
Keely is right. It's late 60's. Yes formed in 1968. Good ear, Keely! You'll love Yes, it looks like, as you listen to more of them. Every song they do is different and unpredictable. And the musicians are all phenomenal.
@@VicWeatherford-h2g Yes was formed in the late 1960s but didn’t release their debut album in the U.S. until October 1969. They didn’t gain prominence until the 1970s, which is when their lineup changed, and Rick Wakeman joined the band as their keyboardist. This marked the maturation of their sound, the classic 70's sound, and is considered the band’s classic lineup. While they originated in the ’60s, they are widely recognized as a ’70s band. They produced 8 albums in the 70's. Their breakthrough albums include The Yes Album (1971, Platinum), Fragile (1971, Double Platinum), and Close to the Edge (1972, Platinum).
@@Reckoner65 My point was that if she wants to review Yes, in my opinion, she should choose one of their more well-known songs, particularly from the 1970s, as they are widely regarded as a ’70s band. Selecting an obscure track that most people aren’t familiar with might not resonate as strongly. However, perhaps that’s her style-focusing on lesser-known songs. It’s just an observation. I do appreciate her effort, though. Thanks for sharing!
Just subscribed to your channel. You can't go wrong with Yes. I would like to suggest some artists for you to react to. Pat Metheny & The Metropole Orchestra - "First Circle" th-cam.com/video/97aLLHz14CQ/w-d-xo.htmlsi=KNysRAdSTILaT58K Keiko Matsui - "Bridge Over the Stars" th-cam.com/video/7pBXGjvJWxE/w-d-xo.htmlsi=2_tZM2oBQNOvSygY Chick Corea & Hiromi Uehara -"Spain" th-cam.com/video/BRU1o-sCnqY/w-d-xo.htmlsi=8o6PW2zGvWE7x5RJ Thievery Corporation - "The Time We Lost Our Way" th-cam.com/video/KTHFXeKLv6w/w-d-xo.htmlsi=zKFRi7wNHy2BQ8vf Royskopp - "In Space" th-cam.com/video/QOrTtbrHXG4/w-d-xo.htmlsi=Nz3Fb25F6P1-qGtA Dusty Trails - "You Freed Yourself" th-cam.com/video/ZN7_dmLcysw/w-d-xo.htmlsi=m0FbQsgJSITLjDes Danger Mouse, Dainele Lupi ft. Norah Jones - "Season's Trees" th-cam.com/video/ZPBzOwMmQWA/w-d-xo.htmlsi=FSnvclKuBa4FSYDa Pat Metheny Group - "Dream Of the Return" th-cam.com/video/1Yhp8e2oU84/w-d-xo.htmlsi=XP42EX2DvAr9KnBL
You haven't heard Yes until you've heard 'Awaken', their masterpiece, from the album 'Going for the One'. It transcends thought, itself. They're like Pink Floyd- a common string in all their material, yet it's all different.
![ประสบการณ์ จ้าง Developer ที่ผมจะไม่มีวันลืม [ภาค2]](http://i.ytimg.com/vi/pZbsSDRrmXA/mqdefault.jpg)
YES. Best...band...ever. Thanks!! for the reaction.
YES❣️❣️❣️The greatest band on this or any other planet❗️❗️❗️🛸🪐🚀👍😎
@@jeffschielka7845
Run With The Fox 214
✨️🙏✨️
@@jeffschielka7845
👑 Merry Christmas 👑
@@lesblatnyak5947 Happy Holidays❗️❗️❗️👍😎🎄🎅🏻🤶🧑🎄🎁☃️
The entire Yes album is awesome. I have been to 23 Yes concerts over the years. Greatest band ever.
YES… A band to grow old with… I did!!!
Survival was off the album YES of 1969. Yes changed once Steve Howe joined on The YES Album. I suggest to everyone who is just discovering YES, start with The YES Album, and then Fragile. ANY of the longer songs are classics. Then move on to the epics in Close to the Edge, Gates and Going for the One. Grow into their experiences, as YES is more than just music. Hope you keep exploring YES and great reaction!
I totally agree.
Yes, Starship Trooper would be a great next choice for Keely.
I disagree. Start with Yes, the first album and then progress as they grew to their pinnacle, Close to the Edge.
Gran Banda YES
What's funny about this is that you have started where I did with them - notwithstanding their success in the 1980s that I was vaguely aware of but too young to really notice. This was also an era in British rock and pop that was starting to recognize its debt to European influences and that made it rather exotic to an American audience.
