Thank you so much for your kind words! I truly appreciate your compliment regarding my responses. It's important to me to engage with viewers professionally and thoughtfully. I'm glad you enjoyed the content, and your feedback motivates me to continue creating quality content. If you have any suggestions or topics you'd like to see in the future, feel free to let me know. Thanks again for your support! 😊 ------------------------------------------------------------------------------------------------ And a few personal words... With all my heart and sincerely - thank you so much... I love what I do and try to unite good people like you in my community. I am Ukrainian... and I am going through not the best times related to the war in Ukraine... So - good words support me... and I am inspired to make content... I love music and I love drumming and drums... + Support from the audience allows me to monetize the content and I will be able to send part of the money for a living and part to support the Ukrainian army. You inspired me and showed me a good and sincere heart... I really appreciate it! ---------------------------------------------------------------------------------------------------------- I nominate you as my best viewer in the category so far - a good person. ---------------------------------------------------------------------------------------------------------- I wish you all the best.) and a good mood, sir!
When I played, I only used Yamaha Kits. I started playing in 1975 and played for 20 years. I didn’t stop playing. The Divorce Court Judge sold my kit to a church. Modern kits are amazing values with fantastic tones.
Thank you for sharing your experience with Yamaha drums! Your story really highlights the enduring quality and appeal of Yamaha kits over the decades. Starting in 1975, you would have been playing during an exciting time for Yamaha drums. That was right around when they introduced the YD9000 series, which later evolved into the legendary Recording Custom line. These kits, with their 100% birch shells, really put Yamaha on the map as a top-tier drum manufacturer. I'm sorry to hear about the circumstances that led to you parting with your kit. However, your comment about the church acquiring it shows how Yamaha drums often find new life in different settings, a testament to their versatility and durability. You're absolutely right about modern kits being amazing value. Yamaha has continued to innovate, with lines like the Live Custom Hybrid Oak, Tour Custom, and the revamped Recording Custom offering fantastic tones at various price points. The manufacturing processes and quality control have only improved over time, even as production has expanded to include facilities outside Japan. Thank you for sharing your story and perspective. It adds a valuable historical context to our discussion of Yamaha drums!
Do you guys know what happened to the tour custom? In the past (when I got mine) it was basically the Stage Custom in maple shells, then they improved the hoops. Its absence created a huge gap in prices in the Yamaha line. Don't know why they're so hard to find... was it cannibalizing the Live Hybrid Oak line maybe?
For price, etc. you cannot beat a Stage Custom. Just because there are more expensive woods in the world, it does not mean they are better for drums. Throw some Remo Ambassador clears on there, and you're ready to go . ( though I did go with a different snare)
Thank you for sharing your experience with the Yamaha Stage Custom! Your comment highlights several key points that many drummers appreciate about this kit. - You're absolutely right about the value proposition of the Stage Custom. It's widely regarded as one of the best bang-for-buck drum sets on the market, offering professional-level quality at a more accessible price point - Your point about wood types is spot-on. While exotic woods can be exciting, birch (used in the Stage Custom) is a time-tested tonewood for drums. Yamaha has a long history of crafting excellent birch drums, dating back to their renowned Recording Custom series. The Stage Custom benefits from this expertise, delivering a focused, punchy sound that's characteristic of birch. - The recommendation for Remo Ambassador clear heads is solid advice. Many drummers find that upgrading to quality aftermarket heads, like Ambassadors, can significantly enhance the sound of the Stage Custom. It's a cost-effective way to elevate the kit's performance - Interesting that you opted for a different snare. While the matching birch snare that comes with the Stage Custom is quite capable, many drummers do choose to customize their setups with alternate snares. It's all about finding what works best for your personal sound and playing style. Thanks for contributing to the discussion with your practical insights. Comments like yours are incredibly helpful for drummers considering their options!
