Anna, thank you for playing this as gentle as Beethoven probably would have. I say that because Beethoven had all sides to him power and gentleness of touch, serious and whimsy, darkness, melancholy, poignancy, the joy, pain and the bombast. I believe his favorite Andante I feel would be played as you are with nuances, sans the heavy-handed version on other interpretations. Just my preference. Yours is a joy. ❤️
Now that I've also heard the excellent, one of a kind rendition sonata 32, by Beethoven... I got spoiled, I am afraid... I can't wait to hear sonata 31! Yes! Great Expectations!
I agree. What a pity she left out the repeats. Beethoven is dancing a minuet with Josephine here, and minuet parts need to be repeated. Without the repeats the section has lost its balance.
Anna Dmytrenko ist omitting the repeats of bars 82-89 and 90-97. Beethoven clearly wanted them repeated, and why? Because those two 8-bar phrases constitute a minuet (Wikipedia: "the minuet was usually in binary form, with two repeated sections of usually eight bars each."). My interpretation is that Beethoven's imagination is that of a dance with Josephine, and this dance needs the repeats of the typical II:A:II II:B:II form. Omitting them means ignoring the composer's intention, and that ruins an otherwise very sensible interpretation.
In the first 2 bars we can listen the name of Beethoven immortal beloved...Jo-se-phi-ne😊🎵🎶
An artist who touches the soul of these works. Well done Anna!
Anna, your harmonic chords are so soothing. Your successions of thirds and octaves so mesmerizing!
Anna, thank you for playing this as gentle as Beethoven probably would have. I say that because Beethoven had all sides to him power and gentleness of touch, serious and whimsy, darkness, melancholy, poignancy, the joy, pain and the bombast.
I believe his favorite Andante I feel would be played as you are with nuances, sans the heavy-handed version on other interpretations. Just my preference. Yours is a joy. ❤️
Agree!
Fabuloso, fantástica interpretacion
Perfekt, liebe Anna. Beethoven wäre voll des Lobes
heard this on the radio and found it on here
great piece
However simple the tune was. Beethoven couldn’t stop playing it himself. He was obsessed with it and played it ever so often…..
It was for his Immortal Beloved, Josephine von Brunsvik. You can hear her name repeatedly played here. ❤
Lovely, lyrical.
Now that I've also heard the excellent, one of a kind rendition sonata 32, by Beethoven... I got spoiled, I am afraid... I can't wait to hear sonata 31! Yes! Great Expectations!
YESSSSS!
6:35-6:41 6:42 - 6:50 Ah... the sound of silence! how wonderful it sounds!
5:44 - 6:15 impeccable technique!
A fine performance, Anna; but why did you omit the Bb section repeats?🤔
I agree. What a pity she left out the repeats. Beethoven is dancing a minuet with Josephine here, and minuet parts need to be repeated. Without the repeats the section has lost its balance.
She holds an unchallenged position as an interpreter of Beethoven
Anna Dmytrenko ist omitting the repeats of bars 82-89 and 90-97. Beethoven clearly wanted them repeated, and why? Because those two 8-bar phrases constitute a minuet (Wikipedia: "the minuet was usually in binary form, with two repeated sections of usually eight bars each."). My interpretation is that Beethoven's imagination is that of a dance with Josephine, and this dance needs the repeats of the typical II:A:II II:B:II form. Omitting them means ignoring the composer's intention, and that ruins an otherwise very sensible interpretation.
having played this with the repeats they are sorely missing! otherwise the playing and expression is wonderful!
chopin stole his melody
Which piece of Chopin’s do you hear this melody in?
@@nerrdinhoDitto, I want to know what OP is hearing
Actually it is not quite good performance, the session has been broken down and it is not successive.