Private Kitchen
Private Kitchen
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Annelotte Coster - Ideas and future plans
In this video Annelotte explains her plans for the future: composing and producing her own album. And she also hopes to be able one day to create a score including song(s) for a film, so that her qualities as a film composer and songwriter are united.
Read the article:
www.privatekitchen.nl/articles/annelotte-coster-ideas-and-future-plans
Guest - Annelotte Coster
annelottecoster.com
Director - João Rodrigues
Host - Alexa Rodrigues
Video - Maja Silver
Editing - João Rodrigues
audio mixing - Mass Audio
Producer - Rens Machielse
Producer - Sebastiaan Donders
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Private Kitchen: THE online Dutch platform about music in media such as film, commercials, games, theatre and other art forms. Loaded with interviews with composers, their collaborators, studio visits, columns and zoom-discussions. Always welcome to subscribe yourself!
www.privatekitchen.nl
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Want to see more?
Check out our TH-cam channel for more interviews with composers.
"Private Kitchen" is a platform by MuziekInstituut Multimedia, produced in co-operation with Shortcutz Amsterdam.
www.mimm.nl
www.shortcutzamsterdam.com
Private kitchen is funded by Buma Cultuur and Norma
www.bumacultuur.nl
www.stichtingnorma.nl
มุมมอง: 1 812

