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Patty Chan
เข้าร่วมเมื่อ 8 ก.พ. 2012
Finding Belonging
A documentary by Patty Chan that explores the history and legacy of the Chinese Instrumental Music Group of Toronto (CIMGOT), Toronto’s first traditional Chinese orchestra (1969-1987). This film was created using the collected archival materials of the orchestra’s activities, the recorded interviews with the founders and members of the orchestra, and Patty's own autoethnographic observations and experiences.
This film was an official selection of the Toronto Chinese Film Festival 2024.
CREDITS
Speakers (in order of appearance):
Patty Chan
Ming Chan
Ming Wong
Henry Yip
Soo Gane Won
Music (in order of performance):
Auspicious Night by Liu Tianhua, performed by Patty Chan
Singing a Mountain Song, performed by CIMGOT 1979
Advancing to Victory, performed by CIMGOT 1979
Beijing has a Golden Sun, performed by CIMGOT 1979
Fishermen's Song of the Eastern Sea by Gu Guanren and Ma Shenglong, performed by CIMGOT 1979
Chan Kol Nidre: Redemption by Patty Chan, performed by Patty Chan and Marjolaine Fournier 2017
Sources:
Archival film of CIMGUT/CIMGOT: Ruddy Won
Archival posters/photos of CIMGUT/CIMGOT: Albert Wong
Archival photos of CIMGOT: Patty Chan
Photos and video of TCO/TCCO: Patty Chan
Videographers: Patty Chan, Marjolaine Fournier
Audio/Video Editing: Patty Chan
© Patty Chan 2022
This film was an official selection of the Toronto Chinese Film Festival 2024.
CREDITS
Speakers (in order of appearance):
Patty Chan
Ming Chan
Ming Wong
Henry Yip
Soo Gane Won
Music (in order of performance):
Auspicious Night by Liu Tianhua, performed by Patty Chan
Singing a Mountain Song, performed by CIMGOT 1979
Advancing to Victory, performed by CIMGOT 1979
Beijing has a Golden Sun, performed by CIMGOT 1979
Fishermen's Song of the Eastern Sea by Gu Guanren and Ma Shenglong, performed by CIMGOT 1979
Chan Kol Nidre: Redemption by Patty Chan, performed by Patty Chan and Marjolaine Fournier 2017
Sources:
Archival film of CIMGUT/CIMGOT: Ruddy Won
Archival posters/photos of CIMGUT/CIMGOT: Albert Wong
Archival photos of CIMGOT: Patty Chan
Photos and video of TCO/TCCO: Patty Chan
Videographers: Patty Chan, Marjolaine Fournier
Audio/Video Editing: Patty Chan
© Patty Chan 2022
มุมมอง: 817
วีดีโอ
Learning the Erhu Series #29: C+ Scale with Piano (1st Position)
มุมมอง 5853 ปีที่แล้ว
Patty Chan, author of Playing Erhu: Bridging the Gap, has arranged a piano accompaniment for you to play along with when practicing the C major scale, using staff notation. This is a great way to warm up during your practice session. Try to keep your left hand position relaxed and stable (minimize hand movement) when playing. This piece will help with: 1) long bow notes - aim for smooth, consis...
CMI Interview: Jon Lin Chua
มุมมอง 2083 ปีที่แล้ว
July 8, 2021. In this conversation, Patty Chan from the Centre for Music Innovations heads to Singapore to chat with Jon Lin Chua 蔡宗玲, an award-winning composer, Part-Time Lecturer at Yong Siew Toh Conservatory of Music (National University of Singapore), Treasurer for the Composers Society of Singapore, Composer-in-Residence for the Toronto Chinese Orchestra and the Programme Director at Music...
CMI Interview: Zech Lim
มุมมอง 2193 ปีที่แล้ว
What is life like as a huqin orchestral musician in China? In this interview, Patty Chan from the Centre for Music Innovations chats with Zech Lim about his musical journey from Malaysia to China. Zech Teik Chuan Lim 林泽川 is currently a huqin (gaohu) player in the Suzhou Chinese Orchestra, performing both in Suzhou and has toured to Portland in the United States, and Beijing, Shanghai, and Xi’an...
