Beethoven Piano Concerto No 5 Boris Berezovsky & Mariinsky Orchestra conducted by Valery Gergiev
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- เผยแพร่เมื่อ 18 ก.ย. 2024
- Beethovens Klavierkonzert Nr. 5 in Es-Dur, Opus 73, auch bekannt als "Emperor", ist eines seiner bekanntesten und meistaufgeführten Klavierkonzerte. Es besteht aus drei Sätzen: Allegro, Adagio un poco mosso und Rondo: Allegro.
Der erste Satz beginnt mit einer majestätischen und prächtigen Einleitung des Orchesters, gefolgt von einem feurigen und virtuosen Solo-Einsatz des Klaviers. Das Thema wird zwischen dem Klavier und dem Orchester hin- und hergeworfen und es gibt auch eine kurze Kadenz für das Klavier. Der Satz endet mit einem beeindruckenden Finale, in dem das Klavier und das Orchester gemeinsam einen furiosen Schluss bilden.
Der zweite Satz, Adagio un poco mosso, beginnt mit einem traurigen und melancholischen Thema, das von den Streichern vorgestellt wird und dann von dem Klavier aufgenommen wird. Es ist ein sehr emotionaler und expressiver Satz, der die tiefen Gefühle von Beethoven auf eindrucksvolle Weise widerspiegelt.
Der letzte Satz, Rondo: Allegro, ist ein lebhafter und fröhlicher Satz, der das Klavier und das Orchester in einem schnellen und energiegeladenen Rondo vereint. Es gibt mehrere Wiederholungen des Hauptthemas und auch einige virtuose Passagen für das Klavier. Der Satz endet mit einem triumphierenden Finale, das das Publikum begeistert.
Das Klavierkonzert Nr.5 von Beethoven ist ein Meisterwerk der Musikgeschichte, das sowohl für seine technischen Anforderungen als auch für seine emotionalen Tiefen bekannt ist und es wird als eines der größten Klavierkonzerte aller Zeiten angesehen.
Es war ein unvergessliches Erlebnis, Boris Berezovsky im Mariinsky Theater spielen zu hören. Seine Leistung beim Beethoven Klavierkonzert Nr. 5 war atemberaubend und beeindruckend. Seine Technik am Klavier war makellos und seine Interpretation des Stücks zeugte von tiefem Verständnis und Emotion. Die Chemie zwischen ihm und dem Orchester war unübertroffen, jede Note wurde perfekt abgestimmt und die Dynamik war beeindruckend. Das Publikum war begeistert und gab ihm verdienten Applaus. Ein wahrer Piano-Gott hat uns heute Abend im Mariinsky Theater unterhalten.
Das Orchester des Mariinsky Theaters in Sankt Petersburg hat bei der Aufführung des Beethoven Klavierkonzert Nr. 5 eine überwältigende Leistung gezeigt. Jeder einzelne Musiker hat mit höchster Präzision und Leidenschaft gespielt. Die Dynamik und die Intensität, die sie dem Stück verliehen haben, waren beeindruckend. Die Zusammenspiel zwischen den einzelnen Sektionen des Orchesters war makellos und jede Note war perfekt aufeinander abgestimmt. Der Klang des Orchesters war wunderschön und hat das Publikum in seinen Bann gezogen. Die Leitung des Dirigenten war souverän und hat das beste aus dem Orchester herausgeholt. Ein solch talentiertes und erfahrenes Orchester ist eine wahre Freude zu hören und hat das Konzert zu einem unvergesslichen Erlebnis gemacht. Vielen Dank!
Такое вдохновенное исполнение гениального концерта. Гениального. Бетховена! Браво! Брависсимо! Благодарю. Вас маэстро. Валерий. Гергиев . Борис. Березовский.🌎🌿🕊️🌿🎩🎹🎶🎵🎶🌿😇🌿🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾❤️❤️❤️❤️❤️🌎🌿🕊️🌿🌿
Thank you, Ludwig van Beethoven, for taking us to your wondrous world of creation, full of emotion, power and greatness, a source of inspiration for never-ending life.
Ja , wirklich , es ist so : Beethovens Musik ist ein Quell des Lebens , des Weiterlebens , sie gibt Kraft länger leben zu wollen; gerade wenn man alt geworden ist . Karl-Friedrich Klausch (86) .