Thank you for sharing your experience with the Yamaha 9000 series! Your loyalty to this kit since 1991 is a testament to its exceptional quality and enduring appeal. The Yamaha 9000 series, which later evolved into the Recording Custom line, is indeed a legendary drum set. It's fantastic to hear that you're still gigging with yours after all these years. This longevity speaks volumes about the build quality and timeless sound of these drums. The cherry wood finish you mentioned is truly a classic look for these kits. Yamaha's lacquer finishes, especially on the 9000 series, were known for their durability and beauty, often maintaining their luster for decades. Your comment about not needing another kit highlights a key strength of the 9000 series - its versatility. These drums were designed to excel in various musical contexts, from studio recording to live performances, which is why so many professional drummers relied on them for years. For those unfamiliar with the 9000 series: - It featured 100% birch shells, known for their focused, punchy sound. - The drums were made in Japan, with meticulous attention to detail. - They were used on countless hit records, particularly in the 1980s and 1990s. It's great to hear from drummers like yourself who have extensive real-world experience with these iconic drums. Your ongoing satisfaction with the kit after more than 30 years is a powerful endorsement of Yamaha's craftsmanship. Thanks for sharing your story - it adds valuable perspective to our discussion about Yamaha drums!
Couldn't agree more. Great build, very road worthy and Yamaha's birch shells bark with awesome attack and projection. Just what you need on stage. Clocked up so many gigs on them and keep them in mint condition. Long live Yamaha!
Thank you so much for your enthusiastic support! 🎉 I'm thrilled to hear that you enjoyed the video. Your feedback means a lot to me! If you have any questions or topics you'd like to see in future videos, feel free to share. Keep watching! 😊
I wonder the same... I wished that they showed it off... I love mine anyway! Just think the shells are a bit thin but I have a nice low end out of them
You're absolutely right that the Tour Custom is a great Yamaha drum set that deserves recognition. I focused on the Stage, Live Hybrid Oak, Absolute Hybrid, Recording Custom, and PHX series in my video as they represent a range of Yamaha's offerings from entry-level to top-tier professional kits. The Tour Custom is indeed an excellent mid-range option that sits between the Stage Custom and higher-end models. It features all-maple shells and offers professional-quality sound at a more accessible price point compared to the Absolute or Recording Custom series. I had to make some tough choices to limit the video to just five kits, but in retrospect, the Tour Custom would have been a worthy addition. It's particularly well-suited for gigging drummers looking for a versatile, great-sounding kit that won't break the bank. Thank you for bringing this up - it's a valuable point that adds to the discussion about Yamaha's diverse drum set lineup. I appreciate your input and will consider covering the Tour Custom in future content!
Thank you for your comment and for sharing your love from the Netherlands! I'm glad to hear that the Recording Custom is still a favorite for you. The 9000 series was indeed a legendary line of Recording Custom drums that Yamaha produced for many years. To clarify for other viewers: - The 9000 series was the original name for the Recording Custom line when it was introduced in 1977. - In 2016, Yamaha revamped and reintroduced the Recording Custom series, maintaining much of what made the original 9000 series so popular. The fact that you're still using and loving your 9000 Recording Custom kit speaks volumes about the quality and longevity of these drums. Many drummers, including yourself, continue to prefer the original 9000 series for its classic sound and build quality. It's great to hear from drummers who have experience with different generations of Yamaha drums. Your input adds valuable perspective to the discussion. Thanks for watching and for sharing your enthusiasm for these fantastic drums! ---------------------------------------- I'm looking for different awesome drums and stories from you to tell on my channel. Soon I will announce on the channel a collaboration with you, my wonderful viewers. Would you like to have a collaboration? If YES, pls contact me - musicessences00@gmail.com
@@musicessences I have the model from 2000(I think?) I believe it was the first version with YESS. 22x14 bass, 10x9, 12x10 toms, 16x14 floor.. All coated emperors, powersroke 3 on bassdrum. It sounds like a beast, but still very controlled.
