0:19 - That G3 was so full and strong! 0:27 - That sustained A4! 0:34 - This C5 sounded so damn easy 😭 0:37 - The separation was a bit sloppy but it sounded so good! 0:43 - Another good sustained A4! 0:53 - This D5 sounded so angelic ! 0:57 - It sounded so good too (was it head voice or falsetto ?) 1:02 - This D5 sounded more chesty than the first one! 1:05 - Same here! 1:08 - One more! She absolutely nailed that performance 😭 is it just me or she incorporated more chest into her mix ? It sounds a bit stronger! I absolutely loved it !!
It's quite rare and not consciously. In this video, no, because she avoids mixing correctly above her support, leaving her voice quite heady but with almost no tension. It is not mixed because it does not use the thyroarytenoid muscle (like all the notes up to C5), it is more like a head voice with the soft palate lowered, creating a kind of friction in the pharynx area resulting in this type of sound. And since it is connected, given that it is in her upper supported range, it is not as weak as it should be (at minutes 1:07, its register quickly changes to mixed voice, being able to perceive chest voice, but with tension). In the cover of "something like that", she is able to reach several supported D5s in a mixed voice, but only in notes with closed vowels (curiously, in this performance in question she also uses this extremely heady "mixed voice" technique, reaching an F#5, but the note is so high that this friction ends up falling to the glottis and therefore to the throat, however her head voice was supported, creating an extremely shallow and colorless sound, with a connected head voice, but with the throat tense)
0:19 - That G3 was so full and strong!
0:27 - That sustained A4!
0:34 - This C5 sounded so damn easy 😭
0:37 - The separation was a bit sloppy but it sounded so good!
0:43 - Another good sustained A4!
0:53 - This D5 sounded so angelic !
0:57 - It sounded so good too (was it head voice or falsetto ?)
1:02 - This D5 sounded more chesty than the first one!
1:05 - Same here!
1:08 - One more!
She absolutely nailed that performance 😭 is it just me or she incorporated more chest into her mix ? It sounds a bit stronger! I absolutely loved it !!
0:37 she has one of the best agility among her peers. still sloppy separation-wise but it's something.
i find it weird that it was executed a bit poorly given i feel like she could’ve done it differently and easier lol
Wow that “growling” G5 sounds so nice!
have you checked We Go? she has multiple C5s and giselle has sustained A4, winter some okay C5s
Winter's sustained C5 in 'We go' is one of her best attempts recently
@@aevokall agree
Can you make a video of her chinese song cover "melody"
wow she supported D5???!!!
Yep, she does have support going on D5's in mix at times
It's quite rare and not consciously. In this video, no, because she avoids mixing correctly above her support, leaving her voice quite heady but with almost no tension. It is not mixed because it does not use the thyroarytenoid muscle (like all the notes up to C5), it is more like a head voice with the soft palate lowered, creating a kind of friction in the pharynx area resulting in this type of sound. And since it is connected, given that it is in her upper supported range, it is not as weak as it should be (at minutes 1:07, its register quickly changes to mixed voice, being able to perceive chest voice, but with tension). In the cover of "something like that", she is able to reach several supported D5s in a mixed voice, but only in notes with closed vowels (curiously, in this performance in question she also uses this extremely heady "mixed voice" technique, reaching an F#5, but the note is so high that this friction ends up falling to the glottis and therefore to the throat, however her head voice was supported, creating an extremely shallow and colorless sound, with a connected head voice, but with the throat tense)
❤❤❤❤❤❤
also 0:59 i wouldn't call it supported
half of the stuff here is wrong, most of the content here is not reliable