パフォーマンスは素晴らしいです、音は素晴らしいです、久しぶりに5番の素晴らしいパフォーマンスを聞いてありがとう、世界が平和になりますように。
Thank you so much for your comment :-)
Bellissimo! Gergiev and Berezovsky TOP!
Uptempo rendition of one of my favorite pieces of music, I didn't know I could find it more satisfying, Brilliant!!!!
This pianist is so powerful -- the entire orchestra is at his fingertips
Ohhh...simply.. Extraordinary beautiful and powerful ; this passionate music - Thank you Beethoven, Berezovsky and all magnificent musicians! - is like a super-glue, holding our world together while so many other factors tears it apart... Gratitude from Sweden
Thank you for this comment :-)
@@Zobel-Film So very welcome - forgot to thank YOU for excellent filming : the close-ups are appreciated; one can easily overlook the fact that individuals put their skills and energy into these instruments... their facial expressions tells so much about the concentration required.
Pianist and director are so much power, one if not the best interpretation of Beethoven, closest to God.
오 !
놀랍습니다
이 피아니스트는 차이콥스키
콩쿨에서 우승 한
바로 그분이네요 ~
생김새가 다르지만
민족과 국가를 넘어
우리들은 이 아름다운
연주를 듣고 있어요
2023넌 1월에 있었든
이 장엄한 연주 ~
세계인들이
함께 공유할수 있슴에
감사드려요 ~ ㅣ💋
Mi concierto favorito. Excelencia de melodía y excelencia de músicos!!!?
A stringent and inspiring interpretation. Many greetings from Germany.
It's fascinating to hear this concerto played at this faster tempo. It brings out the brilliance of the piano writing and drives home how this piece introduced the concept of a concerto as a struggle between soloist and orchestra rather than a conversation. I wouldn't want this interpretation to be my only way of listening to the work but I will enjoy returning to it once in a while!
Realmente es un deleite el concierto en sí y la interpretación. Gracias por poder compartir esta delicia.
Wow! Boris Berezovsky is wonderful with this concerto. I want to hear so much from Boris. Marc Dozier
아 !
경이로워요 ~
웅장하며 물흐르듯
감동 ~ 또 감동 입니다
베토벤 교향곡 5번 황제 !
그 위엄을 보여주네요 ~
피아니스트 ~ 오케스트라
최곱니다
브라보 !! ❤️✨️✨️❤️❤️❤️❤️
Spannende, dynamische Interpretation, frische Tempi, sehr überzeugend.
Влистинну "императорский" концерт! Два маэстро с взрывной энергией. Старая Европа, которую мы любим :)))
Bravo 👏👏👏
So Perfect 🥰
這位指揮家可是連鋼琴手都一起指揮了，他的確很認真在做。
"Beethoven's Piano Concerto No. 5 in E flat major, Opus 73, also known as "Emperor", is one of his best-known and most frequently performed piano concertos. It consists of three movements: Allegro, Adagio un poco mosso and Rondo: Allegro.
The first movement begins with a majestic and magnificent introduction by the orchestra, followed by a fiery and virtuoso solo use of the piano. The theme is tossed back and forth between the piano and the orchestra and there is also a short cadenza for the piano. The movement ends with an impressive finale in which the piano and the orchestra together form a furious conclusion.
The second movement, Adagio un poco mosso, begins with a sad and melancholic theme, introduced by the strings and then taken up by the piano. It is a very emotional and expressive movement that impressively reflects Beethoven's deep feelings.
The last movement, Rondo: Allegro, is a lively and cheerful movement that unites the piano and orchestra in a fast and energetic rondo. There are several repetitions of the main theme and also some virtuoso passages for the piano. The movement ends with a triumphant finale that thrills the audience.
Beethoven's Piano Concerto No.5 is a masterpiece of music history, known for both its technical requirements and emotional depths, and is considered one of the greatest piano concertos of all time.