Thank you for your kind words about the video and for your keen attention to detail! You're absolutely correct, and I appreciate you pointing this out. The Recording Custom series indeed uses the standard YESS (Yamaha Enhanced Sustain System) mount, not the YESS III as I mistakenly mentioned in the video. To clarify for other viewers: - The standard YESS is used on the Recording Custom series. - The YESS III is a more recent innovation found on some other Yamaha drum sets, like the Live Custom Hybrid Oak. I apologize for this error and thank you for bringing it to my attention. It's important to provide accurate information, and I'm grateful for viewers like you who help maintain that accuracy. I'll add a correction note to the video description to ensure other viewers have the correct information. Your expertise and attention to detail are much appreciated. Comments like yours help improve the quality of information for the entire drumming community. Thank you again for watching and for your valuable feedback!
I have a 2002/2003 Stage Custom Advantage kit (birch, mahogany, falkata), unfortunately I could not get the sound that I liked. Any recommendation for batter heads and reso heads combination for a heavy/ deep rock sound?
Thank you for sharing your experience with the 2002/2003 Yamaha Stage Custom Advantage kit. It's understandable that you're looking to achieve a heavy, deep rock sound. Based on recommendations for similar kits and styles, here are some suggestions for batter and resonant head combinations: Batter Heads: - Evans G2 coated or clear: These 2-ply heads are popular for rock sounds, offering durability and a full, warm tone - Remo Emperor coated or clear: Another excellent 2-ply option known for its deep, punchy sound - Evans EC2S: These heads feature sound shaping technology that can help control overtones, which might be beneficial for your desired sound. Resonant Heads: - Remo Ambassador clear: A single-ply head that complements the fuller sound of 2-ply batter heads. - Evans G1 clear: Similar to the Ambassador, this single-ply head can help maintain resonance. Bass Drum: - Batter: Evans EMAD or Aquarian Superkick II - Resonant: Evans EQ4 or Remo Powerstroke 3 Specific Combinations: For toms, try Evans G2 coated on top with G1 clear on the bottom. For the bass drum, an Evans EMAD batter with an EQ4 resonant could give you that deep, punchy rock sound. Additional Tips: 1. Experiment with tuning: Lower tuning generally produces a deeper sound. 2. Consider using moongels or other dampening techniques if you need to control overtones further. 3. Remember that stick choice and playing technique also significantly affect your overall sound. Lastly, while these recommendations are based on common preferences for rock drumming, personal taste plays a crucial role. Don't be afraid to experiment with different combinations to find the perfect sound for your style.
Hi and Thank you for your comment! You're absolutely right that the Tour Custom is a great Yamaha drum set that deserves recognition. I focused on the Stage, Live Hybrid Oak, Absolute Hybrid, Recording Custom, and PHX series in my video as they represent a range of Yamaha's offerings from entry-level to top-tier professional kits. The Tour Custom is indeed an excellent mid-range option that sits between the Stage Custom and higher-end models. It features all-maple shells and offers professional-quality sound at a more accessible price point compared to the Absolute or Recording Custom series. I had to make some tough choices to limit the video to just five kits, but in retrospect, the Tour Custom would have been a worthy addition. It's particularly well-suited for gigging drummers looking for a versatile, great-sounding kit that won't break the bank. Thank you for bringing this up - it's a valuable point that adds to the discussion about Yamaha's diverse drum set lineup. I appreciate your input and will consider covering the Tour Custom in future content!
Thank you for your feedback on the video's narration. I appreciate your honesty about the voice used in the video. You're right that the voice you heard is computer-generated, and I understand that it might sound a bit unusual to some viewers. I chose to use an AI voice for this video for consistency and clarity, but I recognize that it may not appeal to everyone. Your comment is valuable as it helps me understand how viewers perceive different aspects of my content. I'm always looking for ways to improve the viewing experience, and feedback like yours is crucial in that process. I'm open to trying different approaches to make the content more engaging and enjoyable for viewers like yourself in the future.
