Raag Yaman and Bollywood songs (Anuja Kamat) - Vocal Coach Reacts
ฝัง
- เผยแพร่เมื่อ 27 ต.ค. 2021
- 🎵 My first song JUST DROPPED and I would appreciate it if you checked it out! 👉🏻 • H of The Stage - Will ...
----- Going on another ride with Anuja Kamat, this time exploring Raag Yaman used in various Bollywood songs!
Full-length reactions, exclusive content, polls, audio downloads of songs, early access & more (Just a small way of saying thanks to all my supporters ❤️)
🎶Club H (Patreon): / hofthestage
☕️Treat me to a Coffee: paypal.me/HofTheStage?locale....
📲Instagram: / hofthestage .
▶️Subscribe: / hofthestage
💻Follow on FB: / hofthestage
📊TubeBuddy: Tool I use to grow my channel: www.tubebuddy.com/HofTheStage (Affiliate link)
Headphones I use: www.erzetich-audio.com/
Follow Erzetich on Instagram: / erzetichaudio
To enter the Thalia Art Series-headphones giveaway you must be a subscriber and leave a comment containing #hgiveaway
Subscribers get one entry, but you can boost your chances by following me on Instagram (+1 entry), becoming a Patron (+3 entries).
The winner will be announced by a random selection when the channel reaches 200K subs.
╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗
║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣
╠╗║╚╝║║╠╗║╚╣║║║║║═╣
╚═╩══╩═╩═╩═╩╝╚╩═╩═╝
✉️For business inquiries: hofthestage@gmail.com
If you're interested in singing lessons, send an email to singeverythinginfo@gmail.com describing your situation and we can figure something out
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
Non-profit, educational, or personal use tips the balance in favor of fair use.
Edit - It seems that in one point I reversed the defination of Raag Yaman and Raag Yaman kalyan. It should be like this:
Raag Yaman is the original raag and uses the Tivra(sharp) Ma
where as
Raag Yaman Kalyan uses Sudh (Pure) Ma.
(Thank you Anuj Tiwari for bringing that to my attention!)
---- I'm still running the giveaway! ----
To enter the Thalia Art Series-headphones giveaway you must be a subscriber and leave a comment containing #hgiveaway
Subscribers get one entry, but you can boost your chances by following me on Instagram (+1 entry), becoming a Patron (+3 entries).
The winner will be announced by a random selection when the channel reaches 200K subs.
📲Instagram: instagram.com/hofthestage..
🎶Club H (Patreon): www.patreon.com/HofTheStage
Headphones I use (Thalia & Mania): www.erzetich-audio.com/
Follow Erzetich on Instagram: instagram.com/erzetichaudio/
Yes . The YAMAN raag has the strict mood and YAMAN KALYAN is softer.
Saved 1 explanation
Plz react to Anuja Kamat speech in TED X India.
Plz react to Anuja Kamat speech in TED X India.
Plz react to Anuja Kamat speech in TED X India.
There is no separate Pakistani music .It is all Indian music sung by Pakistani artists. Remember Pakistan was part of India until recently has no separate musical traditions of its own.
Very true.
Songs like 'Ranjish Hi Sahi' and 'Aaj Jaane Ki Did Na Karo' have been sung the great Pakistani artists Mehdi Hassan and Farida Khanum respectively and are based on Raag Yaman/Aiman.
Your grasp of the raag is surprisingly accurate. Enjoyed your video.
Thanks :)
You are spot on about the positive vibes around this raag. In fact it is usually sung in the early evening hours, just after dusk, and if you listen to a nice classical rendition, it also gives off the vibes of a warm incandescence of a lamp.
Subodh Bhave.. hmm.. "Kahin ye woh to nahi?" ;)
@@YashodhanBhale woh as in?
@@theacechip As in THE Subodh Bhave
Amazing
@@YashodhanBhale we only share the first and last names.