It was an unforgettable experience to hear Boris Berezovsky play at the Mariinsky Theater. His performance at Beethoven Piano Concerto No. 5 was breathtaking and impressive. His technique at the piano was flawless and his interpretation of the piece showed deep understanding and emotion. The chemistry between him and the orchestra was second to none, every note was perfectly tuned and the dynamics were impressive. The audience was thrilled and gave him well-deserved applause. A true piano god entertained us tonight at the Mariinsky Theater.
The orchestra of the Mariinsky Theatre in Saint Petersburg gave an overwhelming performance in the performance of Beethoven Piano Concerto No. 5. Every single musician played with the utmost precision and passion. The dynamics and intensity they gave the piece were impressive. The interplay between the individual sections of the orchestra was flawless and every note was perfectly coordinated. The sound of the orchestra was beautiful and captivated the audience. The conductor's leadership was sovereign and brought out the best in the orchestra. Such a talented and experienced orchestra is a real pleasure to hear and has made the concert an unforgettable experience. Thank you very much!"
❤❤❤🎉
Extraordinário. Belíssima oportunidade. Que surpresa, que presente!
Браво!!!
FABULOSOOOÓOO!!!!!!!!!!!
great orchestra.. conductor and soloist..
playing great music!
thankyou for sharing this 🙂 x
Very awesome orchestra ❤
QUE GRANDIOSA MUSICA.
ESPLÉNDIDA INTERPRETACIÓN. FELICIDADES
Outstanding Performance!
Grazie per il complimento
ca fait plaisir de revoir Valerie Gergiev sur you tube après son éviction scandaleuse des pays occidentaux bravo
No lo había escuchado, pero ya es uno de mis favoritos.
EXTRAORDINARIO DAVID ♥️♥️♥️
De argentina un abrazo
Realmente increíble!!
Bravo. Excelente.
WONDERFUL !!!!!!!
Everyone seems to be in a rush. Hard to hear Beethoven through it.
In Beethoven's score, there are indications for tempo selection that are intended to provide orientation for the conductor and soloist. For Piano Concerto No. 5, Beethoven gives the tempo as "Allegro" (fast), but he adds the note "ma non troppo" (not too fast). This indicates that the piece should be played fast, but not too fast, in order to bring out the complex harmonies, melodic lines, and structural aspects of the music.
Exactly how fast is "not too fast" is still a matter of interpretation and can vary depending on the performer's performance preference. However, if the piece is played too fast, important details of the music may be lost and the overall effect of the piece may be diminished.
Awesome music!❤
What a really excellent performance so carefully controlled - lovely. A pity the camera work didn't always match that.
1:01 I. Allegro
18:40 II. Adagio un poco mosso
25:08 III. Rondo : Allegro
Perfect
He is fast like the metronome was on steroids. Only when the adagio comes that he breathes.
In Beethoven's score, there are indications for tempo selection that are intended to provide orientation for the conductor and soloist. For Piano Concerto No. 5, Beethoven gives the tempo as "Allegro" (fast), but he adds the note "ma non troppo" (not too fast). This indicates that the piece should be played fast, but not too fast, in order to bring out the complex harmonies, melodic lines, and structural aspects of the music.
Exactly how fast is "not too fast" is still a matter of interpretation and can vary depending on the performer's performance preference. However, if the piece is played too fast, important details of the music may be lost and the overall effect of the piece may be diminished.
Хотя бы один комментарий на русском...
Maestro Gergiev conducting with a toothpick ? hahaha!
In earlier times, longer conductor's batons were preferred because they gave the conductor more reach and control over the orchestra. With a longer baton, the conductor could make movements and give signals over a greater distance, which made it easier to lead the orchestra.
Over time, however, the role of the conductor has changed and it is more common today for conductors to work in close contact with the orchestra. Shorter conducting staves allow the conductor to get closer to the orchestra and interact with the musicians, which allows for better communication and collaboration overall.
In addition, many conductors today prefer lighter and shorter batons, which give them more freedom and flexibility in their movements. Some conductors even prefer to forgo the baton altogether and instead use their hands to conduct the orchestra.
Overall, the choice of conductor's baton length and weight depends on the conductor's personal preferences and the requirements of the music he or she is conducting.
Wow. A very fast 1st movement. Under 18 mins (Serkin/Ozawa Telarc 21 mins. Ax/Previn CBS masterworks under 20 min mark) Pianistically not German and very emotional but not mushy. This is where you go if you are not feeling romantic.
