He is still approaching advanced theory to his audience and treating them all as beginners, in addition to being careful about delivering his insights properly. That's how teachers should be like.
Modal theory is entirely appropriate to be taught to beginners, as it's foundational knowledge. But it has to be taught well, simply, and clearly. And NewJazz does this better than anybody else! If I had learned theory, including modes, PROPERLY in my first years of learning music, I would be a very different, and far better player.
This is exactly what I'm looking for! Instead of listening to someone talk for 30 mins with maybe 30 seconds of practical examples. You go straight in and demonstrate the theory in practice accompanied with very clear explanations!
You're awesome. I'm so grateful your TH-cam channel exists. I like that you're making these videos for the sake of sharing musical knowledge without trying to monetize it. It's for the sake of sharing joy with others, and that's beautiful. You're the best, Oliver.
Dear Oliver... I am an absolute beginner on the piano. I deal with the theory of scales, modes and chords and practice "blind" playing to get to know the keyboard properly. Your ESSENTIAL IMPROVISATION EXERCISES, for example, help me to orientate my hands... after a few weeks of diligent, focused practice, I'm almost fast and wellplaying enough to add the third finger. Very very nice... Sometimes I accidentally play "wrong" notes while practicing scales and modes... "oh - a wrong note! But it sounds good and interesting too..." With the help of your explanations, I think I have now understood that there is more than just the basic harmonies and that every "wrong" note used consciously can be just right to create other beautiful timbres... Your videos are great in content and presentation. Your videos show attention and love to detail and suggest a great deal of effort went into their creation. I like the optical design - simple, clear, cool... Being able to see your hands as you play and the relevant keys/notes/tones marked with dots... very nice. Your pleasant and easy to understand voice... all in all wonderful lessons. You're helping me a lot to gradually find my way around music theory, which seems so complex to me. Thanks! Thanks! THANKS A LOT OLIVER!!! Warm regards... Mario 🙏🌼💛🚀
I've fallen in love with Harmonic Minor "sound spectrum", and you have just expanded it by 7! Fantastic. Not sure if scales fit one's personaity but I have been mucking around learning more about with scales and now I am trapped for awhile I think with Harmonic Minors. Thanks Oliver.
Fabulous... I can't imagine that subject matter could be explained any easier thus made so memorable so quickly. I wish someone had explained it that way to me some 40 years ago. Better late than never. Thank you so much.
Everytime I am astonished by your generosity Oliver. Sometimes I even think we don't deserve you, you are so wonderful. Hugs from Madagascar with my best regards!
Thank you so much for sharing this beautiful and truly inspiring content and refreshing perspective! So nice to hear you achieved your goals on Patreon, truly deserved!
Wouahh, once more - a superbe lesson... Wil take my busy some times to grasp all of it... But as always, Oliver, our Jazz Master, is making this somehow hard to learn, accessible and integrated into a Jazz learning curve. What can I say... This is the best place to learn, get challenge and enjoy the music. Perfect, as always ! Thanks SO much Oliver...
Such a nice video! Great explanation! Even though I don't play piano, this video is super helpful to explore harmonic minor modes on guitar. Thank you!!! Probably the best explanation for this topic on TH-cam.
Thanks for another great lesson Oliver, I think I prefer your names for the scales rather than the common ones. They're way more logical! Really enjoying your lessons as a guitarist trying to improve my grasp of theory.
This is great. I think of scales and modes as the language of music, once you know it you can convey any emotion that comes to mind. Western music really lacks a variety of scales. So much more emotion when you branch out to other more uncommon modes and scales
I love this lesson and you. Thank you so much for your clear explanations. I think one of the things that make the modes so difficult are the strange names and trying to remember their order. Take care.
THANK YOU so much Mr Oliver Prehn, I be waiting for this. Maybe after this, in future, you can consider to elaborate harmonic major. Your lesson are really GOLD.