Thank you for your feedback! You make an excellent point about the demonstration of the Stage Custom kit in the video. You're absolutely right that using actual drumsticks would have provided a more comprehensive showcase of the Stage Custom's sound capabilities. Brushes, while great for certain styles and dynamics, don't fully demonstrate the kit's potential, especially its projection and attack. I appreciate you pointing this out, as it's valuable feedback for improving future content. In retrospect, it would have been better to demonstrate the kit with both brushes and sticks to give viewers a more complete picture of its sound profile. (if possible) For those interested in hearing the Stage Custom played with sticks, I'd recommend checking out additional demos online. Thank you again for your insightful comment. It helps me understand what viewers are looking for and will certainly influence how I approach future drum kit demonstrations.
Would have been nice to actually hear the drums, 1. Played with sticks (Stage Custom), and 2. Without the voice-over commentary - could add the comments after hearing the drums! So I have no clue on the differences
Thank you for your comment! You're absolutely right to bring up the Tour Custom series. I understand your surprise at its absence from the video. The Tour Custom is indeed a fantastic drum set that sits comfortably between the Stage Custom and higher-end models like the Recording Custom. It offers all-maple shells and delivers professional-quality sound at a competitive price point. In creating this video, I had to make some tough choices to limit the selection to just five kits. However, I acknowledge that the Tour Custom is a worthy contender that deserves recognition. Your comment is valuable as it highlights the diverse range of quality drums Yamaha offers. In future content, I'll certainly consider featuring the Tour Custom to give a more comprehensive overview of Yamaha's lineup. Thank you for your input - it adds to the discussion and helps other viewers get a fuller picture of Yamaha's drum offerings!
Thank you for your comment! You're right that DW has a unique approach to drum manufacturing. Their attention to detail, innovative techniques, and commitment to quality certainly set them apart in the industry. DW's methods, like their proprietary HVLT (Horizontal/Vertical Low Timbre) shell construction and the Timbre Matching process, are indeed unique. However, it's worth noting that other high-end drum manufacturers, including some Japanese and European brands, also have their own specialized techniques and quality standards. While DW's process is exceptional, companies like Yamaha, Tama, Sonor, and others also produce excellent drums using their own proprietary methods. Each manufacturer brings something unique to the table, which is great for drummers as it offers a variety of high-quality options. Your appreciation for DW's craftsmanship is well-founded. They've certainly made a significant impact on drum manufacturing standards worldwide.
From everything I researched and everyone I spoke to said the same thing, the Yamaha has a spectacular sound, but the hardware, especially the YESS tone system, is very bad and over time it damages a lot and hinders the drummer's performance... For me Yamaha has the best sound, but it might be the choice depending on this tone system.
I have to compliment you on your professional demeanor when replying in the comments section.
Excellently crafted video, sir.
Thank you so much for your kind words! I truly appreciate your compliment regarding my responses. It's important to me to engage with viewers professionally and thoughtfully. I'm glad you enjoyed the content, and your feedback motivates me to continue creating quality content.
If you have any suggestions or topics you'd like to see in the future, feel free to let me know. Thanks again for your support! 😊
------------------------------------------------------------------------------------------------
And a few personal words...
With all my heart and sincerely - thank you so much...
I love what I do and try to unite good people like you in my community.
I am Ukrainian... and I am going through not the best times related to the war in Ukraine...
So - good words support me... and I am inspired to make content... I love music and I love drumming and drums...
+ Support from the audience allows me to monetize the content and I will be able to send part of the money for a living and part to support the Ukrainian army.
You inspired me and showed me a good and sincere heart... I really appreciate it!
----------------------------------------------------------------------------------------------------------
I nominate you as my best viewer in the category so far - a good person.