The performance is magnificent, but I feel worried for Mr Gergiev's health. He does not look in his best mood.
Gergiev me paraît singulièrement nerveux dans sa direction au début du concerto, mais Berezovsky a l'air de s'en foutre royalement et reste concentré dans son jeu. Notons toutefois la disposition assez particulière du piano dans l'orchestre : le soliste n'ayant pas le premier violon dans son dos, comme" d'habitude. Mais cela ne semble pas déranger Berezovsky !
Wonderul performance, but not really wonderful shooting and editing. A lot of problem in sync between audio and video, plus the editor missed transitions too much time on solo passage when they appear.
I believe it is really too fast. I do not know why.
It's too fast. I don't like it. Sorry.
I agree. I feel purists would not like such tempo. But the grandeur and the energy is electrifying.
@@junacebedo888 The comment is absolutely ok :-)
And can it be?
伊甸之聖聲!
チャイコフスキーコンクールの優勝時は、貧しそうな(失礼)痩せた青年だった。今は堂々とゲルギエフと。同９０年のヴァイオリン部門は諏訪内晶子の優勝！
Is the conductor using a tooth pick to conduct?
In earlier times, longer conductor's batons were preferred because they gave the conductor more reach and control over the orchestra. With a longer baton, the conductor could make movements and give signals over a greater distance, which made it easier to lead the orchestra.
Over time, however, the role of the conductor has changed and it is more common today for conductors to work in close contact with the orchestra. Shorter conducting staves allow the conductor to get closer to the orchestra and interact with the musicians, which allows for better communication and collaboration overall.
In addition, many conductors today prefer lighter and shorter batons, which give them more freedom and flexibility in their movements. Some conductors even prefer to forgo the baton altogether and instead use their hands to conduct the orchestra.
Overall, the choice of conductor's baton length and weight depends on the conductor's personal preferences and the requirements of the music he or she is conducting.
@@Zobel-Film Thank you very much!
Totalmente de acuerdo con todos los comentarios menos con el de Aurel Tudor.
Haha. Anyone who hasn't seen Alina Bercu's concert doesn't know what's good. Music does not mean only the mechanical production of sounds. Berezovsky even skips notes, which he no longer fits because of the too alert rhythm. With great indulgence we can talk about sensitivity and nuance of phrasing in his case. I am not necessarily impressed by the big names. Askenazy also has a not very successful interpretation, although many people deify him.
sono d'accordo
No. When it comes to speed, most experienced listener scan identify when the piece is being played too quickly, as in this case, because the phrases no longer mean anything much. Pushing the piece along is fine, and often helps, but this is just dumb, and throws away most of its grandeur for the sake of 'being different'.
Ins Marìinsky-Theater werde ich in diesem meinen Leben nicht noch ein zweites Mal kommen.
Denn der neue Kreml - Hitler wird mich als 81 - Jährigen statistisch gesehen leider überleben.
Was für ein Schwachsinn.
@@MarkFarago Sie dokumentieren mit "Was für ein Schwachsinn" Ihre Unfähigkeit, auch nur eines meiner Argumente zu widerlegen.
Das halte ich für Schwachsinn.
Ha il fisico di Berman ma risulta più precico
Berman aveva il suono piu' bello
@@francodegrandis7531 sono d'accordo
Probably Mr. Berezovski can interpret even faster. Bravo to him, but this barbaric tempo ruins the concert. This is already an athletic approach. I feel no emotion. Or tickets are cheap in Moscow.
Agree. I find super fast tempos very annoying. Is he using a toothpick as a baton?
In Beethoven's score, there are indications for tempo selection that are intended to provide orientation for the conductor and soloist. For Piano Concerto No. 5, Beethoven gives the tempo as "Allegro" (fast), but he adds the note "ma non troppo" (not too fast). This indicates that the piece should be played fast, but not too fast, in order to bring out the complex harmonies, melodic lines, and structural aspects of the music.
Exactly how fast is "not too fast" is still a matter of interpretation and can vary depending on the performer's performance preference. However, if the piece is played too fast, important details of the music may be lost and the overall effect of the piece may be diminished.
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