Vintage Sounds
Vintage Sounds
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Toti dal Monte (soprano) - Lo, here the gentle lark (Bishop) (1929)
Toti dal Monte sings 'Lo, here the gentle lark' with orchestra conducted by Gino Nastrucci, recorded in Milan on 10 July 1929.
From Wikipedia: Antonietta Meneghel (27 June 1893 - 26 January 1975), better known by her stage name Toti Dal Monte, was a celebrated Italian operatic soprano. She may be best remembered today for her performance as Cio-cio-san in Puccini's Madama Butterfly, having recorded this role complete in 1939 with Beniamino Gigli as Pinkerton.
Born in Mogliano Veneto, in the Province of Treviso, she made her debut at La Scala at the age of 23 as Biancofiore in Zandonai's Francesca da Rimini. She was an immediate success, and her clear 'nightingale-like' voice came to be highly appreciated throughout the world. Her best-known roles included the bel canto parts of Amina (in Bellini's La Sonnambula), Lucia (in Donizetti's Lucia di Lammermoor) and Gilda (in Verdi's Rigoletto). In 1922 she performed several parts opposite the tenor Carlo Broccardi at the Teatro Massimo in Palermo; including Cio-cio-san, Gilda, and the title heroine in Alfredo Catalani's La Wally.
In 1924, fresh from triumphs in Milan and Paris, but before her debut in London or New York, she was engaged by Dame Nellie Melba to be one of the star singers of an Italian opera company that Melba was organising to make a tour of Australia. She proved a popular and critical success on the tour, and there was no rivalry between the ageing Melba and the much younger Dal Monte. Rather, they threw bouquets after each other's performances. In 1928, on her third visit to Australia, she married tenor Enzo de Muro Lomanto in St Mary's Cathedral, Sydney. The wedding party created international headlines when, according to some sources, it gave the Fascist salute on the cathedral steps.
On 12 January 1929 at La Scala she created the role of Rosalina, in the world premiere of Umberto Giordano's Il Re.
She retired from the operatic stage in 1945. However, she continued to work in the theatre (as well as to make the occasional recording) and appeared in a number of films, of which the best known is perhaps her last, Enrico Maria Salerno's Anonimo veneziano, a 1970 story about a musician at La Fenice. She became a singing teacher and coach; her pupils included Dodi Protero, Dolores Wilson and Gianna D'Angelo.
Dal Monte died in 1975 at the age of 81, in Pieve di Soligo, as a result of circulatory disorders.
I transferred this side from a solid stock Sydney prossing of HMV DB 1315.
มุมมอง: 7