----------------------------------------------------------------------------------------------------------
I wish you all the best.) and a good mood, sir!
@@Lupine. 👍 Agree
When I played, I only used Yamaha Kits. I started playing in 1975 and played for 20 years. I didn’t stop playing. The Divorce Court Judge sold my kit to a church. Modern kits are amazing values with fantastic tones.
Thank you for sharing your experience with Yamaha drums! Your story really highlights the enduring quality and appeal of Yamaha kits over the decades.
Starting in 1975, you would have been playing during an exciting time for Yamaha drums. That was right around when they introduced the YD9000 series, which later evolved into the legendary Recording Custom line. These kits, with their 100% birch shells, really put Yamaha on the map as a top-tier drum manufacturer.
I'm sorry to hear about the circumstances that led to you parting with your kit. However, your comment about the church acquiring it shows how Yamaha drums often find new life in different settings, a testament to their versatility and durability.
You're absolutely right about modern kits being amazing value. Yamaha has continued to innovate, with lines like the Live Custom Hybrid Oak, Tour Custom, and the revamped Recording Custom offering fantastic tones at various price points. The manufacturing processes and quality control have only improved over time, even as production has expanded to include facilities outside Japan.
Thank you for sharing your story and perspective. It adds a valuable historical context to our discussion of Yamaha drums!
Do you guys know what happened to the tour custom? In the past (when I got mine) it was basically the Stage Custom in maple shells, then they improved the hoops. Its absence created a huge gap in prices in the Yamaha line. Don't know why they're so hard to find... was it cannibalizing the Live Hybrid Oak line maybe?
For price, etc. you cannot beat a Stage Custom. Just because there are more expensive woods in the world, it does not mean they are better for drums. Throw some Remo Ambassador clears on there, and you're ready to go . ( though I did go with a different snare)
I use ambassador coated. Very tasty sounding.
Stage Custom 👌
Thank you for sharing your experience with the Yamaha Stage Custom! Your comment highlights several key points that many drummers appreciate about this kit.
- You're absolutely right about the value proposition of the Stage Custom. It's widely regarded as one of the best bang-for-buck drum sets on the market, offering professional-level quality at a more accessible price point
- Your point about wood types is spot-on. While exotic woods can be exciting, birch (used in the Stage Custom) is a time-tested tonewood for drums. Yamaha has a long history of crafting excellent birch drums, dating back to their renowned Recording Custom series. The Stage Custom benefits from this expertise, delivering a focused, punchy sound that's characteristic of birch.
- The recommendation for Remo Ambassador clear heads is solid advice. Many drummers find that upgrading to quality aftermarket heads, like Ambassadors, can significantly enhance the sound of the Stage Custom. It's a cost-effective way to elevate the kit's performance
- Interesting that you opted for a different snare. While the matching birch snare that comes with the Stage Custom is quite capable, many drummers do choose to customize their setups with alternate snares. It's all about finding what works best for your personal sound and playing style.
Thanks for contributing to the discussion with your practical insights.
Comments like yours are incredibly helpful for drummers considering their options!
@@musicessences Thank you for the nice long reply! Subscribed. GL2U!
Where is tour custom maple??
Still gig with my Yamaha 9000
Had it since 1991 Don't think I'll ever need another kit. It's in the gorgeous cherry wood finish!
Thank you for sharing your experience with the Yamaha 9000 series! Your loyalty to this kit since 1991 is a testament to its exceptional quality and enduring appeal.
The Yamaha 9000 series, which later evolved into the Recording Custom line, is indeed a legendary drum set. It's fantastic to hear that you're still gigging with yours after all these years. This longevity speaks volumes about the build quality and timeless sound of these drums.
The cherry wood finish you mentioned is truly a classic look for these kits. Yamaha's lacquer finishes, especially on the 9000 series, were known for their durability and beauty, often maintaining their luster for decades.
