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Sanjeev Jena
India
เข้าร่วมเมื่อ 22 ก.ย. 2013
Sanjeev has been a devotee of this art form for the past ten years during which he has performed extensively representing it at the national and international front. Under the legendary Guru Bichitrananda Swain his dancing flourished in to its perfection and is one of his prominent disciples at RUDRAKSHYA FOUNDATION, in the span of just seven years. Sanjeev with his determination, hard work and dedication has mastered the intricacies of Odissi and has proved to be amongst the best male Odissi dancers at a very young age. Sanjeev apart from being an excellent performer, he is a dynamic teacher at Rudrakshya Foundation.Sanjeev has received several awards and special accolades for his role of “Abhimanyu” in “Chakravyuha”, the very popular dance production of Rudrakshya from the audience. He has performed extensively in India and has toured Paris, Sri Lanka, Malaysia, South Korea and China with Rudrakshya Foundation.
Ardhanariswara || Santosh & Samir || Rudrakshya Foundation
Ardhanariswara is a unique and fascinating concept in Hindu mythology that represents the divine union of Lord Shiva and his consort Parvati. The term "Ardhanariswara" is derived from the Sanskrit words "ardha" meaning half, "nari" meaning woman, and "ishwara" meaning lord. Together, they symbolize the half-male, half-female form of Lord Shiva, depicting the inseparable and complementary nature of masculine and feminine energies.
In the Ardhanariswara form, the right half of the body represents Shiva, symbolizing masculinity, power, and destruction, while the left half represents Parvati, symbolizing femininity, grace, and creation. This divine union signifies the harmonious balance of opposing forces within the universe and the concept of duality merging into oneness.
The iconography of Ardhanariswara is depicted with Shiva's matted hair, third eye, crescent moon, trident, and snake around his neck on the male side, while Parvati is adorned with jewelry, lotus flower, mirror, and gentle expression on the female side. The Ardhanariswara form is often depicted in sculptures, paintings, and dances as a symbol of unity, equality, and harmony between genders.
The Ardhanariswara concept is deeply rooted in Hindu philosophy and spirituality, emphasizing the idea of non-duality or Advaita. It teaches that the ultimate reality is beyond gender distinctions and that all beings are a combination of masculine and feminine energies. By meditating on Ardhanariswara, devotees seek to transcend dualities and realize the underlying unity of existence.
In Hindu worship, Ardhanariswara is revered as a symbol of marital bliss, conjugal harmony, and divine love between Shiva and Parvati. The Ardhanariswara form is also associated with the concept of Ardhangini, where a spouse is considered as an integral part of one's own self.
The Ardhanariswara concept has inspired various art forms such as sculpture, painting, literature, music, and dance. In classical Indian dance forms like Bharatanatyam, Odissi, and Kuchipudi, dancers often portray the Ardhanariswara pose to convey the unity of opposites and the beauty of balance in movement.
Overall, Ardhanariswara is a profound and symbolic representation of the eternal union between masculine and feminine energies in Hindu mythology. It serves as a powerful reminder of the interconnectedness of all aspects of creation and the essential oneness that underlies diversity.
In the Ardhanariswara form, the right half of the body represents Shiva, symbolizing masculinity, power, and destruction, while the left half represents Parvati, symbolizing femininity, grace, and creation. This divine union signifies the harmonious balance of opposing forces within the universe and the concept of duality merging into oneness.
The iconography of Ardhanariswara is depicted with Shiva's matted hair, third eye, crescent moon, trident, and snake around his neck on the male side, while Parvati is adorned with jewelry, lotus flower, mirror, and gentle expression on the female side. The Ardhanariswara form is often depicted in sculptures, paintings, and dances as a symbol of unity, equality, and harmony between genders.
The Ardhanariswara concept is deeply rooted in Hindu philosophy and spirituality, emphasizing the idea of non-duality or Advaita. It teaches that the ultimate reality is beyond gender distinctions and that all beings are a combination of masculine and feminine energies. By meditating on Ardhanariswara, devotees seek to transcend dualities and realize the underlying unity of existence.
In Hindu worship, Ardhanariswara is revered as a symbol of marital bliss, conjugal harmony, and divine love between Shiva and Parvati. The Ardhanariswara form is also associated with the concept of Ardhangini, where a spouse is considered as an integral part of one's own self.
The Ardhanariswara concept has inspired various art forms such as sculpture, painting, literature, music, and dance. In classical Indian dance forms like Bharatanatyam, Odissi, and Kuchipudi, dancers often portray the Ardhanariswara pose to convey the unity of opposites and the beauty of balance in movement.
Overall, Ardhanariswara is a profound and symbolic representation of the eternal union between masculine and feminine energies in Hindu mythology. It serves as a powerful reminder of the interconnectedness of all aspects of creation and the essential oneness that underlies diversity.