วีดีโอ

Thomas Canivez ('cello) - Traumerei ('Kinderszenen' -Schumann, Op. 15, No. 7) (1925)
มุมมอง 205 ชั่วโมงที่ผ่านมา
Belgian 'cellist Thomas Canivez (as Louis Delmas) plays 'Traumerei,' with piano by Berthe Racine, recorded by Pathe in 1925. I transferred this recording from Grand Pree 18516.
Thomas Canivez ('cello) - Abendlied (Schumann, Op. 85, No. 12) (1925)
มุมมอง 6621 ชั่วโมงที่ผ่านมา
Belgian 'cellist Thomas Canivez (1877-1969) (as Louis Delmas), with piano by Berthe Racine, plays 'Abendlied,' recorded by Pathe in 1925. I transferred this recording from Grand Pree 18516.
Alice Verlet (soprano) - Concert Variations on Carnival of Venice (Julius Benedict) (1915)
มุมมอง 672 ชั่วโมงที่ผ่านมา
Alice Verlet sings 'Concert Variations on Carnival of Venice,' recorded in New York on 26 May and 7 June 1915. From Wikipedia:...Alice Verlet was born in 1873 as Alice Verheyden in the Flemish-speaking region of Belgium, where her father was an official. She commenced musical study at age 8 with lessons in piano and harmony; vocal training did not follow until age 16, when she studied under Mme...
Albert Spalding (violin) - Meditation ('Thais' - Massenet) (1916)
มุมมอง 2542 ชั่วโมงที่ผ่านมา
Albert Spalding plays the 'Meditation' from 'Thais,' with piano by Andre Benoist, recorded in New York on 16 September 1916. From Wikipedia: Albert Spalding (August 15, 1888 - May 26, 1953) was an internationally recognized American violinist and composer. Spalding was born in Chicago, Illinois on August 15, 1888. His mother, Marie Boardman, was a contralto and pianist. His father, James Walter...
NEW TRANSFER - Cesare Sodero and American Symphony Orchestra - 'Rigoletto Selection' (Verdi) (1917)
มุมมอง 544 ชั่วโมงที่ผ่านมา
Cesare Sodero conducts the American Symphony Orchestra (an Edison house group) in a selection from 'Rigoletto,' recorded in New York on 21 December 1917. I posted a transfer of this recording two years ago: but in the meantime I have improved my techniques of transferring Edison discs. I have also taken the rare liberty of adding just a touch of reverberation to the finished product. I know tha...
Albert Spalding (violin) - Rondo Capriccioso (Saint-Saens) (1915?)
มุมมอง 1524 ชั่วโมงที่ผ่านมา
Albert Spalding plays 'Rondo Capriccioso,' with piano by Andre Benoist. The recording was made in New York. The date is not entirely clear. Several takes were recorded on 1 May 1915. Further takes (up to take G) were recorded on 6 September 1915. This, however, is take J, and there appears to be no documentation as to the recording date. From Wikipedia: Albert Spalding (August 15, 1888 - May 26...
American Concert Orchestra - Morning, Noon and Night in Vienna Overture - Suppe (1924)
มุมมอง 404 ชั่วโมงที่ผ่านมา
The American Concert Orchestra, an Edison house group, plays 'Morning, Noon and Night in Vienna' Overture, recorded in New York on 16 September 1924. I transferred this title from Edison 80805.
Sir Edward Elgar and Royal Albert Hall Orchestra - 'Enigma' Variations, Op 36 (Elgar) (1926)
มุมมอง 1147 ชั่วโมงที่ผ่านมา
Sir Edward Elgar conducts the Royal Albert Hall Orchestra (60 players), plus organ in the final variation, in the 'Enigma' Variations, recorded in Queen's Hall, London, on 28 April 1926 (sides 1, 2 and 4 to 6) and 30 August 1926 (side 3). The individual items are: 00:00 Theme 01:32 I (C.A.E.) 03:36 II (H. D. S.-P.) 04:20 III (R.B.T.) 05:46 IV (W.M.B.) 06:16 V (R.P.A) 08:10 VI (Ysobel) 09:31 VII...
Sir Edward Elgar and Royal Albert Hall Orchestra - Meditation ('The Light of Life' - Elgar) (1926)
มุมมอง 539 ชั่วโมงที่ผ่านมา
Sir Edward Elgar conducts the Royal Albert Hall Orchestra (60 players) in the 'Meditation' from 'The Light of Life,' recorded in Queen's Hall, London, on 30 August 1926. From Wikipedia: Sir Edward William Elgar, 1st Baronet, OM, GCVO (2 June 1857 - 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his be...
American Symphony Orchestra - 'Martha' Overture (Friedrich von Flotow) (1922)
มุมมอง 539 ชั่วโมงที่ผ่านมา
The American Symphony Orchestra plays the Overture to Flotow's opera 'Martha,' recorded in New York on 9 August 1922. I transferred this side from Edison 80745.
American Symphony Orchestra - 'Mignon' Overture (Ambroise Thomas) (1914)
มุมมอง 4214 ชั่วโมงที่ผ่านมา
American Symphony Orchestra - 'Mignon' Overture (Ambroise Thomas) (1914)
American Symphony Orchestra - 'Mignon' Fantasia (Ambroise Thomas) (1919)
มุมมอง 3314 ชั่วโมงที่ผ่านมา
American Symphony Orchestra - 'Mignon' Fantasia (Ambroise Thomas) (1919)
American Symphony Orchestra - Prelude to Act 1 ('La Traviata' - Verdi) (1923)
มุมมอง 5514 ชั่วโมงที่ผ่านมา
American Symphony Orchestra - Prelude to Act 1 ('La Traviata' - Verdi) (1923)
Andre Benoist (piano) - Rustle of Spring (Christian Sinding) (1915)
มุมมอง 7321 ชั่วโมงที่ผ่านมา
Andre Benoist (piano) - Rustle of Spring (Christian Sinding) (1915)
Thomas A. Edison - Let Us Not Forget: A Message to the American People) (1918)
มุมมอง 58วันที่ผ่านมา
Thomas A. Edison - Let Us Not Forget: A Message to the American People) (1918)
Sodero's Band - Amina (Paul Lincke) (1915)
มุมมอง 56วันที่ผ่านมา
Sodero's Band - Amina (Paul Lincke) (1915)
Wilhelm Backhaus & RAHO/Ronald - Piano Concerto No. 5, Op. 73 'Emperor' (Beethoven) (1927)
มุมมอง 183วันที่ผ่านมา
Wilhelm Backhaus & RAHO/Ronald - Piano Concerto No. 5, Op. 73 'Emperor' (Beethoven) (1927)
Edison Concert Band - Masaniello (La Muette de Portici) Overture (Auber) (1913)
มุมมอง 44วันที่ผ่านมา
Edison Concert Band - Masaniello (La Muette de Portici) Overture (Auber) (1913)
Andre Benoist (piano) - Valse in E flat (Auguste Durand) (1915)
มุมมอง 142วันที่ผ่านมา
Andre Benoist (piano) - Valse in E flat (Auguste Durand) (1915)
American Symphony Orchestra - 'Zampa' Overture (Herold) (1917)
มุมมอง 9014 วันที่ผ่านมา
American Symphony Orchestra - 'Zampa' Overture (Herold) (1917)
Edison Concert Band - Second Valse Brillante (Benjamin Godard) (1913)
มุมมอง 8314 วันที่ผ่านมา
Edison Concert Band - Second Valse Brillante (Benjamin Godard) (1913)
American Concert Orchestra - Stradella Overture (Flotow) (1925)
มุมมอง 14814 วันที่ผ่านมา
American Concert Orchestra - Stradella Overture (Flotow) (1925)
American Symphony Orchestra - Three Dances from 'Henry VIII' (Edward German) (1917)
มุมมอง 13014 วันที่ผ่านมา
American Symphony Orchestra - Three Dances from 'Henry VIII' (Edward German) (1917)
American Concert Orchestra - 'Scheherazade' extracts (Rimsky-Korsakov) (1925)
มุมมอง 9614 วันที่ผ่านมา
American Concert Orchestra - 'Scheherazade' extracts (Rimsky-Korsakov) (1925)
Sir Henry J. Wood and his Orchestra - Cavatina (Raff, arr. Wood) (1916)
มุมมอง 9714 วันที่ผ่านมา
Sir Henry J. Wood and his Orchestra - Cavatina (Raff, arr. Wood) (1916)
Sir Henry J. Wood and his Orchestra - Danse Macabre (Saint-Saens) (1916)
มุมมอง 9714 วันที่ผ่านมา
Sir Henry J. Wood and his Orchestra - Danse Macabre (Saint-Saens) (1916)
The Yeomen of the Guard - Act 2 (Gilbert & Sullivan) (1920)
มุมมอง 6721 วันที่ผ่านมา
The Yeomen of the Guard - Act 2 (Gilbert & Sullivan) (1920)
The Yeomen of the Guard - Act 1 (Gilbert & Sullivan) (1920)
มุมมอง 10121 วันที่ผ่านมา
The Yeomen of the Guard - Act 1 (Gilbert & Sullivan) (1920)

