You make it look so easy! The main thing I’ve learnt that I hope to try on my next project is to worry less about getting the perfect basecoat first time and instead get the rough colours in to learn the sculpt and build up layers from there. Great advice thanks you! Also that crazy goat is clearly called Dave 😎
Thanks for the feedback! I hope in the long term, throughout the full series there is a bit to learn here and there. I learn tons myself about filming, editing footage, painting under camera and finding my style of doing this TH-cam thingy. I also learn a lot about tackling this project with these videos in between. It is super deep analysis of my workflow and really interesting to observe and paint instead of just only painting ...
I'm feeling like I may need a bigger wet palette if I'm going to attempt anything like your fee and flowing approach to painting and colour mixing. It's interesting to see more detail of your workflow. Thanks again.
Those legs are so *spindly*! This is fascinating to watch, particularly with the way you mix your colors. Thank you so much for sharing. Can't wait for the next bit.
The weird creature is likely her familiar since she's a witch, I think normally familiars are portrayed as real animals, but I saw different artwork of animals with unnatural changes to them. I can't find this one specifically so it could just be Brom's own creation.
True. I am enjoying it. I am enjoying the study of the master's work, the learning, the analyising, the growth of knowledge, also the female figure, not so much the creepy companion and hopefully the end result ... thanks for enjoying the journey!
So I guess the name of the creature is : "HAAAAAAAAAAAAAAA Kill meeee", it seems fairly appropriate. Great video, thanks for sharing the process on this project :)
I just told this - exactly this - to a private coaching student today. Sometimes it feels like oil painting what I do with acrylics. Imagine it like this: large pools of paint take longer to dry, this is why it gets harder when I paint like this in smaller parts...
@@ROMANLAPPATMINIATUREART but this is so contradicting to “two thin coats”! Joking aside, can this method be brought to a smaller scale regardless if it is harder to achieve? Is it as simple as not touching the paint when it reaches a specific level of dry-ness?
@@ROMANLAPPATMINIATUREART but this is so contradicting to “two thin coats”! Joking aside, can this method be brought to a smaller scale regardless if it is harder to achieve? Is it as simple as not touching the paint when it reaches a specific level of dry-ness?
@@Nikita_Brus well, yeah. I am not the biggest fan of two thin coats, but I am coming from a painterly background overall. I think it can be achieved on smaller acale too, yes. You just have to be much faster and exactly knlw what to do. So training and experience is needed.
You make it look so easy! The main thing I’ve learnt that I hope to try on my next project is to worry less about getting the perfect basecoat first time and instead get the rough colours in to learn the sculpt and build up layers from there. Great advice thanks you!
Also that crazy goat is clearly called Dave 😎
Dave :D ... worrying less can be liberating. Glad you find this inspiring and I wish you happy painting!
Super awesome
🥰🙏
i dont know if i really learn a lot from this videos but for sure I can watch them for hours.
Thanks for the feedback! I hope in the long term, throughout the full series there is a bit to learn here and there. I learn tons myself about filming, editing footage, painting under camera and finding my style of doing this TH-cam thingy. I also learn a lot about tackling this project with these videos in between. It is super deep analysis of my workflow and really interesting to observe and paint instead of just only painting ...
Always great seeing your videos. Thank you!
Glad you enjoy it!
You are by far my favorite painter. Thank you for being you.
Thank you for enjoying what and how I paint :)
@@ROMANLAPPATMINIATUREART I would also call him Danny Dali.
@@NickAt-Knight Good one!
I have no idea what to call the creepy companion, but I do appreciate it (kinda) looking like it's wearing high heels.
Well, yeah ... somewhat ... it is disturbing, right?
I'm feeling like I may need a bigger wet palette if I'm going to attempt anything like your fee and flowing approach to painting and colour mixing. It's interesting to see more detail of your workflow. Thanks again.
Really happy you enjoy that. Yes, a big palette is liberating for me. I think mine is small :D ... more to come!
what a bloody cool mini goat thing
:D
Those legs are so *spindly*! This is fascinating to watch, particularly with the way you mix your colors. Thank you so much for sharing. Can't wait for the next bit.
Thank you for enjyoing it 🙏🥰
Nice video Buddy. 👍
🥰🙏😉
Wonderful paint, great tones harmony . Name of the creature is "the alchemical sun" or "alchemical centaur".
Thank you! This sounds legit. Thank you for clarification
The weird creature is likely her familiar since she's a witch, I think normally familiars are portrayed as real animals, but I saw different artwork of animals with unnatural changes to them. I can't find this one specifically so it could just be Brom's own creation.
Makes totally sense, yeah.
One of the creepier models you have painted. You seem to enjoy it & that is all that matters. Great job
True. I am enjoying it. I am enjoying the study of the master's work, the learning, the analyising, the growth of knowledge, also the female figure, not so much the creepy companion and hopefully the end result ... thanks for enjoying the journey!
A sweden moose cup, man youre so German! Great video, cant wait for my Star Witch to arrive in December /a Swede
:D
What’s track playing at hair paint time. It’s great
You can always find the music I used for the videos in my describtion, below the video. I think the one you mean is the one by Arthur Basov I suppose.
It’s a Sunnylongshanks
:D
It looks like a "Flaubert".
:D ... a fitting name and of course I googled it, but well, Gustave Flaubert would not be impressed :D
@@ROMANLAPPATMINIATUREART wow, I did not know who Flaubert was and now I know it is somehow funnier.
@@simondale2833 very true, same on this end :D
Also "scapegoat"
This is good :D
So I guess the name of the creature is : "HAAAAAAAAAAAAAAA Kill meeee", it seems fairly appropriate. Great video, thanks for sharing the process on this project :)
:D what an awesome name!! :D
Aloha? A low AH? Hallo AH? Great vid ty.
:D
I find it mind boggling how the paint stays wet for so long, as if youre painting with Oils.
I just told this - exactly this - to a private coaching student today. Sometimes it feels like oil painting what I do with acrylics. Imagine it like this: large pools of paint take longer to dry, this is why it gets harder when I paint like this in smaller parts...
@@ROMANLAPPATMINIATUREART but this is so contradicting to “two thin coats”! Joking aside, can this method be brought to a smaller scale regardless if it is harder to achieve? Is it as simple as not touching the paint when it reaches a specific level of dry-ness?
@@ROMANLAPPATMINIATUREART but this is so contradicting to “two thin coats”! Joking aside, can this method be brought to a smaller scale regardless if it is harder to achieve? Is it as simple as not touching the paint when it reaches a specific level of dry-ness?
@@Nikita_Brus well, yeah. I am not the biggest fan of two thin coats, but I am coming from a painterly background overall. I think it can be achieved on smaller acale too, yes. You just have to be much faster and exactly knlw what to do. So training and experience is needed.
A malnourished llama
:D this is a lovely fit!
Not an expert on hair. 😂
:D