CMI Interview: Min Xiao-Fen
มุมมอง 1453 ปีที่แล้ว
Min Xiao-Fen is a Chinese American multi-instrumentalist, singer and composer. This conversation explores her fascinating musical journey as a traditional musician moving from China to the United States. We discuss her latest CD "White Lotus", and the story behind this wonderful project. ~ Patty Chan, Centre for Music Innovations Min Xiao-Fen “White Lotus” album trailer with Rez Abbasi: th-cam....
CMI Interview with Alice Ho
มุมมอง 1433 ปีที่แล้ว
May 31, 2021 Learn about Canadian composer Alice Ho's passion for creating music, her advice to young composers, and her upcoming projects! Alice Ho's website: alicepyho.com For more information about CHINATOWN: a new opera by Madeleine Thien & Alice Ping Yee Ho cityoperavancouver.com/events/event/chinatown-a-new-opera-by-madeleine-thien musinno.com
Learning the Erhu Series #28: Aurora's Theme (G Key)
มุมมอง 9133 ปีที่แล้ว
Patty Chan, author of Playing Erhu: Bridging the Gap, explains and demonstrates the song "Aurora's Theme" by Beatrice Martin using staff notation. Sheet music arranged for erhu: musinno.com/learning-the-erhu-series-27-auroras-theme-sheet-music/ Play along with this video once you have learned the notes: th-cam.com/video/Bmytc_p3Xqs/w-d-xo.html This piece will help with: 1) long bow notes - aim ...
Learning the Erhu Series #27: Oroqen Song
มุมมอง 1.3K3 ปีที่แล้ว
Patty Chan, author of Playing Erhu: Bridging the Gap, explains and demonstrates the folk tune, 鄂倫春族小唱 "Oroqen Song" in D key (using staff notation). For more information and to purchase Playing Erhu: Bridging the Gap: musinno.com/playing-erhu/ For online erhu lessons: musinno.com/lessons/ For more Learning the Erhus Series videos: musinno.com/learning-the-erhu-series-27-oroqen-song/ Happy pract...
Duo Dim Sum: The Turpan Grapes are Ripe
มุมมอง 2863 ปีที่แล้ว
This segment of Dusk Dances 2020: A Virtual Edition is produced by Dusk Dances Inc. and directed by William Yong. Duo Dim Sum Double Bass: Marjolaine Fournier Erhu: Patty Chan November 2020
J. Offenbach: Lovely Night, O Tender Night
มุมมอง 7723 ปีที่แล้ว
Performed by Duo Dim Sum Bass: Marjolaine Fournier Erhu: Patty Chan 2020
Learning the Erhu Series #26: Feng Yang Flower Drum
มุมมอง 1.5K4 ปีที่แล้ว
Patty Chan, author of Playing Erhu: Bridging the Gap, explains and demonstrates Feng Yang Flower Drum, a traditional Anhui province song (D key) using staff notation. For more information and to purchase Playing Erhu: Bridging the Gap: musinno.com/playing-erhu/ For online erhu lessons: musinno.com/lessons/ For more Learning the Erhus Series videos: musinno.com/category/instruments-information/l...
A Conversation with Dr. Chih-Sheng Chen
มุมมอง 2744 ปีที่แล้ว
Dr. Chih-Sheng Chen is the Centre for Music Innovations' Artistic Advisor. I had first met him in 2008 and he has become a good friend and Chinese music mentor. In this interview, you will learn about his background, how the Little Giant Chinese Chamber Orchestra started, and the direction Dr. Chen envisions for Chinese orchestral music. CMI is working in partnership with Dr. Chen to create a C...