ความคิดเห็น

  • @The-Organised-Pianist
    @The-Organised-Pianist 3 ชั่วโมงที่ผ่านมา

    Fascinating - can't get used to hearing the melody in the lower octave 😊

  • @waxworks9584
    @waxworks9584 4 ชั่วโมงที่ผ่านมา

    connected with the comment about the other side and the potential dubbing method from cylinder, your clean up is very good but I think I can hear the twice rotation speed of the disc ( 160 vs 80 rpm )cyclic sweep noise in the early part of the disc and a big duplicator rumble at 32 seconds. Just a bit interested in the way these were mastered in the last couple of weeks. for all that the preservation to the cello tone is pretty good. fine playing .

    • @vintagesounds3878
      @vintagesounds3878 3 ชั่วโมงที่ผ่านมา

      Yes, the acoustic Pathes were apparently all dubbed from large cylinders. The transfers from the master cylinders vary in quality: I've compared different pressings of the same title made from different transferred masters, and the difference can be chalk and cheese. What I have never been able to understand is how good the quality sometimes is, especially compared with the dubbed Edison Blue Amberol cylinders. Yes, there are dubbing artefacts, which for the most part probably wouldn't have been reproduced on acoustic gramophones. As for remastering techniques, they are really nothing special. I transfer the discs at hopefully the correct speed and with as close as I can get to reasonable equalisation, but with no filtration. They then go through various filters and more careful equalisation. I prefer to keep the sound reasonably open, leaving some rumble if there are bass frequencies recorded at the same frequency and leaving some surface noise rather than ending up with a congested sound.

  • @waxworks9584
    @waxworks9584 4 ชั่วโมงที่ผ่านมา

    I think according tot some recent information I read, that both USA and the British Pathe were recording on large master cylinders and transferring to lateral discs from 1921 until the slightly later then most conversion to electrical recording ( 26 /27) the odd noise at 1min 44 may well be a duplication artifact. The system makes for a playable studio master cylinder and some preservation of the higher frequencies inherent in the vertical recording technique. I cant be sure if this was done this way and a lot of stuff was in that fairly short period.

  • @leestamm3187
    @leestamm3187 9 ชั่วโมงที่ผ่านมา

    The sort of vocal range that could be reproduced quite well on acoustic recordings. Thanks.