วีดีโอ

Annelotte Coster - Collaborations with directors Florence Bouvy and Max Baggerman
มุมมอง 2.7K2 หลายเดือนก่อน
In this video Annelotte talks about her collaboration with directors Florence Bouvy and Max Baggerman. Two completely different productions with completely different creative processes. Read the article: www.privatekitchen.nl/articles/annelotte-coster-collaborations-with-directors-florence-bouvy-and-max-baggerman Guest - Annelotte Coster annelottecoster.com Director - João Rodrigues Host - Alex...
Aisling Brouwer - AVAWAVES & The Buccaneers
มุมมอง 1.3K3 หลายเดือนก่อน
In this video, Aisling Brouwer talks about the organic development of AVAWAVES, the collaboration with Anna Phoebe, violinist. Composing film scores together was in fact the merging of two worlds: Aisling's as a film composer and Anna's as a live performing artist. Read the article: www.privatekitchen.nl/articles/aisling-brouwer-avawaves-and-the-buccaneers Aisling Brouwer is a Dutch/Irish film ...
Annelotte Coster - Creating music for “When you grow up”
มุมมอง 2K3 หลายเดือนก่อน
Annelotte shares her experiences and insights gained in collaboration with director Max Baggerman during the making of the film When you grow up. She also shows a long scene from this film in which it becomes clear how the music develops. Read the article: www.privatekitchen.nl/articles/annelotte-coster-creating-music-for-when-you-grow-up Guest - Annelotte Coster annelottecoster.com Director - ...
Aisling Brouwer and the score for Savage Waters
มุมมอง 1.3K3 หลายเดือนก่อน
Aisling Brouwer scored the film Savage Waters together with Anna Phoebe, her musical partner in AVAWAVES. Aisling gives insight into their creative process and their powerful combination of acoustic strings and electronic sounds. And she shows one of the film scenes which demonstrates the impact of their music! Read the article: www.privatekitchen.nl/articles/aisling-brouwer-and-the-score-for-s...
Aisling Brouwer and the score for Supergreed
มุมมอง 1.1K3 หลายเดือนก่อน
In this video, Aisling Brouwer explains her approach to composing the music for the film Super Greed: the fight for football. She developed a concept for the film using a variety of post-its, newspaper clippings, etc. on the wall in her studio. You can see in this video how all this led to her final score! Read the article: www.privatekitchen.nl/articles/aisling-brouwer-and-the-score-for-superg...
Dennis Braunsdorf - Speaker comparison
มุมมอง 19K5 หลายเดือนก่อน
Dennis Braunsdorf compares the Neumann KH 310, the Genelec 8351B and the Dutch & Dutch 8c Studio speaker systems in his own studio. First he plays an existing piece of music on all three systems to get a first impression. He then works with each speaker set for a month so that he can get used to the new system. All three systems are calibrated using the internal DSP systems. Curious about the r...
Aisling Brouwer - The score for Lioness: The Nicola Adams Story
มุมมอง 1.2K5 หลายเดือนก่อน
Aisling Brouwer scored the film Lioness, a film about the female boxing champion Nicola Adams (2 x Olympic gold and World Championship). She based the score on Nicola's rhythmic punches in combination with the manipulated recordings of a cello. Read the article: www.privatekitchen.nl/articles/aisling-brouwer-the-score-for-lioness-the-nicola-adams-story Aisling Brouwer is a Dutch/Irish film comp...
Annelotte Coster - Collaborations with directors
มุมมอง 1.2K5 หลายเดือนก่อน
Annelotte Coster describes her collaborations with various directors. Discussing possible concepts is her favorite approach and she prefers directors who know what they want. Read the article: www.privatekitchen.nl/articles/annelotte-coster-collaborations-with-directors Guest - Annelotte Coster annelottecoster.com Director - João Rodrigues Host - Alexa Rodrigues Video - Maja Silver Editing - Jo...
All about film composer Aisling Brouwer and the start of her career
มุมมอง 1.1K5 หลายเดือนก่อน
Aisling Brouwer about her musical background and the start of her career. She studied music in Great Britain and LA. Started in London as an assistant to composers, etc., but gradually developed her own voice, a process that continues to this day. An inspiring story from Aisling Brouwer in this video! Read the article: www.privatekitchen.nl/articles/about-aisling-brouwer-and-the-start-of-her-ca...
Annelotte Coster, media composer and performer
มุมมอง 1.2K5 หลายเดือนก่อน
Annelotte Coster provides the necessary insight into her combined practice of media composer and live performer. She explains how both practices influence each other. Annelotte also explains what is important when dealing with directors. And she shows and demonstrates one of her favorite synths. Read the article: www.privatekitchen.nl/articles/annelotte-coster-media-composer-and-performer Guest...
Celia Swart - Our Patio - Anatomy of a cue #10
มุมมอง 1.5K6 หลายเดือนก่อน
Composer Celia Swart takes us on a journey, showing how her mesmerizing piece Our Patio is connected to a Paris building by Dudok, an inspiring flute ensemble, a videographer with a drone - and two people embracing. Read the article: www.privatekitchen.nl/articles/anatomy-of-a-cue-celia-swart-our-patio About Celia Swart Celia Swart is a contemporary composer and multimedia artist. She has been ...
Manel Fornells - AIEX message - AI Composition Competition Winner 2024
มุมมอง 1.8K7 หลายเดือนก่อน
Manel Fornells composed and created the winning music for the short video 'AIEX Message', created specifically for the AI composition competition 2024 by MiMM | Private Kitchen. Manel Fornells is a 26-year-old film composer and business analyst currently based in Haarlem, Nederland. Manel graduated from the prestigious ‘Composing for Film’ Master's program at the Conservatorium van Amsterdam (C...
Bertus Pelser - Playgrounds Inmotion - Anatomy of a cue #9
มุมมอง 1.4K8 หลายเดือนก่อน
In this Anatomy of a Cue, Bertus Pelser shows how a combination of creative freedom and his dual role as both sound designer and composer enabled him to create a soundtrack that completely blends music and sound and moves along effortlessly with the changing pace of the animation. Read the article: www.privatekitchen.nl/articles/anatomy-of-a-cue-bertus-pelser-playgrounds-inmotion About Bertus P...
Matthijs Dierckx - How does your creative process start?
มุมมอง 1.5K8 หลายเดือนก่อน
In this video Matthijs Dierckx explains how he works as a game composer. He reflects on questions such as ‘How do you keep the music interesting if you don't know how long a game player will stay on a certain level? Why is it useful to implement your own music into the game? And why is it wise to play the game in question yourself?’ Read the article: www.privatekitchen.nl/articles/matthijs-dier...
Dennis Braunsdorf - Can Audiogridder replace Vienna Ensemble Pro?
มุมมอง 6K9 หลายเดือนก่อน
Dennis Braunsdorf - Can Audiogridder replace Vienna Ensemble Pro?
Matthijs Dierckx - How does composing music for games work?
มุมมอง 2.4K10 หลายเดือนก่อน
Matthijs Dierckx - How does composing music for games work?
Merlijn Snitker - The Resistance Banker - Anatomy of a cue #8
มุมมอง 858ปีที่แล้ว
Merlijn Snitker - The Resistance Banker - Anatomy of a cue #8
Matthijs Dierckx - How did it all start
มุมมอง 621ปีที่แล้ว
Matthijs Dierckx - How did it all start
Shortcutz 10th Award Gala 2023 flashback & Best Soundtrack Award handout by Tom Holkenborg
มุมมอง 1.3Kปีที่แล้ว
Shortcutz 10th Award Gala 2023 flashback & Best Soundtrack Award handout by Tom Holkenborg
Rens Machielse - Balcony Cacaphony - Anatomy of a cue #7
มุมมอง 895ปีที่แล้ว
Rens Machielse - Balcony Cacaphony - Anatomy of a cue #7
Loek Dikker - Scoring in your head
มุมมอง 971ปีที่แล้ว
Loek Dikker - Scoring in your head
Loek Dikker - The film industry & author rights
มุมมอง 713ปีที่แล้ว
Loek Dikker - The film industry & author rights
Business, rights & the craft - Working as a session musician
มุมมอง 742ปีที่แล้ว
Business, rights & the craft - Working as a session musician
Loek Dikker - The creative process - part 2
มุมมอง 1.3Kปีที่แล้ว
Loek Dikker - The creative process - part 2
Cooperation in a music session | Working as a session musician
มุมมอง 663ปีที่แล้ว
Cooperation in a music session | Working as a session musician
Being a session musician | Working as a session musician
มุมมอง 776ปีที่แล้ว
Being a session musician | Working as a session musician
Loek Dikker - The creative process - part 1
มุมมอง 845ปีที่แล้ว
Loek Dikker - The creative process - part 1
Loek Dikker - The Hollywood Adventure
มุมมอง 878ปีที่แล้ว
Loek Dikker - The Hollywood Adventure
Nicholas Thayer - In:finite - Anatomy of a cue #6
มุมมอง 1.1Kปีที่แล้ว
Nicholas Thayer - In:finite - Anatomy of a cue #6

