I never believed in Love at First Sight But when I first heard Bhairavi from my teacher, I fell in love with this raga And it's been 7 years, I've heard a lot of ragas and no other ragas ever replaced my most favourite raga. It's still this one, the Majestic Bhairavi. I always love to sing this raga in a very slow pace. I learned Balagopala in Aadi 2 kala, and I always take atleast 15 min to sing the krithi alone. I always love to sing the curve sangathis of Bhairavi in a slow pace, so that I have to remember myself, how much I have to grow more to tame this raga. Everytime I sing this one, I always feel there is something more, something so deep, more to find in this raga and it makes me feel thrilled to sing it again.❤️☺️
சாரு!!! ( உன்னை என் மகளாக நினைத்துத்தான் இப்படி அழைக்கிறேன்) உன்னோட சங்கீத ஞானம் கேட்டு ரொம்பவே பிரமிப்படைந்தேன்!!! நிஜமாவே, ரொம்பவும் அபார ஞானம் இந்த சின்ன வயதிலேயே! இது, நானெல்லாம் சங்கீதம் பற்றி கொஞ்சம் கூட தெரிஞ்சுக்கவில்லையே என்று வருத்த (வெட்க) ப்பட வைக்கிறது. அட்லீஸ்ட், கொஞ்சமாவது, ரசிக்கத் தெரிகிறது, எங்களுக்கு. இந்த ராகத்தையும், அதன் விளக்கத்தையும் ரொம்பவே அனுபவித்தேன். நன்றி, சரஸ்வதியம்மா !!!!!! அவள் தான் உன் நாவில் குடி கொண்டு உன்னை இப்படியெல்லாம் இயக்குகிறாள்.
This song "lalite" - pravarddhsrimate...lalgudi...I read the lyrics in that temple....brings tears.... Also (saptarshi) isa pahimam.... I bow to your sangita-vidvat...Hari Om 🌷🙌
Dear Madam Namaste. I am 65 year old person and ardent follower of your classical videos.. The Your way of explaining various classical ragas is marvellous.you are covering finer points of the ragas in an excellent manner. Giving examples of songs composed in that particular raga both classical and cine music enables the listener to connect to the raga so quickly. I have been canvassing to many music lovers to listen to ISAI PAYANAM to further enjoy the classical ragas. You are doing excellent yeoman service to the society. I wish you many more successes in the years to come.
Romba romba Nandri for your in-depth explanation on Bhairavi. Hats off to you. Please continue your valuable contribution to music and rasikas like this. Thank you once again!.. :-)
I am stunned to know how deep is your knowledge. I see Raga after Raga presented by you in each video - in such a great detail - I am amazed. You mentioned somewhere 72 Ragas? Hope I will hear all before I get Moksha, preferably from your videos. I do not know how deep this well of Knowledge of Ragas. Goddess Saraswati resides in you & all listeners can feel it.
Really bewitching. Mesmerized :p Come back mam. I would love to witness in some concert. There is nothing left in india; old track recordings dying classical music is lost. Yes, I am in love with Carnatic music.
MUCH PLEASED BY HER BAIRAVI PERFORMANCE .THANKS TO CHARULATHA MANI AMMA . MAY GOD BLESS HER TO SHINE IN FUTURE EFFORTS . Dr NAMASIVAYAM Rtd PROF. OF PHYSICS. ANNAMALAI UNIV.
Sri Raguvara., Thaye eazhaipal Idhu irandum kooda BAIRAVI RAAGATHIL. Excellent rendering. Gana Gambira kural. Somebody commented.,that you should sing all the songs in each ragam. It will be good if you do so. Only songs. Expecting that soon. In this same way. All these heavy raagams. I am a veena player. I just enjoyed your knowledge in the music. Also in explaining beautifully.
Superb, . Think you can have a full concert of kruties in the raga, Bhairavi. It is a favorite raga of all composers. The famous one is " Yaro ivar yaro" of Arunachala kavi. Madam should devote one hour for raga like Bhairavi Thodi Kamboji, Kalyani. Thank you madam. Listening to your isai payanam is really enjoyable, informative and wonderful. CA. Srinivasan N Iyer Boston, U S.
wow what a presentation Madam, really enthralling performance by you, one can attain moksha means that is only through music, your way of singing proves it.