The second song she sung JAB DEEP JALE is my all time favourite bollywood song. It is composed by Ravindra Jain, sung beautifully by Yesudas and Hemlata.
Mine too
The instrument playing the "base note" is a taanpura, however you can also hold chords on a harmonium and sing to that base note only👍✨
Welcome to the wonderful world of Raag. I grew up listening to Western and Indian classical music especially Hindustanti (both vocal and instrumental). I later ended up learning Carnatic, the South Indian classical form. I just was curious about music and took western music classes at a community college.
You should do a podcast with her... Her explanations make things simple to understand. 😀
I would love that :) I'll try to get in contact with her
Fun fact: Rag yaman is evening raag, it's listened at sunset to end the day in pleasant note.
12 Notes in Music
Sa
Komal Re
Sudh Re
Komal Ga
Sudh Ga
Sudh Ma
Teevra Ma
Pa
Komal Dha
Sudh Da
Komal Ni
Sudh Ni
Sa' Higher
If Sa is C Note, then All White notes in Keyboard are Sudh (Major scale Notes) and All Black notes are Komal or Teevra
If Sa is any other Note , same formula continues , white and black notes changes there places as per formula.
I often watch your vids/analyses to get a greater understanding of music. Your knowledge is so impressive and i appreciate it. I am not very musical myself.
Even more impressive for me, is your humanity, your lack of prejudice and your appreciation of difference. We need more humans like you. Keeping going.
Thanks man, comments like this one keep me going! Enjoy your day!
You reversed the defination of Raag Yaman and Raag Yaman kalyan...
Raag Yaman- Tivra(sharp) Ma is used, it's original raag...
where as
Raag Yaman Kalyan- Sudh (Pure) Ma is used.
Oh, I feared I mixed those up, thanks for clarifying!
@@HofTheStage there is small correction. Both Sudh Ma and Tivra Ma are used in Yaman Kalyan. But only Tivra Ma is used in Yaman.
@@yasaswynandavareek8399 yes! Exactly what I wanted to say. Yaman Kalyan used both Ma (tivra & Shuddh)
Indian Classical Music is very Underrated, thanks for showing its beauty to others. And Its so joy to see your face there is a lot of passion and joy in you
She is my favorite, Her Personna & explanation makes all the difference.
"Chandan sa bandan" and "meri awaaz hi pehchan hai" are two of my favourite songs
Although the total number of raags in Hindustani classical music was as big as 300, several of them have been lost over the centuries. About 100 raags are known and performed these days. The following list contains most of them and their specific performance time :-
Adana Asavari Night
Ahir Bhairav Bhairav Morning
Asavari Morning
Bageshri Night
Bahar Night
Bairagi Morning
Basant Night
Basant Morning
Bhairav Morning
Bhairavi Any Time
Bhankar Morning
Bhatiyar Morning
Bhimpalasi Afternoon
Bhinna Shadja Night
Bhoopal Todi Morning
Bhoopali Evening
Bihag Night
Bilaskhani Morning
BilawalMorning
Chandani Night
Chandrakauns Night
Charukeshi
Chhayanat Night
Darbari Night
Desh Evening
Deshkar Morning
Desi Morning
Dhani Any Time
Durga Night
Gara Khamaj
Gaud Malhar Monsoon
Gaud Saarang Afternoon
Gorakh Kalyan Night
Gunakri Morning
Gurjari Todi Morning
Hamir Night
Hansdhwani Evening
Hindol Morning
Jaijaiwanti Night
JanaSammohini
Jaunpuri Morning
Jhinjhoti Night
Jogiya Morning
Kafi Kafi Any Time
Kalavati Night
Kalingada Morning
Kamod Evening
Kedar Night
Khamaj Evening
