Yes, I agree. She plays in the Baroque style with a light touch and still with such honesty and strenght. The start of the phrase at 05:40 sent shivers up my spine! Bravo Vilde Frang!
It’s so difficult to achieve the delicateness that the baroque violin compositions of Bach require, especially with a modern violin, bow, and strings, yet she executed it so well.
This is exactly what I've been waiting for. All I see on youtube of this piece is mostly Hilary's recording. I ain't saying Hilary's one bad, but listening to different interpretations of a piece of music is always inspiring.
This interpretation is the most well-wrought up of all: such control over one’s bow, making it sound akin to a baroque bow only a mite agreeable to the modern listener’s ear - the volume control making it easy for the listener to appreciate the orchestra unlike other performances - even the unity of the orchestra members in itself! To form this type of perfection is really not an easy matter - I’m sure this is nearest to what Bach had had in mind when composing this masterpiece!
There is such a radiance in this recording and joy that's so pure. It's always impressive for a violinist to create vibrance in Bach's concertos. I also love the fact that this performance is not flashy but, simply a beautiful and honest interpretation by Ms. Frang. Bravo to the Frankfurt Radio Symphony for continually performing at an amazing high level despite these difficult times.
We haven’t heard such well thought out Bach like this in a long time. How she uses rubato, the ornamentation, the intonation all impeccable. Putting this one on repeat 🔁!
Philippe Herreweghe and hr-Sinfonieorchester is a great part of this, and together with Vilde Frang they make this to be an unforgetteble moment. So thank you!
Beautifully played by both orchestra and soloist. Do not miss the A-minor by Vilde Frang with the same orchestra and great conductor. Just the look on the Harpsichord players face says it all: ”Yes, that is the way to go!” She really got the dance out in both concerts with brisk tempos, without rushing and still saying so much in every musical line. Bravo!
@@uswhitecloud2789 As per Wikipedia, Vilde is a shortened form of "Alvilde", which comes from the old norse "Alfhildr", with "alf" meaning elf and "hildr" meaning fight or struggle. Also, the e in "Vilde" is pronounced, so it doesn't really sound like "wild".
Wunderschöne und lebhafte Aufführung dieses kompakten doch perfekt komponierten Konzerts mit seidigem doch gut phrasiertem Ton der technisch perfekten Solovioline sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und echt lyrisch. Der intelligente und erfahrene Dirigent leitet das ausgzeichnete Streichorchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Echt tiefempfunden!
Absolutely beautiful!!! She low key reminds me of ida Haendel Also the blending of the orchestra, considering the placement of the sections, is AMAZINNGG!!!
She has fun playing this thing but even more fun when she improvises. I find the performance a trifle over dramatic and the fast tempos too brisk but Frang is Frang, an impressive artist. Bravo!!
I absolutely love this interpretation, her sound is really fitting for bach. I also love how she opts for a more senza vib approach which enhances the purity of the sound and her swells like it was as if to imitate the baroque bow sound
I like Vildes interpretations of BWV 1041 and 1042, with its relatively high speed. Because if you play this Bach too slow, it sounds as if you are stuck in a ditch, more or less. Even it is heavenly music.
I love this concerto and Bach generally. I did not know that Vilde Frang also sometimes plays on a historical (or after-historical-made) instrument. Well played! Thank you very much!
Vilde es otra de las grandes violinistas. Excelente y con el magnífico acompañamiento de la HR Frankfurt Sinfonie una presentación perfecta con la dirección de Herr Herrewege. Gracias, Danke viel!
Wow, I would’ve thought this is a Baroque orchestra playing with Baroque instruments if I didn’t look at the screen. Beautifully done. I like her new hair style as well!
HR, please get Frang-Herreweghe with hr-SO to play all of Bach violin concertos! J. S. appeared in my dream and told me that he is extremely pleased and he wishes to hear the rest.
Spectacular playing, and impressive articulation. For me, there's a certain carefree joy to this piece that is diminished at this breakneck speed. So far, my favorite is Oscar Shumsky's recording.
What a marvellous version! The Adagio: The violin is so perfect that it seems to be a wind instrument. That melodic line!!! Perfection. Thank you so much!!! P.S: Vilde Frang the violinist who can play beyond imagination.
Muy buena interpretación del concierto para violín y orquesta del maravilloso compositor Bach. Por qué no traducen los comentarios públicos al idioma Español.Somos muchos los que lo agradeceríamos.Atte.
If you compare this with Hilary Hahns recordings, it has a faster rythm and a much more defined focus on the issue. And yes, this is my personal opinion, so dont attack me for beeing personal. I am just saying that I think Vilde Frang is better than Hilary Hahn in this BWV 1042.