I have no all about karnatic music but I enjoied your vaice every thing and I like your hard work to explain the Raga of karnatic music even though you are a women
I wish every artiste would explain the finer nuances of the raaga and the Kriti before singing, this will make a rasika more knowledgeable. Thanks. Wish you had offered the explanation in english, I do not know tamil.
Upacharamulana Deva in the raga Bharavi is very pleasing to hear .I want to hear the full song ..your stoping only with bigining reminds me veenaikodi venthana song in the raga compothi
music made so very friendly melodious meaningful for even the most illiterates and rank and file,,,,,very pleasant learning process for any one even just curious....
Can someone pls tell me what is that music at the background when she was talking, in the beginning? It's a very peaceful music that seems to be present at the start of almost every Indian classical/Carnatic music videos. Pls tell me what music instrument it is. Thanks!
After 12 years of singing and training for say 3-4 hours every day. Then you are on stage. You must have interest and perseverance. All the best to you.
Last time a year back I felt that ur bharavi needs a little more weight of carnatic sastriya sangeeth. Nagu momu referring. But today I heard ur Shyama sastri kruti, & I must confess it is top class. Even priya sisters are far below. Keep it up. The problem is the language. Tamil is not entirely suitable. U have the grit, tenacity & melody. A little more clarity of telugu, I will say u will be top. All three - thyagaraja, dixther, Shyam Sastry, are vydiki velnadu brahmins from ap origin. Of course they are born Tamil Ian's. The problem is TN govt want to remove telugu from being taught in tamilnadu. So only people like u to help the locals. I once again bow down to the passion & grit of Tamil race towards learning carnatic sastriya sangeeth. It is amurutam direct. Drink as much as u feel like. No processing required. No cooking, no talimpu is needed. Excellent keep it. Rao Vemuri. Ph. D engg ias retd 86 years old brahmin from Guntur.
It is not Carnatic ,it should be Karnataka.It is British spelling. Purandara Dasa was grandfather of.Karnataka music. He set up basics of Karnataka music He is/was Kannada person .So music is called Karnataka music. Please note. Appreciate contribution of Kannadiga to music world.❤❤❤❤❤
Having focused her attention to music giving you the musical pleasure she must have forgotten her engineering talent.I mastered Entharo mahanu bavulu and posted on youtube and deleted. Wonder if she would sing that as well lalitha shahasranaman which i sung at temples recently as in singapore and the priest said pramatham.
***** Thanks for the tip. I've just listened to your lesson on Mukhari. It is indeed another exquisite and moving raga. Thank you very much for your wonderful and informative presentations! You're a great teacher. I love Karnatic music, particularly the serious and majestic ragas like Bhairavi, Todi, Sri, Samugapriya, Kharahapriya, Ananda Bharavi and so on. I also particularly love Padams and have been listening to the beautiful CD of Padams by Aruna Sairam. Do you sing Padams?
Indeed. One wonders why. It would have been simple enough for her to approach a person who knows Telugu, or to refer to a book that explains Tyagaraja's words, or even to do a simple web search (for there are many excellent resources available today at one's fingertips). Unfortunate, really unfortunate.
The translation given by the singer for the song THANAYUNI BROVA is wrong. The first two lines mean 'will the mother come to protect her child or will the child (have to) run to the mother for protection?
This is now available in full: th-cam.com/video/CLI9VgOYmmw/w-d-xo.html
I have absolutely no idea what she's singing but I feel compelled to listen because it just sounds so beautiful.
I never believed in Love at First Sight
But when I first heard Bhairavi from my teacher, I fell in love with this raga
And it's been 7 years, I've heard a lot of ragas and no other ragas ever replaced my most favourite raga. It's still this one, the Majestic Bhairavi.
I always love to sing this raga in a very slow pace. I learned Balagopala in Aadi 2 kala, and I always take atleast 15 min to sing the krithi alone.
I always love to sing the curve sangathis of Bhairavi in a slow pace, so that I have to remember myself, how much I have to grow more to tame this raga.