Merci Oliver, tu as changé ma façon d écouter et de sentir la musique, c incroyable de voir à quel point ton approche est simple et belle, tu es très pédagogue et très humble malgré ton excellent niveau musical, bravo et merci encore tu m as donné du goût pour le piano!!
this is exactly what I needed right now, thank you! I'm getting more comfortable with harmonic minor (aeolian #7 sounds cooler though!) And also phrygian dominant since its used widely in rock/metal guitar. It seemed about time to get the other modes of harm min under my belt. Thanks for this excellent lesson!
brilliant! this is not the 1st time i encounter the #1 degree trick, but makes perfect sense with the harmonic minor modes matrix. and if we apply this trick to double harmonic scales, we get #1 degree twice: Aeol #7 #4 Locr #6 #3 Ion #5 #2 Dor #4 #1 - one Phr #3 #7 Lyd #2 #6 Mix #1 #5 - two
Bonsoir Olivier, cela fait un petit moment que je te suis et j'apprécie ta manière d'expliquer comment faire l'ajustement entre les différentes échelles et les sons que l'on peut en tirer. Merci aussi pour ton anglais impeccable et ton débit lent qui permet de te comprendre presque sans les sous-titres. C'est un gros avantage pour te suivre. Á bientôt pour la suite..........
Terrific explanation! I play guitar but these examples on piano, and your soothing voice and clear graphics, are really helpful for learning these scales!
Put together the great "Music Wheel". Plasticised both bits cut them out and I just hold then together in desired setting with "Blutac". ;) Thanks to the creators. I have begun exploring the various scales with C root. Very instructive about modes of scales. Played the Lydian #2 after the Phryg. Maj. - totally different atmosphere, and so interesting harmonies.
You did a very smart and a very inteligent thing that you have placed those dots on the keys during the entire video. Thus it was easy to follow you. Great job🙏👍
Hi again ! I already commented this video a month back, but now that I have practiced this I must say how surprised these shortcuts with the major triots are really changing the sound I play !!! When practicing and improving my skills the techniques, I was wondering if this was really me playing this music... And yes this was me playing but GUIDED by your teaching, dear Oliver ;-) thanks again...
Hello Oliver, I live in Cuernavaca Morelos México, I'm your fan #1 my great teacher, super great lessons, thank you very much, hold you to the distance...!!!!
That was a fast response to my request. Thanks I don't even play piano this is very helpful applied to guitar it expands knowledge to approaching bossa nova and flamenco style jams. Thanks a lot!!
There is a lot of good material in this lesson. I recommend you watch the whole thing at 1.75X speed to get the gist and then go back to more thoroughly review key points at normal playback speed.
Let me start by saying I regard you as being my Improvisation Teacher, All the Grips that I use purpose and understanding came from you. The Grips are so important to me because I can't read music and the Grips has allowed me to have a simpler understanding of Scales - Modes. While I see many videos on Melodic Minor and the Hand Grip that's associated, I only see one video on the Harmonic Minor but not a lot about its Hand Grip for the Left and Right hand. Would you be so kind to point out other videos with the Harmonic Hand Grips that I'm over looking. Thanks, Keep up the Great Work. Best Regards
Hi and thank you so much :) I guess I still need to make lessons about that - but I have so many requests - I'll have it in mind for sure :) Best regards from Oliver
at 26:00 mixolydian sharp 1 for instance I refer to white keys for a better understanding f to f is mixolydian in C Major so just sharp the f# to f. study the formula, learn the tetra chords. Now you are ready to learn it in other keys
there are also some cool symmetric dim and augment patterns available in these harmonic minor modes (dividing the octave in 3 and 4 equal parts). very useful for base and guitar because they are quite visual on those instruments. nice improv pattern is for example: go up in augmented shapes and go down in tritone shapes (or vice versa, there are two tritone shapes to shift the pattern around.. it sounds far out while still playing the notes of the scale).
Your work is very inspiring, I started to learn the piano because of you, and it works, thank you very much. One question though: is there a handgrip for playing the harmonic major modes?
Excelent Oliver! Thanks!!! Just a comment about subtitles...they doesn't let see the key your are playing and showing as...! May be there is a way to put subtitles elsewhere!.
hello fantastic Mr Prehn ! Thank you so much for your brilliant lessons ! (little question : what instrument do you use to have the drums and bass accompaniment?)
Hi and thanks a lot :) :) :) Drums: www.native-instruments.com/en/products/komplete/drums/studio-drummer/ Bass: www.native-instruments.com/en/products/komplete/guitar/scarbee-jay-bass/ Cheers from Oliver
The Phrygian #3 (Phrygian Dominant) is also the widely known exotic scale the "Spanish Gipsy" scale, known by different names from Japan, through northern Indian Raga music, eastern Europe and around the Middle East, (Jewish and Islamic) and in Portugal and Spain influenced by the Moors. It is a beautifully expressive scale, one of my favorite. And so the whole Harmonic minor scale modes will reflect it. And they in turn arise from the church modes > major and minor, full circle. :)
Thank you so much for your very generous voluntary “super thanks” donation - you help keep me going for sure!!! I'm very grateful :) :) :) Best regards from Oliver
Now what do you learn after the melodic and harmonic minor modes? Are there other modifications of the major scale or simply whole other scale systems which are as musical as these but we haven't heard off?