C'est du baroque mal assumé , il faut aller au bout des ses convictions, la nous avons un mélange bizarre de vibrato et d 'ornementations hasardeux plus ou moins réussi,et comme la mode l'exige il faut montrer que l'on sait jouer vite au risque de casser la ligne mélodique , C'est du faux baroque et du faux moderne ,sûrement pas de la vraie musique .dommage car c'est une exellente violoniste prise au piège de Bach ,réécouter Szeryng ,grumiaux,etc eux étaient clair dans leurs discours ,ils n'avaient pas besoin de suivre des modes .
@@dominiquedarco8924 vous êtes sévère. Je ne sais pas si c'est du faux baroque, mais c'est de la vraie musique. Un 1er mouvement emballant, jubilatoire, inventif, libéré ! J'y trouve un immense plaisir d'écoute, c'est essentiel.
Monsieur votre avis est tout à fait respectable ,pour ma part et après avoir de nouveau écouté je continue à ne pas aimer cette interprétation ,je ne remets pas en cause le fait qu'elle soit une très bonne violoniste .
@@dominiquedarco8924 Nous n'avons donc pas le même avis. Et c'est très bien comme cela. Il n'y a pas de vérité en art. Chacun de nous a sa perception particulière. Nous n'avons ni les mêmes oreilles, ni le même vécu, ni la même attente de la musique. C'est la diversité humaine, c'est une richesse. Je vous souhaite de nouvelles émotions musicales, et ce pour la vie. (Quand on est accro à la musique, c'est pour la vie). Cordialement. / MC
Olá rádio feliz ano novo estava sentindo já sua falta obrigado por estar conosco mais um ano estremos aqui sempre ouvindo e apoiando esse belíssimo trabalho também sou musico aqui no Brasil e essa rádio Frankfurt e minha inspiração !!!!
I think Bach in his heaven ought to be glad about all our enthusiasm about his work. But I doubt it. He is probably sitting and composing a new oratorium or consert or cantata, and don´t want to be disturbed. But if we send him this Vilde Frang violinconsert he probably will remember it. "Yes, I wrote this long ago, it didn´t turn out so bad". Not so bad at all, we will reply. And probably Bach will like Vilde Frangs playing. If he was not so occupied with this new cantata that shall be played next sunday.
Vilde Frang amazing. 💐But, this violin concerto belongs to Vivaldi. Allegro-Largo-Allegro. Arranged by Bach. Hereafter must be called/named, BWV 1042 mi Major violin concerto, after Vivaldi.. ❤
Curieusement le commentaire négatif que j'avais écrit à disparu ....à la personne qui m'a écrit que mon jugement été sévère je tiens à dire que je respecte son opinion même si je persiste et signe , je continue à ne pas aimer cette interprétation même si je penses que Vilde Frang est une exellente violoniste ......
Vilde Frang's playing with very high musicality is stunning again. The only thing that bothers me is this cresc. - decrescendo. That's annoying. But I'm sure these instructions come from Herreweghe.
Video is an excellent lesson for musicians. Soloist and orchestra are in tune and in sync. Conductor has no real role. He’s embarrassing himself. He may have contributed ideas to the performance in rehearsal but on video it appears he’s dancing despite what the musicians are doing. As a HIP leader he full well knows this music was not conducted.
No, I don't dislike Bach, just this performance. It made me uneasy and put me "on edge", and I don't know why. Was it over-inflected? Romanticized? Was Frang's tone too rough? Was the tempi too fast? Was it some or all of the above? Or am I just having a bad day? Apparently I have the minority opinion here!
In the past Bach has often been played too slow, rendering to a feeling of beeing in a ditch with no chance coming up from there. In my opinion Bach shall be played with so much "swing" as possible. As here. And the dynamics more suited for Bruch I dont understand.
Csodálatos éteri előadás, súlyos szépséghibával: A végén az a megalázó fekete maszk mindent lerántott a mocskos valóságba. Különösen, hogy az egész zenekar maszk nélkül volt , csak pont a szólista szégyenült meg. Szomorú, szánalmas és felháborítóan megalázó.
She played with too much legato throughout and thus reducing clarity and crispness. Her bowing technique is probably the problem. Strange interpretation. Lastly, putting a mask on at the end doesn't make sense as she'd had it off during the performance. It just looks ridiculous.
How anybody thinks the violin sounds good played without vibrato is beyond me. It sounds acidic and the poor instrument can no longer sing or produce any tone. It is about time that more people started to resist the original instrument orthodoxy.
