Mustafa Shabbir
Mustafa Shabbir
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Is Shakespeare a Bollywood Icon?
Hello! Thank you so much for watching! As always my hope with these videos is to share interesting facts and viewpoints relating to things that fascinate me so I hope you found something to take away from this video!
Happy Holidays to you all!
Sources:
Bhardwaj, V. (Director). (2004). Maqbool [Video recording]. Kaleidoscope Entertainment.
Bhardwaj, V. (Director). (2006). Omkara [Video recording]. Eros International.
Bhardwaj, V. (Director). (2014). Haider [Video recording]. UTV Motion Pictures.
Chakrabarti, P. (2023, July 20). Shakespeare in India: On Stage and on Page. Brown History.
Chopra, A. (Director). (1995). Dilwale Dulhaniya Le Jaayenge [Video recording]. Yash Raj Films.
Chopra, V. V. (Director). (2000). Mission Kashmir [Video recording]. Vinod Chopra Productions.
Dionne, C., & Kapadia, P. (Eds.). (2016). Bollywood Shakespeares (First edition). Palgrave Macmillan.
Ghai, S. (Director). (1980). Karz [Video recording]. Mukta Arts Ltd.
Haider, N. (2022). The vale of desire: Framing Kashmir in Vishal Bhardwaj’s Haider. In FILM, MEDIA, AND REPRESENTATION IN POSTCOLONIAL SOUTH ASIA BEYOND PARTITION (pp. 31-45).
Ivory, J. (Director). (1965). Shakespeare Wallah [Video recording]. Merchant Ivory Productions.
Khaitan, S. (Director). (2018). Dhadak [Video recording]. Zee Studios International.
Khan, F. (Director). (2007). Om Shanti Om [Video recording]. Eros International.
Khan, M. (Director). (1988). Qayamat Se Qayamat Tak [Video recording]. Nasir Hussain FIlms.
Kunapulli, A., & Yates, E. (2023). Haider’s ‘Mousetrap’: Politicized Audiences in ‘Shakespearean’ Kashmir. Borrowers and Lenders The Journal of Shakespeare Appropriations, 15(1), 40-59. doi.org/10.18274/bl.v15i1.333
Putatunda, S. (2019, April 22). Shakespeare: Infused into Indian culture. The Statesman.
Qureshi, F. (2023). Shakespeare in India, Bollywood and Pandemic. In Revisiting Shakespeare: Unmasking the Bard in an Age of Pandemic. Sarth Publications.
Ratnam, M. (Director). (1992). Roja [Film]. GV Films.
Shamim, Z. (2023). Of Race and Caste: Discrimination Across Cultures in Shakespeare’s Othello and Bhardwaj’s Omkara. Philologia, 14.
Singh, J., Roy, M., & Bogaev, B. (n.d.). Shakespeare in India (No. 40) [Podcast].
Welles, O. (Director). (1951). Othello [Film]. United Artists.
Zeffirelli, F. (Director). (1990). Hamlet [Film]. Guild Film Distribution.
Vectors designed by Freepik.
Music:
Vivaldi Concerto in C Major for Oboe and Orchestra Andante, Advent Chamber Orchestra, Free Music Archive CC BY S.A 3.0
มุมมอง: 1 348

