I love the style of Mr. Maiestro Salieri! He is far less excited, grown-up, more serious than Mozart's. I also love Mozart. But you can not compare the two. Everyone has their own style of brilliance. In Salieris works, there is a mixture of myth, primordial power, mysticism and timeless meditation. The timeless moment is present in Mozart's works. Two different focuses. And especially this interpretation in this video Salieri is very fair. Grandios interpreted by the masters at the conductor's staff and at the Insteruments.
Salieri was a Classical Era composer. But what he did with these variations was ahead of its time. Very operatic with a touch of romanticism. Lovely variations!
Magnífica interpretación de esta maravillosa obra de Salieri, con el mérito añadido de la escasez de medios que nos han impedido conocer y felicitar a los miembros de la orquesta que no han aparecido. Gracias a todos.
Sí, magnífica interpretación, sin embargo, mientras que los saltos del arpa y la flauta son muy claros y perfectos, los del violín apenas se escuchan. Pecado.
Ho avuto la fortuna di ascoltare dal vivo questa magnifica esecuzione al Teatro Salieri quella sera!!! Eccellente l'orchestra; molto coinvolgente il direttore!!! Infine un grazie al Maestro Salieri per averci regalato queste note
Un brano di misura ed equilibrio eccezionali. Bravo Salieri e magnifica interpretazione. Ci sento gli uccellini nel bosco, un mondo arcadico, una simbiosi con la Natura. Salieri descrive un mondo di armonia ideale, che non conosce il rumore meccanico delle automobili, dei telai, lo sferragliare delle macchine industriali, la deriva moderna dell'inquinamento acustico e ambientale. Compositore troppo sottovalutato, qui ci regala qualche minuto di vera pace.
this is very good ....and for the age of composition,,,,,,,=modern music THIS A SLOWER VERSION TO THE OTHER PERFORMANCES I HAVE HEARD....STILL GOOD THOUGH.
Ciertamente la película de Mozart es injusta, pues son dos grandes maestros, cada uno a su manera. Escuchar las variaciones me hizo reflexionar en la maestría musical y horizonte espiritual del gran Antonio Salieri. Gracias!
Too many variations packed into a short space of time without any development. A disappointing work. The noisy audience coughing throughout is equally disappointing.
Your knowledge of music is thin! Variations have no development. Salieri composed the best possible series of variations. The audience is just ill-mannered, like so many other audiences. It's a pity. Better put the mics only on the scene.
There is one part where I thought the spacing was too thin... but, overall I think this is 98% masterpiece, if not "best work" qualities. The audience coughing is not the composer's nor the conductor's fault...
There are no development in a serie of variations. Listen the Mozart's Variations on "Ah vous dirais-je maman". "To many variations" is purely subjetive. The Golberg variations has 30 variation, more than this Salierie's variation on the Follia, and is still considered as a masterpiece. And if the problem is that the variations are too short, it's only because the theme is short (and this theme was only choosen by the composer, not composed), not because he is not developed, since he is not meant to be. A variation is only a repetition of the melodie in an altered form, not in a developed form. I think we can admire the invention and the skills of Salieri for making so many different variations on this theme. And also his orchestration skills and the pre-romantic an quite visionary character of this music.
@@elinathanferlay1013 Sorry, I have to disagree. Firstly, let's forget Salieri - he was a failed musician by all counts, and his output is largely ignored today. A variation is something that uses a particular motif and alters it. A development involves a motif from various parts and changes it. So isn't a development that keeps the same idea as a motif, a variation? There is a thesis of composition that I have studied called "Development Variation" which uses serial and mathematical models to produce music and I respectfully suggest you look at before you make further comment.
@@DavidA-ps1qr I agree that a variation can be seen as a development (and I write it in a first version of my comment that I did not post). So I do not understand why you said that there are not development in this piece since, if we consider variation as development, there are a constant development.
![ลองสุ่มไอโฟน 990 โกงมั้ย? [ โกงมั้ยครับ ep.101 ] | DOM](http://i.ytimg.com/vi/bfsWe0j492k/mqdefault.jpg)
Vero interesting interpretation
i need more feelings!!!!!!!
caspita, che bella esecuzione
Sì l'ho ascoltata solo ora. Grandiosa interpretazione del Grande Salieri.
Good!
Could someone outline the various movements in this piece? Grazie!
I love the style of Mr. Maiestro Salieri! He is far less excited,
grown-up, more serious than Mozart's. I also love Mozart. But you can
not compare the two. Everyone has their own style of brilliance. In
Salieris works, there is a mixture of myth, primordial power, mysticism
and timeless meditation. The timeless moment is present in Mozart's
works. Two different focuses. And especially this interpretation in this video Salieri is very fair. Grandios interpreted by the masters at the conductor's staff and at the Insteruments.