I admire Vilde Frangs violin playing so much. There is a lightness in it with also a perfect handling of sonority, rythm and strenght.
Absolutely! Her playing is wonderful - and a sense of urgency comes through as well.
The way she just digs in to the phrase starting at 1:23 sounds so energetic and new.
@@mwhite6522 p
Yes, I agree. She plays in the Baroque style with a light touch and still with such honesty and strenght. The start of the phrase at 05:40 sent shivers up my spine! Bravo Vilde Frang!
@@Trava56 Yes, shivers!
It’s so difficult to achieve the delicateness that the baroque violin compositions of Bach require, especially with a modern violin, bow, and strings, yet she executed it so well.
Es macht grosse Freude Frau Frang zuzusehen, zuzuhören. Supergeigerin. Sehr schön musiziert mit dem Ensemble von Herrn Herreweghe.
The flow is there, and yes, I think we all can feel it. We all go with this flow.
It’s this work that made me like Vilde Frang’s way of playing. Superb interpretation.
This is exactly what I've been waiting for. All I see on youtube of this piece is mostly Hilary's recording. I ain't saying Hilary's one bad, but listening to different interpretations of a piece of music is always inspiring.
Certainly great to get some variety on the platform!
I think it also depends on the direction of the orchestra. To me, it plays a little too much on dynamics. I prefer Hilary's one (bad just no 🙂)
This interpretation is the most well-wrought up of all: such control over one’s bow, making it sound akin to a baroque bow only a mite agreeable to the modern listener’s ear - the volume control making it easy for the listener to appreciate the orchestra unlike other performances - even the unity of the orchestra members in itself! To form this type of perfection is really not an easy matter - I’m sure this is nearest to what Bach had had in mind when composing this masterpiece!
There is such a radiance in this recording and joy that's so pure. It's always impressive for a violinist to create vibrance in Bach's concertos. I also love the fact that this performance is not flashy but, simply a beautiful and honest interpretation by Ms. Frang. Bravo to the Frankfurt Radio Symphony for continually performing at an amazing high level despite these difficult times.
Thank you, I like your comment, "Not flashy but simply a beautiful and honest interpretation". Still one of the best I ever heard.
Agreed
ビルデフランクの成長ぶりに驚いております！安定感と曲の組み立てが確り、自分の音にしています！その音の透明感は無限の広がりを感じます！素晴らしい！！
We haven’t heard such well thought out Bach like this in a long time. How she uses rubato, the ornamentation, the intonation all impeccable. Putting this one on repeat 🔁!
Philippe Herreweghe and hr-Sinfonieorchester is a great part of this, and together with Vilde Frang they make this to be an unforgetteble moment. So thank you!
Beautifully played by both orchestra and soloist. Do not miss the A-minor by Vilde Frang with the same orchestra and great conductor. Just the look on the Harpsichord players face says it all: ”Yes, that is the way to go!” She really got the dance out in both concerts with brisk tempos, without rushing and still saying so much in every musical line. Bravo!
Ein Erlebnis, einfach großartig.
There is nothing “wild” (vilde) in your art. Only purity and light.
Vilde is wild in Norwegian? Interesting!
@@uswhitecloud2789 As per Wikipedia, Vilde is a shortened form of "Alvilde", which comes from the old norse "Alfhildr", with "alf" meaning elf and "hildr" meaning fight or struggle. Also, the e in "Vilde" is pronounced, so it doesn't really sound like "wild".
Wunderschöne und lebhafte Aufführung dieses kompakten doch perfekt komponierten Konzerts mit seidigem doch gut phrasiertem Ton der technisch perfekten Solovioline sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und echt lyrisch. Der intelligente und erfahrene Dirigent leitet das ausgzeichnete Streichorchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Echt tiefempfunden!
Mis aplausos y gratitud. Bach por siempre. Hermosas interpretaciones.
하이든은 1732년생으로 지녀를 12명이나 낳았으나 6명은 사망하고 6명중 3명이 음악가 가 됬다니 특수한 고전 음악가이고 아이들도 많았으니 역시 특수한 고전 음악가이십니다 이바이오린소리좋지요
Absolutely beautiful!!! She low key reminds me of ida Haendel
Also the blending of the orchestra, considering the placement of the sections, is AMAZINNGG!!!
She has fun playing this thing but even more fun when she improvises. I find the performance a trifle over dramatic and the fast tempos too brisk but Frang is Frang, an impressive artist. Bravo!!