Learning the Erhu Series #25: Beethoven: Ode to Joy (G key)
มุมมอง 1.3K4 ปีที่แล้ว
Patty Chan, author of Playing Erhu: Bridging the Gap, explains and demonstrates Ode to Joy in G key (using staff notation). For more information and to purchase Playing Erhu: Bridging the Gap: musinno.com/playing-erhu/ For online erhu lessons: musinno.com/lessons/ For more Learning the Erhus Series videos: musinno.com/category/learning... Happy practicing!
A Conversation with Mark Armanini
มุมมอง 1944 ปีที่แล้ว
Patty Chan from Centre for Music Innovations speaks with Canadian composer and producer Mark Armanini about the development of intercultural music in Vancouver and his experiences writing and working with musicians from different cultures. Nov 29, 2020. musinno.com
Learning the Erhu Series #24: Fourth Finger Exercises #41-45
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Learning the Erhu Series #24: Fourth Finger Exercises #41-45
Learning the Erhu Series #23: Third Finger Exercises #31-35
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Learning the Erhu Series #23: Third Finger Exercises #31-35
Learning the Erhu Series #22: Second Finger Exercises #21-25
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Learning the Erhu Series #22: Second Finger Exercises #21-25
Learning the Erhu Series #21: First Finger Ex #11-15
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Learning the Erhu Series #21: First Finger Ex #11-15
Learning the Erhu Series #20: Open String Exercises #1-5
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Learning the Erhu Series #20: Open String Exercises #1-5
Learning the Erhu Series #19: Rhythm Exercise 2
มุมมอง 5084 ปีที่แล้ว
Learning the Erhu Series #19: Rhythm Exercise 2
Learning the Erhu Series #18: Rhythm Exercise 1
มุมมอง 6644 ปีที่แล้ว
Learning the Erhu Series #18: Rhythm Exercise 1
Learning the Erhu Series #17: Rhythm Notations
มุมมอง 7084 ปีที่แล้ว
Learning the Erhu Series #17: Rhythm Notations
Learning the Erhu Series #16: Bb Major and Demo
มุมมอง 8984 ปีที่แล้ว
Learning the Erhu Series #16: Bb Major and Demo
Learning the Erhu Series #15: F Major Scale and Demo
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Learning the Erhu Series #15: F Major Scale and Demo
Learning the Erhu Series #14: A Major Scale and Demo
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Learning the Erhu Series #14: A Major Scale and Demo
Learning the Erhu Series #13: D Major Scale and Demo
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Learning the Erhu Series #13: D Major Scale and Demo
Learning the Erhu Series #12: G major scale and demo
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Learning the Erhu Series #12: G major scale and demo
Learning the Erhu Series #11: C major scale and demo
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Learning the Erhu Series #11: C major scale and demo
Part 10: Reading Staff Notation On The Erhu (b)
มุมมอง 1.5K4 ปีที่แล้ว
Part 10: Reading Staff Notation On The Erhu (b)
gracias!
Thank you for these amazing videos that you share, I can't wait to be able to buy an Erhu that I saw at Sound of Mountain Music, then I will be doing online lessons with 8 tones music school, In future I would love to purchase some of your clothing, when I saw those Erhu T-shirts, I went crazy, I love them
@@Jean-12 That’s wonderful! Hope you enjoy your musical journey!
Hi, Mrs. Patty. I have a problem where it seems like the correct note positions for the D string is slightly out-of-tune on the A string. Does this problem have to do with my strings? Thank you! Greetings from Indonesia
@@ErenSan Yes, if the open strings are tuned and this happens, it may be due to the strings being of poor quality or if they are too old. Greetings from Canada! :)
👏👏👏💜💜💜
Thank you Mrs Chan now I got it 👍 🙌
Mrs Chan, you start with D by open String than index finger to the third and 4th finger and than you play the A String or am I wrong?
Interesting video Mrs Chan, can you tell me more about your book please 🙏🏻
Thank you Mrs Chan, beautiful song 🎵
Hello Mrs Chan, very useful for me as beginner. I will look your first lessons vidéo to start from the beginning ✨️
Dear Patty, is very nice the documentary. It is so important to maintain the essence, the origin of your own country, no matter what country you are from. It is a beautiful story. I hope to visit you soon in 2025.