ความคิดเห็น

  • @rhollyday
    @rhollyday 14 วันที่ผ่านมา

    Thanks for sharing your honest opinion about the Genelec mids. Most Genelec reviews are from popular music producers and always very positive with little constructive criticism. Pop/ rock tonality is mostly "relative" but classical / acoustic is "absolute" tone and far less compression so the mids must be accurate in timre and dynamics.

  • @maxbowie3254
    @maxbowie3254 27 วันที่ผ่านมา

    I'd like to use audiogridder for a 1 machine system - possible?

  • @indrazchannel2024
    @indrazchannel2024 28 วันที่ผ่านมา

    What is your opinion regarding the Fluid audio SRI 2 audio interface?

  • @anandpianolover
    @anandpianolover หลายเดือนก่อน

    network settings for windows to Mac ? my Mac was showing network but not connectiong

  • @ddermend
    @ddermend หลายเดือนก่อน

    thanks for turning around and telling us

  • @yoddeb
    @yoddeb หลายเดือนก่อน

    I did not see a subwoofer when you briefly showed GLM...?

  • @keithdunwoody1302
    @keithdunwoody1302 หลายเดือนก่อน

    Thanks for the tips, Dennis! The HDMI dummy thing is weird, and I don't understand how it works, but I will try it. I have VEP 6, but I am reluctant to upgrade to 7 since I recently heard about Audiogridder. I don't know for sure yet but it seems a bit simpler to deal with. Fortunately, I'm not doing massive orchestration, so I'm going to give it a go. Cheers!

  • @Coskunmusic
    @Coskunmusic หลายเดือนก่อน

    My question is: If you are a bedroom producer or what ever you identify as, how many hit records did you make to buy those monitors? Even very big producers who make millions of dollars don't buy those monitors. You are litterally one of the reasons capitalism exploded for the last 20 years. You have zero knowledge on how to make music, but have 10000% knowledge on speakers {so you think so} Please don't take this comment negatively, I am actually helping you out. Your Neumanns are perfect and even over the top for a home studio. Just learn them and make good music! Equipment has nothing to do with a good mix, I have litterally made records on my NS10's that are nearly 45 years old and those tracks have millions of streams on Spotify etc.... Don't buy into this crap of having the latest speakers because they are ''FLAT''. That does not exist! It's just a marketing gimic to make you spend money! GOOD LUCK

  • @MW-ii5nb
    @MW-ii5nb หลายเดือนก่อน

    i had the 8361A Genelec and sold them because of the mids problem. Agree with this review

  • @AllboroLCD
    @AllboroLCD 2 หลายเดือนก่อน

    Your comparing BMW M series against Mercedes AMG's. One would have great pleasure using any of those choices.

  • @Mike-vr7mb
    @Mike-vr7mb 2 หลายเดือนก่อน

    I think it depends on how your ears and brain “love” to perceive music. We’re all different! I personally love my music to wrap around me. Not shoot and scream at me if that makes sense 😅

  • @Studio-Xhoni
    @Studio-Xhoni 2 หลายเดือนก่อน

    I have genelec 8351b for one year im working everyday Producing mixing and mastering and i think you are wrong with that you think Genelec have bad "Mids" if you load Calibration on Genelec you midds going on you face i can hear every instrument , and how i mix on monitors i can hear on car or phone all instruments clear only i can tell you with them you need subwoofer for real to 20hz because 8351 going down to 32hz and on genelec you can work like 10 hours you ears not will trick like some others if you work to long you making bad decision on mix and you can mix on lower volume which i work on that peace guys

  • @Solus793
    @Solus793 3 หลายเดือนก่อน

    Awesome video. I wonder how speakers from M.E. Geithain and PSI Audio measure up in comparison. :)

  • @guystpierrecomposer
    @guystpierrecomposer 3 หลายเดือนก่อน

    Nice comparaison! I did test the Neumann KH 310 but not the others. I bought Buchardt A10 with Purifi woofer. The are a big step up from the KH310 and they don’t need a subwoofer. Flat down to 25hz. Room correction, peq EQ and very good DAC for 5000$ a pair. Depth, hi freq, imaging, all incredible. Not for a big room but perfect for a medium room like yours. I’m sure the Dutch and Dutch are great but they are pricey…

  • @Audiojunkk
    @Audiojunkk 3 หลายเดือนก่อน

    excellent video thank you for making this!