  • @gabrielekrenslehner3764
    @gabrielekrenslehner3764 17 ชั่วโมงที่ผ่านมา

    Every recording is opening the whole world of music to the listener. Great performances show the never ending power of good music presented by first class musicians and newly recorded by you, the music loving specialist. Bravo! Thank you so much for doing this great work!❤️💚💜💖🎶⚜️

    • @vintagesounds3878
      @vintagesounds3878 6 ชั่วโมงที่ผ่านมา

      @@gabrielekrenslehner3764 Thanks so much!

  • @lesleylakos2417
    @lesleylakos2417 20 ชั่วโมงที่ผ่านมา

    Perfectly Beautiful!❤

  • @The-Organised-Pianist
    @The-Organised-Pianist 21 ชั่วโมงที่ผ่านมา

    Lovely & peaceful. I like the rich tone of the instrument & the manner of playing. Thank you.

  • @The-Organised-Pianist
    @The-Organised-Pianist วันที่ผ่านมา

    One of my favourite bits!!

  • @The-Organised-Pianist
    @The-Organised-Pianist วันที่ผ่านมา

    Fine artistry!

  • @hrbooksmusic7878
    @hrbooksmusic7878 วันที่ผ่านมา

    Music that makes my heart and soul sing… and I ADORE the sound of the violin… masterfully played… 🌟 🎻 ❤️🎻🌟 Thank you so much for all these fantastic uploads! 🙏🍀

    • @vintagesounds3878
      @vintagesounds3878 วันที่ผ่านมา

      @@hrbooksmusic7878 Thanks!

    • @hrbooksmusic7878
      @hrbooksmusic7878 13 ชั่วโมงที่ผ่านมา

      @@vintagesounds3878 Thanks are all mine! 🌞🙏🌞

  • @_PROCLUS
    @_PROCLUS วันที่ผ่านมา

    💝💝💝 TY

  • @wachamcaulid
    @wachamcaulid วันที่ผ่านมา

    nice song but i cant find sheet music for this one

    • @vintagesounds3878
      @vintagesounds3878 วันที่ผ่านมา

      @@wachamcaulid A difficult one: but perhaps someone can help.

  • @vintagesounds3878
    @vintagesounds3878 วันที่ผ่านมา

    Well of course he was recording acoustically, playing into a recording horn: but the quality is certainly good. A different technique in those days, but very fine! Thanks.

  • @miyukikotobuki3631
    @miyukikotobuki3631 วันที่ผ่านมา

    音の感じでかなりマイクに近寄って録音してるのが分かるが、これ16年のエジソン録音なのか。 それでここまで音質良いんだな。 今の演奏家ほど演奏技術は無いんだろうが、それを十分にカバー出来るほどの味と言うかセンスで聴かせるからなかなか聞けるなあ。 戦前のティボーやエルマンなどの演奏家は面白さとかを重視してるから今聴いても悪くないのが多くて凄いよねって感じます。

  • @denispowell7134
    @denispowell7134 วันที่ผ่านมา

    I believe that if someone listened to this upload without reading the description they'd never guess that this was recorded over a century ago, such is the quality of sound. Add to that the exceptional playing and it's easy to sit here fully involved. Very many thanks for posting.

    • @vintagesounds3878
      @vintagesounds3878 วันที่ผ่านมา

      @@denispowell7134 Thanks. Yes, it is wonderful from both a recording and an artistic viewpoint.

  • @georgejohnson1498
    @georgejohnson1498 วันที่ผ่านมา

    One of the most lovely pieces of violin music ever, and played so beautifully. Spalding must have been quite a violinist on this showing. Such a refined timbre that survives and is still spine-tingling in this wonderful and very old recording. Best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 วันที่ผ่านมา

      @@georgejohnson1498 Certainly a wonderful violinist: and the recording captures his art so well!

  • @radiogramgramophonetoons5802
    @radiogramgramophonetoons5802 วันที่ผ่านมา

    If I keep hearing beautiful pieces of music like this on your channel……. I’ll be converted 😳 from Jazz and Big Band 😳🫤🙂

    • @vintagesounds3878
      @vintagesounds3878 วันที่ผ่านมา

      Now that is both a recommendation and an incentive!

  • @georgejohnson1498
    @georgejohnson1498 2 วันที่ผ่านมา

    Fine that it took "J" number of takes to get the performance wanted. One assumes that each previous take was listened to carefully and perhaps even adjustments to the reading/interpretation would follow. This is one useful aspect of the gramophone as a method of improving the next public performance! At least this "one" wonderful take and not some melange of edited snippets! Of course the result is glorious! Edison certainly made some great recordings! Best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @georgejohnson1498 Thanks George. Incidentally, typically for Edison it seems that quite a few of the takes were issued.