Everytime I sing this one, I always feel there is something more, something so deep, more to find in this raga and it makes me feel thrilled to sing it again.❤️☺️
👌👌👌👌👌👏👏👏👏👏👍👍👍👍💐💐💐💐🙏🙏
சாரு!!! ( உன்னை என் மகளாக நினைத்துத்தான் இப்படி அழைக்கிறேன்) உன்னோட சங்கீத ஞானம் கேட்டு ரொம்பவே பிரமிப்படைந்தேன்!!! நிஜமாவே, ரொம்பவும் அபார ஞானம் இந்த சின்ன வயதிலேயே! இது, நானெல்லாம் சங்கீதம் பற்றி கொஞ்சம் கூட தெரிஞ்சுக்கவில்லையே என்று வருத்த (வெட்க) ப்பட வைக்கிறது. அட்லீஸ்ட், கொஞ்சமாவது, ரசிக்கத் தெரிகிறது, எங்களுக்கு. இந்த ராகத்தையும், அதன் விளக்கத்தையும் ரொம்பவே அனுபவித்தேன். நன்றி, சரஸ்வதியம்மா !!!!!! அவள் தான் உன் நாவில் குடி கொண்டு உன்னை இப்படியெல்லாம் இயக்குகிறாள்.
ராக பாவ விளக்கம், கீா்த்தனைகள் இவைகளுடன் மிக அருமையாக சொல்கிறீா்கள். தொடரட்டும் உங்கள் இசை பயணம் நன்றி.
தங்களது கர்னாடக இசையை கேட்பதற்காகவே இன்று ஒர் ear buds வாங்கினேன் .முதலில் கேட்டது ஆபேரி ராகம் பற்றிய விளக்க உரையுடனான கீதம் .வாழ்த்துக்கள் .
Extremely beautiful rendering. Thank u so much Shivashri for uploading.
Superb understanding and interpretation rendered in the rich voice of the singer completely transfixed my antaratma through Bhairavi.
This song "lalite" - pravarddhsrimate...lalgudi...I read the lyrics in that temple....brings tears....
Also (saptarshi) isa pahimam....
I bow to your sangita-vidvat...Hari Om 🌷🙌
Dear Madam
Namaste. I am 65 year old person and ardent follower of your classical videos.. The Your way of explaining various classical ragas is marvellous.you are covering finer points of the ragas in an excellent manner. Giving examples of songs composed in that particular raga both classical and cine music enables the listener to connect to the raga so quickly. I have been canvassing to many music lovers to listen to ISAI PAYANAM to further enjoy the classical ragas. You are doing excellent yeoman service to the society. I wish you many more successes in the years to come.
Romba romba Nandri for your in-depth explanation on Bhairavi. Hats off to you. Please continue your valuable contribution to music and rasikas like this. Thank you once again!.. :-)
Never heard such a beautiful presentation of classical music. Great gift of god. Bows head before you sister.
I am stunned to know how deep is your knowledge. I see Raga after Raga presented by you in each video - in such a great detail - I am amazed. You mentioned somewhere 72 Ragas? Hope I will hear all before I get Moksha, preferably from your videos. I do not know how deep this well of Knowledge of Ragas. Goddess Saraswati resides in you & all listeners can feel it.
Excellent charulatha mam. Hats off to your in-depth knowledge and dedication to music. Energetic and good flow of isai payanam.
I only learned Balagopala and Viriboni adathaalavarnam in this raaga, but no other raaga touched my soul like Bhairavi.. My favourite one..
Very melodious voice. perfect and so soothing I heard repeatedly and still it feels great to hear it again
@prathapannagaratnam
11 years ago
I learned a great deal about Bhairavi - thanks for sharing.
Really bewitching. Mesmerized :p Come back mam. I would love to witness in some concert. There is nothing left in india; old track recordings dying classical music is lost. Yes, I am in love with Carnatic music.
MUCH PLEASED BY HER BAIRAVI PERFORMANCE .THANKS TO CHARULATHA MANI AMMA .
MAY GOD BLESS HER TO SHINE IN FUTURE EFFORTS .
Dr NAMASIVAYAM Rtd PROF. OF PHYSICS. ANNAMALAI UNIV.
your music knowledge is commendable!The depth of explanation is very much appreciated!Dr. Jay
Sweetest female voice, I have ever heard.