We still miss to review the harmonic "Major" modes. Play the harmonic minor scale and lift the third step - and then we got 7 degrees of that scale to explore. With the 7 church modes and the 7 mel. mi modes and the 7 harm. mi modes and the 7 harm. Ma modes we actually cover up all the regular 7 note scales. By regular I mean that these simple conditions must be respected: 1) the scales consists of half, whole and 'whole+half' steps 2) half steps can not be neighbors 3) 'whole+half' steps can not be neighbors 4) whole and 'whole+half' steps can not be neighbors So if we respect these simple mathematical rules we got 4*7=28 different scales :) Best regards Oliver
@@NewJazzAm touched by the way you teach. I have just learned that scales could be made very interesting & you inspire people at any age to get back and play, even an octogenarian. Thank you!
A better way to find the two Major triads in the these modes would be to find the augmented note and it's the two intervals below that, as the root of the Major chords.
breaking up the Phrases..thats Great!! And Alt/Dombb7 great Scale for dim Chords. Like it more then the symetrical Half-Step/Whole-Step Scale. Harm.Minor, Mel.Minor.. like Planets on our Universe, some how..:) Thx to the Equal-Tuning.
He is still approaching advanced theory to his audience and treating them all as beginners, in addition to being careful about delivering his insights properly. That's how teachers should be like.
Agreed. Well said.
Modal theory is entirely appropriate to be taught to beginners, as it's foundational knowledge. But it has to be taught well, simply, and clearly. And NewJazz does this better than anybody else! If I had learned theory, including modes, PROPERLY in my first years of learning music, I would be a very different, and far better player.
This is exactly what I'm looking for! Instead of listening to someone talk for 30 mins with maybe 30 seconds of practical examples. You go straight in and demonstrate the theory in practice accompanied with very clear explanations!
You're awesome. I'm so grateful your TH-cam channel exists. I like that you're making these videos for the sake of sharing musical knowledge without trying to monetize it. It's for the sake of sharing joy with others, and that's beautiful. You're the best, Oliver.
Thanks a lot for your very nice message :) Warm regards Oliver
You was born to teach music. Amazing class. Keep on. Peace.
I honestly cant thank you enough. Your whole channel is everything any pianist could ever need!
Dear Oliver...
I am an absolute beginner on the piano. I deal with the theory of scales, modes and chords and practice "blind" playing to get to know the keyboard properly. Your ESSENTIAL IMPROVISATION EXERCISES, for example, help me to orientate my hands... after a few weeks of diligent, focused practice, I'm almost fast and wellplaying enough to add the third finger. Very very nice...
Sometimes I accidentally play "wrong" notes while practicing scales and modes... "oh - a wrong note! But it sounds good and interesting too..."
With the help of your explanations, I think I have now understood that there is more than just the basic harmonies and that every "wrong" note used consciously can be just right to create other beautiful timbres...
Your videos are great in content and presentation. Your videos show attention and love to detail and suggest a great deal of effort went into their creation. I like the optical design - simple, clear, cool... Being able to see your hands as you play and the relevant keys/notes/tones marked with dots... very nice. Your pleasant and easy to understand voice... all in all wonderful lessons.
You're helping me a lot to gradually find my way around music theory, which seems so complex to me.
Thanks! Thanks!
THANKS A LOT OLIVER!!! Warm regards... Mario 🙏🌼💛🚀
Great. Thanks for your really nice comment and feedback :) Best regards from Oliver
Having had a few semesters of music theory, I am grateful for a simplified, mode central, method to think about Harmonic Minor.
Great lesson. As a guitarist I find this very helpful. You have a great way of explaining too. Great teacher.
I've fallen in love with Harmonic Minor "sound spectrum", and you have just expanded it by 7! Fantastic.
Not sure if scales fit one's personaity but I have been mucking around learning more about with scales and now I am trapped for awhile I think with Harmonic Minors. Thanks Oliver.
Fabulous... I can't imagine that subject matter could be explained any easier thus made so memorable so quickly. I wish someone had explained it that way to me some 40 years ago. Better late than never. Thank you so much.