  • @georgejohnson1498
    @georgejohnson1498 2 วันที่ผ่านมา

    Lovely lighter classical music, performed, or so it seems to me, with wonderful energy and style. Thank you and best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @georgejohnson1498 Thanks George!

  • @hartmutlindemann9735
    @hartmutlindemann9735 2 วันที่ผ่านมา

    just wonderful playing!

  • @Piddo72
    @Piddo72 2 วันที่ผ่านมา

    Fantastic, another Sodero conductor, many thanks for this rediscovery!

  • @Lily-ky8ew
    @Lily-ky8ew 2 วันที่ผ่านมา

    Fantastic performance. Thanks.

  • @noshirm6285
    @noshirm6285 2 วันที่ผ่านมา

    Amazing sound! ❤

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @@noshirm6285 Thanks!

    • @noshirm6285
      @noshirm6285 2 วันที่ผ่านมา

      @@vintagesounds3878 🤗

  • @teddythomson8921
    @teddythomson8921 2 วันที่ผ่านมา

    ❤❤❤

  • @waxworks9584
    @waxworks9584 2 วันที่ผ่านมา

    Nice transfer treatment for a modern playback, The Edison "dead " studio on the record would of course be supplemented by the diamond disc machine cabinet and the room it was played back in to which I think was the intention the channel acousticedison does do this in a room that matches the sort of surroundings it needs. I think that even in the modern era both close mic and full room sound methods are argued about.

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @@waxworks9584 Yes, there are still disagreements about methodology, but one of the biggest problems with a dead recording environment is that it can be quite deadly for a musician in that the sound tends to be flat and dull. It must have been very difficult for orchestral musicians to have been inspired in such an environment!

    • @waxworks9584
      @waxworks9584 2 วันที่ผ่านมา

      @@vintagesounds3878 the Edison 5th avenue New York studio pictures don't show an obvious acoustic treatment unlike the west orange studios/s. with cow hair fiber board walls Most other recording rooms were either not specially treated or very reverberant with wood paneling . The 2 pathe studios in Paris were 10 m dimeter circular rooms with the recording horn at the center and a lot of wood paneling on the walls. The playing in dead studio would have been better for your ears than the sitting a the focus of the Pathe room with the Garde republican band. But the artistic effect of the environment is important.

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @@waxworks9584 I actually find it difficult to see enough detail in the generally published photos to be able to ascertain precisely what was done. The well-known photo of Urlus recording in 1916 with Sodero conducting a 13 piece orchestra seems to show a cloth-covered ceiling and cloth covering the partition from which the horn protrudes and the wall to the right of the horn. Urlus seems to be standing on some sort of floor covering but it is difficult to know what it is. There is also a photo of an 18 piece band, which is almost certainly the United States Marine Band conducted by Santelmann, recording in the Fifth Avenue Studios. We would therefore be looking at a shot taken in the period 1921-1923. It is quite apparent that cloth is nailed to the ceiling and there is cloth hung in various places around the walls and on the partition from which the horn protrudes. The floor, however, is bare floorboards. All of this is in contrast to Victor's brick and steel room at Camden! As I have learned from my own experiences of recording, it is often difficult to judge from just looking what sort of reverberation characteristics a venue is likely to have. Whatever Edison did was obviously enough to keep reverberation down to a fairly minimal level, and it's interesting to occasionally experiment as to the difference it makes if some reverberation is artificially introduced!

  • @The-Organised-Pianist
    @The-Organised-Pianist 2 วันที่ผ่านมา

    Nice job thank you, VS. 👍

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @The-Organised-Pianist Just an experiment. Constructive comments always welcome!

  • @_PROCLUS
    @_PROCLUS 2 วันที่ผ่านมา

    💝💝💝 TY

  • @The-Organised-Pianist
    @The-Organised-Pianist 2 วันที่ผ่านมา

    Fine dexterity, flexible & well-judged phrasing & admirably decisive tone production - a violinist of quality. Delightful. Thanks!

  • @The-Organised-Pianist
    @The-Organised-Pianist 2 วันที่ผ่านมา

    Pleasantly tuneful & played with merry tidiness. Nice one, thanks.

  • @joeenglert
    @joeenglert 2 วันที่ผ่านมา

    great stuff,,probably done in one take with no fancy electronic sound enhancers etc,,amazing love the clarinetist,,very centered tone as opposed to todays player who all have the same round/spread tone,,not my idea of a great tone

  • @vincentlavorgna2867
    @vincentlavorgna2867 3 วันที่ผ่านมา

    How did he do it?

    • @vintagesounds3878
      @vintagesounds3878 3 วันที่ผ่านมา

      @@vincentlavorgna2867 Amazing versatility!

