Destiny not only has a ton of hidden lore but it also has a bunch of squandered potinial. Hell most of the story was scraped before D1 even came out. One could say that how it was suppose to be is one of the other timelines of Destiny. But this is neither here more there.
Lodi is probably human. The language is just too human to bw from an alien. Its kind of ridiculous there is a third Human civilization thay survived the Collapse.
stop diverging the problem, my problem is not "it has editing" my problem is that there is 4 different video sources in 2x speed on my face with written things popping in and out of screen with sometimes a loading bar placed for no reason whatsoever with other video, also in 2x speed in the background AT THE SAME TIME
DEI killed this story. What’s used to be a dark and grim story is now a fluffy emotional slog. Even the witness didn’t FEEL dangerous. I felt like the game constantly told me how much I was supposed to fear him, and Mara’s gasping everytime she spoke about him, but nothing hit for me.
Oh come on, I think the story's failings come more from the fact that multiple rounds of layoffs hit the narrative teams hard and not "DEI". People's existences don't ruin a story. Bad writing does, and that can come from a multitude of external factors.
@ I’m gonna turn the “oh come one” back on you. DEI is not just people existing. DEI is choosing your employees based on their skin color, who they think they are, or who they have sex with. You can see it all over the games and movie industry. These companies choose employees that bring “diversity” to the medium without caring if they are the best at what they do. If a black woman is a killer writer, then great! Hire her! But as a whole, story’s have been in a major decline as opposed to the stories in games 10-20 years ago.
@@tonyred5166 There is a much wider problem in storytelling than that, which is what I'm trying to get at. As a creative myself, the thing is that the creative industries treat its workers like shit. Look no further than how widely implemented crunch time is, how so many companies are looking into AI solutions so they don't have to pay their creatives. All you have to do is look at the countless testimonials from people who got chewed up by a corporate industry and spat out to see that it is NOT a good environment for creatives. A good writer/artist/musician/etc. can do a lot, but they can only do so much when the environment they are in is so openly hostile. If a creative has weaknesses, as all creatives do, being in such an environment can exacerbate the issues instead of fostering growth. This goes doubly so for creatives from disadvantaged backgrounds, who now have to face ongoing biases that are *still* pervasive to this day that means they face barriers into employment, but now with an openly hostile, exploitative industry preying on them. It's a recipe for disaster... But it isn't solely just because "DEI" measures. If anything, these measures are predatory in themselves because it gives companies an excuse to prey upon inexperienced creatives and exploit the fact that they traditionally find it harder to break into the industry to get their labour.
@@tonyred5166 There is a much wider problem in storytelling than that, which is what I'm trying to get at. As a creative myself, the thing is that the creative industries treat its workers like shit. Look no further than how widely implemented crunch time is, how so many companies are looking into AI solutions so they don't have to pay their creatives. All you have to do is look at the countless testimonials from people who got chewed up by a corporate industry and spat out to see that it is NOT a good environment for creatives. A good writer/artist/musician/etc. can do a lot, but they can only do so much when the environment they are in is so openly hostile. If a creative has weaknesses, as all creatives do, being in such an environment can exacerbate the issues instead of fostering growth. This goes doubly so for creatives from disadvantaged backgrounds, who now have to face ongoing biases that are still pervasive to this day that means they face barriers into employment, but now with an openly hostile, exploitative industry preying on them whenever they do find it. It's a recipe for disaster... But it isn't solely just because "DEI" measures. If anything, these measures are predatory in themselves because it gives companies an excuse to prey upon inexperienced creatives and exploit the fact that they traditionally find it harder to break into the industry to get their labour. I get so frustrated because people seem to look at a symptom of a problem and not the actual disease itself.
dude, this editing is too much adhd for me, and i watch maxxor, just try to tone down a little bit on the editing or at least don't make it 2x speed
This kind of editing honestly makes me want to look away from the screen in order not to give myself an internal sickness.
okay
@@nephflix agreed dude, gotta tone it down
@@nephflixI like it
Too much editing shi hurt my brain💀
thanks for the comment
This video feels like unfocus manifested
thanks for the comment
Destiny not only has a ton of hidden lore but it also has a bunch of squandered potinial. Hell most of the story was scraped before D1 even came out. One could say that how it was suppose to be is one of the other timelines of Destiny. But this is neither here more there.