Kirwani Night
Lalit Morning
Madhuvanti Afternoon
Madhyamad Sarang Afternoon
Malgunji Night
Malhar Kafi Night
Malkauns Night
Malkauns Pancham Night
Mand Bilawal Any Time
Maru Bihag Evening
Marwa Marwa Afternoon
Miyan Malhar Monsoon
Multani Afternoon
Nand Night
Nat Bhairav Morning
Pahadi Evening
Patdeep Afternoon
Piloo Any Time
Poorvi Afternoon
Puriya Evening
Puriya Dhanashri Evening
Rageshri Night
Sham Kalyan Evening
Shankara Evening
Shivranjani Night
Shri Poorvi Afternoon
Shuddh Kalyan Evening
Shuddh Sarang Afternoon
Sohni Morning
Tilak Kamod Night
Tilang Evening
Todi Morning
Vibhas Bhairav Morning
Vrindavani Sarang Kafi
Yaman Evening
Yaman Kalyan Evening
TimeDurgaBilawalNightGaraKhamajGaud MalharKafiMonsoonGaud SaarangKalyanAfternoonGorakh KalyanKhamajNightGunakriBhairavMorningGurjari TodiTodiMorningHamirKalyanNightHansdhwaniBilawalEveningHindolKalyanMorningJaijaiwantiKhamajNightJanaSammohiniJaunpuriAsavariMorningJhinjhotiKhamajNightJogiyaBhairavMorningKafiKafiAny TimeKalavatiKhamajNightKalingadaBhairavMorningKamodKalyanEveningKedarKalyanNightKhamajKhamajEveningKirwaniNightLalitPoorviMorningMadhuvantiTodiAfternoonMadhyamad SarangKafiAfternoonMalgunjiKafiNightMalharKafiNightMalkaunsBhairaviNightMalkauns PanchamBhairaviNightMandBilawalAny TimeMaru BihagKalyanEveningMarwaMarwaAfternoonMiyan MalharKafiMonsoonMultaniTodiAfternoonNandKalyanNightNat BhairavBhairavMorningPahadiBilawalEveningPatdeepAfternoonPilooKafiAny TimePoorviPoorviAfternoonPuriyaMarwaEveningPuriya DhanashriPoorviEveningRageshriKhamajNightSham KalyanKalyanEveningShankaraBilawalEveningShivranjaniKafiNightShriPoorviAfternoonShuddh KalyanKalyanEveningShuddh SarangKalyanAfternoonSohniMarwaMorningTilak KamodKhamajNightTilangKhamajEveningTodiTodiMorningVibhasBhairavMorningVrindavani SarangKafiYamanKalyanEveningYaman KalyanKalyanEvening
She is back on youtube.. interview her👍
Anuja kamat is a gem. Proud Indian.
ur spot on about chalan and raags @4:50... this raag is same as lydian mode..
Brother, you're amazing in picking up the nuances of what she is saying (things like the 'chalan' of the raag, and 'teevr/sharp Ma', etc.). Love it. Love it.
Thanks for reacting, much love ❤️🙏
On a normal C scale Yemen has F sharp and all other seven notes! Chalan is the way notes ‘travel’ ! The drone is called Tanpura and it is set to the pitch of the singer as C G C-upper normally unless there are Raagas without G and in that case instead of G the new prominent note will apply. In Indian system, we work with a transposable C or Sa system, to match with the singer’s octave capacity! So G, B or D on a piano could be the new C or Sa! So when you say Sa it does not need to correspond with the Piano key C.
Its amazing how u r trying to understand something thats totally alien to u just becoz of ur love for music. Kudos🙏🏼
For Marathi folks, famous Ganpati aarti sung by Lata in raag Yaman: Sukha karta, dukh harta ... (pa pa ma* ga, ma* ma* ga re, re ga ga sa re ga, ga pa, re ga ga sa re ga, ...) Of course, tivra ma
I have been following you since I started watching reaction videos. I like your efforts to understand things. Also, your insights are helpful in comparative aspects. Like what's the equivalent in Western Music. It benefits both sides.
Excellent reaction and interpretation 😍😍
Her voice! truly awesome and such effortless control. How 1 note changies the mood. 5stars for this review! Now I'm going to subscribe to her as well.
