Analog Mastering #04 | Introducing Compression in Mastering. How Far Is Too Far and How to Tell?
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- เผยแพร่เมื่อ 7 ต.ค. 2020
- Exploring different paths from point A to point B is a great way to learn your tools and train your ears. In this video, Reuben Cohen shares his impressions after hearing different combinations and types of compression. He also walks us through his decision-making process to obtain maximum sonic impact and size on a rock song.
Track: Shotgun by The Gitas
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Track mixed by JP Berreondo
#mastering #gavinlurssen #reubencohen #lurssenmastering #mixing #audio #musicproduction
Thank you! This is a master class from the masters! Thank You Gavin and Rueben!
Glad you enjoyed it!
Love all of these videos. Keep em' coming.
More to come!
Super cool. Love the different variations. I can really hear the difference. Very helpful
Glad you like it!
Thanks a lot for the detailed explanation.
Glad you liked it
i love the balance of the mix and mastering process
awesome to get to watch your process like this
More to come!
these videos are gold! if it's not too much to ask could you please elaborate on that first track on your pt session? or even do a video about converters/headroom calibration . thanks
Great topic. We will add this to the list of topics for videos.
The first track on the PT session is a 1 kHz printed at a specific level that we use to calibrate and measure our equipment. We mostly use it to get and document settings of the A/D level. We'll go over more details about this on the video. Thank you for watching!
@@LurssenMastering looking forward to it, i really need help with this in order to get the most out of my analog gear and a/d . i also wanted to ask if there is a particular reason for using multiple converters (ie uad d->d benchmark pitching ,capturing with mh and again d->d benchmark? ) except for src independency . thanks in advance for your time and effort you put in these videos
Bio
Rich. Thanks!
I loved the analogy about gravity in minute 9:54. I always have the 125Hz side chain in when passing audio throguh my MBP here at home
Thanks for this
knowledges
Glad you like it
Amazing video! Learning about your unique approach to mastering, and trying out the LMC plugin, has been eye-opening. My question is, I understand you work with the tube and Solid state EQs side by side. Is there a particular reason you choose to use the EAR EQ for the boosts going into the Shadow Hills? Because that would mean that the chain is Solid state EQ - Tube EQ - SH Comp - rest of chain. Is that your preferred order? Or are there times you do these sidechain boosts with the Solid state EQ?
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@Kyng Ronin happy to help :)
That mix already has a metric ton of compression on it..
Awesome videos! Correct me if I'm wrong but... the Shadow Hills is not a a tube compressor, is it?
I thought this as well, no tubes as far as I know in the SH.
You are absolutely correct. It is not a tube compressor, it has optical and a discrete compression sections. It does have a magic eye tube indicator and thats the reason why we got used to call it a tube compressor, but it's technically wrong. Apologies for not clarifying that on the video, thank you for catching that and for watching our videos. We will make a video on how we dial the settings on our Shadow Hills compressor, stay tuned.
@@LurssenMastering Thanks to you guys for your videos! You can call it the way you want because you rock. Big hug from Barcelona
@@victorgarcia6912 abrazo!
@@LurssenMastering yeah, curious to hear what you guys like about the SH, and what you'd say it's strong points are.
Are you printing every time you add something?
This dude remastered Metallica's black album. Kudos!!
im producer, i got lot of experience of mixing and master but im not audio engineer
Whatsapp im from mozambique & im enjoying ur lessons
costco cheese pizza > costco hotdog