An untapped reaction great by YES...YES - No Opportunity Necessary, No Experience Needed
The Yes family tree takes you to many other great music. The lead singer Jon Anderson as an example takes you to King Crimson, Kitaro, Vangelis, The Flower Kings, Jean Luc Ponty, Motown, Donna Summer, Native American music, Irish Music, Brazilian Music etc.
Best band ever.
Scot!👍😎
Listened to Yesterdays album…. Rocking it while the sun sets over NYC…
Well, I was right awake when I watched them 50+ years ago.
❤❤❤GREAT that you began your YES adventure at their beginnings because from here the journey goes into the most beautifully complex and imaginative music EVER in Rock. YES became the leaders in originating the PROGRESSIVE ROCK genre fusing Classical, Folk, Jazz, New Age, Psychedelic and Funk full of chord, mood and tempo changes together seamlessly like no other band. Continue with 70s YES, and your mind and heart will be amazed. Their greatest epics went for 20miins.
Strap yourself in. It's time to go down the Yes rabbit hole. Hit up Roundabout and then you'll be off to the races!
That was just a pail introduction to the greatness of this band. They came into their own on their next album The Yes Album. As mentioned by another commenter, the introduction of Steve Howe into the band changed everything. Yes is unlike ANY other band and their music (in the 70s) is timeless. Each member were masters at their craft. They pioneered Prog Rock, executing amazing and well crafted transitions, incorporating jazz and classical influences in such a unique way, and at the same time they made prog accessible with their wonderful melodies and harmonies. On your next listen start with Yours is No Disgrace and Starship Trooper -- heck, do all the tracks on The Yes Album! Then go chronologically. I am sure that you will be amazed by this band.
Survival was off the debut eponymous record _Yes_ , the next album was _Time and a Word_ . That album featured an orchestra, a horrible move that was not supported by guitarist Peter Banks, and something that increased the tensions between him and the band and resulted in his being replaced with Steve Howe. Howe was then featured in their third record, _The Yes Album_ .
I love the first record, mainly because the jazz influences were more apparent and the pretentiousness that characterized the band's work after 1972 hadn't taken hold yet. Bank's work, although not as dazzling as Howe's was elegant and subdued. Kaye's keyboard work was pretty organic (no pun intended), and it filled out all the holes in the sound left open by Banks. I wouldn't call this a pale introduction to this band, in fact, it might be the perfect place to start for someone unfamiliar with their work. They would know were the bases were, and subsequent work would show their development from there.
@@Azabaxe80 I find it hilarious when people misuse the word pretentious especially when applying to Yes. Definition of Pretentious - attempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed. “Than actually possessed” - the musicianship of the members of Yes were of the highest caliber! Saying that they were trying to seem more important but you don’t think that they were has more to do with you and your judgement. Yes were artists and they portrayed their music/art in a unique way, always pushing the boundaries of their craft - and it worked marvellously. Pretension is more like how one talks to, or how one treats other - being snobby / holier than thou. But this is music, it’s an art-form - then you’d call all the great composers pretentious, all the master painters pretentious - which is total nonsense.
@@roygaiot8105 I see where you're coming from. Hear me out.
_Time and a Word_ was not an ambitious, but rather, a pretentious exercise because (and I'm using Neil Peart's definition of pretension here) instead of augmenting the music, the orchestral arrangements actually diminished the songs and their effectiveness. Yes pretended to be something they were not.
Coming back to self-contained arrangements with _The Yes Album_ saw the band actually pushing boundaries and showing what real virtuosity (effective communication of ideas and theme developments through application of talent) was. You saw that immediately with "The Clap". Imagine what a Brahms-inspired interlude would have done to that piece. And yes, I think Rick Wakeman would have thought such an idea to be cool.
_Fragile_ , by contrast, is made up of four great songs and a wonderful individual piece ("Mood for a Day"). The rest is a series of individual instrumental showcases that say very little. Bruford, Wakeman, Anderson and Squire, great as they were, did not pull their individual weight the way Howe did. Totally unnecessary. Pretentious.
_CTTE_ is Yes' most ambitious and challenging and crowning piece of work. And all of it worked because of the quality and discipline in its conception, arrangement and execution. There isn't a single bum note in that album. Everyone in the band had their moments to shine within the concepts laid down by Anderson and Howe. Great, superlative music. Greatest prog rock album ever, superior to anything The Crimson ever conceived.