Everytime I am astonished by your generosity Oliver. Sometimes I even think we don't deserve you, you are so wonderful. Hugs from Madagascar with my best regards!
Thank you so much for sharing this beautiful and truly inspiring content and refreshing perspective! So nice to hear you achieved your goals on Patreon, truly deserved!
This video is genius. I've subscribed. If all your videos are as good I'm gonna be blown away.
Thank you.
Really Thank You.
Luv and Peace.
Wouahh, once more - a superbe lesson... Wil take my busy some times to grasp all of it... But as always, Oliver, our Jazz Master, is making this somehow hard to learn, accessible and integrated into a Jazz learning curve. What can I say... This is the best place to learn, get challenge and enjoy the music. Perfect, as always ! Thanks SO much Oliver...
Thanks a lot for your very nice message 😊😊😊
Best instructional video for harmonic minor in the internet!
Thanks a lot mate!
Genuinely love your channel, and modal adventures. Thank you, from Texas.
Such a nice video! Great explanation! Even though I don't play piano, this video is super helpful to explore harmonic minor modes on guitar. Thank you!!! Probably the best explanation for this topic on TH-cam.
In addition to being incredibly educational, this was also so pleasant to listen to. Thank you.
Love the sharp #1! Clearly shows the raised interval across all modes to compair with ease. Great thinking.
The exotic sounding accent of the narrator fits perfectly with the exotic sound of these scales.
I love it too!
Thank you so much for this detailed lesson.. this is unbelievable that you are providing such lessons for free..
To think there are so much more scales we don't even appreciate.
Correct - it's a huge world of sound to explore....
As a long time noodler on the piano, this is about to be life changing. Thank you for this lesson!
Thanks for another great lesson Oliver, I think I prefer your names for the scales rather than the common ones. They're way more logical! Really enjoying your lessons as a guitarist trying to improve my grasp of theory.
This is great. I think of scales and modes as the language of music, once you know it you can convey any emotion that comes to mind. Western music really lacks a variety of scales. So much more emotion when you branch out to other more uncommon modes and scales
I love this lesson and you. Thank you so much for your clear explanations. I think one of the things that make the modes so difficult are the strange names and trying to remember their order. Take care.
Tremenda explicación...siempre veo tus videos...super importantes para todos los instrumentos...yo como bajista...los super utilizo...gracias
Wow, his simplicity is mind boggling. Brilliant video!
This is by far your most useful and instructive lesson of all you teached. Thanks for that!
THANK YOU so much Mr Oliver Prehn, I be waiting for this. Maybe after this, in future, you can consider to elaborate harmonic major. Your lesson are really GOLD.
Merci Oliver, tu as changé ma façon d écouter et de sentir la musique, c incroyable de voir à quel point ton approche est simple et belle, tu es très pédagogue et très humble malgré ton excellent niveau musical, bravo et merci encore tu m as donné du goût pour le piano!!
Thank you so much!!! Warm regards Oliver
your lessons to me are unique outstanding inspiring advanced and understandable. Thank You😊
What a beautiful way to teach music theory. Love you man.
thanks lot sir. the way u taught it so fluently like most of us could understand is absolutely amazing. This is a true treasure.
this is exactly what I needed right now, thank you! I'm getting more comfortable with harmonic minor (aeolian #7 sounds cooler though!) And also phrygian dominant since its used widely in rock/metal guitar. It seemed about time to get the other modes of harm min under my belt. Thanks for this excellent lesson!
brilliant!
this is not the 1st time i encounter the #1 degree trick, but makes perfect sense with the harmonic minor modes matrix.
and if we apply this trick to double harmonic scales, we get #1 degree twice:
Aeol #7 #4
Locr #6 #3
Ion #5 #2
Dor #4 #1 - one
Phr #3 #7
Lyd #2 #6
Mix #1 #5 - two
Bonsoir Olivier, cela fait un petit moment que je te suis et j'apprécie ta manière d'expliquer comment faire l'ajustement entre les différentes échelles et les sons que l'on peut en tirer.
Merci aussi pour ton anglais impeccable et ton débit lent qui permet de te comprendre presque sans les sous-titres.
C'est un gros avantage pour te suivre.
Á bientôt pour la suite..........
This is exactly what I was looking for. Thank you for a wonderful lesson.