Thank you for your encouragement!
Someone told me number notation is best but I can already play piano so I can read notes 🙂
It's great to know both for the erhu :)
Loving your videos I have ordered some erhu stickers so I can no were to put my fingers I can’t wait to get a Erhu
Most importantly is to use a tuner so that you know exactly where to place the stickers.
Thankyou for these videos I am buying a Erhu soon to learn and your video will definitely help in putting it together
I just bought my 1st erhu. thanks for showing me how to assemble it
非常好的陳女士!
Thank you!
Thank you so much for your video :) May I have a question? I play the violin and I did not know much about erhu and after byuing it I cut the Qianjin which was attached to the strings. I really thought it was only to keep the strings to deliver it safely...... :/ what can I do? can I attach any string to it? any material? I tied the 2 pieces of the Qianjin , it is 47 centimeters long and ''tied'' . Should I try to attach it to the erhu?? Or maybe I should buy another one?
You can order a roll of erhu qianjin string from Amazon.com. Don't reuse the cut pieces of qianjin. Some online Chinese music stores also sell qianjin string. Hope this helps!
Hello Mrs. Patty thank you so much for being my first Teacher 😊, i learn Erhu from you and your videos are amazing ❤
Thank you very much laoshi! those scale lessons helped me very much. love you.
@Patty Chan Hello, thank you so much for your exercises! I just began my Erhu journey and I would like to know if I should practice this with tuner on?
Yes, absolutely! Not only will it train your finger positioning, but your ears as well!
@pattychan5683 Thank you so much for your answer ! I hope my finger will eventually remember the correct positions :)
Amazing! thank you so much
very enlightening and motivating video, certainly we should continue to explore and understand our root which is important part of our growing up to learn about our culture in order to continue to pass on to next generation and of course music is one of the most effective way to get everyone together be it the same or other races.
Nice video. But something important appears to be missing, which is - it's probably important for students to know exactly where to put the hand - the exact position where the hand needs to be in order to have a chance of hitting the correct pitch. Otherwise, if nobody knows a procedure for knowing where to put their hand along the neck of the erhu (relative to some fixed reference point), then the finger could likely press the string in the wrong spot, and so get a significant error in pitch. That is - when an erhu player takes a short break, and then picks up their erhu (with no visual markings to work with) - and resumes playing, then how exactly do they know where to put their finger. Is there a visual reference point - such as the qianjin is a reference marker?
For beginners, it is sometimes helpful to use tape to mark the neck of the erhu as a visual reference. Use a tuner to help calibrate the placement of the tape so that you are practicing placing the fingers at the correct position every time.
@@pattychan5683 Thanks for your help and time Patty! I will use the tape method. Greatly appreciated! For professionals, and when you play - do you look for an exact spot where you place your hand on the erhu neck? For example, if you're playing in an orchestra - needing to play at a particular pitch tuning, and if you happen to release your hand from the erhu neck during the orchestra performance, and then put your hand back on the erhu neck when it is time to play again, then do you look for an exact spot to put your hand on, in order to play the precise/correct pitch for the first note? Thanks again Patty!
@@southpark5555 We usually rely upon muscle memory. However, if the note is in third or fourth position, we may use something to mark the neck of the erhu as a visual aid.
@@pattychan5683 Thanks so much for that incredibly helpful information Patty! That helps me a lot, as I was genuinely thinking that having no visual reference could make extremely challenging or even impossible even for the most talented person to put their finger precisely at the same spot every single time - in order to hit the exact concert pitch every single time for the first note played. I assume that 'muscle memory' allows somebody to play a sequence of finger movements without thinking too much. But 'muscle memory' generally won't be applicable for picking up an erhu and placing the finger to hit the very FIRST note (reliably) in the exact spot to nearest plus or minus 0.1 or 0.01 millimetre. The marking method you mentioned will definitely be helpful, and very practical. Thanks again Patty! Best regards.
