The only guitarist in the world that can play that song that fast and still interpret it beautifully. To stay in the groove at that speed is world class.
This is the best interpretation I have heard of this suite on guitar. I've had the privilege of playing for David in three different master classes. He's a great teacher. This man just owns everything he does. Even when demonstrating passages for myself and the other students every time the sound was pure magic. Very kind and enjoyable person, but he's just on another level.
De ninguna manera existe un interpretación de este suite más grande, más majestuoso. Eso es lo mejor de todos. Si fuera todavía vivo el maestro José Tomás [nuestro professor en Alicante ya hace muchos años] él estaría perfectamente de acuerdo!
Three years later: here I am, thinking the same exact thing. I also never heard a guitar with this beautiful cembalo-like sound quality before. BTW, your cat looks familiar. I think I saw you around on a cat channel. Maybe Maru, or Catmantoo, or Robin Seplut, or perhaps one of the many others . . .
MAGNÍFICO, IMPRESIONANTE, BELLÍSIMO....ME TRAJO UN MONTÓN DE RECUERDOS DE MI QUERIDO CAPILLA DEL MONTE, EL PROFESOR BERTTODATTI, YNUESTRA HERMOSA JUVENTUD, RODEADA DE JÓVENES ENTUSIASTAS POR LA MÚSICA DE GUITARRA
I guess if god has laid his hands on his eyes when he was born, there is this great magic on his hands, I've heard a lot of great players but he is always 3 notch above everyone else, my favourit guy to listen to at any time, "god, I pray to make him live for long".
Peerless. Easily one of the best, if not the definitive performance of this piece. Bream is my all-time fav. guitarist generally, but Russell outclasses him on this one.
Genial! Justo estaba necesitando una versión completa de esta suite, y que mejor de este Maestro! Veremos como me sale el Minuetto 1, muchas gracias, un abrazo!
The modern guitar did not exist when Bach lived (1685-1750). The first versions of the modern classical guitar were created about 1850 +/- a few years. The lute was the next closest available instrument -- eg; there is nothing written by JS Bach that was written [or transcribed] for guitar. It all came from lute suites, cello suites, violin pieces, etc.
@@frededberg6893 I would say Baroque guitars, which existed in the early 1600s and possibly earlier, are closer to modern classical guitars than lutes.
De nada...yo también la estoy practicando pero no encuentro una transcripción que me convenza.Me podrías sugerír alguna?o si pudieras pasármela mejor...un abrazos...!!!
137uc14 Ya viste la de Frank Koonce? Realmente no existe una transcripción mejor o peor que otra en el caso de que la composición no sea original del instrumento, sino aquella que más se adecue a tus expectativas. Este preludio es complicado por donde se lo mire jaja
I have always loved high williams rendition as recorded at the Alcazar palace however this one is giving it a run for its money as my favorite. Most people play this way too fast for my taste.
no estoy completamente seguro de esto..según historiadores, fue originalmente concebida para violín y transcrita mas tarde para Laud por el propio Bach (es.wikipedia.org/wiki/Partita_para_viol%C3%ADn_solo_n.%C2%BA_3,_BWV_1006)
Efectivamente como dice el sujeto del comentario anterior. Bach la compuso originalmente para violín después el mismo hizo una transcripción para un amigo suyo que tocaba el laúd.
I love Russel, and I think he's a great person and musician. But he generally rushes too much in these recordings, especially in 1006a. Or at least he puts himself on the front end of the beat repeatedly, probably on purpose, and I find it makes me anxious.
LMAO, you apparently do not understand the difference between fast and rushing. Glenn Gould is "fast." Hillary Hahn is "fast." Russel is rushing. LIKE I SAID, I respect Russel tremendously. If you want to hear a guitarist playing this "fast" and not rushing, check out Manuel Barrueco, or John Williams.
Rob Watson no my friend, it’s you who doesn’t understand. He’s playing it fast and everything is fully under control. So long as he’s able to play flawlessly and he’s phrasing well, you cannot say he’s rushing. But yes I agree that Williams playing this piece is probably the best performance I’ve seen in my life.
@@PianoOwl Man I really disagree with you. SO many instances of rushing to the end of phrases, I can count a few just in the Loure. I perform this suite, on guitar, currently, and from memory. So I'd at least say I have some credibility...
@@PianoOwl Williams is for sure a legendary virtuoso. Russell's tone is superior to me. Something about Williams' tone keeps me from favoring him Can I say tinny? Thin? That's the closest I can explain it.
The only guitarist in the world that can play that song that fast and still interpret it beautifully. To stay in the groove at that speed is world class.
Agreed
David Russel is one of my favourite guitarist
Humble , joyous always in concerts and conducting master class with his students
This is the best interpretation I have heard of this suite on guitar. I've had the privilege of playing for David in three different master classes. He's a great teacher. This man just owns everything he does. Even when demonstrating passages for myself and the other students every time the sound was pure magic. Very kind and enjoyable person, but he's just on another level.
Faço de suas palavras as minhas.
Thank you for this wonderful post.
De ninguna manera existe un interpretación de este suite más grande, más majestuoso. Eso es lo mejor de todos. Si fuera todavía vivo el maestro José Tomás [nuestro professor en Alicante ya hace muchos años] él estaría perfectamente de acuerdo!
David Russell is pure talent and discipline. Such a great musician.
I attended a recital by Maestro Russell a couple of years ago. If he isn't the best classical guitarist in the world then he is certainly a contender.