Thank you for such a good lesson. I've never been able to understand this but now it makes perfect sense. I am so glad i came across this channel.
dude... you´re A - WE - SO - ME !!!!! 🤯 this just freacking amazing. Definitely, you´re world top 1 on advanced musical theory.
I am a beginning music student and I want to learn. This is blowing my mind. I think it is very powereful.
Terrific explanation! I play guitar but these examples on piano, and your soothing voice and clear graphics, are really helpful for learning these scales!
Fantastic teach style. Every thought follows from the previous thought. I love the incremental arrival at the Locrian #6.
Put together the great "Music Wheel". Plasticised both bits cut them out and I just hold then together in desired setting with "Blutac". ;) Thanks to the creators. I have begun exploring the various scales with C root. Very instructive about modes of scales. Played the Lydian #2 after the Phryg. Maj. - totally different atmosphere, and so interesting harmonies.
So above my level yet so approachable. Wonderful content!
I’ve always had a weakness for the Locrian #6. It sounds like home but a home I’ve never been to. It’s hard to explain. ❤️
Thanks, master, for your explanation, and for the surprising discover about the relationship among modes.
You did a very smart and a very inteligent thing that you have placed those dots on the keys during the entire video. Thus it was easy to follow you. Great job🙏👍
Hi again ! I already commented this video a month back, but now that I have practiced this I must say how surprised these shortcuts with the major triots are really changing the sound I play !!! When practicing and improving my skills the techniques, I was wondering if this was really me playing this music... And yes this was me playing but GUIDED by your teaching, dear Oliver ;-) thanks again...
LOL - GREAT :)
Hello Oliver, I live in Cuernavaca Morelos México, I'm your fan #1 my great teacher, super great lessons, thank you very much, hold you to the distance...!!!!
thanks this video I've rediscovered these enigmatic scales. Great video!!!
Thanks :) It's fun to explore scales and patterns - and as you say; sometime we find the most thrilling "enigmatic" sounds...
The phrygian dom. Is often used in gypsy minor Jazz on the 5th. I have never known the Name of the scale, thank you, now i Do know. Great lessons!
Great stuff as per usual! You made me reboot my musical hobby!
Semplicemente incantato, maestro Oliver Prehn! Simply enchanted, master Oliver Prehn!
That was a fast response to my request. Thanks I don't even play piano this is very helpful applied to guitar it expands knowledge to approaching bossa nova and flamenco style jams. Thanks a lot!!
I've been looking for this video for months, thank you very much!
Excellent lesson ! And thank you so much for the PDF tools offered 😃
I love your "provocing method" to approach the last scale! :D Thanks for this great video!!
I like your approach and your hand dexterity/fingering
This type of information had not been obtained in Latin Spanish and much less in Venezuela, thank you, greeting
that Dorian #4 is reminding me of Erik Satie, some of his stuff is playing around with that sound! :)
There is a lot of good material in this lesson. I recommend you watch the whole thing at 1.75X speed to get the gist and then go back to more thoroughly review key points at normal playback speed.
Du er helt oprigtigt en af de bedste formidlere her inde på tuben.
Tusind tak for det!
thank you teacher for these videos, it is impressive how the music at this point makes sense
Mr Oliver thanks so much for this lesson,its make fun sounds like birds singing,i love it congratution Mr Oliver.
amazing! these are so beautiful to listen to! i learn so much from these lessons. thank you for making them :)
Let me start by saying I regard you as being my Improvisation Teacher, All the Grips that I use purpose and understanding came from you. The Grips are so important to me because I can't read music and the Grips has allowed me to have a simpler understanding of Scales - Modes. While I see many videos on Melodic Minor and the Hand Grip that's associated, I only see one video on the Harmonic Minor but not a lot about its Hand Grip for the Left and Right hand. Would you be so kind to point out other videos with the Harmonic Hand Grips that I'm over looking.
Thanks, Keep up the Great Work.
Best Regards
Hi and thank you so much :) I guess I still need to make lessons about that - but I have so many requests - I'll have it in mind for sure :) Best regards from Oliver
at 26:00 mixolydian sharp 1 for instance I refer to white keys for a better understanding f to f is mixolydian in C Major so just sharp the f# to f. study the formula, learn the tetra chords. Now you are ready to learn it in other keys
What a treat this was!
Beautiful teacher.