Your comment about not needing another kit highlights a key strength of the 9000 series - its versatility. These drums were designed to excel in various musical contexts, from studio recording to live performances, which is why so many professional drummers relied on them for years.
For those unfamiliar with the 9000 series:
- It featured 100% birch shells, known for their focused, punchy sound.
- The drums were made in Japan, with meticulous attention to detail.
- They were used on countless hit records, particularly in the 1980s and 1990s.
It's great to hear from drummers like yourself who have extensive real-world experience with these iconic drums. Your ongoing satisfaction with the kit after more than 30 years is a powerful endorsement of Yamaha's craftsmanship.
Thanks for sharing your story - it adds valuable perspective to our discussion about Yamaha drums!
Couldn't agree more. Great build, very road worthy and Yamaha's birch shells bark with awesome attack and projection. Just what you need on stage. Clocked up so many gigs on them and keep them in mint condition. Long live Yamaha!
👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻 excelente video!
Thank you so much for your enthusiastic support! 🎉 I'm thrilled to hear that you enjoyed the video. Your feedback means a lot to me! If you have any questions or topics you'd like to see in future videos, feel free to share. Keep watching! 😊
Great comparison but I miss the Tour Custom.
Best drums in the world and it isn’t even close!!! ❤️🔥
Where in the literature for PHX does it mention 3 shell types-Focused and Clear; Warm and Fat; Bright and Open?
where is the Tour Custom ??
I wonder the same... I wished that they showed it off... I love mine anyway! Just think the shells are a bit thin but I have a nice low end out of them
You're absolutely right that the Tour Custom is a great Yamaha drum set that deserves recognition. I focused on the Stage, Live Hybrid Oak, Absolute Hybrid, Recording Custom, and PHX series in my video as they represent a range of Yamaha's offerings from entry-level to top-tier professional kits.
The Tour Custom is indeed an excellent mid-range option that sits between the Stage Custom and higher-end models. It features all-maple shells and offers professional-quality sound at a more accessible price point compared to the Absolute or Recording Custom series.
I had to make some tough choices to limit the video to just five kits, but in retrospect, the Tour Custom would have been a worthy addition. It's particularly well-suited for gigging drummers looking for a versatile, great-sounding kit that won't break the bank.
Thank you for bringing this up - it's a valuable point that adds to the discussion about Yamaha's diverse drum set lineup. I appreciate your input and will consider covering the Tour Custom in future content!
Still 9000 recording for me. Love from the Netherlands.
Thank you for your comment and for sharing your love from the Netherlands!
I'm glad to hear that the Recording Custom is still a favorite for you. The 9000 series was indeed a legendary line of Recording Custom drums that Yamaha produced for many years.
To clarify for other viewers:
- The 9000 series was the original name for the Recording Custom line when it was introduced in 1977.
- In 2016, Yamaha revamped and reintroduced the Recording Custom series, maintaining much of what made the original 9000 series so popular.
The fact that you're still using and loving your 9000 Recording Custom kit speaks volumes about the quality and longevity of these drums. Many drummers, including yourself, continue to prefer the original 9000 series for its classic sound and build quality.
It's great to hear from drummers who have experience with different generations of Yamaha drums. Your input adds valuable perspective to the discussion.
Thanks for watching and for sharing your enthusiasm for these fantastic drums!
----------------------------------------
I'm looking for different awesome drums and stories from you to tell on my channel.
Soon I will announce on the channel a collaboration with you, my wonderful viewers.
Would you like to have a collaboration?
If YES, pls contact me - musicessences00@gmail.com
@@musicessences I have the model from 2000(I think?) I believe it was the first version with YESS. 22x14 bass, 10x9, 12x10 toms, 16x14 floor.. All coated emperors, powersroke 3 on bassdrum. It sounds like a beast, but still very controlled.
Damn... I wanna see it)
Nice video! The recording customs though have the standard YESS system, not YESS III as mentioned on the video.