Salieri was a Classical Era composer. But what he did with these variations was ahead of its time. Very operatic with a touch of romanticism. Lovely variations!
Bravo francesco
Magnífica interpretación de esta maravillosa obra de Salieri, con el mérito añadido de la escasez de medios que nos han impedido conocer y felicitar a los miembros de la orquesta que no han aparecido. Gracias a todos.
Sí, magnífica interpretación, sin embargo, mientras que los saltos del arpa y la flauta son muy claros y perfectos, los del violín apenas se escuchan. Pecado.
Ho avuto la fortuna di ascoltare dal vivo questa magnifica esecuzione al Teatro Salieri quella sera!!!
Eccellente l'orchestra; molto coinvolgente il direttore!!!
Infine un grazie al Maestro Salieri per averci regalato queste note
Un brano di misura ed equilibrio eccezionali. Bravo Salieri e magnifica interpretazione.
Ci sento gli uccellini nel bosco, un mondo arcadico, una simbiosi con la Natura. Salieri descrive un mondo di armonia ideale, che non conosce il rumore meccanico delle automobili, dei telai, lo sferragliare delle macchine industriali, la deriva moderna dell'inquinamento acustico e ambientale.
Compositore troppo sottovalutato, qui ci regala qualche minuto di vera pace.
Magnífico!
É um verdadeiro concerto para orquestra, por sua qualidade solista em cada variação. Instrumentos "naipes" e efeitos estão bem colocados.
this is very good ....and for the age of composition,,,,,,,=modern music
THIS A SLOWER VERSION TO THE OTHER PERFORMANCES I HAVE HEARD....STILL GOOD THOUGH.
mike bott Agree with this....When published this work was deemed a 1/4 of an hour....When published/advertised in the paper.
Buono
Instablaster...
magnifico!
Maravilhosa!!!!
Bravíssimo. Adoro Salieri
Great performance
This is so beautiful it made my eyes wet
Meraviglia
2015 Venerdì 18 dicembre - ore 21:00 ORCHESTRA REGIONALE FILARMONIA VENETA
Teatro Comunale di Belluno, Vicenza, Italia
Ciertamente la película de Mozart es injusta, pues son dos grandes maestros, cada uno a su manera. Escuchar las variaciones me hizo reflexionar en la maestría musical y horizonte espiritual del gran Antonio Salieri. Gracias!
Mozart to Salieri , did not now that music can sound like this.That’s quote from film Amadeus.
O justo seria fazer um filme que reabilitasse Antônio Salieri. Com certeza muitos tem uma visão errada deste compositor por causa do filme Amadeus.
цахушка херла захара
Dommag que l'on ne voit pas les Bois qui ont un rôle majeur.
Je précise: on n'en voit qu'une partie. Caméra trop statique.
Too many variations packed into a short space of time without any development. A disappointing work. The noisy audience coughing throughout is equally disappointing.
Your knowledge of music is thin! Variations have no development. Salieri composed the best possible series of variations. The audience is just ill-mannered, like so many other audiences. It's a pity. Better put the mics only on the scene.
There is one part where I thought the spacing was too thin... but, overall I think this is 98% masterpiece, if not "best work" qualities. The audience coughing is not the composer's nor the conductor's fault...
There are no development in a serie of variations. Listen the Mozart's Variations on "Ah vous dirais-je maman". "To many variations" is purely subjetive. The Golberg variations has 30 variation, more than this Salierie's variation on the Follia, and is still considered as a masterpiece.
And if the problem is that the variations are too short, it's only because the theme is short (and this theme was only choosen by the composer, not composed), not because he is not developed, since he is not meant to be. A variation is only a repetition of the melodie in an altered form, not in a developed form.
I think we can admire the invention and the skills of Salieri for making so many different variations on this theme. And also his orchestration skills and the pre-romantic an quite visionary character of this music.
@@elinathanferlay1013 Sorry, I have to disagree. Firstly, let's forget Salieri - he was a failed musician by all counts, and his output is largely ignored today.
A variation is something that uses a particular motif and alters it. A development involves a motif from various parts and changes it. So isn't a development that keeps the same idea as a motif, a variation?
There is a thesis of composition that I have studied called "Development Variation" which uses serial and mathematical models to produce music and I respectfully suggest you look at before you make further comment.
@@DavidA-ps1qr I agree that a variation can be seen as a development (and I write it in a first version of my comment that I did not post). So I do not understand why you said that there are not development in this piece since, if we consider variation as development, there are a constant development.
Salieri un grande!