  • @zerberk
    @zerberk 3 หลายเดือนก่อน

    Honestly, you having a problem mixing mids with the Genelec ones is more of a skill issue. If you're working with pianos etc, 700hz-2k dependent stuff, in general having a lot of fights going on in the mid range, you should be looking at ATC's. Sure D&D 8C is cream of the crop but everything is purpose dependent and ATC's would be far superior in terms of mid range detail. Nonetheless, the genelecs still should be accurately giving you all of that, failing to mix well on those is a skill issue.

  • @peterorany
    @peterorany 3 หลายเดือนก่อน

    D a nd d 11k . 🤣What an comparison. Stone with diamond

  • @wx9cn
    @wx9cn 3 หลายเดือนก่อน

    Do you notice any differences in performance in Audio Gridder compared to VEPro? It seems VEPro cannot really utilize dual CPU mainboards.

  • @Stefan1969-1
    @Stefan1969-1 3 หลายเดือนก่อน

    Try Amphion two 18 :)

  • @synchemist6462
    @synchemist6462 3 หลายเดือนก่อน

    I looked on the Dutch and Dutch 8c on their website and the frequency response is listed at 30 -20khtz, not 20-20htz.

    • @Jo3losauru5
      @Jo3losauru5 2 หลายเดือนก่อน

      i own a pair, they go pretty flat until about 17hz for me

  • @jonathanbobo722
    @jonathanbobo722 3 หลายเดือนก่อน

    I think if the room has big issues acoustically, no software can really fix that. The genelecs may have sounded much better in a flatter room

  • @DarkTrapStudio
    @DarkTrapStudio 4 หลายเดือนก่อน

    Don't need to look at the video, I already the Dutch and Dutch will win.

  • @prodby_rale5218
    @prodby_rale5218 4 หลายเดือนก่อน

    Duch and dutch are one of the most impressive monitors out there easily :) there is one that I heard right next to Dutch and dutch once and it was even better..but when I say better I mean in a studio way better more for mixing then Dutch. Cause Dutch is a little Hi-fi - ish. Amphion one25A their first 3 way. Amazing speaker with 10inch sub cone!

    • @morespinach9832
      @morespinach9832 4 หลายเดือนก่อน

      Or Genelec 8351B.

    • @lukaradakovic7162
      @lukaradakovic7162 หลายเดือนก่อน

      @@morespinach9832 No Genelec is very very good but not on that level..

    • @morespinach9832
      @morespinach9832 หลายเดือนก่อน

      @@lukaradakovic7162 which level?

  • @aleksandrmaksimovic9458
    @aleksandrmaksimovic9458 4 หลายเดือนก่อน

    Have you heard or used HEDD TYPE 20/30 mk2 range? Im interested how they compare to Genelecs and Neumanns

    • @peterorany
      @peterorany 3 หลายเดือนก่อน

      Type 20 BLOW AWAY EVERYTHING WHAT I HEARD I SHOW ROOM. Love them

    • @eento06
      @eento06 2 หลายเดือนก่อน

      Also tested the Hedd type 20 mk2 in a showroom in comparison with: - Neumann k150 (+ sub) - Neumann 310 - Barefoot FP-02 And the Hedd type 20 mk2 were the clear winner: relatively punchy bass, very detailed low mid but not overwhelming, very detailed crispy highs and wide stereo image. For extra bass extension I would add a Hedd sub.

    • @polymerizedrecords
      @polymerizedrecords 27 วันที่ผ่านมา

      @@eento06 wow, were they better than the Barefoots?

    • @eento06
      @eento06 27 วันที่ผ่านมา

      @ yes better than the Barefoot FP-02 model (to my ears). Hedd type 20mk2 are more airy with a wider soundstage. The Barefoot FP-02 were too harsh on the low mids.

  • @bluematrix5001
    @bluematrix5001 4 หลายเดือนก่อน

    You do not need to start the speakers with the app, and thank God for that! that app is so messy

  • @GingerDrums
    @GingerDrums 4 หลายเดือนก่อน

    I ended up going with the Kii Three over the D&D. Slightly lower price point, but the integrated controller and tighter bass fits my situation better.

    • @morespinach9832
      @morespinach9832 4 หลายเดือนก่อน

      What’s the integrated controller? Do you listen them tor personal music or only producing?

    • @nelsonstarr5356
      @nelsonstarr5356 3 หลายเดือนก่อน

      I was going to mention the KiiThrees since they are similar tech to the D&D and are comparable in price. I would have recommended them as a final audition test against the D&Ds. Thank you for bringing them up. Many people seem to choose them over the D&Ds. They are perhaps less opulent but have a clarity and objectivity that is second to none.

  • @tam_ryan1036
    @tam_ryan1036 4 หลายเดือนก่อน

    Great set-up idea. Thank you 🙏 I’ve also got the hots for your desk. Can I ask what it is and where it’s available? I also have an S88 controller so this would be ideal.

  • @vladimirrusev468
    @vladimirrusev468 4 หลายเดือนก่อน

    very interesting ... having 8351B for more than a year now i can relay a bit to this "mids all over the place" thing. I use them for home listening and wouldn't say this is huge disadvantage. In some cases is even interesting and more spacious then let say a super focused image. But on vocals its sounds somehow chaotic, because part of the spectrum (more in the heights) is focused and part not but you expect from a focal to be focused. Still very enjoyable speakers. I have other criticism on D&D, but i heard them only for a 2 hours and nod in my room, so wouldn't say i can judge them really. But one is sure - vocals are phenomenal with them.