Very optly described. Loved this reaction
I'm not a classical student, but i'm learning with you. Thankyou for being the bridge
It's more complex then maths 😲
I thought I could sing evey song but when I went to the depth of music , I am nothing 🙏
3:12 if you have noticed the notes of the songs were going very very similar. That's how you can identify raag. A set of notes in a specific or very closely similar manner
You are understanding and learning deep classical Indian music...
Wow. You are learning Raag now. Excellent.
I would advise that you watch some videos about the Sargam ( Sa re ga ma pa dha ni sa) notes and what they are called in western music. It will help you with understanding these videos better. Like in this video shudh Ma is Gb or F# and teevra Ma is G.
Semitone difference as I thought. Thanks. I will check some videos about Sargam
@@HofTheStage yes . Right . You can listen to Anuja kamat's video on SWARAS
th-cam.com/video/J-nUTYRyuqk/w-d-xo.html
Thank you! Very nice to see two of my favorite TH-camrs together on screen like this :)
By the way, one of the most striking example of changing single note to change the mood is between raag Bhoopali and raag Shivranjani. Bhoopali - also known as Mohanam in South Indian classical style - is one of the most popular raag in film music for romance/happy/devotional songs while Shivranjani is *the* iconic raga for sad songs in film music. The scale of Bhoopali is Sa Re Ga Pa Dha Ṡa (all natural tones) while that of Shivranjani is Sa Re ga Pa Dha Ṡa (all natural except for ga which is komal = flat) .
The mood change that comes with a single note change from 'Ga' (shudh = natural) of Bhoopali to 'ga' (komal = smooth/flat) of Shivranjani is mind blowing. A quick search in TH-cam will give examples.
NB: In an octave consisting of "Sa Re Ga Ma Pa Dha Ni and Ṡa", the first and fifth notes (Sa and Pa) have only one variant which is the natural tone of them. The other five notes (Re, Ga, Ma, Dha, and Ni) have two variants each. In these, the notes Re, Ga, Dha, and Ni have natural (shudh) and flat (komal) variants, while Ma has a natural (shudh) and a sharp (teevra) variant. All together, therefore, there are 12 distinct pitches (shruti) in an octave when variants are included.
In Yaman the note M is sharp. In Yaman-Kalyan, the note M is normal.
React to TED talk of Anuja Kamat. You will like it very much.
Enjoy this songs as it is focused on Raag yaman so have fun thanks.
In India
The person who owns great classical music skill or had taken classes are superior ones.. That's y it's so hard to tackle them even though u r great singer
Yes u r on right path , good keep it up , in few years u will able to understand Raag
It is such a tragedy that she doesn't release videos on her channel any more. I do know she is teaching music somewhere, I saw a grainy video of her teaching. Can't remember the month, probably early March/April this year. Just sad that she isnt active on youtube anymore
I think she might come back one day
Peace 🕊 flying dove made with fingers ❤
Excellent explanation.
100/100 you got everything 🎇
Aaj Ibadat from Bajirao Mastani is also based on this raag, I recognised after learning this raag 🙌
And it's not Yaman kalyan either ...its beautifully composed
If you play raag yaman in the key of C : so that should be => C (sa), D (re), E (ga), F#(ma tivra), G (pa), A (dha), B(ni).
Raga is a framework and the improvisation can be done within that framework
One of my favorite raags is rang yaman..and original note has (teevr)major ma
3:22. You are absolutely on point on this observation.
If you play raag yaman in the key of C : so that should be => C (sa), D (re), E (ga), F#(ma tivra), G (pa), A (dha), B(ni) and yaman kalyan be (C,D,E,F,G,A,B) and I am practicing it on Guitar. It sounds beautiful when you randomly play these notes (Rule is not to break the chalan and never get out of these notes) It is very melodic raga.
