Mozart / Piano Concerto No. 19 in F major, K. 459 (Anda)
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- เผยแพร่เมื่อ 7 ก.พ. 2025
- Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 19 in F major, K. 459 (1784)
00:00 - Allegro vivace (Cadenza: Mozart)
12:10 - Allegretto
20:22 - Allegro assai (Cadenza: Mozart)
Performed by Géza Anda (Pianist & Conductor) and the Camerata Academica des Salzburgers Mozarteums (1967).
"The last concerto of 1784, the one in F major (K. 459), finished on 11 December, was surely written with Mozart himself alone in mind. This work exhibits a fine sense of climax. Each of the three movements is more beautiful than the preceding, so that one might almost call it a finale-concerto. The first movement, with its persistent march rhythm, shows more strongly than any other concerto of Mozart's the influence of the violin concertos of Viotti. We know that Mozart composed a new middle movement for Viotti's 16th Concerto, and this can hardly have been his first acquaintance with the works of the great violinist of Piedmont, who, as Gerber says, had been 'famous since 1783,' and had already toured the entire continent. Now the 'ideal march' is typical of Viotti's first movements; there is hardly one among his twenty-nine concertos that does not have all the characteristics of such an ideal march-the firm step, the dotted rhythms, the military bearing. The seriousness of many of these concertos, too, must have made an impression on Mozart. One of the earlier ones, the 6th, issued in 1782 or 1783, is in D minor. Now the military element had not been foreign to Mozart's concertos even before this, but he had never emphasized it as strongly as in this movement... Joyful assurance-that is the character of this movement. At the same time, it seems in a way like a festal introduction to the Allegretto in C-not, be it noted, in B-flat-which, in its charming and so often melancholy dreaming, is like an instrumental version, or a projection into the infinite realm of the instrumental, of all the emotions that are later expressed in Susanna's aria 'Deh vieni, non tardar.' The last movement exhibits the play of all the spirits of Ariel's troupe, with Colombina, Arlecchino, and Papageno joining them now and again. This is opera buffa translated into the domain of instrumental music, and at the same time a masterful play with the 'learned' element, a fusion of homophony and polyphony‐ one of the few instances in which Mozart uses counterpoint in mocking vein. This Finale contains a few rhythms that are to be found note for note in Mozart's pantomime for the Carnival of 1783 (K. 446)." - Alfred Einstein
Painting: The Fountain, Hubert Robert
Великий Моцарт!
Best of the BEST!
Anda on top form as usual with the Mozarteum. His passiing was a sad loss.
This is one of my top 7 of Mozart's piano concertos!
what are the others?
@@hoangQuan25 My 7 favourites are the K.453, K.459, K.467, K.482, K.488, K.537 and K.595. I like the others too, all very good pieces, but these seven are my favourite Mozart's pieces of all times!
Same. I like 22 a lot too.
@@Alix777. The 22nd concerto is K.482. Super correct, friend! 👍
@@igormaxwel6093you got the taste dude
Maravilhoso!!!
Este concierto junto con el 20 y el 27, para mi, son los conciertos para piano y orquesta más hermosos del grandioso W. A. Mozart
Y que te parecen el No.24 y 25 también son hermosos e increíbles. Saludos
i love Mozart
I agree Martha for a long long long time, Mozart is my favorit ...... you choose the adjectif
En Fa mayor ..., siempre en mayor para alegrar mi día . Mozart siempre... único , eterno, inmortal .
oh, fa mayor, no lo sabía
I keep hearing quotes from the Magic Flute --- papa papa geno
perfect , amazing, Mozart you are the best
martha cannon I agree with you. Best and favorite !!!
you have good taste !
martha cannon was
although I do find johan bach to be more regal and relaxing, and Beethoven being more dissonant and dark. I have to say mozart beats them all. his use of majors is so uplifting and energetic. it's like a thrashing wave calm and graceful but mighty and scary.
Charming. Thank you
The most versatile orbital shaker is here! ARTFULLY DESIGNED
Beautiful music.
A perfect interpretation of this beautiful but poorly known concerto for piano dating from the maturity of Mozart. Note the insistance of a rythmic pattern in the first movement and the sudden intervention of counterpoint in some points of the finale.
This concerto extremely hard to figure out due to the constant passagework present in the first movement. Anda does very well in making the harmonizing stand out. Aside from the first theme, everything else feels transitional. It comes off as something both monothematic yet with distinct motifs....
Mozart, Mozart, Mozart. It is enough just to pronounce his name to cast the spell.
I realize I'm quite randomly asking but do anyone know of a good place to stream newly released series online ?
@Finley Ahmir try flixzone. You can find it on google :)
@Rylan Emery yup, I have been watching on FlixZone for since april myself :D
@Rylan Emery thank you, signed up and it seems to work :) I appreciate it!!
@Finley Ahmir Happy to help xD
sad picture, happy music! :P
what's sad about the picture?
clouds are not very healthy but 'angry
Лесная
Магнитогорская
Проспект Юрия Гагарина
Карельский переулок
Гната Хоткевича
Павла Усенко
Ивана Сергиенко
Пражская
Бульвар Ярослава Гашека
Мега-Сити
Привокзальная
станция электрички Дарница
Железнодорожный вокзал Дарница
Сормовская
Новодарницкая
Юрия Шевелева
Тростянецкая
Музыкальная школа
Парк партизанской славы
Ташкентская (в сторону Бориспольской) / Кронштадтская (в сторону Лесной)
Грузинская
Ёлочный переулок
Вакуленчука
Бориспольская
Much better than his 16th in D Major. That's Mozart's only mature concerto that's weak
Meget smuk harmonisk og følsom musik på et højt plan......
is it geza anda?