  • @Vor-tech-studios
    @Vor-tech-studios 4 หลายเดือนก่อน

    Curiously, The first thing I noticed when I got my Neumann KH-310's was how accurate the presentation of the reverbs were, I could clearly hear the tails of the different reverbs going simultaneously. different ears in different spaces perhaps...

    • @niklassilen4313
      @niklassilen4313 4 หลายเดือนก่อน

      Unless you have heard truly high-end setups (which the Dutch & Dutch are) you wouldn't be saying that. But yeah, indeed there is some measure of subjectivity to all of this. Some might even argue that hearing absolutely everything is not at all optimal for most mixing cases. Personally I'd happily mix with any type of sealed box speaker (aka the notorious Yamaha NS-10) + good pair of headphones as high-end fine tune and reference. And I have access to and have worked with high-end audio for many years now (decades actually), yet my current go-to setup and where I've got my best results is a simple pair of Slate VSX headphones (albeit with carefully tweaked custom EQ settings) + good headphone amp + good DAC (Prism Audio). This simple low-cost (if you disregard the headphone amp and dac) setup yields better and quicker results than I could get with 20k€ + 100k€ studio room. Yeah, we live in strange times.

    • @Vor-tech-studios
      @Vor-tech-studios 4 หลายเดือนก่อน

      @@niklassilen4313 I am saying what I say, And I have also owned and heard many many sound setups , in studios and in hi-end audio since the mid 90's , I love this stuff. I think its fair to say that different people work and respond differently to different equipment. Some folk like transmission line and back loaded horns with tube amplifier to listen to jazz or orchestral music, others like RnB in car speakers. Personally amongst all the hi-fi speakers that have crossed my path, I very much like Tannoy's coaxial speakers, Their soundstage and musicality are night and day compared to the Neumanns and other accurate studio monitors. In a studio setting where accuracy is the subject, the Neumanns do however, to my ear give me the information that I need to hear , just the way I need. I have not heard the Dutch and Dutch , I am sure they are amazing, Along with so many other great pieces of equipment. I did also once have a system that I thought was to revealing, as an analogy, it was like a photo where every aspect was in perfect focus, so amazingly clear and crisp, yet our eyes dont see that way , I'd imagine to some degree the same is true for our hearing, perhaps the way we perceive different types of distortion is one of them. I have also noticed myself leaning away from DSP and digital power amplified monitors, I dont know why, but I absolutely love the sound of Tripath amplifiers, more than multiple Class A and other expensive amplifiers I have had. I am glad to hear you have found your 'go to setup!" truly can be a long journey. When I build my next studio I am aiming to go with DSD, so Prism Audio is on the menu! I have a hybrid system ATM ,to much to list here, but I will note that I am mixing ITB and OTB, and many respectable digital convertors I am hearing in recent years via a console are bringing me back sonically to when I first started my recording journey with a Neve + 24 Track Reel to reel. I suppose my main point here is, technically better or even perfect may not mean it is going to apply that way to everyone (or all the time) and most importantly here, I really appreciate this video comparison you have made thankyou..!

    • @polymerizedrecords
      @polymerizedrecords 27 วันที่ผ่านมา

      His room correction is correcting 10+ dBs in certain frequencies. The room is the problem.

  • @infojunkie4989
    @infojunkie4989 4 หลายเดือนก่อน

    Ability to control the UI aside, how do these options compare to simply using the 2nd computer as a it was an external piece of hardware. Send audio to it over the network via e.g. AVB/Madi/Dante and then back to the main computer for summing. Using e.g. Apple Remote Desktop to control the plugin settings? Not as convenient, but I've got a feeling this would be better for latency and compatibility / stability.

  • @johannjohann6523
    @johannjohann6523 4 หลายเดือนก่อน

    Supposedly "Barefoot Audio" is the "best" studio monitors in the business. And most likely you'll need to win the lottery to afford them. Some "really good" German made Studio monitors is certainly Adam Audio. Probably in the same price range of Genelec. But you get 3 way monitors instead of Genelec's 2 way monitors. That's what turns me off about the Genelec brand, is lack of 3 way monitor offerings. For "the best" budget friendly (mostly) studio monitors, there really is nothing that compares for the price to Kali Audio and their studio monitors. Their 3 way monitors some of the best monitors having better sound quality against monitors that are 2 and 3 times the price of theirs. Neumann overrated and priced in my book.

    • @theshoemaker1
      @theshoemaker1 4 หลายเดือนก่อน

      Genelec is 3-WAY - 218 mm Bass, 130 mm Midrange and 25 mm Treble. What are you talking about?

    • @Vocalisto
      @Vocalisto 4 หลายเดือนก่อน

      @@theshoemaker1 he doesn't know what he's talking bout..

