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@@TheSplitzMusic Hi man. Frets are jumbo, BUT not the biggest I’ve had. To me it seems so many guitars come out with jumbo frets, but they’re just a tiny bit too narrow and not as high as I (and u?) would want them. I can compare it to a refretted strat I have with Wagner 9770 (equals Dunlop 6000) that are 1.47mm high and 2.99mm wide. That is real Jumbo as I think of it. These are just a tad below it, but it matters. Still works though. I’m on traveling feets now, but can try measuring when back home if I remember. The back of it is D. I would have loved it to be flatter, but as it is not really think it still works for me. The tremolo arm is a bit in the way. It disturbs me a liiittle when playing live, as I am implementing both volume and tone knob quite much in my playing at the stages. It seems we have similar reasons to get a guitar like this. I couldn’t find an oldie either so so went with this and made it my own. It’s been a great ride and I’m really liking this guitar, specially for how it is at now. But as you’ve accurately noticed, some details could be a tiny bit improved. Hope this answered your questions. Just come back if there’s anything more u wonder about this axe! Great to hear from you. Cheers!! /Jonatan

🙏🏻Thank you Anna!

@@MikeCarvin Well spotted. I guess I agree. I also prefer this into a somewhat dirty amp, like the Marshall in this example. I’m glad they did this take on the DS-1. Considering how much of a classic the DS-1 is I think it should be many more boxes based on it, as with the Tubescreamer for example. Thanks for sharing your thoughts! Cheers!

@@jonatanbergmusician Yeah this is the modern take of the Boss DS1 which is close to my heart. That's why I LOVE the Satchurator so much that I wanna get a second one. I see why many people don't like it since the tone spectrum of Satch is even wider than DS1 and most are not used to use the tone between 8 to 10 o clock, the range where you find the most usable sounds, as well as lack of volume. But you already demonstrated how to bring out the best of it: max the volume when necessary so it matches the clean sounds, and turn the gain all the way down when applying the MORE switch. I am quite sure it will sit on the mix nicely. Rock on!

@ Yepp you have to learn about the tone knob… it’s someting else on these DS-1 style pedals. Hope I made it come through here. I kind of wish the Satchurator had a greater success. But nowadays I guess the size is a thing that’s not to it’s advantage… If it would be possible to turn on the moore switch via a foot controller it would have made it’s uses more flexible as well. Still like it for what it is😊 Cheers man. Thanks for sharing your thoughts and knowledge on it!

@@jonatanbergmusician Yeah you are right the size might put some people off. The Satchurator is too underrated as a signature pedal, but on the flip side, we can get it cheap because of that.

@@hh4826 Cool. Yeah I really dig them too.

Hi! That's an interesting question. I have actually never tried using either of these right into a power amp. As you say, I'm sure you'll get a pretty different character that way. Anyway, the term "preamp" in a pedal form is wildly used and I think that often it's just a way of saying that it has broad eq possibilities. Not saying either of these are marketed as preamps, but as the subject kinda got brought up... For what it's worth I feel that u definitely hear the DS-1 origin in the VOX Satshurator. Although I'd say that the DS-1 has a more pronounced bass/low mid thump. And the Satchurator has a more "even" tonal spectrum if u get what I mean, as if the DS-1 had its highest peaks and valleys softened. That's my impression of the Satchurator. Hope that helps! Thanks for tuning in and Hope to see you again here on the channel! Cheers! /Jonatan

@@JeremyAndersonBoise Cool to hear that! Yes it’s a nice axe with it’s own thing going on. The inlays are all slightly different to each other, cool huh! It’s the details that does it🤘🏼 Curious, which are your favorite Ibanezes then? Cheers!

Cool man! I’m diggin’ the sounds too. They kind of ’pop’ out of the guitar. Cheers😀

@@Mold81 Thanks! I totally get what you mean. Although I like the Spx90 on really clean sounds as well. Cheers! /Jonatan

@jonatanbergmusician I am with you, bro. It has tasty sounds on clean such as reverb and pitches. But somewhat noisy compared to late 80 and 90s racks. One of my hopes is that spx 90 would even cooler if it has a dual algorithm like... rev and pitch c.

@ Yeah it does come with a bit of noise. I’m so used to listening to ”older” music that I kind of like it, on a certain level of course. Somehow it’s about what context it’s in, such as style of music, the role of the instrument and so on. Can be more or less forgiving. A dual algoritm in this unit would have been awesome, for live use in particular. Sounds like you know this one pretty well!? What are your favorite sounds in it? Cheers

@jonatanbergmusician definitely pitch c, symphony, and hall reverb. It has great character and occupies a unique place, sitting next to Lex bros

⁠@@Mold81cool man. Yes it has some character indeed. I guess most of us use it for the chorus/detune like fx. I also like some reverbs in it. I tend to use the pitch or detune most, and that is straight on the recorded tracks. Happens that I add on fx afterwards, but generally it’s in the recorded guitar chain. Now I wanna get home and turn it on😅 Inspiring unit