And then the unfocused, meandering work in bigger and bigger settings found in _Topographic Oceans_ and subsequent albums became the norm for this band. They went back and stayed making pretentious music because (and now I'm using your definition) there was no there there. The cruel irony was that it took a couple of non-core Yes people named Trevor (Horn and Rabin) to push Yes into making interesting, _good_ music again.
I'm sure you found all this hilarious, but I believe your comment deserved the respect of a serious answer with actual evidence and devoid of generalities. Tell me where I've gone wrong.
This full moon affecting me last few days.
Next, Roundabout on the Fragile album. Quintessential YES.
Nice review Keely. I still remember hearing Roundabout from Fragile for the first time back in 1971 I think it was. I played it on my little stereo with 10 watts per channel speakers. After Steve Howe's iconic guitar intro, Chris Squire's bass came thundering in and I was hooked. It sounded amazing.
Ladies and gentlemen, Chris Squire and YES, the greatest show on earth. Lovely reaction. Enjoy your YES journey. Roundabout off the Fragile album is a peach. A band called Genesis and their song Cinema Show is a nice listen. The drummer is Phil Collins and the singer is Peter Gabriel. YES is prog rock and Genesis is theatrical prog. ✨️🎶✨️
36!👍😎
This is really early Yes, before their classic lineup and more popular albums. They sound much different by the time The Yes Album comes out (1st album with guitarist Steve Howe). And even more different with Fragile (first album with keyboardist Rick Wakeman).
LOL, yeah Yes can be a challenge for younger people with short attention spans! 😀 But this song -- as ambitious as it is -- is from their 1969 debut album, before the classic Yes era of sprawling album-side epics. Still, your comparison to Jethro Tull and Pentangle is actually pretty good (Yes' first US tour in 1971 was opening for Jethro Tull!) Early Yes was a weird amalgam of psych, rock, folk, jazz and pop. They sort of built on what The Moody Blues and Simon and Garfunkle were doing in the late 60's but then raised the bar in terms of compositional scope and instrumental ambition. BTW, the album you're getting this from is a 1975 compilation, with cover art by Yes' long-time cover artist (and logo designer) Roger Dean. But you were smart to start at the beginning. If you like what you hear you can pick a couple other songs off that compilation to get a feel for Yes' early stuff before original guitar player Peter Banks was replaced by Steve Howe ("Looking Around" especially). Then move on to 'The Yes Album' and 'Fragile'. If those albums haven't bored you to tears you can then tackle the big enchilada of progressive rock: 'Close to the Edge'.
Thanks for reacting hope you do more YES Try And you and I or yours is no disgrace but honestly it would be hard to pick a bad YES song
I'm a huge Pink Floyd / Roger Waters fan but as climb into my 60's I'm really warming up to Yes. Yes! I hear a bit of Jefferson airplane and Late sixties Beachboys in their music.
The Beach Boys influence is pretty plain to see, the Jefferson Airplane bit is a bit more difficult to pick up, mainly because I'm not as familiar with their work. BTW, I can totally see how a Waters fan wouldn't warm up to Yes.
This is from 1969 before they became the greatest band that has graced this planet. Wee tip Keely don't talk too much during songs. However I do like that you have the knowledge to back up what you're saying.
Unfortunately if I don't add commentary, youtube will block the video :(
But thank you!
Survival. They did.
You ain't heard nothing yet! I've never seen ayone react to this song the first time hearing them. It's a good one but there's so many that are better. You really need to listen to much more of their music. You won't be dissapointed. YES is the greatest progressive rock band in my opinion. I just subscribed. I subscribe to anyone who reacts to them as will many other YES fans so keep them coming. Loads of greats including "Roundabout", "Awaken", "The Gates of Delirium", "Close to the Edge", "And You and I", "Turn of the Century", "Starship Trooper", "Perpetual Change", "The Revealing Science of God", lots more.
Enjoy more Yesssongs, studio and live versions and graduaaly you'll turn into a real Yes fan! BTW: listen to them on headphones!
Yes keyboard player, Rick Wakeman, was piano player on "Life on Mars" by David Bowie, if you've heard that.
That's Tony Kaye on keys. Wakeman joined Yes for the Fragile album
I have a big David Bowie painting in my living room! I love Bowie! Didn't know about Wakeman and Bowie collabing, how cool!
(1) Idea - Ever heard Janacek's Sinfonietta (the main theme of the first and third movements may sound familiar) ?
(2) Starting at the beginning - good idea - when I was 11 years old I was addicted to early 1968-70 Yes
(3) Not pre-Bee Gees - the Gibb gang had their first hits in 1966-67
She is very busy to say as often as possible how much she likes this and that while her whole body cries "when is this song over?"