    • @Genital.Wartzenegger
      @Genital.Wartzenegger 4 หลายเดือนก่อน

      No one considers barefoot the best. I actually recently found out they were part owned by vintage king which is why they were in so many studios, seemed like a big marketing push. Also Neumann are extremely underrated speakers. No one actually hypes up Neumann even the people that have em lol.

    • @ASZ8
      @ASZ8 3 หลายเดือนก่อน

      What are you talking about? Genelec "The Ones" are all three way 🤦🏻‍♂

  • @robainscough
    @robainscough 4 หลายเดือนก่อน

    It's probably too late now, but GLM 5 and selecting the correct crossover frequency paired with Genelec 7350A sub are amazing, better than the Dutch Dutch IMHO. With that said, I need 3 GLM 5 profiles for my workspace. One profile is single to a very specific position (main listening position in front of my monitor) and tuned for keyboard (KORG Pa5X and DAW). Second profile for multi-position so I can move around my work space and still have a great listening experience and again with my DAW/KORG. And finally a 3rd profile for standard music listening where I have a different crossover frequency set and use GLM 5 for single position and then tweak the parameters until I get it perfect (for my ears anyway). The Genelec setup does need a different profile for regular music listening to bring out the Mids. I do like that the Dutch Dutch 8C doesn't need a sub and to be fair, they're only $2500 above the Genelec with a sub.

    • @syntheee
      @syntheee 4 หลายเดือนก่อน

      I have a single 7350A paired with 8331As. Bass management is seamless from 20 Hz, but the main speakers are adjusted about -3,5 dB. My listening distance is about 1,2 to 1,4m, I don't see why you would need a larger model like 8341/8351 in near field conditions.

    • @robainscough
      @robainscough 4 หลายเดือนก่อน

      @@syntheee Primarily the higher rated power output allows for much lower volume level listening while still retaining all the detail. 8351B 250w + 150w + 150w … 8331A is 72w + 36w + 36w. Don’t get me wrong, I think the 8331A are great monitors and cover the spectrum but they just don’t have the same kind of energy response of the 8351B.

  • @donnowak4304
    @donnowak4304 4 หลายเดือนก่อน

    Listen, I know the music was sped up. What is this music today? It's garbage. Who cares what you are monitoring on with that crap. Lol.

    • @PrismFoxes
      @PrismFoxes 3 หลายเดือนก่อน

      The generation before you said the same about your music, so stop being such a boomer.

    • @donnowak4304
      @donnowak4304 3 หลายเดือนก่อน

      Listen, that's Gen X to you. That music is crap for such good monitors.

    • @PrismFoxes
      @PrismFoxes 3 หลายเดือนก่อน

      @@donnowak4304 I don’t care what generation you are, you‘re behaving like a boomer.

  • @hosniabouzahra
    @hosniabouzahra 5 หลายเดือนก่อน

    Great video Please explain how you connect between the mac and pc, Its not working with me and i couldn’t find online how to do it. Thank you

    • @keithdunwoody1302
      @keithdunwoody1302 หลายเดือนก่อน

      Connect via Ethernet through your router. Got to enter your IP address.

    • @anandpianolover
      @anandpianolover หลายเดือนก่อน

      Any clear explanation to enter ip? ​@@keithdunwoody1302

    • @anandpianolover
      @anandpianolover หลายเดือนก่อน

      Any clear explanation? ​@@keithdunwoody1302

  • @Screaming-Trees
    @Screaming-Trees 5 หลายเดือนก่อน

    I really like the Neumann 310s but we use PSI A25m here as well as Geithain 901k for mains. Is it worth the extra money? Well I just do production work and I like a bit of energy in the room when doing that. A big clean bass speaker in a properly designed room, especially when you're doing mostly all electronic music (techno, UK Garage, house etc,) is an inspiring thing to have access to. I wouldn't want to work any other way. If you have to make mixing decisions in these genres you'll want speakers that can go down to about 28hz with minimum compression. But I reckon if all you had was the Neumann KH310s you could get away with producing club tunes without too much trouble. I would say that phase coherence on both the PSI and Geithain is perfect almost. Amazing for analogue only speakers. Okay the Geithains are a point source speaker so perfect phase is maybe not surprising. How PSI have managed to do it in a traditional driver configuration is a mystery to me but they did. But yeah I love mains and big speakers in general so for me extra money is worth every penny since it inspires a bit of energy while I work.

    • @CollectiveIntelligenceMusic
      @CollectiveIntelligenceMusic 4 หลายเดือนก่อน

      All the speakers discussed in the video and comments are point source, the Geithains are coaxial - like the Genelec in this video.

    • @Screaming-Trees
      @Screaming-Trees 4 หลายเดือนก่อน

      @@CollectiveIntelligenceMusic Well not quite. Neumann's are clearly arranged in a traditional way with the drivers not all emanating from one point. Geithains are coaxial yes but that's a separate, additional, feature. Point source meaning drivers are arranged to physically all fire from the same place. But anyway whatever. This is maybe an aside. The main thing is I don't think Neumann speakers would be a bottleneck. Rest is just preferences I guess.