Thank you for your kind words about the video and for your keen attention to detail! You're absolutely correct, and I appreciate you pointing this out. The Recording Custom series indeed uses the standard YESS (Yamaha Enhanced Sustain System) mount, not the YESS III as I mistakenly mentioned in the video.
To clarify for other viewers:
- The standard YESS is used on the Recording Custom series.
- The YESS III is a more recent innovation found on some other Yamaha drum sets, like the Live Custom Hybrid Oak.
I apologize for this error and thank you for bringing it to my attention. It's important to provide accurate information, and I'm grateful for viewers like you who help maintain that accuracy. I'll add a correction note to the video description to ensure other viewers have the correct information.
Your expertise and attention to detail are much appreciated. Comments like yours help improve the quality of information for the entire drumming community.
Thank you again for watching and for your valuable feedback!
I have a 2002/2003 Stage Custom Advantage kit (birch, mahogany, falkata), unfortunately I could not get the sound that I liked. Any recommendation for batter heads and reso heads combination for a heavy/ deep rock sound?
Thank you for sharing your experience with the 2002/2003 Yamaha Stage Custom Advantage kit. It's understandable that you're looking to achieve a heavy, deep rock sound. Based on recommendations for similar kits and styles, here are some suggestions for batter and resonant head combinations:
Batter Heads:
- Evans G2 coated or clear: These 2-ply heads are popular for rock sounds, offering durability and a full, warm tone
- Remo Emperor coated or clear: Another excellent 2-ply option known for its deep, punchy sound
- Evans EC2S: These heads feature sound shaping technology that can help control overtones, which might be beneficial for your desired sound.
Resonant Heads:
- Remo Ambassador clear: A single-ply head that complements the fuller sound of 2-ply batter heads.
- Evans G1 clear: Similar to the Ambassador, this single-ply head can help maintain resonance.
Bass Drum:
- Batter: Evans EMAD or Aquarian Superkick II
- Resonant: Evans EQ4 or Remo Powerstroke 3
Specific Combinations:
For toms, try Evans G2 coated on top with G1 clear on the bottom. For the bass drum, an Evans EMAD batter with an EQ4 resonant could give you that deep, punchy rock sound.
Additional Tips:
1. Experiment with tuning: Lower tuning generally produces a deeper sound.
2. Consider using moongels or other dampening techniques if you need to control overtones further.
3. Remember that stick choice and playing technique also significantly affect your overall sound.
Lastly, while these recommendations are based on common preferences for rock drumming, personal taste plays a crucial role. Don't be afraid to experiment with different combinations to find the perfect sound for your style.
@@musicessences Thank you. I'll try these suggestions.
Wished you had present the Tour Custom... Any reason why?
Hi and Thank you for your comment!
You're absolutely right that the Tour Custom is a great Yamaha drum set that deserves recognition. I focused on the Stage, Live Hybrid Oak, Absolute Hybrid, Recording Custom, and PHX series in my video as they represent a range of Yamaha's offerings from entry-level to top-tier professional kits.
The Tour Custom is indeed an excellent mid-range option that sits between the Stage Custom and higher-end models. It features all-maple shells and offers professional-quality sound at a more accessible price point compared to the Absolute or Recording Custom series.
I had to make some tough choices to limit the video to just five kits, but in retrospect, the Tour Custom would have been a worthy addition. It's particularly well-suited for gigging drummers looking for a versatile, great-sounding kit that won't break the bank.
Thank you for bringing this up - it's a valuable point that adds to the discussion about Yamaha's diverse drum set lineup. I appreciate your input and will consider covering the Tour Custom in future content!
@@musicessences understandable, thx for reply and the great description!
You didn't notice Oak custom, Dave Weckl ...????
@@martinke1969 now it's Yamaha Live Custom. It's a new version to OAK custom.
The computerize voice is weird. better than some but still odd sounding
Thank you for your feedback on the video's narration. I appreciate your honesty about the voice used in the video.