Jeet bhai, I learnt playing Guitar a few years ago while I am now oriented towards Indian Classical Music (Vocals). I can totally relate to your explanation.
Good evening sir kindly react po to (sobra ka inupuan lang ang she's gone)
You will amazed and enjoy to this po😊😁😁
This is my all time favourite raag. Yaman
U r correct
So, we have a total of 12 notes in an octave ( the normal octave in which we sing is called as "Madhya saptak" which literally means middle octave, the octave below this (i.e. to the left in piano/ harmonium) is called as " Mandra saptak" and octave higher to this (i.e. to the right in a piano/harmonium) is called as " Taar saptak".
So an octave has a total of 12 notes. So these include 7 pure( basic) notes called as "shuddha swaras" and 5 variants of some of them which are called as "ashuddha swaras". Pure notes include Sa, Re, Ga, Ma, Pa, Dha, Ni (These actually have their full forms: Shadaj, Hrishabh, Gandhar, Madhyam, Pancham, Dhaiwat, Nishad) The ashuddha swaras include komal Re, komal Ga, Teevra Ma, Teevra Dha and Teevra Ni. Basically Sa and Pa do not have variants and are called as "Achala Swaras" which means immobile Notes because they do not move from their places. "Komal" notes means slighly less than original. So Komal Re lies prior to Re in an octave just after Sa. " Teevra" means intensified. Teevra note is little higher than the original note. So, altogether we have following 12 notes in an. Octave stated from low to hight( left to right in a harmonium)
Shuddha Sa, komal Re, Shuddha Re, komal Ga, Shuddha Ga, Shuddha Ma, Teevra Ma, shuddha Pa, Komal Dha, Shuddha Dha, Komal Ni, Shuddha Ni.
We have notations for all these notes in devnagrai script. Pandit Vishnu Narayan Bhatkhane formalised all these notations in his books called Kramik Pustak Mallika.
I guess just little correction is needed. Komal dha and komal ni. I guess teevra is only ma not dha and ni.
Wish we could sit together I would clear some obvious things which arise due to the language barrier. I do practice Indian classical vocal music. Commendable that you are making this much effort in learning this ancient Indian heritage.
Yaman.. M is sharp. Yaman Kalyan M is medium
Incredible
Can you please react to Mahesh Kale.... You will be left speechless
There is a second part of this video. Please see that also. You grasp things very well!!!!
You got everything rightt, just that yaman kalyan is the one with the 'natural' ma and yaman has the sharp 'ma'
Yeah I mixed those two up
Some of my favourite songs are composed on Raag Yaman/Aiman.
There is a video by Dr Yesudas himself singing “Jab Deep Jale Aana” in raag Yaman live. He sang the original version and the “Ni Re Ga” part can be clearly understood in the middle of the song. Plus it is relaxing too.
And if you want to notch it up a bit, there is Raag Hamsadhwani which is a very popular Raag in South indian music. Just listen to “Vatapi live” by Yesudas to see the real variations possible ( it might take 5 or 6 times listening to get it)
MORE !!!!
Excellent
Loved your courage and open-mindedness to try very different music than you are used to. If you like the mood of the melody being changed by just one note, so listen to the difference between raag Malkauns and raag Chandrakauns. There is only one difference in Ni, wit Malkauns having the Komal (minor) Ni and Chandrakauns having the Shudhha (major) Ni.
Indeed there is another raaga called Maru Bihaag - with the same scales (skipping two notes in ascent). Other ragas on the Kalyan/Yaman scale are possible.
In Hindustani Music, there are 12 notes.
(Shuddha is the natural note, Komal is the flat and Tivra is the sharp)
The 12 notes are Sa, Re_, Re, Ga_, Ga, Ma, Ma#, Pa, Dha_, Dha, Ni_, Ni, then back to Sa'
If you take your Sa (tonic) as C,
You get C,D_,D,E_,E,F,F#,G,A'_,A',B'_,B' and back to C'.