  • @wendyzohar8596
    @wendyzohar8596 3 วันที่ผ่านมา

    A rare treat to hear this Trio! So reflective of the playing of that time. 😊 🤗 Thank you for posting!

  • @Euphemia-ku4mm
    @Euphemia-ku4mm 3 วันที่ผ่านมา

    I love old fashioned hymns. They bring me wonderful memories, contrary to the godless CCM the music industry is playing right now.

  • @JoanneCampbell-f8o
    @JoanneCampbell-f8o 3 วันที่ผ่านมา

    I have photos of both Joseph and Oliver but not sure how to post them here. They were my gt grandfather and gt gt grandfather

    • @vintagesounds3878
      @vintagesounds3878 3 วันที่ผ่านมา

      Wonderful! It would be lovely to have and publish these! I don't think there is a way for you to directly post photos on TH-cam, but what I might suggest is that you send me copies of the photos to the channel's email address: vintagesounds3878@gmail.com I could then post the photos in the Community/Posts section and I could amend the descriptions under the recordings to refer to that section. An alternative is that I could repost the recordings with the new photos added. I now have access to two other sides by the orchestra that I could now post with your photos!

  • @webrarian
    @webrarian 3 วันที่ผ่านมา

    Listening to this recording in your lovely vivid transfer, with the Queens Hall organ pedals thundering in the last few bars, I'm led to recall that the conductor knew the "meaning" of the "enigma", the significance of the three asterisks, and would have remembered his friend Jaeger/Nimrod telling him to extend the finale. And all of this from a man who was the son of a High Street tradesman in provincial England, with no academic training.

    • @vintagesounds3878
      @vintagesounds3878 3 วันที่ผ่านมา

      @@webrarian Yes, one of the things that always floors me about Elgar is that he was essentially self-taught. What incredible talent! And he certainly communicated his wishes to the orchestra!!

  • @georgejohnson1498
    @georgejohnson1498 3 วันที่ผ่านมา

    Wow! I knew this recording from the 78s at school in the early 1970s. I never had it on LP, but do have it on the 1993 CD transfer on EMI. The performance requires no comment from me, but I do know that composer and the Gramophone Company were very pleased with Elgar's first recording using the electrical process. And it is a surprise to me how much better your transfer is over EMI's own, which was made from fresh pressings from the master parts. The EMI should have been better than it actually is. With your transfer, you can tell the orchestra is playing this as if it really means something! Best wishes and thanks from George

    • @vintagesounds3878
      @vintagesounds3878 3 วันที่ผ่านมา

      Thanks so much George. I haven't actually listened to the EMI transfer recently. I would have liked to have worked from laminates, but I was reasonably happy with the result. Although 6 of the 7 sides were recorded on the same day, there are still some challenges in trying to end up with a consistent result because of the use of two different recording machines. "Elgar on Record" tells us that "the sound for each one was set at a different dynamic level" but it is quite apparent from listening over many years to early electric Gramophone Company recordings that there was a little more to it. Presumably, the signal was fed into a separate preamplifier for each recording machine. It now seems likely that in at least some instances, the signal came to each machine via a separate microphone. However things were configured, the result usually seems to have been that the tonal characteristics of recordings made on one machine differed from those made on the other machine. They weren't hugely different here, but I still had to deal with seven sides where three different recording characteristics had been used! On top of that, it is necessary to keep in mind the presence of the bass reinforcement when trying to get the sound balance correct. Here, we have both a contrabassoon and a tuba in addition to 3 double basses, so obviously the sound in places is going to be somewhat bass-heavy! Album sets of this period certainly have their challenges!

    • @georgejohnson1498
      @georgejohnson1498 3 วันที่ผ่านมา

      @@vintagesounds3878 I have an original Elgar on Record as a paperback that was in the old HMV LP set RLS 713. I never got RLS 708, which contained the big recordings including the two symphonies, Enigma, and Cello Concerto, but as I had access for the 78s, this did not matter. RLS 713 contained a lot of music that was not in the school library on 78 ... Reading that book actually sparked my interst in the actual technique of recording, and soon led to a fascination with the inventions of AD Blumlein. Such an odd hero for a twinge year old! Best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 3 วันที่ผ่านมา

      @georgejohnson1498 RLS 713 was also a huge inspiration to me, as was the book. I was finally given RLS 708 around a year ago. I have the CDs bit it was a nice acquisition nonetheless!