Greetings from England... lovely performance
I absolutely love this interpretation, her sound is really fitting for bach. I also love how she opts for a more senza vib approach which enhances the purity of the sound and her swells like it was as if to imitate the baroque bow sound
👏👏👏👏👏👏👏👏👏👏👏👏👏
Simplesmente maravilhoso.
Bravíssimo 👏👏👏👏👏👏👏👏
Bravo
Thanks this beautifull orchestra for all videos on you tube!!!😀
I like Vildes interpretations of BWV 1041 and 1042, with its relatively high speed. Because if you play this Bach too slow, it sounds as if you are stuck in a ditch, more or less. Even it is heavenly music.
I love this concerto and Bach generally. I did not know that Vilde Frang also sometimes plays on a historical (or after-historical-made) instrument. Well played! Thank you very much!
Vilde es otra de las grandes violinistas. Excelente y con el magnífico acompañamiento de la HR Frankfurt Sinfonie una presentación perfecta con la dirección de Herr Herrewege.
Gracias, Danke viel!
Wow, I would’ve thought this is a Baroque orchestra playing with Baroque instruments if I didn’t look at the screen. Beautifully done. I like her new hair style as well!
A tip of the hat to the recordist. As good as it gets.
...stunning interpretation and joy and energy and silent in certain parts where needed. Thank you so much
HR, please get Frang-Herreweghe with hr-SO to play all of Bach violin concertos! J. S. appeared in my dream and told me that he is extremely pleased and he wishes to hear the rest.
Wunderbare Musik grandios interpretiert😊
Merci infiniment pour ce merveilleux cadeau que vous me donnez Ô combien je me sens comblée !
Wonderful orchestra and great soloist! Thank you for all the great videos!
Spectacular playing, and impressive articulation. For me, there's a certain carefree joy to this piece that is diminished at this breakneck speed. So far, my favorite is Oscar Shumsky's recording.
Eblouissante interprétation !! Stunning interpretation !! For me, the best version.
absolutely perfect
Que d'émotions nous fait vivre cette artiste admirable dans ses interprétations brillantes!
BRAVO!!!
Magistrale interprétation bravo !
Maravilloso concierto, una belleza de interpretación!
Great Great Vilde
Bravissima Vilde Frang!
Grand merci !
Absolut klasse!!
Superbe. 1er mouvement jubilatoire !
Mantab 👍 ,, Anda pemain biola 🎻 hebat. Indah dan manis.
She's the best!
What a marvellous version! The Adagio: The violin is so perfect that it seems to be a wind instrument. That melodic line!!! Perfection. Thank you so much!!! P.S: Vilde Frang the violinist who can play beyond imagination.
Muy buena interpretación del concierto para violín y orquesta del maravilloso compositor Bach.
Por qué no traducen los comentarios públicos al idioma Español.Somos muchos los que lo agradeceríamos.Atte.
Thanks
Beautiful ❤
Magnifique
Հոյակապ է, կեցցեք Վիլդե Ֆռանգ! Շնորհակալություն! With admiration, Aleksandr from Armenia
I love it
If you compare this with Hilary Hahns recordings, it has a faster rythm and a much more defined focus on the issue. And yes, this is my personal opinion, so dont attack me for beeing personal. I am just saying that I think Vilde Frang is better than Hilary Hahn in this BWV 1042.
Sehr schön, lieber Chris!
너무나 !
아름다운 바이올린 🎻 협주곡
이 밤 고맙습니다 응원합니다 🌷
Fabulous!
Love!!!
She is very easy on the eyes, too.
Wunderschön, vielen Dank!
I never heard the third movemet Allegro assai at 13:09 sparkle like this, like fire works!
Bravo 👏!!!
Wow!
Bravo! 👏👏😍😍❤️
Magnificent. Thank you.
Wow!!
Vielen Dank!
New reference standard of BWV 1042
C'est du baroque mal assumé , il faut aller au bout des ses convictions, la nous avons un mélange bizarre de vibrato et d 'ornementations hasardeux plus ou moins réussi,et comme la mode l'exige il faut montrer que l'on sait jouer vite au risque de casser la ligne mélodique , C'est du faux baroque et du faux moderne ,sûrement pas de la vraie musique .dommage car c'est une exellente violoniste prise au piège de Bach ,réécouter Szeryng ,grumiaux,etc eux étaient clair dans leurs discours ,ils n'avaient pas besoin de suivre des modes .
@@dominiquedarco8924 vous êtes sévère. Je ne sais pas si c'est du faux baroque, mais c'est de la vraie musique. Un 1er mouvement emballant, jubilatoire, inventif, libéré ! J'y trouve un immense plaisir d'écoute, c'est essentiel.