Cool man! We all love solid asses🤘🏼

@jonatanbergmusician Lmao, sick playin man🤘🏻

@@greggalvanek thanks a lot! And thanks for tuning in🤘🏼

@@AAAA-lt9hq Thanks for sharing your thoughts and your story. I agree this came out bit in the vein of Gothenburg. Your thoughts on the Marshall/Mesa/5150 makes total sense. They all have their qualities and ID. I also tend to go back and forth between amp brands (although a few always stay favorite). I think it’s very much about finding the sweet spots for the occasion. Thanks! I’m a Jackson fan too. That’s a pretty big collection you’ve got. Congrats!! This one is my least expensive J, but I love the design and couldn’t find the original from the 80’s so I got this SL4X and modded the hell out of it to make it my own player. I have a video on that if you’re interested. th-cam.com/video/iah5CChWg14/w-d-xo.htmlsi=n0LF6KUui7nQfku5 Thanks for tuning in! Cheers /Jonatan

@@jonatanbergmusician I'm a Kelly fan myself. Cheers! :)

@@AAAA-lt9hqOh f#*k I mixed up what guitar I was using in This video😅 This is the Jackson SLAT 3-7 from which I pulled out the emg’s and put in Dimarzio Evolution and Air Norton!! Sry😂

Thanks mate. Thanks for tuning in🤘🏼

@@johnnyhouston9913 Hi Johnny! Thank you for saying that🙏🏻 Always fun and inspiring to learn new things guitar. I do it too all the time and it’s very motivating to keep up playing, developing, aye! Cool, I love Scotland a lot. I have some solo work out that are inspired by Scottish and Swedish traditional music and culture🙂 Been there twice! Thanks for tuning in. Cheers!🤘🏼

@@erickubica9998 Thanks man! Yeah it’s a tiny bit modified…😁 Cheers!

that sounds like how the bass switch works on the KHDK ghoul screamer, and yeah, I leave it turned off for that leaner bass end for gallops and maidenish rhythm parts but engage it for sabbath and leads. Also, love that guitar.

@@RJW14 That might be the case. I haven't much knowledge about Ghoul screamer, nor have I tried it. Hope to do it someday though, it's also a very flexible multipurpose box. Anyway, sounds like we found a similar use of the function then! Thanks, I love it too =) And thanks for tuning in!

@@biffslater2456 Cool man. I’d describe it the same way. Also keep comin’ back to it. The compression is very ”comfy”, yet natural. And it has that rather dark character that feels a bit brutal in a nice way. It deserves to be used by more ppl I think. As for my experiences, it have always reminded me of the tones that producer/guitarist Roy Z makes. Specially on the Bruce Dickinson albums, Chemical wedding, Tyranny of souls and so on. Thanks for tuning in! Perhaps I’ll re-visit it in another demo of some kind! Cheers! /Jonatan

@@MatthewApsey I love this pedal. I hope gave it justice in this video😊 thanks for tuning in!🙏🏻

@@matildaberg6873🤘🏼🙏🏻 😽

Thanks for saying that man. Cheers! /Jonatan

@@DougGarrett FTW Indeed🤘🏼 Thanks man and thanks for tuning in! Trying to up the game here, so let me know if u looking for a certain thing to demo. Cheers!

@@TheGord Great idea! I bet it works amazing😁🤘🏼

Cool😊 Yepp there are a lot of great Yamaha pacificas that are getting overlooked. Thanks for your story!🤘🏼😀

@@jamesbarratt6106 Thanks man! Hope you get the chance to get one. I’m really diggin’ it and I’m actually putting together a new board with one on. Love efficient few-knobs-pedals! Cheers /Jonatan

@@marcellourban8898 Hello Marcel! Cool, thanks for sharing your story! I bet it was a very good alternative, specially at that time. I agree on it’s versitility, very allround for being an analog classic. Has such a cool vintage look too😊 Thanks for checking in! Cheers /Jonatan

@@jakes1785 Hi man! Thanks, yeah I’m really diggin’ this one. Perhaps not the general work horse, but very inspiring and a bit odd. I have no thoughts on selling it at the moment. Planning on using it on a certain recording in about 2years. But I guess you should never say never…😉 Take care and thanks for checking in!

@@yardenmor-avi9765 Thanks a lot man. And thanks for tuning in!

@@matildaberg6873 Thanks a lot yo!😊

@@klotzamplification9142 Thanks man! It’s an interesting axe and a joy to play. Inspiring. See you around..😁🤘🏼

@@matildaberg6873 😊🤘🏼 Cheers!

@@matildaberg6873 Thanks!😊

@@leehenderson8132 cool! I like this pedal. More and more actually.

Great input!

Thanks buddy!🙏🏻 And thanks for checking in😊

Hi Alan, thanks a lot! Yes I came up with it just for the video. Cheers🙏🏻🤘🏼