Yes, I agree. In samba, the cavaquinho player typically plays the samba time-line pattern or partido-alto (there are many versions of each), often filling in the empty spaces with non-accented notes. In effect, this makes a kind of carreteiro rhythm, though of course the accents are not the same as the typical carreteiro (which emphasizes the first and fourth subdivisions of each beat). Thanks for your observation!
I feel it in my heart.
@@littlescooty 👏👏👏😊
Nice analysis 👍 Thanks for sharing.
Thanks so much! So glad you found it useful.
Really interesting to see it broken down like this.
@@MusicByTomas Thanks, Tomas!🙏😊
I hear the carreteiro rhythm in cavaquinho patterns too, though they often seem to turn it up and down as they please.
Yes, I agree. In samba, the cavaquinho player typically plays the samba time-line pattern or partido-alto (there are many versions of each), often filling in the empty spaces with non-accented notes. In effect, this makes a kind of carreteiro rhythm, though of course the accents are not the same as the typical carreteiro (which emphasizes the first and fourth subdivisions of each beat). Thanks for your observation!
Muito legal 👍
@@hanspeterlillese2225 Muito obrigado!😊
I THINK I can. I THINK I can.
@@littlescooty You definitely can!👏