1:13 that is an Eclair 16 NPR, also a great camera. I know it's a lot of hassle compared to digital, but I can't help but love film, both 16mm and 35mm formats. It looks polished, classy and deeply emotional. Anyway: awesome documentary.
i know this is a late reply but IIRC its a thing that constantly tracks the distance of your subject so you can refer to it for focusing. usually i see this in cinema shooting for the focus puller to use the measurements as a reference to follow focus from
1:13 that is an Eclair 16 NPR, also a great camera. I know it's a lot of hassle compared to digital, but I can't help but love film, both 16mm and 35mm formats. It looks polished, classy and deeply emotional. Anyway: awesome documentary.
Thanks for doing this feature!!!!
iiiiiiiiiiilllllllllllllooooovvvvvvvveeeeeeee this interview
NFL films inspired me to become a filmmaker.
Fantastic! Thank you
Amazing!
Is he using Canon telephoto glass with an adapter for his Arri SR?
Inspiring
I wish I could work for the NFL Films someday
Sorry pal, your film footage was pure art. The digital stuff looks like everything else.
I really want to know whats going on with the scope thing mounted next to the EVF. Anybody have any info on it?
i know this is a late reply but IIRC its a thing that constantly tracks the distance of your subject so you can refer to it for focusing. usually i see this in cinema shooting for the focus puller to use the measurements as a reference to follow focus from
Who is giving this a thumbs down?
Film. That's it... That's NFL to me.
such a expensive info