    • @CollectiveIntelligenceMusic
      @CollectiveIntelligenceMusic 4 หลายเดือนก่อน

      ​@@Screaming-Trees That's not what point source means - point source is a term used to define a speaker that radiates sound from a single source, all of those speakers do that because when speaker drivers are positioned in the way they are on the Dutch and Dutch and Neumann they acoustically couple to one single source - making it point source. They don't need to be co-axially aligned to become a single/point source.

    • @CollectiveIntelligenceMusic
      @CollectiveIntelligenceMusic 4 หลายเดือนก่อน

      ​@@Screaming-Trees Let me start again, ALL of those speakers are point source - drivers should be within 1/4 wavelength of each other to act as a single source, which they are in these examples & as a result they act as a single point and emanate sound in a cylindrical pattern from the loudspeaker - the Geithains are point source, but the drivers are coaxially aligned which can help with time alignment and combing/phasing around the crossover points.

    • @Screaming-Trees
      @Screaming-Trees 4 หลายเดือนก่อน

      @@CollectiveIntelligenceMusic Okay let's split some hairs then. All speakers are point source but some are more point source than others is what you're saying. I am being facetious of course. Yeah the drivers are aligned not because this "can help" but because it does help and is clearly better than 1/4 length proximity when it comes to phase. Genelec have done it for precisely this reason. Even with all their dsp trickery you can't beat that kind of driver positioning. But this isn't going to matter. And that was my point. I think the Neumanns are fine. I would only ever upgrade from those if I wanted big, big, big speakers. Emphasis on big. Once you get past the Neumanns you are spending enourmous amounts for 1, 2, 3, 10% whatever. Whether or not this makes sense is on a case-by-case. You would know your own situation and whether this is worth it. I don't mix and I didn't buy the Geithains for perfect phase. I bought them because I wanted big mains. The other feature I was interested in was the cardiod bass response as that is actually something tangible that can help. Because I only write and produce I wanted something to keep myself inspired through the day. But if you don't need that the Neumann system might potentially be a great solution for you. It's not going to be a bottleneck. Berghain system goes down to 30hz. If you're writing tracks for those kinds of clubs you just need to worry about that. The rest of is case-by-case and preference. You would know better than I what your use-case needs.

  • @4earsonly160
    @4earsonly160 5 หลายเดือนก่อน

    Is the genuine simple thought no they're not There is no Golden Horn or golden woofer or golden mid-range or golden mid base driver. How old is any of the miracle clarity of what your ears can hear.. what your ears can hear in your brain can recognize all you will ever know. Disconnected so why go for that ultimate siren scream of which will never understand or understand audibly

  • @crazyprayingmantis5596
    @crazyprayingmantis5596 5 หลายเดือนก่อน

    It would have been cool to do the comparison without knowing which speakers you're listening to at the time. Then speak about their sound Then have someone reveal to you which was which. Then give your thoughts on the whole experience

  • @TechnoAssassin-vx6zf
    @TechnoAssassin-vx6zf 5 หลายเดือนก่อน

    i thought the gennys 8351’s had isssues some issues reseloved in the newer models……..i guess the midrange wasnt one of them 😂

    • @robainscough
      @robainscough 4 หลายเดือนก่อน

      Dennis was using GLM 4 ... GLM 5 and 8351 firmware updates along with crossover and multiple profiles will make the mids sound wonderful. Unfortunately Genelecs do need minimum 3 listening profiles. What I really enjoy with the Genelec is that no matter the volume level, they always sound accurate ... I tend to listen at lower volume.

  • @feliciagal9752
    @feliciagal9752 5 หลายเดือนก่อน

    No. Skills are more important.

  • @bbrunorocha
    @bbrunorocha 5 หลายเดือนก่อน

    such a cool interview ! I'm not a music producer or anything related but it's awesome to see how different artist approach their art, thanks so much !

  • @Artcore103
    @Artcore103 5 หลายเดือนก่อน

    Genelec makes even bigger and better speakers, with a completely different design, higher end. Should test some of those.

  • @davidallanmusic
    @davidallanmusic 5 หลายเดือนก่อน

    Nice review. Not sure why it brought out the haters in the comments. Everyone hears differently people.

  • @fl00d69
    @fl00d69 5 หลายเดือนก่อน

    Pointless.

  • @vilddyr
    @vilddyr 5 หลายเดือนก่อน

    Neumann 150 is better than all 3 of them - and cheaper :)

    • @En_Joshi-Godrez
      @En_Joshi-Godrez 5 หลายเดือนก่อน

      Not even close. Get an education. 👍

    • @hithere4289
      @hithere4289 4 หลายเดือนก่อน

      While I not agree that they might be "better than" or "worse than", I do agree that you can make the 150's (or any other same/upwards price range monitor) work wonders and never need anything else ever again. It's all on your skills and experience at that point.

    • @vilddyr
      @vilddyr 4 หลายเดือนก่อน

      @@hithere4289 the thing is, neither of these monitors are particularly good. 310’s have directivity issues because of the compromised baffle design, the Genelec have their usual harsh treble, and the 8C is a LF distortion nightmare. The 150 is just a better design than all of them.

