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Thank you for your nice words. The keyboard is working well with all kinds of virtual instruments, pianos, strings, but also instruments with totally electronic sound. Unfortunately I’ve tried it only with windows and macOS, so I don’t have an experience with this keyboard on Linux systems. The melody comes from one of my original songs which you can find on my channel in the original songs playlist. Thanks for watching and commenting. Greetings from Greece!

Thank you for watching and commenting. I totally agree to everything you say. That is why I use the nt1 for more “serious” recordings and the nt1000 and nt1a for some TH-cam videos and stuff. Greetings from Greece.

@@aons5481 Thank you soooooooooo much! It’s a part from one of my original songs which you can listen to here th-cam.com/video/6bR7c1a49Q8/w-d-xo.htmlfeature=shared Greetings from Greece!!!

@@georgekaravasilis9197 Thank you for watching and commenting. Never tried the mixer this way. I had no latency issues. You will be 100% safe for using for example reverbs, but for plugins that really need to go and come back very fast, I’m not sure. If you give me an example, maybe I could try it.

​@@PetrosAntoniouMusic Thank you for your answer Petros. Usually I carry a PC plus Focusrite combo in a 19' inch flight case with me for gig recording. If I don't like the console I find in the hotel or bar (effects-wise), I use that same cobpo for live audio with Lexicon PCM VST as main reverb. I control the DAW through an AKAI midi controller. So that was the purpose of my question, if I could do the same with the Soundcraft. If I don't like the embedded Lexicon effects and also maybe add some limiters/compressors on more channels than the 2 channels the Soundcraft offers.

Hello dear friend. The headphone output is more than enough for listening to music, for mixing and for mastering. The only problem is while tracking, especially sources that are weak. Having in mind that we have to track with a maximum input gain of around -12db, then yes, with higher impendance headphones you’re gonna have some difficulties in this situation. If you buy this interface, I recommend lower impendance headphones, around 32ohms let’s say. Thank you for watching and commenting.

I think you are talking about virtual instruments. There are hundreds of piano sounds out there. You can watch many reviews online for virtual pianos and you can buy whichever does the job for you. Right now I’m using The Grand from Steinberg but there are so many that you’ll find something. I’m sure.

@@theunheardprophet4315 can you be a little bit more precise? I mean, do you see the interface on windows or macOS? Have you installed everything from the Steinberg site? Are you using Cubase? When you go to the studio setup can you see and choose the inputs and outputs of the interface? Are you on macOS or windows? Thank you for watching and for your question.

@@royvdboorn what do you mean? Is it like the pull down menu “closed” or grey, or something else is happening?

@PetrosAntoniouMusic when i click the little down error, nothing happens.

Hello dear friend. Can you be a bit more precise? Which interface are you using? I think that generally, a well positioned condenser mic will give you a better sound for your instrument. Do you need it for recording or for live stage use? If it is for stage use then, is the stage in a normal environment, or are you in front of monitors/other players/drum set next to you? I will answer to you in detail when you give me more data. Thank you for watching and for your question.

@@PetrosAntoniouMusic i record little clips for youtube on my other channel. I use a tascam preamp the one with just one microphone intake and i have a good gaming tower. I now have the dynamic microphone a beringer as i listened to a lot of sound clips and could not distinguish between the more expensive dynamics and this one. The sound now is less flat as i had a UBS microphone that was horrendously flat and listless. I may still invest in another condenser mic and try the set up again i just seem to get such noise interference as soon as i switch on the phantom power. My son said i need to use a better recording soundware so maybe that's where my problem lies. I am now looking to maybe buy the Rode M2 as a second microphone as it seems to have a slightly wider frequency range. I think that was the problem. But do you think i should look for the frequency range as my guiding decision maker? Is there much difference between the condenser and dynamics as far as sound is concerned? I'll send you a clip done on my rodes if you allow links compared to the USB recording which to my ear is just awful hence i bought a dynamic. link in next comment you may have to fetch it out of your youtube studio?

