Prokofiev: Romeo and Juliet Suite No. 2, Op. 64ter (with Score)
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- เผยแพร่เมื่อ 1 ส.ค. 2024
- Sergei Prokofiev:
Romeo and Juliet Suite No. 2, Op. 64ter (with Score)
Conductor: Mariss Jansons
Orchestra: Oslo Philharmonic Orchestra
00:00 1. The Montagues and Capulets (Монтекки и Капулетти)
04:55 2. The Young Juliet (Джульетта-девочка)
08:46 3. Friar Laurence (Патер Лоренцо)
11:18 4. Dance (Танец)
13:17 5. Romeo and Juliet Before Parting (Ромео и Джульетта перед разлукой)
21:46 6. Dance of the Girls With Lillies (Танец антильских девушек)
24:01 7. Romeo at Juliet's Grave (Ромео у могилы Джульетты)
Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved.
However, the ballet's original happy ending (contrary to Shakespeare) provoked controversy among Soviet cultural officials. The ballet's production was then postponed indefinitely when the staff of the Bolshoi was overhauled at the behest of the chairman of the Committee on Arts Affairs, Platon Kerzhentsev. The ballet's failure to be produced within Soviet Russia until 1940 may also have been due to the increased fear and caution in the musical and theatrical community in the aftermath of the two notorious Pravda editorials criticising Shostakovich and other "degenerate modernists" including Piotrovsky. The conductor Yuri Fayer met with Prokofiev frequently during the writing of the music, and he strongly urged the composer to revert to the traditional ending. Fayer went on to conduct the first performance of the ballet at the Bolshoi Theatre.
Suites of the ballet music were heard in Moscow and the United States, but the full ballet premiered in the Mahen Theatre, Brno (then in Czechoslovakia, now in the Czech Republic), on 30 December 1938. This version was a single-act production with music mainly from the first two suites. Prokofiev was not able to attend the premiere due to his status of outbound restriction. - เพลง
Prokofiev's attitude to his most popular melody was simply astonishing. He composes it for an opera, then decides not to use it, holds on to it for 10 years, finally includes it in a ballet, then doesn't bother to include it in the 1st suite. It's like he was jealous of it
which melody are you talking about? i don't know this story
@@ownificationify Probably montagues and capulets
What an astonishing story! Thank you for sharing
Man, the bass trombonist ate his Wheaties before this recording.
このチャンネルはいずれも録音も最高です❤
Thank you SO very much!
29:05 makes me well up every time
You and everyone. I can't listen to the last part.
Viola solo
16:07-16:40
Excerpts
3:06
7:20
This masterpiece‘s magnificent performance Ìs a paramount gift to Russian classical music lovers
My emotion Ìs unfathomable depths
FromTokyo
Fantastic use of word kind sir! Nobody could have said it better!
@@parintelebaiazid80
T
Thankyou
Ìhope Yourare wellと
From
À corner of Tokyo
@@shin-i-chikozima You must be a Poet, your masterful choice of words is like fine music!
@@shin-i-chikozima and thank you too, I also hope you are well! Greetings from Romania!❤️
@@parintelebaiazid80
Thankyou
Ìhope you are well
Damn, 0:15 always gives me the chills.
Have you done the first suite?
2:34 - I. measure 4 before rehersal 6
9:26 - III. rehersal 22
26:51 - VII. rehersal 62
27:06 - VII. Trebel
@28:09 is Vertigo
Surely Herrmann was drinking from Profofiev's compositions!
One go better: The story of Vertigo parallel Prokofiev's Opera The Fiery Angel. Prokofiev's Renata and Hitchcock's Madeline are possessed women looking for their angel while Jimmy Stewart plays the Rupert character hopelessly in love with Kim Novak's Renata. Renata dies on the cross while Madeline falls to her death from the Bell Tower... both deaths at a convent. The LA Phil did a great video on this: th-cam.com/video/WrH-5Omr_Fo/w-d-xo.html
26:52
The young juliet
5:36-5:51
Can someone explain to me how the different Romeo and Juliet suites work? Because if you listen to an album of the piece, for example, there are more movements
They’ve been put together to be a nice sampling for a concert performance
Various ballets have orchestral suites that were created from them for orchestral-only performances without having to sit down for two and a half hours.
@@Pennwisedom so basically at the concert, both suites will be played? I’m going to see this live tonight and was also curious
@@ShockzG5 Does the program not say what they're playing? I would assume they'd only play one unless it says both. Or do you mean the ballet? The ballet has more music in it than just the suites.
@@Pennwisedom they ended up playing this suite + the minuet from the first suite, and all the program said was “Romeo and Juliet, Prokofiev” so I wasn’t too sure😅. Great performance though! Lots of talented young musicians scattered throughout the orchestra.
1:36
4:56
2:24
26:51
1:23 3:07 5:35
1:23
26:53. 6:23
something's wrong at 9:45-9:50... i think there's an instrument off beat here?
great ear, something felt off aswell... Just noticed the french horn didnt enter on time and played a few bars off 😆
I don't think so, I can hear the horn come in on time@@pedrocarvalho6609. It comes in on the anacrusis no?
17:35
6:08
7:20
3:09
6:24, 26:53,
1:23 何という事でしょう🚅🚈🚃
1:59
3:06 end
2:36
26:50
3:01
29:12