Awesome
Good music lesson
It’s the other way around. Yaman uses sharp Ma and yaman Kalyan uses the pure Ma.
I learned something today 👀
Yaman Kalyan will have shudhha means normal ma and tivra ma is used in raag Yaman.
You are right thanks.
RAAG YAMAN: TEEVR M
RAAG YAMAN KALYAN: SHUDH M
I hope that clears up your confusion on the subject..
Hi, a sharp note 'm' is in Yaman and the base "m" is yaman kalyan.
There are two Indian classical music branches.
Hindustani classical
Carnatic classical
Check out Abby V he is very comfortable and smooth with both the Indian classical branches.
You are understanding really well. just one correction. Ma is not mi from do-re-mi, but its fa!! Do RE Mi Fa. Teevra ma (i.e.Fa) is just the immidietly next key to Fa!
Please do a video on 'Ayaat'. Not the live performance but the actual song in the film Bajirao Mastani
I think you got it a bit wrong.
Raag yaman -
ma or fourth note is sharp (one half note higher) sa re ga ma* pa dha ni sa
Raag yaman kalyan - ma or fourth note is used in its actual place and the sharp ma* note is also used in the song in different phrases or parts of the song.
So both ma and ma* are used in the song/composition.
In the song she explained in the end, in the starting phrase, she used the simple or shudhh ma rather than the teevra ma (sharp) so as to bring out the emotions of romance and request. Making the song sound softer.
As the hero is asking his lady love to stay back for some more time.. as he wants to spend more time with her..
In the c sharp scale the tivra maa is g note
It's changes with evry scale
The notes of Yaman are basically the same as the Lydian mode.
Sharp 4th and all other notes natural.
Yaman Kalyan is Lydian+ natural 4th.
So Yaman Kalyan uses both natural and sharp 4th with all other natural notes.
Hope this helps.
react to indian classical music instrument like sitar, tabla, sarod, sarangi, santoor, bansuri, pakhawaj, and also some non classical instrument too like harmonium and indian banjo (bulbul tarang)
Yaman kalyan
Sa re ga ma pa dha ni - all notes are shudh or natural in guitar is (c# major scale)
Yaman
Sa re ga ma' pa dha ni - all notes are shudh or natural and it's C# major scale except ma is tivr means instead of f# g note will be there
Shuddha(pure) swar = natural note
Tivra(intense/piercing) swar = sharp note
Komal (soft) swar= flat note
Sharp Ma is used in Yaman and both Ma in Yaman Kalyan
Shudh - means pure or natural.
Teevra - means sharp (semi note higher)
Komal - means flat (semi note lower)
In yaman kalyan the ma is soft and in yaman it is sharp... She says if she uses tevra ma in the song it will change the mood from a romantic song to a angry mood.
Hindi is difficult to translate and subtitles are approximations but you understand her so well. I bet it has more to do with the understanding the language of music rather than understanding of Hindi.
I don’t understand music like you guys but I envy your ability to communicate with 7 notes what we might find difficult with 26 letters in the English Alphabet and 46 letters in the Hindi alphabet.
U r very gud learner
Sometimes a similar technique is seen in church modes. With a raag, though, specific notes can be always omitted on either the ascending or descending parts of the piece.
Do you have classes that I can possibly take?
That base note instrument you're saying it's called tanpura
❤
We can interpret -ma- as m1(komal) f and m2 (intense) f*
You got it wrong. The ‘Ma’ in Yaman is tivra or higher. However, in Kalyan it is suddha or the normal Ma.
Ma is sharp. Yaman uses Ma Sharp but in Yaman Kalyan Ma Natural also can be used. but the it would be a different Raga.
I am watching you after a long time... you have grown beard... 😀
❤❤❤
9:13 Yaman Kalyani uses both Shuddha Ma, and Teevr Ma
Indian music exactly have Bach or Beethoven's symphonies, but then you listen to a virtuoso tabla player, or a Indian classical singer, and it blows your mind