วีดีโอ

Abbas Kiarostami and The Long Road To The Truth
มุมมอง 700หลายเดือนก่อน
Hi all! Thank you so much for watching, I hope you leave this essay having learnt something new and growing your appreciation for Kiarostami and cinema! Please make sure to leave a like if you did and subscribe for monthly film analyses like this! Apologies if I've severely butchered some pronunciations, I tried my best. Comment below what you think about Kiarostami and the idea of 'truth' in c...
Satyajit Ray and Raj Kapoor - The Myth of Authenticity
มุมมอง 12K2 หลายเดือนก่อน
Hello! I wrote my final year dissertation in film school on this topic and decided to condense it into a video essay! Thank you so much for watching. What do you think about the problem of authenticity and the work of these artists? Let me know in the comments below! Sources: Ahmed, A. (1992). Bombay Films: The Cinema as Metaphor for Indian Society and Politics. Modern Asian Studies. Vol. 26 No...
Dilwale Dulhaniya Le Jaayenge: The Good Indian
มุมมอง 12K4 หลายเดือนก่อน
Hope you've enjoyed the video! This is my first time trying to make a video essay, and I've really enjoyed putting this together so I hope to continue doing these! Follow me on Instagram @probablymustafa Twitter @probablymustafa Music (via Free Music Archive) Autumn Traces by 1st Contact CC BY-SA 4.0 creativecommons.org/licenses/by-sa/4.0/ Quite Piano by Alena Smirnova CC BY 4.0 creativecommons...
BRUMDOG - Crowdfunder Teaser
มุมมอง 514ปีที่แล้ว
After a traumatic viewing of Slumdog Millionaire, a 10-year old British-Indian boy grapples with the possibility of moving to India. This is a Bournemouth Film School 2024 Production. Currently looking to raise funds to meet their budget requirements. Donate Here: crowdfunder.co.uk/p/brumdog Written and Directed by: Mustafa Shabbir Produced by: Ted Dracott and Orlaith Oates Director of Photogra...
"What Do You Mean That's Not My Fiance?"
มุมมอง 465ปีที่แล้ว
"What Do You Mean That's Not My Fiance?" is a film about three siblings, Elif, Fatima, and Ibrahim. These three represent the three different ways immigrants assimilate into a different culture. This film focuses on the conflict that arises due to this disparity between the three when the family is brought in to identify a body that could possibly be Fatima's missing Fiance and certain secrets ...
TMS DUBAI GRADUATION FILM 2019-20
มุมมอง 3.6K4 ปีที่แล้ว
Written and Directed by: Mustafa Shabbir Shydle John Shot by: Aditya Anand Mustafa Starring: Jake Tauro Rhea Michelle Extras: Sakshi Sharma Vismay Kumra Samarth Chandra Nathan Bobby Jonathan Matthew Kevin Jaffe Raschelle Aranha Naveen Gigy Theodore Ipe

ความคิดเห็น

  • @indranidasgupta8982
    @indranidasgupta8982 14 ชั่วโมงที่ผ่านมา

    It's the reason the British felt so at home in India and refused to leave for so long. It's the reason Blackpool gave Gandhi such a warm reception. It's the reason, curry is the favorite dish of the Brits. The common people of the UK are very similar to the larger population of India. There's a cultural bond. Wierd but true.

  • @lylepearson-m2p
    @lylepearson-m2p วันที่ผ่านมา

    There's much more, in other Indian languages, e.g. In Malayalam, Jairaj's Othello, Anthony and Cleopatra, and Macbeth. I actually prefer Jairaj's Othello over Bhardwaj's. Excellent lecture, visuals, and bibliography here. I subscribed immediately.

  • @mukutgupta4088
    @mukutgupta4088 2 วันที่ผ่านมา

    Absolutely mind blowing! Congratulation.

  • @jayantshitole5585
    @jayantshitole5585 2 วันที่ผ่านมา

    Great video! Really sheds some light on how history intertwines with all aspects, even cinema. Keep creating, we need this type of content to get popular...

  • @Vor567tez
    @Vor567tez 2 วันที่ผ่านมา

    I love this type of out of the box topic!

  • @user-hq8wm8giyujcg
    @user-hq8wm8giyujcg 2 วันที่ผ่านมา

    na videshi na hum is bare mein baat karte hain aur promote karte hain ki humne duniya ko ivc se leke ancient bharat se leke medieval times se aaj kal kaise influence kiya, jisse is topic ko development aur promotion mile, par hum abhi yeh bariki se samajne aur baat karne mein lage hain ki videshiyo ne hamare pe kya asar dala, koi videshi hamare baare mein yeh aisi baat karta hai is level pe, nahi , hum abhi bhi unke hi dimag mein fase hain, aur hamesha raheinge mujhe lagta hai, aage nahi badeinge

  • @user-hq8wm8giyujcg
    @user-hq8wm8giyujcg 2 วันที่ผ่านมา

    yeh fake firangi accent marne ki koshish zaruri nahi hai

  • @user-hq8wm8giyujcg
    @user-hq8wm8giyujcg 2 วันที่ผ่านมา

    u r saying he was like a mainstream masala chatpata picture maker like storyteller but then compare his works to his adaptation which are more on the art house side