Thank you. It would be nice if done with more close ups on your hand placements and bow
I noticed on some videos they start the stringing by attaching the string first to the base. You started at the top attaching to the tension handles.
Yes, from experience, I find that it is easier for me to maintain the tension and position of the strings when attaching the strings from the tuning pegs rather than the base of the erhu.
Excelente enseñanza maestra y gracias por enseñarnos!
This was helpful, Thank You!
If D-A (3dot,4dot...7dot) are suppose to be the low octave notes, why do we play them the same way we would the regular octave notes in the 1st position, does the tuning of the Erhu change with each key to adjust for this or something that I dont see clearly in the video?
Good question! The tuning does not change on the erhu. For Bb, the assignment of the dots varies - occasionally, you would see the 1 assigned to the Bb that is below the range of the erhu, in which case, you would see many notes with dots on top. This video shows the most common way that Bb is notated in jianpu for the erhu.
@@pattychan5683 So if in all key scales the tuning of the open strings D and A stay the same, but the position of the 1 changes (for instance G scale G=1) so that we have semitones in different parts because the 3-4 and 7-i positions change in each scale. That means that the only thing that changes from scale to scale is minor adjustments to the finger positionings because we have semitones in different parts of each string.
@@johnskender9477 Correct!
D'addario now makes Erhu Strings.
Two things I've read that weren't mentioned in the video and which may not make that much difference: - I've seen it recommended to wrap the strings down the peg (toward the neck) one time, then cross over the wrapping once. Not sure how much difference this makes as long as they're not winding across each other several times. I think maybe the single wrap-over is supposed to help prevent slipping or something. - One of the Eason Music guys recommends wrapping the strings away from the neck to get a little more upward tension on the qianjin ("nut"). Again, not sure how much this really matters, and in my case I use one of those fine tuners that attaches to the neck and lifts the strings away from the neck anyway. (they seem much easier to use than the ones that just hook on the strings.)
Hi! Thanks for these videos! It's great to see more instructional videos for the erhu since there aren't many. One minor technology request: You could put your instructional videos into a playlist and share the playlist on your profile. This will make it easier to find them and play them all in sequence. Thanks again....
Hi! I have an old erhu I want to fix and learn to play. Do you have a suggestion on where to purchase new strings & bow? Thank you🥰
I've have had many students purchase erhus and accessories from orientalmusic.org/ and www.easonmusicstore.com/collections/erhu-strings. I personally like the Pirastro Red Dragon strings. Do select a professional-grade bow - it makes it much easier to play.
How tight show the bow be? I've seen a number of instructors. Some maintain it's best to use a tight bow, other say loose.
The bow should not be too loose nor too tight.. If it is too tight, I find that there is less sensitivity - I prefer to use my right fingers and thumb/arm to control the tension somewhat. If it is too loose, the bow becomes difficult to control. At rest (resting on the sound box), the bamboo part of the bow should just be below the corner of the sound box.
Hi Chan,thanks a lot for sharing! I'm in Beijing, where can a buy your book? or can i buy ebook? Thanks
Hello! You can order the book from my website directly at musinno.com
is it necessary to have big fingers to play erhu? my fingers are very small (especially the pinky) i'm afraid to buy an erhu and that will be a big obstacle
Big fingers are not necessary. Do you mean the finger length? The qianjin is adjustable, so for shorter fingers, it can be moved lower, which will reduce the stretch for the pinky.
do you know which one needs bigger finger stretch violin or erhu?
@@davidsonrocha8897 It depends on where the qianjin is placed. The greater the distance from the bridge, the greater the stretch. For myself, it is very similar to the violin.