You're right that the voice you heard is computer-generated, and I understand that it might sound a bit unusual to some viewers. I chose to use an AI voice for this video for consistency and clarity, but I recognize that it may not appeal to everyone.
Your comment is valuable as it helps me understand how viewers perceive different aspects of my content. I'm always looking for ways to improve the viewing experience, and feedback like yours is crucial in that process.
I'm open to trying different approaches to make the content more engaging and enjoyable for viewers like yourself in the future.
It would’ve been nice to hear the stage custom played with actual drumsticks, not just brushes.
Thank you for your feedback! You make an excellent point about the demonstration of the Stage Custom kit in the video.
You're absolutely right that using actual drumsticks would have provided a more comprehensive showcase of the Stage Custom's sound capabilities. Brushes, while great for certain styles and dynamics, don't fully demonstrate the kit's potential, especially its projection and attack.
I appreciate you pointing this out, as it's valuable feedback for improving future content. In retrospect, it would have been better to demonstrate the kit with both brushes and sticks to give viewers a more complete picture of its sound profile. (if possible)
For those interested in hearing the Stage Custom played with sticks, I'd recommend checking out additional demos online.
Thank you again for your insightful comment. It helps me understand what viewers are looking for and will certainly influence how I approach future drum kit demonstrations.
Would have been nice to actually hear the drums, 1. Played with sticks (Stage Custom), and 2. Without the voice-over commentary - could add the comments after hearing the drums! So I have no clue on the differences
TOUR CUSTOM ??
Thank you for your comment! You're absolutely right to bring up the Tour Custom series. I understand your surprise at its absence from the video.
The Tour Custom is indeed a fantastic drum set that sits comfortably between the Stage Custom and higher-end models like the Recording Custom. It offers all-maple shells and delivers professional-quality sound at a competitive price point.
In creating this video, I had to make some tough choices to limit the selection to just five kits. However, I acknowledge that the Tour Custom is a worthy contender that deserves recognition.
Your comment is valuable as it highlights the diverse range of quality drums Yamaha offers. In future content, I'll certainly consider featuring the Tour Custom to give a more comprehensive overview of Yamaha's lineup.
Thank you for your input - it adds to the discussion and helps other viewers get a fuller picture of Yamaha's drum offerings!
I have a 90's Blueberry Beech kit that sounds great in small clubs.
Так как изготавливают DW, больше никто так не изготавливает барабаны. Ни японцы ни англичане ни тем более китайцы.
Thank you for your comment! You're right that DW has a unique approach to drum manufacturing. Their attention to detail, innovative techniques, and commitment to quality certainly set them apart in the industry.
DW's methods, like their proprietary HVLT (Horizontal/Vertical Low Timbre) shell construction and the Timbre Matching process, are indeed unique. However, it's worth noting that other high-end drum manufacturers, including some Japanese and European brands, also have their own specialized techniques and quality standards.
While DW's process is exceptional, companies like Yamaha, Tama, Sonor, and others also produce excellent drums using their own proprietary methods. Each manufacturer brings something unique to the table, which is great for drummers as it offers a variety of high-quality options.
Your appreciation for DW's craftsmanship is well-founded. They've certainly made a significant impact on drum manufacturing standards worldwide.
@@musicessences благодарю, что оценили мой отзыв‼️🤝
갠적으로 야마하는 악기 기업 이미지가 약해서 쓰기 싫은데 가성비 때문에 결국은 돌고돌아 야마하ㅎㅎㅎㅎ 피닉스 같은거 미국 기업이 그 가격대에 절대 못 만듬
From everything I researched and everyone I spoke to said the same thing, the Yamaha has a spectacular sound, but the hardware, especially the YESS tone system, is very bad and over time it damages a lot and hinders the drummer's performance... For me Yamaha has the best sound, but it might be the choice depending on this tone system.