  • @denispowell7134
    @denispowell7134 3 วันที่ผ่านมา

    I've loved this set since I first heard it as an LP transcription around half a century ago. Since then I've acquired the original 78 album as featured at the start of your upload plus several CD copies. I've added to that a DVD and several other versions including a Piano Roll duet version played by Cuthbert Whitmore (1877-1927) and Dorothy Manley. The Piano Roll is most enjoyable and I like to think that if Elgar himself had devised it using a Piano this is what it would have sounded like. At the Elgar Birthplace Museum they have the Gramophone give to Elgar by HMV (although it's not in a useable condition) and an identical model on which you can hear Elgar's own recordings.

    • @webrarian
      @webrarian 3 วันที่ผ่านมา

      Could that be the (Aeolian?) piano roll for which Elgar wrote the notes, subsequently published separately and (in that form) bought by me at the Birthplace around 1974?

    • @georgejohnson1498
      @georgejohnson1498 3 วันที่ผ่านมา

      The Elgar gramophone in the Birthplace Museum worked in 1973! I played the entire Violin Concerto 78 set on it having walked the mile and half from Aymestrey School, Crown East [unsupervised but with permission] on a sunny summer Saterday afternoon. I doubt that kind of thing would please the school inspectors these days! Halcyon days! Best wishes from George

    • @webrarian
      @webrarian 3 วันที่ผ่านมา

      @@georgejohnson1498 Those really were the days. When the Powick notebooks were just sitting on shelves so we could look and marvel at them.

    • @vintagesounds3878
      @vintagesounds3878 3 วันที่ผ่านมา

      Yes, it's a great recording. I'm hopeful that one day I might turn up laminated pressings in pristine condition: but even in these earlier pressings the quality of the performance shines through!

    • @The-Organised-Pianist
      @The-Organised-Pianist 3 วันที่ผ่านมา

      Always so fascinating to hear Elgar's conducting of his own music. Unlike you, I didn't know this recording. Interesting how different the approach is from how it's often done nowadays. Thanks to VS.

  • @mjdares2749
    @mjdares2749 4 วันที่ผ่านมา

    Fabulous!

  • @georgejohnson1498
    @georgejohnson1498 4 วันที่ผ่านมา

    Another all too rare piece of music in today's concert hall. This is a very beautiful and well played rendering. Elgar's Meditation [Light of Life] - also uploaded today - shows something similar. In some ways the Edison is actually better than the HMV Western Electric recording! Of course it has to be said that the music in the Elgar is right up my street! But the value of the historic gramophone as a whole is something that modern performers would do well to remember. The examples of true style are there for anyone truly interested to study. Worth more than thousands of printed musicological words! Both performances are direct and wonderfully transparent emotionally. Best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 4 วันที่ผ่านมา

      @@georgejohnson1498 Thanks as always, George. One thing these Edisons show is that Cesare Sodero certainly knew his stuff!

  • @georgejohnson1498
    @georgejohnson1498 4 วันที่ผ่านมา

    I have loved this music since discovering it in this very recording on a contemporary shellac disc in 1972. Over the next three years I grooved it out with use. It strikes me not only as an ideal performance, but quite something as a recording. The French horns astound in their quality. Very well balanced, so it hardly matters that the celli and bass are assisted with a tuba! Thank you for bringing this lovely old recording to many new people nearly a century after it was done! Best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 4 วันที่ผ่านมา

      @georgejohnson1498 Thanks George. Yes, a great recording and a lovely performance.

  • @leestamm3187
    @leestamm3187 4 วันที่ผ่านมา

    Nice performance. I can easily visualize Elgar leading the ensemble with his large, lengthy baton. Thanks, as ever.

  • @The-Organised-Pianist
    @The-Organised-Pianist 4 วันที่ผ่านมา

    Compassion in sound. Lovely, profound, sincere. Many thanks for this!

    • @vintagesounds3878
      @vintagesounds3878 4 วันที่ผ่านมา

      @@The-Organised-Pianist Agreed!

  • @Piddo72
    @Piddo72 4 วันที่ผ่านมา

    Another Sodero! This series is very beautiful! Many thanks

    • @vintagesounds3878
      @vintagesounds3878 4 วันที่ผ่านมา

      @Piddo72 I have quite a few on my shelves: and they are certainly well done!

    • @Piddo72
      @Piddo72 4 วันที่ผ่านมา

      @@vintagesounds3878 I can't wait to hear your Sodero records! many thanks!

    • @Piddo72
      @Piddo72 2 วันที่ผ่านมา

      Hello John, what does the other side contain?

    • @vintagesounds3878
      @vintagesounds3878 2 วันที่ผ่านมา

      @@Piddo72 Waldteufel's "Angel of Love" Waltz: a curious coupling!