Life time devotion required to understamd a fraction of Carnatic music. That is why this is so close to divinity. An atmosphre and saadhana required.
Tanauyuni
brova master piece. ....
Upcharam...
Ràma kodanda Rama......
Excellent
Charulata Mani grand daughter.
An enjoyable and refined exposition of the beauty of Bhiravi!
welcome for such programmes---saipremi
One of the important ragas out of 6 ragas
Dr. Chaturata Mani rendering Bhairavi is excellent. DSN
.
Romba azhaga paadnel Charu... Kannukul pothivaithen romba nanna irundidu..
one of best song superbly rendered .thanks.god bless u my sister
Sri Raguvara.,
Thaye eazhaipal
Idhu irandum kooda
BAIRAVI RAAGATHIL.
Excellent rendering.
Gana Gambira kural.
Somebody commented.,that you should sing all the songs in each ragam.
It will be good if you do so.
Only songs.
Expecting that soon.
In this same way. All these heavy raagams.
I am a veena player.
I just enjoyed your knowledge in the music. Also in explaining beautifully.
You are awesome!!!! Thanks for helping me appreciate carnatic music like never before...its such a bliss to hear you sing:)).
your voice is so good amma
So enjoyable as it was soothing. Million thanks.
Superb, . Think you can have a full concert of kruties in the raga, Bhairavi. It is a favorite raga of all composers. The famous one is " Yaro ivar yaro" of Arunachala kavi. Madam should devote one hour for raga like Bhairavi Thodi Kamboji, Kalyani. Thank you madam. Listening to your isai payanam is really enjoyable, informative and wonderful.
CA. Srinivasan N Iyer
Boston, U S.
carnatic music is really wonderful and best music in the world. It can express lot of feelings.
wonderful
wow what a presentation Madam, really enthralling performance by you, one can attain moksha means that is only through music, your way of singing proves it.
Classic explanations...way back in 7 years...beautiful 🎉🎉🎉🎉
I have no all about karnatic music but I enjoied your vaice every thing and I like your hard work to explain the Raga of karnatic music even though you are a women
Anbazhagan S bro what makes difference between a women and man.
super music presentation by you madom, keep it up.
MARVELLOUS!!!!!no word to wxpress my feeling.I listened to swarjathi
Kapilan Sarma the squeak ato is indeed most stimulating.
I wish every artiste would explain the finer nuances of the raaga and the Kriti before singing, this will make a rasika more knowledgeable. Thanks. Wish you had offered the explanation in english, I do not know tamil.
Upacharamulana Deva in the raga Bharavi is very pleasing to hear .I want to hear the full song ..your stoping only with bigining reminds me veenaikodi venthana song in the raga compothi
This is so incredibly beautiful!
Welwishes divinity lives in carnatic voice bring it young children free music school be started elsewhere in Tamil nadu
Much respect to you, Vidhwan Charulatha Mani
Vidushi
That was so lovely!
Jaadu tuney aisa kiya.
Thank you.
Love and blessings.
பைரவி ராக பாவ விளக்கம் அருமை.
madame. u r way of
presentation and rendering is excellent. super. no words to express.
music made so very friendly melodious meaningful for even the most illiterates and rank and file,,,,,very pleasant learning process for any one even just curious....
Hats off...!!! Madam, Wonderful job!
thank you so much for for the videos...u always bring out the beautiful side of evry ragam...its a vry blissful to hear !! please do more !
So soothing...so refreshining to the ears and heart...
More enchanting it appears on repeat listening, indeed.
.
Samprasad Majumdar thanks a lot!
I learned a great deal about Bhairavi - thanks for sharing.
i love her voice!!! it's amazing!
sister you have a beautiful superb voice which is scintillating the tentacles of my ear drums by Madhuswamy. Chennai
I realy like this music and it is very refreshing the mind
EXCELLENT DEMONSTRATION...
madam ,pl sing the rare piece"annapoorani ye un unnadha vadivaththai ennendruraipen ammaaa"in bharavi ragam
I wish I could understand this language, there is so much knowledge which I am missing...