มุมมอง: 243
วีดีโอ
Batu Practice at Rudrakshya Foundation
มุมมอง 19628 วันที่ผ่านมา
Batu Nritya is a pure dance item in Odissi dance that honors Lord Batuka Bhairava, one of the 64 aspects of Lord Shiva. The dance is considered the most difficult item in Odissi dance and begins with a series of sculpturesque poses that depict actions like playing a flute, cymbals, drum, and veena. The dance highlights the duality of masculine and feminine through the basic stance of the chauk ...
Mahakali Stutee - Part 4 || Odissi Duo || Rudrakshya Foundation || Mokshya
มุมมอง 187หลายเดือนก่อน
Mokshya - Mahakali stuti Here through the vocabulary of classical odissi, the dancers express the truth of life by worshipping the goddess “Devi Mahakali” she is the dark and furious incarnation of Goddess Durga. She is adorned with garlands of human skulls and smeared with ashes from the cremation ground. she holds the sword. The chakra, the gada, trishul, bow and arrow, etc. Her body is of th...
Mahakali Stutee - Part 3 || Odissi Duo || Rudrakshya Foundation || Mokshya
มุมมอง 205หลายเดือนก่อน
Mokshya - Mahakali stuti Here through the vocabulary of classical odissi, the dancers express the truth of life by worshipping the goddess “Devi Mahakali” she is the dark and furious incarnation of Goddess Durga. She is adorned with garlands of human skulls and smeared with ashes from the cremation ground. she holds the sword. The chakra, the gada, trishul, bow and arrow, etc. Her body is of th...
Mahakali Stutee - Part 2 || Odissi Duo || Rudrakshya Foundation || Mokshya
มุมมอง 153หลายเดือนก่อน
Mahakali Stutee - Part 2 || Odissi Duo || Rudrakshya Foundation || Mokshya
Mahakali Stutee - Part 1 || Odissi Duo || Rudrakshya Foundation || Mokshya
มุมมอง 327หลายเดือนก่อน
Mahakali Stutee - Part 1 || Odissi Duo || Rudrakshya Foundation || Mokshya
Ananda Bhairavi Pallavi - Part 4 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
มุมมอง 51หลายเดือนก่อน
Ananda Bhairavi Pallavi - Part 4 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
Ananda Bhairavi Pallavi - Part 3 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
มุมมอง 70หลายเดือนก่อน
Ananda Bhairavi Pallavi - Part 3 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
Ananda Bhairavi Pallavi - Part 2 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
มุมมอง 67หลายเดือนก่อน
Ananda Bhairavi Pallavi - Part 2 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
Ananda Bhairavi Pallavi - Part 1 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
มุมมอง 153หลายเดือนก่อน
Ananda Bhairavi Pallavi - Part 1 || Odissi Pallavi || Male Odissi Dancer || Rudrakshya Foundation
Deva Gandhari Pallavi - Part 4|| Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
มุมมอง 802 หลายเดือนก่อน
Deva Gandhari Pallavi - Part 4|| Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
Deva Gandhari Pallavi - Part 3 || Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
มุมมอง 532 หลายเดือนก่อน
Deva Gandhari Pallavi - Part 3 || Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
Deva Gandhari Pallavi - Part 2 || Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
มุมมอง 492 หลายเดือนก่อน
Deva Gandhari Pallavi - Part 2 || Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
Deva Gandhari Pallavi - Part 1 || Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
มุมมอง 712 หลายเดือนก่อน
Deva Gandhari Pallavi - Part 1 || Odissi Pallavi || Sanjeev Jena || Rudrakshya Foundation
Bhaje Brajaika Mandanam - Part 3 || Odissi Mangalacharan || Rudrakshya Foundation || Male Dancer
มุมมอง 582 หลายเดือนก่อน
Bhaje Brajaika Mandanam - Part 3 || Odissi Mangalacharan || Rudrakshya Foundation || Male Dancer
Bhaje Brajaika Mandanam - Part - 2 || ODISSI Mangalacharan || Sanjeev Jena
มุมมอง 542 หลายเดือนก่อน
Bhaje Brajaika Mandanam - Part - 2 || ODISSI Mangalacharan || Sanjeev Jena
Bhaja Brajaika mandanam - Part 1 || Odissi || Mangalacharan || Odissi