  • @Antoinetheman
    @Antoinetheman 5 หลายเดือนก่อน

    Kind of weird to talk about how they are in different price ranges, and then never actually mentioning the price? Yes, I can Google it myself, but it seems like pretty relevant information.

    • @MrMrMrMrT
      @MrMrMrMrT 4 หลายเดือนก่อน

      how do they sound tho

    • @niklassilen4313
      @niklassilen4313 4 หลายเดือนก่อน

      In case somebody else wants to know prices: It's roughly 2500€ for Neumann pair, around 6000€ for Genelec pair and 15 000€ for D&D 8C pair.

    • @Genital.Wartzenegger
      @Genital.Wartzenegger 4 หลายเดือนก่อน

      @@niklassilen4313damn you get Neumanns cheap where you’re at. They’re about 6k CAD and the 420s are around 15k

    • @adl0815
      @adl0815 2 หลายเดือนก่อน

      ​Neumann 310s are actually around 3600€ for a pair. ​@@niklassilen4313

    • @afxtwin1337
      @afxtwin1337 2 หลายเดือนก่อน

      @@niklassilen4313 lol the genelecs are 8k.

  • @RM-lv9ng
    @RM-lv9ng 5 หลายเดือนก่อน

    Of course they are but these are not expensive speakers.

  • @sebastianbaran9645
    @sebastianbaran9645 5 หลายเดือนก่อน

    did you consider the Kii Threes?

  • @fullalbums5675
    @fullalbums5675 5 หลายเดือนก่อน

    sighted review is biased for more expensive ones, rather pointless overall. There's nothing wrong with the midrange on Genelecs, you may be not used to hearing it precisely after Neumanns with comb filtering from non-coaxial driver. On the other hand there are real and measurable distortion issues with D&D, it's fine for recreational listening but there's a reason they aren't really seen in any real studio

    • @En_Joshi-Godrez
      @En_Joshi-Godrez 5 หลายเดือนก่อน

      They are also designed to work with GLM ecosystem. Genelec make dummy models that are setup differently for plug and play, but the smart ones are not designed like that.

    • @mikeelkios436
      @mikeelkios436 4 หลายเดือนก่อน

      Which real studios are your reference ?

    • @l.s.1709
      @l.s.1709 4 หลายเดือนก่อน

      Can you provide a source for the distortion issues you mention?

    • @cadriver2570
      @cadriver2570 4 หลายเดือนก่อน

      ​@@l.s.1709 There are various measurement on a few sites if you google it.. KH310 ($5k) have very low distortion, while the Dutch 8C ($15k) have relatively high distortion that is audible in different situations at normal listening levels. I have not heard the Genelecs ($8500) A more reasonable comparison would have been with Neumann KH420 ($10k) possibly with subs, Ex Machina, ATC, and others in that higher price range.

    • @cadriver2570
      @cadriver2570 4 หลายเดือนก่อน

      @@l.s.1709 Guess my first comment was deleted... Dutch & Dutch have pretty high distortion, audible in normal listening levels and it's been measured. You'll find it on various sites with a search.

  • @MatthijsvanDuin
    @MatthijsvanDuin 5 หลายเดือนก่อน

    I'm a software developer at Dutch & Dutch, glad to hear you like them! What do you mean exactly when you say you "need to start them with an app" ? If you switch them off and on with the switch at the back they'll power back up in the same state they were in previously, so if you use external volume control then there's no need to interact with the app after initial setup. We know we have plenty of users who never touch the app.

    • @ProfessorJohnSmith
      @ProfessorJohnSmith 5 หลายเดือนก่อน

      are you competitors of Kii audio?

    • @MatthijsvanDuin
      @MatthijsvanDuin 5 หลายเดือนก่อน

      @@ProfessorJohnSmith I'm just a dev and don't really know much about our market segment or competition.

    • @ThomasL
      @ThomasL 5 หลายเดือนก่อน

      @@ProfessorJohnSmith Kii Audio system 3 (with their sub implementation called BXT) is 9 000€ more expensive than a pair of D&D 8C, so, yeah, well, I wouldn't say they are competitors but they get compared a lot.

    • @moses1440
      @moses1440 5 หลายเดือนก่อน

      @@MatthijsvanDuinCan you steal me a pair of 8Cs?

    • @bluematrix5001
      @bluematrix5001 4 หลายเดือนก่อน

      D& D needs a way better, logical and clear App, it is so messy, and if you do not use it often you go back to the App and you get lost, the app does not match at all with the quality of the speaker, is the least intuitive app I've ever seen..,,,please jsut to have an easy and logical menu with clear names is not hard to do ....it is easier to understand the menu of a new DAW than the ascend app

  • @RanjakarPatel
    @RanjakarPatel 5 หลายเดือนก่อน

    please talk four india speaker four equalitee and four no make race my friendly

    • @Artcore103
      @Artcore103 5 หลายเดือนก่อน

      Shut up