Is it so hard to be honest and to say "that's not my music"?
You have to check out the Yes Album ad Fragile
You sound like a bona fide Yes fan. You really ought to try more of their stuff. Check out The Prophet from their 2nd album Time and a Word.
Listen Awaken and Gates Of Delirium by them, if you survive those you'r doing ok ha ha.
Yes is fantastic, but thier best or most consistent music is in the 70's starting with the Yes Album. Yes are still together, but the singer went solo and is now 80, but touring and sounding great.
You will find much to like in your exploration. The groups. Yes and Genesis were musical giants.
wait until you start on the 70s stuff, "the YES ALBUM " onwards
You haven't heard nothin' yet. Yes was a premier "prog rock" band for decades (back then we considered is jazz/rock fusion) . Everything from 69-77 are TOP KNOTCH compositions and musicianship. Ethereal and kick ass at the same time.
Not 60's. Yes is 70's. And no, they are after the Bee Gee's. The Bee Gees formed in the 60's. You should listen to some of their hits. Such as "Yours Is No Disgrace", "I've Seen All Good People", "Roundabout", and "Long Distance Runaround". The best Yes albums were/are "The Yes Album", "Fragile " and "Close to the Edge".
Keely is right. It's late 60's. Yes formed in 1968.
Good ear, Keely! You'll love Yes, it looks like, as you listen to more of them. Every song they do is different and unpredictable. And the musicians are all phenomenal.
@@VicWeatherford-h2g Yes was formed in the late 1960s but didn’t release their debut album in the U.S. until October 1969. They didn’t gain prominence until the 1970s, which is when their lineup changed, and Rick Wakeman joined the band as their keyboardist. This marked the maturation of their sound, the classic 70's sound, and is considered the band’s classic lineup. While they originated in the ’60s, they are widely recognized as a ’70s band. They produced 8 albums in the 70's. Their breakthrough albums include The Yes Album (1971, Platinum), Fragile (1971, Double Platinum), and Close to the Edge (1972, Platinum).
@@eudymaverickmentor She's talking about a song from 1969.
@@Reckoner65 My point was that if she wants to review Yes, in my opinion, she should choose one of their more well-known songs, particularly from the 1970s, as they are widely regarded as a ’70s band. Selecting an obscure track that most people aren’t familiar with might not resonate as strongly. However, perhaps that’s her style-focusing on lesser-known songs. It’s just an observation. I do appreciate her effort, though. Thanks for sharing!
Just subscribed to your channel. You can't go wrong with Yes. I would like to suggest some artists for you to react to.
Pat Metheny & The Metropole Orchestra - "First Circle"
th-cam.com/video/97aLLHz14CQ/w-d-xo.htmlsi=KNysRAdSTILaT58K
Keiko Matsui - "Bridge Over the Stars"
th-cam.com/video/7pBXGjvJWxE/w-d-xo.htmlsi=2_tZM2oBQNOvSygY
Chick Corea & Hiromi Uehara -"Spain"
th-cam.com/video/BRU1o-sCnqY/w-d-xo.htmlsi=8o6PW2zGvWE7x5RJ
Thievery Corporation - "The Time We Lost Our Way"
th-cam.com/video/KTHFXeKLv6w/w-d-xo.htmlsi=zKFRi7wNHy2BQ8vf
Royskopp - "In Space"
th-cam.com/video/QOrTtbrHXG4/w-d-xo.htmlsi=Nz3Fb25F6P1-qGtA
Dusty Trails - "You Freed Yourself"
th-cam.com/video/ZN7_dmLcysw/w-d-xo.htmlsi=m0FbQsgJSITLjDes
Danger Mouse, Dainele Lupi ft. Norah Jones - "Season's Trees"
th-cam.com/video/ZPBzOwMmQWA/w-d-xo.htmlsi=FSnvclKuBa4FSYDa
Pat Metheny Group - "Dream Of the Return"
th-cam.com/video/1Yhp8e2oU84/w-d-xo.htmlsi=XP42EX2DvAr9KnBL
You haven't heard Yes until you've heard 'Awaken', their masterpiece, from the album 'Going for the One'. It transcends thought, itself. They're like Pink Floyd- a common string in all their material, yet it's all different.
the german band Can from Tago Mago lp lots of live stuff. Prefer the japanese singer Damo Suzuki .
Yes is sui generis of prog rock. Their 70's releases are impecible.
ya picked the wrong album
She loved this song. How is that "wrong"?