มุมมอง 652 หลายเดือนก่อน
Bhaja Brajaika mandanam - Part 1 || Odissi || Mangalacharan || Odissi
Surpanakha - Part 5 || Laxmana cuts surpanakha's nose and ears || The real Surpanakha || Odissi
มุมมอง 752 หลายเดือนก่อน
Surpanakha - Part 5 || Laxmana cuts surpanakha's nose and ears || The real Surpanakha || Odissi
Surpanakha - Part 4 || Surpanakha seduces Ram & Laxmana || Odissi Avinaya || Sanjeev Jena
มุมมอง 762 หลายเดือนก่อน
Surpanakha - Part 4 || Surpanakha seduces Ram & Laxmana || Odissi Avinaya || Sanjeev Jena
Surpanakha - Part 3 || Sringaar Of Surpanakha || Demoness to Human || Odissi Avinaya || Sanjeev Jen
มุมมอง 723 หลายเดือนก่อน
Surpanakha - Part 3 || Sringaar Of Surpanakha || Demoness to Human || Odissi Avinaya || Sanjeev Jen
Surpanakha - Part 2 || Surpanakha Entry & Falling for Ram || Odissi Avinaya || Sanjeev Jena
มุมมอง 1223 หลายเดือนก่อน
Surpanakha - Part 2 || Surpanakha Entry & Falling for Ram || Odissi Avinaya || Sanjeev Jena
Surpanakha - Part 1 || Ram & Sita Love Making || Rudrakshya Foundation || Odissi Avinaya
มุมมอง 2783 หลายเดือนก่อน
Surpanakha - Part 1 || Ram & Sita Love Making || Rudrakshya Foundation || Odissi Avinaya
Saraswati Pallavi - Part 4 || Nrutya Naivedya Odissi Utsav || Rudrakshya Foundation || Sanjeev Jena
มุมมอง 1253 หลายเดือนก่อน
Saraswati Pallavi - Part 4 || Nrutya Naivedya Odissi Utsav || Rudrakshya Foundation || Sanjeev Jena
Saraswati Pallavi - Part 3 || Nrutya Naivedya Odissi Utsav || Rudrakshya Foundation || Sanjeev Jena
มุมมอง 1283 หลายเดือนก่อน
Saraswati Pallavi - Part 3 || Nrutya Naivedya Odissi Utsav || Rudrakshya Foundation || Sanjeev Jena
Saraswati Pallavi - Part 2 || Nrutya Naivedya Odissi Utsav || Rudrakshya Foundation || Sanjeev Jena
มุมมอง 2003 หลายเดือนก่อน
Saraswati Pallavi - Part 2 || Nrutya Naivedya Odissi Utsav || Rudrakshya Foundation || Sanjeev Jena
SARASWATI PALLAVI - Part 1 || Saraswati Untold || Guru Bichitrananda Swain Choreography
มุมมอง 2153 หลายเดือนก่อน
SARASWATI PALLAVI - Part 1 || Saraswati Untold || Guru Bichitrananda Swain Choreography
Surya Stutee Rehearsal at Bansilapet Stepwell || Rudrakshya Foundation || Hyderabad || Odissi
มุมมอง 1314 หลายเดือนก่อน
Surya Stutee Rehearsal at Bansilapet Stepwell || Rudrakshya Foundation || Hyderabad || Odissi
Hansa Kalyani Pallavi || Bichitra & Sriradha || Rudrakshya Foundation || Samaksh
มุมมอง 2475 หลายเดือนก่อน
Hansa Kalyani Pallavi || Bichitra & Sriradha || Rudrakshya Foundation || Samaksh
Bhaje Brajaika || Sriradha & Bichitra
มุมมอง 1695 หลายเดือนก่อน
Bhaje Brajaika || Sriradha & Bichitra
Deva Gandhari Duet by Santosh Ram & Samir Panigrahi || Ekagrata Music & Dance Festival
มุมมอง 3788 หลายเดือนก่อน
Deva Gandhari Duet by Santosh Ram & Samir Panigrahi || Ekagrata Music & Dance Festival
Beautiful
Absolutely beautiful
Music, ,?
Such aesthetics & bled of classicism..& synergy. speechless. A very genuine performance.
👌👑🔥
Timeless Batu always a joy to watch
Bhai new student nkara fees kete neuchhanti please bhai kahibe🎉
Beautiful performance 🙏💐🪷 Postures 😇🙏👌
❤❤❤❤❤
Excellent clarity of moves. Better than popular dancers. Keep our culture alive and pass it on to school children
🙏👏
Superb ❤
Always grateful artist ❤❤❤❤❤
how beautiful :)
😂
Expert Dhoti ambassador 😊
Amazing 👏
Wow 😲❤️
This is simply beyond beautiful! 🙏🏻❤🙏🏻❤🙏🏻❤🙏🏻❤🙏🏻
😊😊😊
❤❤
Beautifully danced as always
Awesome 🥰
❤❤
Sir from where you are?
Beautiful
🤪
So beautiful but not the ads near Jaganath
ଅତି ଉତ୍ତମ ❤
Loved the choreography. Loved the concept. Thanks to your Guruji. Thank you for performing so well.
I think somebody loves his Mama Kali.
Great presentation!!!
This is incredible!!
ahh so smooth 👌🙏🙏
Mesmerizing 😍
🙏🙏🙏
❤❤
Absolutely amazing 🤩
WOW❤❤❤❤❤
absolutely amazing 👌💙
VERY BEAUTIFUL
Beautiful Would have been even better bare chested in this one
so good!
Wow
So beautiful didi and bro❤❤❤
Is this odissi??
❤❤
Speechless ✨✨✨
Background ❤❤❤