You're a great teacher dude! Thank you for that
Easy to learn, and excellent refrains. Thanks a mighty, Oliver. Lucky me to hv come across an incomparable Guru, this late in life.
there are also some cool symmetric dim and augment patterns available in these harmonic minor modes (dividing the octave in 3 and 4 equal parts). very useful for base and guitar because they are quite visual on those instruments. nice improv pattern is for example: go up in augmented shapes and go down in tritone shapes (or vice versa, there are two tritone shapes to shift the pattern around.. it sounds far out while still playing the notes of the scale).
same goes for the harmonic major modes only the dim and augmented groups shift relative to each other compared to harmonic minor
GREAT INPUT!!! THANKS :)
What an amazing lesson Oliver. Thank you so much.
Your work is very inspiring, I started to learn the piano because of you, and it works, thank you very much. One question though: is there a handgrip for playing the harmonic major modes?
Excelent Oliver! Thanks!!! Just a comment about subtitles...they doesn't let see the key your are playing and showing as...! May be there is a way to put subtitles elsewhere!.
hello fantastic Mr Prehn ! Thank you so much for your brilliant lessons ! (little question : what instrument do you use to have the drums and bass accompaniment?)
Hi and thanks a lot :) :) :)
Drums: www.native-instruments.com/en/products/komplete/drums/studio-drummer/
Bass: www.native-instruments.com/en/products/komplete/guitar/scarbee-jay-bass/
Cheers from Oliver
The Phrygian #3 (Phrygian Dominant) is also the widely known exotic scale the "Spanish Gipsy" scale, known by different names from Japan, through northern Indian Raga music, eastern Europe and around the Middle East, (Jewish and Islamic) and in Portugal and Spain influenced by the Moors. It is a beautifully expressive scale, one of my favorite. And so the whole Harmonic minor scale modes will reflect it.
And they in turn arise from the church modes > major and minor, full circle. :)
Great input!!! Thanks :)
Great Video once again. I'll break this down in sections and get busy
14:37 hey.. its like Erik Satie there👍.. wonderful lesson. Thanks
Thanks!
Thank you so much for your very generous voluntary “super thanks” donation - you help keep me going for sure!!! I'm very grateful :) :) :) Best regards from Oliver
Wow!so enjoying branching out from classical foundation!
Thank you so much for a wonderful resource.
Such a great video.. Thank you
I love the sound of the locrian #6
What an amazing video. Instant sub. You are just amazing.
Thank you ! Big thanks for your brilliant videos ! You help me so much !
definitely heard this sound from Herbie Hancock, Lyle Mays and the other modern player's improvisation
wonderful! thanks Oliver!
Now what do you learn after the melodic and harmonic minor modes?
Are there other modifications of the major scale or simply whole other scale systems which are as musical as these but we haven't heard off?
We still miss to review the harmonic "Major" modes. Play the harmonic minor scale and lift the third step - and then we got 7 degrees of that scale to explore. With the 7 church modes and the 7 mel. mi modes and the 7 harm. mi modes and the 7 harm. Ma modes we actually cover up all the regular 7 note scales. By regular I mean that these simple conditions must be respected:
1) the scales consists of half, whole and 'whole+half' steps
2) half steps can not be neighbors
3) 'whole+half' steps can not be neighbors
4) whole and 'whole+half' steps can not be neighbors
So if we respect these simple mathematical rules we got 4*7=28 different scales :)
Best regards Oliver
@@NewJazzAm touched by the way you teach. I have just learned that scales could be made very interesting & you inspire people at any age to get back and play, even an octogenarian. Thank you!
Thank you so much for these videos new jazz. if i had money id give you hundreds, one day! I owe you.
Thank you so much. And don't worry - a really nice comment like yours is all the support I need :) Cheers from Oliver
Excelentes videos, realmente me han ayudado a crecer, quiero saber mas.
incredible as always Fantastic Oliver
per Occam's razor, I think your proposal works! Mixo #1 ftw!
great video, thanks
I made something like this 20 years ago using the transparent disks that come on the top of a spindle of CDRs!
Thanks for this precious video ❤️
A better way to find the two Major triads in the these modes would be to find the augmented note and it's the two intervals below that, as the root of the Major chords.
Great trick, thanks!!!
Oliver, you are truly a godsend! Thank you!!!
breaking up the Phrases..thats Great!! And Alt/Dombb7 great Scale for dim Chords. Like it more then the symetrical Half-Step/Whole-Step Scale. Harm.Minor, Mel.Minor.. like Planets on our Universe, some how..:) Thx to the Equal-Tuning.
Wonderful lesson. Thank you very much.