Thank you 🥰
Thank you very much Patty Chan! your explanations in these videos are very helpful for learning how to play correctly :D
Thanks for your encouragement! Glad they are of help :)
Nice video Patty. But can I ask an important question? The pitch of the erhu depends on exactly where the finger is pressed along the erhu string, right? So when practising the erhu (including scales) - is there a particular method used by an erhu player to 'calibrate' their hand position along the neck of the erhu? Also, the 'qianjin' tying point for one erhu might be a different level on another erhu - so would an erhu player need to re-calibrate their hand and finger position for different erhu instruments? It is known that erhu players can reliably hit the right notes all the time. The all-important question is - how do they calibrate their initial reference position?
The height of the qianjin usually depends on the player (their hand size). After setting the height of the qianjin, they would practice placing their finger on the string, note by note, matching to a tuner (for precision), and to help develop their 'muscle memory.' Scales and other technical exercises are important in laying a foundation for good intonation. An experienced erhu player can automatically recalibrate to different erhus/zhonghus/gaohus, etc. Hope this helps!
@@pattychan5683 Hi Patty! Thanks so much for adding that excellent information regarding qianjin positioning, and hand positioning. That certainly helped - and will always remember this. Thanks again Patty. Best regards!
@@southpark5555 My pleasure! Best regards :)
The real question is… where do I find this t-shirt? I just ordered your book, I can’t wait!
Hahaha - you can find it on musinno.com in the shop: pattychan.threadless.com/
Pequeña precisión: la escala de la demostración no es do mayor, sino re dorio
Hi Patty! I think that I put too much rosin on the bow, and as a result, there is now too much rosin on the strings. How can I remove the excess from both?
If the strings feel sticky from the rosin, you can remove the excess by wiping the strings with a dry cloth. As for rosin on the bow hair, just playing for a while will remove the excess. Hope that helps!
@@pattychan5683 thanks Patty! I appreciate it. 😄
Great choice of song, completely forgot how much i enjoyed this game until i watched this
Thanks so much for teaching us! I understood everything perfectly. I was inspired to play Erhu after hearing a musician play and my Erhu will be arriving in the mail in a few weeks!
That's awesome! Best wishes on your musical journey!
What an amazing tutorial, thank you so much Patty!
Just after watching this great video, I learn more about TCO's past historical process, and the team members' dedication and perseverance have led to today's achievements. I have been immigrating to Canada for more than 45 years. When I was working, music could relieve my stress. I accidentally heard an erhu playing in the Early Spring of Jiangnan, and I fell in love with the erhu instrument.
that was a great video - i think of toronto as a place with much more chinese musicians than most places around this area of us/canada, and i didn't know of this history! I do love the song with the erhu and the viol! i love both of those instruments so much -
Thanks for your comment! Times have changed, but these stories of identity struggles in the Chinese diaspora still resonate and should be shared. I didn't want this snapshot of Chinese Canadian history to be forgotten.
When I was once asked by a music examiner why did I picked up the Chinese music , I told him I was trying to find myself through the process of learning. Our desire to find our belonging is in line with human nature. Our conscience and our instinct. Sincere Thanks for the inspiration.
i wish i could get my erhu to sound like that
Hello! I'm left handed and holding the erhu right handed feels uncomfortable. Is there a way to set it up for left-handed playing?
Most left-handed players set up their erhus the same way as right-handed players (left hand plays the notes and right hand holds the bow). This is especially true for orchestra or ensemble-playing.
@@pattychan5683 Thank you!
Do you find the erhu finger charts that you can stick onto the erhu useful or should they not be used?
I generally don't recommend them. What would be more precise is if you use your tuner to help you with your finger placement. Once you've found the correct position, you can put a sticker/tape on the post. This would be more accurate than using the pre-made chart sticker.
Is it possible to over rosin the bow? How much is too much?
If you over-rosin the bow, it will feel and sound gritty when you play. However, this is temporary - as you keep playing, the sound will improve after a little while.
Hello! My erhu has just arrived but the string came really loose. Even though I tried making them tighter but they just keep unraveling. Any suggestion of what I should do?
When you slowly tighten the strings, make sure that you are also pushing the tuning peg into the post at the same time. This should keep the peg from loosening.