The lore is amazing and ive said for years better than the main narrative. I actually said that in the video.
Lodi is probably human. The language is just too human to bw from an alien. Its kind of ridiculous there is a third Human civilization thay survived the Collapse.
i hope they arent human. i want new cultures and civilizations not absentee populations like the neomuni
@nephflix I'm pretty sure it's human. They could play with the idea of humans that have diverged enough to seem alien. It has been centuries
hey we are guessing right. So who knows.
Damn. Yall can't take editing in a video? Yall wiping off of videos? lmaooo
stop diverging the problem, my problem is not "it has editing" my problem is that there is 4 different video sources in 2x speed on my face with written things popping in and out of screen with sometimes a loading bar placed for no reason whatsoever with other video, also in 2x speed in the background AT THE SAME TIME
DEI killed this story. What’s used to be a dark and grim story is now a fluffy emotional slog. Even the witness didn’t FEEL dangerous. I felt like the game constantly told me how much I was supposed to fear him, and Mara’s gasping everytime she spoke about him, but nothing hit for me.
@@tonyred5166 THISSSSSSS!
Oh come on, I think the story's failings come more from the fact that multiple rounds of layoffs hit the narrative teams hard and not "DEI". People's existences don't ruin a story. Bad writing does, and that can come from a multitude of external factors.
@ I’m gonna turn the “oh come one” back on you. DEI is not just people existing. DEI is choosing your employees based on their skin color, who they think they are, or who they have sex with.
You can see it all over the games and movie industry. These companies choose employees that bring “diversity” to the medium without caring if they are the best at what they do. If a black woman is a killer writer, then great! Hire her! But as a whole, story’s have been in a major decline as opposed to the stories in games 10-20 years ago.
@@tonyred5166 There is a much wider problem in storytelling than that, which is what I'm trying to get at. As a creative myself, the thing is that the creative industries treat its workers like shit. Look no further than how widely implemented crunch time is, how so many companies are looking into AI solutions so they don't have to pay their creatives. All you have to do is look at the countless testimonials from people who got chewed up by a corporate industry and spat out to see that it is NOT a good environment for creatives.
A good writer/artist/musician/etc. can do a lot, but they can only do so much when the environment they are in is so openly hostile. If a creative has weaknesses, as all creatives do, being in such an environment can exacerbate the issues instead of fostering growth.
This goes doubly so for creatives from disadvantaged backgrounds, who now have to face ongoing biases that are *still* pervasive to this day that means they face barriers into employment, but now with an openly hostile, exploitative industry preying on them. It's a recipe for disaster... But it isn't solely just because "DEI" measures. If anything, these measures are predatory in themselves because it gives companies an excuse to prey upon inexperienced creatives and exploit the fact that they traditionally find it harder to break into the industry to get their labour.
@@tonyred5166 There is a much wider problem in storytelling than that, which is what I'm trying to get at. As a creative myself, the thing is that the creative industries treat its workers like shit. Look no further than how widely implemented crunch time is, how so many companies are looking into AI solutions so they don't have to pay their creatives. All you have to do is look at the countless testimonials from people who got chewed up by a corporate industry and spat out to see that it is NOT a good environment for creatives.
A good writer/artist/musician/etc. can do a lot, but they can only do so much when the environment they are in is so openly hostile. If a creative has weaknesses, as all creatives do, being in such an environment can exacerbate the issues instead of fostering growth.
This goes doubly so for creatives from disadvantaged backgrounds, who now have to face ongoing biases that are still pervasive to this day that means they face barriers into employment, but now with an openly hostile, exploitative industry preying on them whenever they do find it. It's a recipe for disaster... But it isn't solely just because "DEI" measures. If anything, these measures are predatory in themselves because it gives companies an excuse to prey upon inexperienced creatives and exploit the fact that they traditionally find it harder to break into the industry to get their labour. I get so frustrated because people seem to look at a symptom of a problem and not the actual disease itself.