  • @joeenglert
    @joeenglert 4 วันที่ผ่านมา

    another great vintage recording..i would rather listen to these than the flashy new orchestras,,they have no soul

  • @georgejohnson1498
    @georgejohnson1498 5 วันที่ผ่านมา

    I enjoyed these two Mignon records immensely, and both present music I simply have never heard before. Edsion records certainly were ahead of their time - at least as transfers! In the UK I never came across one Edison record as the gramophones of the time were of the traditional transverse vibrating groove type so Hill and Dale would not have worked on them. In the US the situation was probably different. Back to the music, it is charming and it is a pity that such music has all but disappeared from either concerts or mainstream recording demands. As for the playing it immensely fine. Thanks for educating still fresh sixty-two year old ears! Best wishes from George

    • @vintagesounds3878
      @vintagesounds3878 5 วันที่ผ่านมา

      @georgejohnson1498 Thanks George. I'm glad you enjoyed these. I'll be back to more conventional sources soon, but these Edisons are certainly interesting!

  • @waxworks9584
    @waxworks9584 5 วันที่ผ่านมา

    The polonaise was often recorded and is featured in a scene in the "Life and Death of Colonel Blimp " 1943 where he mentions it as a "the only phonograph record we had in the block house" ( presumably 2nd Boer war ) and the tune precipitates a diplomatic incident and a duel with and German ex POW .

    • @vintagesounds3878
      @vintagesounds3878 5 วันที่ผ่านมา

      @waxworks9584 That use of the Polonaise had escaped me, but it was certainly popular. Judging by this selection and the one by the New Queen's Hall Light Orchestra, "Mignon" certainly contained some good tunes.

  • @Piddo72
    @Piddo72 5 วันที่ผ่านมา

    Fantastic! Thank you dear John, I love these orchestral selections from works that were popular in the 78 rpm era. And Sodero is still great.

    • @vintagesounds3878
      @vintagesounds3878 5 วันที่ผ่านมา

      @Piddo72 Thanks! This is a particularly good example. (I included the overture recorded 5 years earlier both out of interest and to show the enormous improvement in Edison orchestral discs in that time.)

  • @joeenglert
    @joeenglert 5 วันที่ผ่านมา

    Great vintage music...since I am a clarinetist..I love to listen to the great old players...not sure who this one was/is but the solo at the very beginning was fantastic..todays player just do not seem to have the beautiful tone of these players of the past

    • @vintagesounds3878
      @vintagesounds3878 5 วันที่ผ่านมา

      @@joeenglert I would be keen to know myself who the members of the orchestra were. You're right about that solo!

    • @The-Organised-Pianist
      @The-Organised-Pianist 5 วันที่ผ่านมา

      There is a sort of wholesome, unabashed sweetness. Different times.

  • @lucete7240
    @lucete7240 6 วันที่ผ่านมา

    Wow! Thanks for sharing one of my favorite musics in opera. I've learned so many great singers and songs from your videos. Btw, I was desperately looking for Rococo recordings of Mdm Kerstin Thorborg which contains her only recordings of her amneris and so many unpublished recordings...I was so desperate for that recording but I couldn't find it anywhere. But recently I've found it on the internet. Could you purchase it and share the whole recording with us please? I'm so sorry for asking😢 but Mdm Thorborg is my Idol since I fell in love in opera 3 years ago and I'm only 17 years old, and I can't afford a money to buy good record players...And I had planned to buy it and share it on my youtube channel when I become an adult, but I realized that I can't share it in good sound quality. Your videos however, has the most beautiful sound qualitys among youtubers who post Lp musics.. It is also cheap..only 4 euros. Sorry if I was acting rude, and sorry for my bad english. I want you to give the URl, but youtube constantly erases it. Once again, I'm very sorry for asking..😥 You may find an internet shopping place in Japanese if you search it on the Google like this, Rococo recordings, KERSTIN THORBORG PIECES BY GLUCK VERDI ZANDONAI SAINT SAENS AO

    • @vintagesounds3878
      @vintagesounds3878 6 วันที่ผ่านมา

      Thanks: and I'm glad you enjoy the recordings here. I'll see what I can do about posting some Thorborg recordings. The Rococo transfers are now very old: but I can probably find some Thorborg recordings to share here!

    • @lucete7240
      @lucete7240 6 วันที่ผ่านมา

      @@vintagesounds3878 Thanks!❣️

  • @mel-dv5jx
    @mel-dv5jx 6 วันที่ผ่านมา

    You are not going to believe this, but I had this 78 when I was little, in the early 1940s. I've been hunting for it and today I finally got lucky. I've just listened to both sides, the Paul Rubens and the Ivan Caryll and I remember every note. Thank you so much!

    • @vintagesounds3878
      @vintagesounds3878 6 วันที่ผ่านมา

      Glad you found and enjoyed it. These are wonderful arrangements: definitely the type that stick in your mind.