For me, the coda was a dreadful anti climax. Surely, after everything that comes before, the coda should be a rapid, ferocious storm. I am certain Beethoven would agree. How can I be so sure? 'PRESTO'.
@@randompianist5425 @Random Pianist Yeah I got your Point but Artists bring their own Tone into something especially in Music. So to say he isnt a Musician is a disqualifying argument. Its an interpretation of something old. Combined with an energy of an artist like him it may offend some old dinosaurs but its music. It touches you or not. Even songs that I like to listen today, doesnt sound cool tomorrow, just to sound cool again the day after tomorrow. I got your point but youre obviously somehow stucked into your cage of how something should sound. Anyway keep your head up, it will be better one day, even for you!
@@CommandanteMarco yeah, I can get behind that statement, I definitely understand that. But I still think you should play it the way The composer of the piece meant it to be played based off of what he wrote for the piece
@@randompianist5425 I got it and I think you made your point but its never good to look on thing religiously. It makes me uncomfortable when people say that it has to be that way but in Music its all about influence the tone by adding your emotions. I really understand and a lot of covers or interpretations I do not like either but I must give them at least the status of a musician. Anyway mate, take care and listen to things you like. By the way sometimes he annoys me too with his expressions, just overacting but sometimes I feel like I need someone playing as dramatic as my feelings. Cheers, I have to open my Bar…😃🥃🖖🏾
I know. The right note adds so much feeling to that part when it’s played. Unfortunately it’s really awkward, at the insane speed he plays it at, he probably chose to hit it the way he did because it’s nearly impossible to hit it correctly at that speed
@@violinbow9 There are hundreds of musicians who can do it. Fazıl Say can do it too, but he plays it at an insane speed for some reason. If he knows he may skip notes at that speed, he should play it at a reasonable tempo, which is also much more expressive. Also, criticism is the key to improvement. If everybody were like you, nothing would improve in the world.
![Classical Metal - Appassionata Op. 57 - 3rd Movement - Beethoven [Metal]](http://i.ytimg.com/vi/oFRGg2kiu2k/mqdefault.jpg)
His facial expressions at the transition into this mvt are absolutely perfect. He’s one with the music. Bravo maestro.
one of most emotional and expressive player's alive today
I loved it! That Severus Snape vibe is EPIC!❤❤❤
he has great musical flow, expressionism, and fluidity
Human miracle!!!
Sonradan ne kadar kayıt yapılmış olsa da bu kayıttaki enerji bambaşka... Ellerine sağlık Fazıl bravo 👏
MUHTEŞEMSİNİZ FAZIL SAY VE CANIM BEETHOVEN !...
Fazil is just perfect!
No. Too fast and coda was played awfully
@@khalilmutallibov dude coda was shitty yeah
Tam da bunu yüklemeye hazırlanıyordum ki video'nu gördüm. Mükemmel bir performans teşekkürler kaliteli yüklediğin için.
Adam her seferinde obraz veriyo hem çalıp hem ne yaşandigini anlatiyo eleriyle yüz ifadesiyle canlandiriyo hikaye gibi
0:17 adamın tek eliyle yaptığı şeyi 3 kolum olsa yapamam vay amk
diğer video larda çok tiz geliyordu ellerine sağlık şimdi çok daha güzel :)
For me, the coda was a dreadful anti climax. Surely, after everything that comes before, the coda should be a rapid, ferocious storm. I am certain Beethoven would agree. How can I be so sure? 'PRESTO'.
feeling the same. he started the 3 movement so fast that he couldn't get faster in the presto of coda. Interpretation < Speed
Yes, an odd miscalculation for someone who also composes.
Yeah, I don’t like this performance
Şu esere speedrun yapmış reyiz xD
0:58 Is missing some note on the left hand no ? But what a masterpiece frome fazil 🔥
no he just silented that
02:03 🚀🚀🚀
Wow
Понравилось.❤
If this was a Formula one race, it would have ended in the gravel bed after a minute!
I love fazil...but this is way too over the top... my favourite interpretation of this masterpiece is Richter.
wayyyyyyy tooooooo quick. some measures sound blurry.
Isn‘t that a little to fast?
This man is not a musician. He is a spreader.
What do you mean with spreader? What is he spreading?
@@CommandanteMarco He is playing WAYYYY too fast and lacks the technical maturity to play at the speed this piece is meant to played in
@@randompianist5425 @Random Pianist Yeah I got your Point but Artists bring their own Tone into something especially in Music. So to say he isnt a Musician is a disqualifying argument. Its an interpretation of something old. Combined with an energy of an artist like him it may offend some old dinosaurs but its music. It touches you or not. Even songs that I like to listen today, doesnt sound cool tomorrow, just to sound cool again the day after tomorrow. I got your point but youre obviously somehow stucked into your cage of how something should sound. Anyway keep your head up, it will be better one day, even for you!
@@CommandanteMarco yeah, I can get behind that statement, I definitely understand that. But I still think you should play it the way The composer of the piece meant it to be played based off of what he wrote for the piece
@@randompianist5425 I got it and I think you made your point but its never good to look on thing religiously. It makes me uncomfortable when people say that it has to be that way but in Music its all about influence the tone by adding your emotions. I really understand and a lot of covers or interpretations I do not like either but I must give them at least the status of a musician. Anyway mate, take care and listen to things you like. By the way sometimes he annoys me too with his expressions, just overacting but sometimes I feel like I need someone playing as dramatic as my feelings. Cheers, I have to open my Bar…😃🥃🖖🏾
He got wrong at 0:57
I know. The right note adds so much feeling to that part when it’s played. Unfortunately it’s really awkward, at the insane speed he plays it at, he probably chose to hit it the way he did because it’s nearly impossible to hit it correctly at that speed
If you know better you do it
@@violinbow9 There are hundreds of musicians who can do it. Fazıl Say can do it too, but he plays it at an insane speed for some reason. If he knows he may skip notes at that speed, he should play it at a reasonable tempo, which is also much more expressive. Also, criticism is the key to improvement. If everybody were like you, nothing would improve in the world.
@@tunahankaratay1523 so, if u know better u do it too. Tunahan abicim.
@@violinbow9 Fotoğrafında Atatürk var, onun yüzde biri kadar eleştiri kabul etsen keşke.
except the very unique approach to the coda, a terrible performance, too quick and blurry.
Far too fast, and completely soulless. Just my opinion
i think he played just at the right tempo, and he had passion
@@akfkml1747 no
This just sounds very wrong