Monsieur votre avis est tout à fait respectable ,pour ma part et après avoir de nouveau écouté je continue à ne pas aimer cette interprétation ,je ne remets pas en cause le fait qu'elle soit une très bonne violoniste .
@@dominiquedarco8924 Nous n'avons donc pas le même avis.
Et c'est très bien comme cela.
Il n'y a pas de vérité en art. Chacun de nous a sa perception particulière. Nous n'avons ni les mêmes oreilles, ni le même vécu, ni la même attente de la musique.
C'est la diversité humaine, c'est une richesse.
Je vous souhaite de nouvelles émotions musicales, et ce pour la vie. (Quand on est accro à la musique, c'est pour la vie).
Cordialement. / MC
Great rendition of a great piece.
Sublime
Olá rádio feliz ano novo estava sentindo já sua falta obrigado por estar conosco mais um ano estremos aqui sempre ouvindo e apoiando esse belíssimo trabalho também sou musico aqui no Brasil e essa rádio Frankfurt e minha inspiração !!!!
Thanks from Ukraine 💛💙!
Ausgezeichnet gespielt von Vilde Frang und dem Sinfonieorchester des Hessischen Rundfunks.
vielen Dank... ;;~} wonderschön
They're at it again.
That new hair style 😻
I think Bach in his heaven ought to be glad about all our enthusiasm about his work. But I doubt it. He is probably sitting and composing a new oratorium or consert or cantata, and don´t want to be disturbed. But if we send him this Vilde Frang violinconsert he probably will remember it. "Yes, I wrote this long ago, it didn´t turn out so bad". Not so bad at all, we will reply. And probably Bach will like Vilde Frangs playing. If he was not so occupied with this new cantata that shall be played next sunday.
Vilde Frang amazing. 💐But, this violin concerto belongs to Vivaldi. Allegro-Largo-Allegro. Arranged by Bach.
Hereafter must be called/named, BWV 1042 mi Major violin concerto, after Vivaldi.. ❤
Played with ease, and engaging forward motion. Nice.
👏👏
👏👏👏
💕❤💛💚💙💜💞
👍
What can you say about the Adagio that is befitting to its magnificence. Nothing really!
05:39
Curieusement le commentaire négatif que j'avais écrit à disparu ....à la personne qui m'a écrit que mon jugement été sévère je tiens à dire que je respecte son opinion même si je persiste et signe , je continue à ne pas aimer cette interprétation même si je penses que Vilde Frang est une exellente violoniste ......
Ôm!
내가 아마 100번은 들은거 같다...
다른 Player보다 휠 낫고, 오케스트라 연주도 제일 낫다.~*
Vilde Frang's playing with very high musicality is stunning again. The only thing that bothers me is this cresc. - decrescendo. That's annoying. But I'm sure these instructions come from Herreweghe.
this is so new , im old ,I like Julia Fischer better 🥺
Video is an excellent lesson for musicians. Soloist and orchestra are in tune and in sync. Conductor has no real role. He’s embarrassing himself. He may have contributed ideas to the performance in rehearsal but on video it appears he’s dancing despite what the musicians are doing. As a HIP leader he full well knows this music was not conducted.
No, I don't dislike Bach, just this performance. It made me uneasy and put me "on edge", and I don't know why. Was it over-inflected? Romanticized? Was Frang's tone too rough? Was the tempi too fast? Was it some or all of the above? Or am I just having a bad day? Apparently I have the minority opinion here!
Hm, reecouté attentivement... trop obnubilée par le rythme... musicalité douteuse. sorry.
Way too fast....and the dynamics are more suited for Bruch than Bach .
In the past Bach has often been played too slow, rendering to a feeling of beeing in a ditch with no chance coming up from there. In my opinion Bach shall be played with so much "swing" as possible. As here. And the dynamics more suited for Bruch I dont understand.
Se si sentisse anche sarebbe meglio..
Should be played on Baroque instruments...
Csodálatos éteri előadás, súlyos szépséghibával: A végén az a megalázó fekete maszk mindent lerántott a mocskos valóságba. Különösen, hogy az egész zenekar maszk nélkül volt , csak pont a szólista szégyenült meg. Szomorú, szánalmas és felháborítóan megalázó.
She played with too much legato throughout and thus reducing clarity and crispness. Her bowing technique is probably the problem. Strange interpretation. Lastly, putting a mask on at the end doesn't make sense as she'd had it off during the performance. It just looks ridiculous.
How anybody thinks the violin sounds good played without vibrato is beyond me. It sounds acidic and the poor instrument can no longer sing or produce any tone. It is about time that more people started to resist the original instrument orthodoxy.