condenser mic i.ytimg.com/vi/wylTUY5r3zs/hqdefault.jpg?sqp=-oaymwE1CKgBEF5IVfKriqkDKAgBFQAAiEIYAXABwAEG8AEB-AH-CYAC0AWKAgwIABABGGUgVChEMA8=&rs=AOn4CLB8WJuTRjufALbcIBNuHOS6zEn21w

ubs th-cam.com/video/MAzU6hLeef0/w-d-xo.html

the rodes condenser fuller sound th-cam.com/video/tRcjjLi4h3A/w-d-xo.html

@@PierreDybman I think that you’ll be extremely happy with your purchase. Also, with the iPad and the Ur44c you’ve got a great mobile setup that doesn’t need external power! About the noise I need to say the following. I also watched some reviews that talk about the higher noise (meaning only a little bit higher that other interfaces in this price range), but this noise comes from the mic preamps and ONLY when they are extremely pushed. What I mean is that yes, if you record 20 channels, all with a sm7b, or another microphone that needs a lot of gain from the preamps, you might listen to some noise. I have done many recordings with both the UR22c and the UR44c and never had noise problems. I don’t know why people speak only about this very small detail, when overall, this range of interfaces by Steinberg has some features that make them the best in this price range (Cubase integration, dsp chip, powered through iPad, standalone mode with eq-comp-fx etc.). Please, if you have the time, come back and tell us if you kept the interface or if you sent it back due to noise issues. Thank you for watching and commenting.

@@PauloAndreasMusic yes, I updated and it’s amazing! Thanks for commenting!

@@PetrosAntoniouMusic you're very welcome, great videos :-) I'm still on UR44 (not C) so will have to update soon.

@@PauloAndreasMusic I think that the best deal now is the ur816c that’s coming with Cubase 13pro at a very nice price.

@@PetrosAntoniouMusic Yes I been looking for past few days and been all over which one to get between Audient iD24, SSL 12+, UR44-C, UR816C. It's been doing my head in lol as well as watching Julian Krauss do his noise levels on all different interfaces and mic pre-amp noise etc. and already use Cubase 13 Pro. I think there about £489 for the UR816C in UK so they've come down in price recently

@@PauloAndreasMusicI’m still using the Cubase Artist 11 version. It’s time for me to decide whether I’ll go for the Cubase Pro 13 or change to Logic Pro since I’m using a Mac. I did one song with GarageBand recently and I enjoyed it very much and I think that logic would be working in a similar way. Still wondering……. But if I go on with Cubase, I’m for sure taking the ur816c.

Thank you!!! It’s a 2014 Taylor 214ce Deluxe. Greetings from Greece.

Yes, it serves me still. I will say this again, that I'm not a keyboard player. I just play some keyboard parts in my recordings which I almost every time need to edit later. So, I'm not so demanding. But the keyboard still works and does what it did from the first day. Thanks for watching and commenting.

@@wojciechstecyszyn6040 unfortunately there is no mono button on the interface for this purpose. You can do it only through your daw. Fortunately I use the Mackinac Big Knob as I have two pairs of speakers and there is a mono button there. Thank you for watching. Greetings from Greece.

@@nitelife100 of course you can use it with other DAWs. The implementation in Cubase though is fantastic. The mixer and fx are downloaded from the Steinberg page and are programs that you can put on startup and load when your computer starts. Thank you for watching and for commenting.

Depends what kind of mix. I like its sound in ballads and "darker" songs. I find the NT1 better for faster songs and where brightness is needed. Thanks for watching and commenting.

Thank you for watching and commenting. Of course I mic much closer too, but in this case I put them in a longer distance so as to minimize the sound difference created by their position. So, let’s say I created a triangle with a very small base (distance between the microphones) and very long sides (distance between me and the microphones). Greetings from Greece!

Ah I see. Makes total sense, although a test close up would show how their proximity effects vary and would be interesting too. Thx again.

Thank you for watching and commenting. It’s great that you mention that. This is one of my first videos and maybe it’s the position of the mics that make the room more or less audible. Greetings from Greece!

Thank you SOOOOOOOOO much for watching and commenting. The ur-c series are not as advertised as they should be. I would buy them easily over the “red box” any day. Greetings from Greece!!!

Thank you very very much for watching and commenting!!! Greetings from Greece my friend.

I’m not Spanish, I’m Greek! Thank you for watching, anyway.

Thank you for watching and commenting!

Ευχαριστώ φίλε. Έχω ξεκινήσει σεζόν και παίζω κάθε βράδυ, αλλά θα προσπαθήσω να σου τα γράψω εδώ. Να’σαι καλά.

@@PetrosAntoniouMusic σ ευχαριστώ πολύ !!!!καλη συνέχεια !!!!!

Thank you sooooooo much! You can listen to this melody on one of my original songs. Greetings from Greece!