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. Well, the motive to purchase one over the other differs by intended use. AE's look at gear choices as tools for a job. No one is going to find a Mola Mola Tambakee DAC in a mastering booth whereas Mr. Deepockets thinks it looks impressive on a glass shelf. Same with active/passive monitors. Decision making regarding cash outlays for business equipment acquisitions are made with quite different weights than a residential consumer. Tools and equipment may be expensed and/or depreciated on profit/loss statements, tax filings etc., etc. If a business owner chooses gear with the same considerations as a consumer, then they won't be in business long. Acid Jazz, Funk & Brass 🔈🔉🔊

What is the main piece you’re working with?

Awesome! Rueben is the man. Also - I read "Taco Tuesday" for some reason. No complaints though! Three of my favorite things, Tacos, Fairchilds (Fairchildren?), and Reuben :)

Great video. So how wide is the Q on this Lursen mastering EQ (how wide is the curve, shape ...) so that gives that perfect sound and 3KHZ influences with crossover frequencies 60 HZ and 6KHZ 120HZ? I wan't to replicate the same "curves" (Q settings) on different mastering EQ's, so I don't go too wide or too narrow ... I like Lursen mastering console stand alone plugin , but there's no info about crossover frequencies and shapes of the Q on 60 120 3 6 and 10KHZ ... I know it's reverse smiley concept that is top notch but what are the specifics of that smiley face? 60 and 10 khz form (I'm guessing) downward slope shape curve, 120 is how much Q wide bell, shape, 3 khz etc. ? if you can answer that it would be great. Everything else is known, this is still an enigma, haha

What do you think of voxengo teote

Would love to see a comparison of that one versus the Pulsar one. Was in love with the UAD version since the Pulsar come in.

Love these short videos. The vocal levels are very low and roomy, would suggest to up a bit. Keep up the good work!

No gimmicks.. something that just does the job

Thanks for sharing that

Is it 2004???

👍

You use it in mastering?

Amazing - I'll watch any video you guys put out. I have been inspired by your signal flow in particular. EQ into Vari Mu; In this case instead of going with the Manley (which I also adore) I went with the Thermionic Culture Phoenix. Lovely unit, very rich and hi-fi. Big low end extension, neutral mids, and slightly hyped up top end. Sowter xformers. As much as I love it - I still also would love to have a Manley on hand too, since the flavors are quite different. Phoenix is a bit more groovy in its action, but it has insane headroom. Love Manley for its box tone and the "warm hug" it imparts. Thanks for this!

My take away from this: no recall - and if you use hand gestures, it will sound better

0:59 glitch?

I've worked with reel to reel decks since I was 15 years old when I worked at my first job in radio. I'm 61 now. I've never seen a deck where the REC head was on the left, and ERASE head was in the center! ???

Ihave dout sir... in the mix i using protools and luna,logic, where i want to put the lurseen plugin in the mix or master track...volume increse and down adjust also plse....

Could you do a series where viewers send you masters of their own work, and you can review them and point out how to improve? Thanks!

Guys what's wrong with you, where is Lurssen Mastering console 2 ? We are waiting

THIS IS SOO TRUE!

Pushing into the compression, great, however, what are the settings on the compressor?

So he is advocating using a Neve plugin on all tracks to achieve the cumulative analog feel? His recommendations are unclear.

Out now: 825Q style EQ by IGS gearspace.com/board/new-product-alert/1427756-igs-audio-825eq-tube-mastering-eq.html

Good stuff!

This was fantastic, thank you so much Gavin! 😊🙏🏻

please consider a gain compensation in a update and visual limiter reduction meter.

I’m curious if you still employ the C1 Compressor post Manley? Or do you pull the C1 out when using the Manley?

Have you tried the Unisum Mastering Compressor? It's insane

cool

🔥🔥🔥🔥

Hi I was wondering if you’d have any idea why my 2 inch machine isn’t erasing fully. After aligning the machine both repro and record I can get a good strong recorded signal but I’ll still hear what was previously recorded. I.e. the alignment tones. On some tracks it’s more faint and on others it’s louder. What is the cause of this? Is the amount of erasure linked to how much you over bias? Is it just supposed to not erase fully? I don’t understand how punch in and overdubs could be done if that was the case. I’m a 20 year old starting an all analog studio in Ireland (a very small country) in 2024 so as you imagine I’m clueless as to where I’d even begin to find this info. I mean finding the correct nwb/m for the basf 468 tape I have was hard enough and I still don’t know if it’s right! Help

'PromoSM' 😇

Great video. I've learned a ton from you guys! 🤘

Thanks! SSL Fusion HF Compressor Plug-in seems to be made to do the kinda the same.

Awesome tip! Thank you! On the proDS are you on the wide band mode?

where is your low cut on the camera audio? ;)

Shallco Inc. stepped audio attenuators. Blueglow Electronics has a brief and simple video about stepped attenuators.

Hi! is there something similar to buy or is it custom built that applies?. Best/Mathias

thank you. is it possible to buy that unit ?

so density and connection is the key point

So you recommend limiter rather than compressor in vari mu? thank you.

Are you printing every time you add something?

The crazy thing about the Manley vari mu is how awesome it sounds with all the settings at noon, in m/s with the settings unlinked

Really interesting! Too bad the noise of keyboards and the clicks that we hear in the background which distracts the subject quite a bit

Always great to hear you talk. Blooming my mix really changed my game.

Thanks Stevie Dude ;)

Can’t believe this trick actually works as well as it does.

Does it have a name?

Techo Tuesday! 🌮 🔊 yay! 😂