Nowadays he has taken the mantle IMO, Isbin is right there but his master classes and video tutorials are also excellent such a gracious man.
I've never heard this guitarist before today. Oh, what I have missed!
Three years later: here I am, thinking the same exact thing. I also never heard a guitar with this beautiful cembalo-like sound quality before. BTW, your cat looks familiar. I think I saw you around on a cat channel. Maybe Maru, or Catmantoo, or Robin Seplut, or perhaps one of the many others . . .
Such a uniquely wonderful musician is this man.
MAGNÍFICO, IMPRESIONANTE, BELLÍSIMO....ME TRAJO UN MONTÓN DE RECUERDOS DE MI QUERIDO CAPILLA DEL MONTE, EL PROFESOR BERTTODATTI, YNUESTRA HERMOSA JUVENTUD, RODEADA DE JÓVENES ENTUSIASTAS POR LA MÚSICA DE GUITARRA
Hands down, one of the best classical guitar albums ever recorded.
Magnificent performance and recording. All the wit, grace, and precision of the Baroque, but none of the fussiness of most performances of this piece.
Bravo in tutto quello che fa; mi piace come artista e mi è simpatico come uomo.
la grande classe, interpretation magistrale de bach avec l'esprit baroque adécuat! five stars.
Thank you so much
I guess if god has laid his hands on his eyes when he was born, there is this great magic on his hands, I've heard a lot of great players but he is always 3 notch above everyone else, my favourit guy to listen to at any time, "god, I pray to make him live for long".
gracias por compartir este material!!
Una maravilla, simplemente Russell.
Es la suite 4 y es para Laúd :)
Perfection
Peerless. Easily one of the best, if not the definitive performance of this piece. Bream is my all-time fav. guitarist generally, but Russell outclasses him on this one.
david russel y ana vidovic los mejores
бах+рассел - это нечто!
Genial! Justo estaba necesitando una versión completa de esta suite, y que mejor de este Maestro! Veremos como me sale el Minuetto 1, muchas gracias, un abrazo!
Espero que te haya salido bien el Minuetto 1
Hey, he actually interprets the piece, instead of seeing how fast he can play it.
the guitar transcription was transcritped by Bach himself?
No.It´s David Russell´s transcription.
The modern guitar did not exist when Bach lived (1685-1750). The first versions of the modern classical guitar were created about 1850 +/- a few years. The lute was the next closest available instrument -- eg; there is nothing written by JS Bach that was written [or transcribed] for guitar. It all came from lute suites, cello suites, violin pieces, etc.
@@frededberg6893 I would say Baroque guitars, which existed in the early 1600s and possibly earlier, are closer to modern classical guitars than lutes.
Siempre bach
entrevista con DAVID RUSSELL th-cam.com/video/OGBo8VPHG8o/w-d-xo.html
De nada...yo también la estoy practicando pero no encuentro una transcripción que me convenza.Me podrías sugerír alguna?o si pudieras pasármela mejor...un abrazos...!!!
137uc14 Ya viste la de Frank Koonce? Realmente no existe una transcripción mejor o peor que otra en el caso de que la composición no sea original del instrumento, sino aquella que más se adecue a tus expectativas. Este preludio es complicado por donde se lo mire jaja
I have always loved high williams rendition as recorded at the Alcazar palace however this one is giving it a run for its money as my favorite. Most people play this way too fast for my taste.
Barrueco's version is also a great one...
Share this with Jeremy
a king
Entrevista al grande David Russell th-cam.com/video/OGBo8VPHG8o/w-d-xo.html
Violin? no lute
Es original para laúd, no para violín
no estoy completamente seguro de esto..según historiadores, fue originalmente concebida para violín y transcrita mas tarde para Laud por el propio Bach (es.wikipedia.org/wiki/Partita_para_viol%C3%ADn_solo_n.%C2%BA_3,_BWV_1006)
Efectivamente como dice el sujeto del comentario anterior. Bach la compuso originalmente para violín después el mismo hizo una transcripción para un amigo suyo que tocaba el laúd.
Very close to as good a musician as Bream
Lineare, limpido..
I love Russel, and I think he's a great person and musician. But he generally rushes too much in these recordings, especially in 1006a. Or at least he puts himself on the front end of the beat repeatedly, probably on purpose, and I find it makes me anxious.
Rob Watson lmao it’s originally a violin piece. It’s meant to be fast.
LMAO, you apparently do not understand the difference between fast and rushing. Glenn Gould is "fast." Hillary Hahn is "fast." Russel is rushing. LIKE I SAID, I respect Russel tremendously. If you want to hear a guitarist playing this "fast" and not rushing, check out Manuel Barrueco, or John Williams.
Rob Watson no my friend, it’s you who doesn’t understand. He’s playing it fast and everything is fully under control. So long as he’s able to play flawlessly and he’s phrasing well, you cannot say he’s rushing. But yes I agree that Williams playing this piece is probably the best performance I’ve seen in my life.
@@PianoOwl Man I really disagree with you. SO many instances of rushing to the end of phrases, I can count a few just in the Loure. I perform this suite, on guitar, currently, and from memory. So I'd at least say I have some credibility...
@@PianoOwl Williams is for sure a legendary virtuoso. Russell's tone is superior to me. Something about Williams' tone keeps me from favoring him Can I say tinny? Thin? That's the closest I can explain it.