You are awesome. 🙌
superb songs selected.Thanks a lot
Rama kodanta raama.... By tyagaraja ❤
ஓம் ஓம் ஓம்
தாயே நீயே சரணம்
Can someone pls tell me what is that music at the background when she was talking, in the beginning? It's a very peaceful music that seems to be present at the start of almost every Indian classical/Carnatic music videos. Pls tell me what music instrument it is. Thanks!
That is the sound of the Tambura, an instrument that keeps pitch.
that is rhythm box
that is called tanpura or shruthi.which helps you sing in medium.
AWesome ma'am .. please tell me how many hours one must practice per day..?? carnatic singing as such to reach a professional stage,
After 12 years of singing and training for say 3-4 hours every day. Then you are on stage. You must have interest and perseverance. All the best to you.
Romba Nandri very Nice
superb songs .Thanks a lot
Very excellent
Really proud of you :)
Aravindh
Last time a year back I felt that ur bharavi needs a little more weight of carnatic sastriya sangeeth. Nagu momu referring. But today I heard ur Shyama sastri kruti, & I must confess it is top class. Even priya sisters are far below. Keep it up. The problem is the language. Tamil is not entirely suitable. U have the grit, tenacity & melody. A little more clarity of telugu, I will say u will be top. All three - thyagaraja, dixther, Shyam Sastry, are vydiki velnadu brahmins from ap origin. Of course they are born Tamil Ian's. The problem is TN govt want to remove telugu from being taught in tamilnadu. So only people like u to help the locals. I once again bow down to the passion & grit of Tamil race towards learning carnatic sastriya sangeeth. It is amurutam direct. Drink as much as u feel like. No processing required. No cooking, no talimpu is needed. Excellent keep it. Rao Vemuri. Ph. D engg ias retd 86 years old brahmin from Guntur.
Who do you you are are? You know nothing but are trying to give advice. Stop talking shit.
beautiful
Excellent
It is not Carnatic ,it should be Karnataka.It is British spelling. Purandara Dasa was grandfather of.Karnataka music. He set up basics of Karnataka music He is/was Kannada person .So music is called Karnataka music. Please note. Appreciate contribution of Kannadiga to music world.❤❤❤❤❤
Superb
enjoed raga
Very hard for me to understand but it is great.
Super ya
Having focused her attention to music giving you the musical pleasure she must have forgotten her engineering talent.I mastered Entharo mahanu bavulu and posted on youtube and deleted. Wonder if she would sing that as well lalitha shahasranaman which i sung at temples recently as in singapore and the priest said pramatham.
Indepth analysis
Bhairavi is a glorious and sublime raga.
Thanks for the exposition.
Keith Parker thanks a lot! One of my favourites too . Mukhari is available as well, an allied ragA.
***** Thanks for the tip. I've just listened to your lesson on Mukhari. It is indeed another exquisite and moving raga. Thank you very much for your wonderful and informative presentations! You're a great teacher. I love Karnatic music, particularly the serious and majestic ragas like Bhairavi, Todi, Sri, Samugapriya, Kharahapriya, Ananda Bharavi and so on. I also particularly love Padams and have been listening to the beautiful CD of Padams by Aruna Sairam. Do you sing Padams?
Very good approach
What's amezing...
Good. Useful to music learners
You have to listen to Yesudas´s carnactic songs!
Indeed. One wonders why. It would have been simple enough for her to approach a person who knows Telugu, or to refer to a book that explains Tyagaraja's words, or even to do a simple web search (for there are many excellent resources available today at one's fingertips). Unfortunate, really unfortunate.
Excellent sister...
Raam Shankar madam lyrics i need
Can I have the 5 krutis of sridikshitar..
amazing
அருமை சூப்பா்
glorious
Niceeeee and very useful for music learners
lokesh babu thank you.
i completely agree vth u.
Jaya TV Isai Payanam - Bhairavi - th-cam.com/video/AdEOw0YeO4Y/w-d-xo.html
Super
The translation given by the singer for the song THANAYUNI BROVA is wrong. The first two lines mean 'will the mother come to protect her child or will the child (have to) run to the mother for protection?
nice attempt
Wonderful
+Kanagadurga Sundaram thank you very much!
nice
How to identify ragas?
nicei
Nalla irke