  • @tasneemshabbir2524
    @tasneemshabbir2524 3 วันที่ผ่านมา

    wonderful video overall! especially love your oration and editing

  • @philoxoper
    @philoxoper 4 วันที่ผ่านมา

    this tells Bollywood is soooo behind 😂

  • @snehasarkar8345
    @snehasarkar8345 5 วันที่ผ่านมา

    Wow. I mean wow. What a piece! I thank my algorithm that I could find your channel through this masterpiece. The subject of this video itself is so marginalized and yet you've successfully depicted it with every single detail. It's amazing. Subscribed!

  • @smrutithakre9492
    @smrutithakre9492 5 วันที่ผ่านมา

    Boy you struck a gong in my brain that will echo for an unconventional amount of nighttime mind wanderings to find correlations to so so so many events in history .

  • @Oniilah
    @Oniilah 5 วันที่ผ่านมา

    I chanced upon your video in my feed and it's so good! Remember me when you're famous

    • @mustafashabbirfilm
      @mustafashabbirfilm 5 วันที่ผ่านมา

      That’s very kind of you thank you!

  • @malvika_99
    @malvika_99 5 วันที่ผ่านมา

    Calling Shakespeare “Masala Literature” Is EXACTLY the kinda validation I needed in my love for both genres, lol. I love how wide the range of Shakespeare adaptations have in India tho. His plays aren’t put on such a pedestal that there's always a pressure to intellectualise the adaptations. There’s a certain freedom Indian filmmakers have with just playing with the content of the original script and rolling with it, giving us the space to have movies from Bhardwaj’s socio-political adaptations to something as silly-goofy as Anurag Singh's "Dil Bole Hadippa".

    • @mustafashabbirfilm
      @mustafashabbirfilm 5 วันที่ผ่านมา

      Definitely, it's always interesting to adapt the source material to tell stories relevant to your own cultural context!

  • @ramanawasthii
    @ramanawasthii 5 วันที่ผ่านมา

    Love it when Indians make a great video essay.

  • @shrinidhijoshi595
    @shrinidhijoshi595 6 วันที่ผ่านมา

    Hey this is my first video of yours! Damn what a great video yaar! Absolutely love this observation the way you put it. Time just flew by. ❤

  • @eileenguy9478
    @eileenguy9478 7 วันที่ผ่านมา

    just found ur channel and i love these videos. I believe ur filling an important void in the indian/indian cinema video essay sphere

  • @darXer0
    @darXer0 7 วันที่ผ่านมา

    Wonderful discourse! I enjoyed every second of it. Quite a professional oration, research as well as editing. I am surprised this video has so few views and likes. Keep it up!

  • @teddracott
    @teddracott 8 วันที่ผ่านมา

    Well done on another great essay! Astute observations here with really interesting research 🫡

    • @mustafashabbirfilm
      @mustafashabbirfilm 8 วันที่ผ่านมา

      Thank you for your continued support!

  • @NextOnes
    @NextOnes 15 วันที่ผ่านมา

    Videos like this is what TH-cam needs, great work.

  • @nikhilmodak214
    @nikhilmodak214 17 วันที่ผ่านมา

    Now while watching this, I realized that there was one industry which was walking somewhere on the middle path. The Marathi film industry! The films like Shejari, Sadhi Manase, mumbaicha javai etc. Could be seen somewhere in the middle of the spectrum!

  • @Shelzastark
    @Shelzastark 17 วันที่ผ่านมา

    Even though i am currently 16, I've grown up on seeing Raj Kapoor, Gurudutt, Hrishikesh Mukherjee,Bimal Roy Mehboob Khan and Shakti Samath. These people are my childhood, the songs from Aawara, shree 420 and ton of other films were an important part of my childhood. When it comes to Mr Roy, it's true that he said that Indian audience isn't that educated..but in my opinion they will see what's more relevant to them, no wonder his works are unparalleled..but besides Nayak ( Uttam Kumar), charulata and pather Panchali..I'll always prefer Indian cinema directors like Gurudutt and Hrishikesh Mukherjee...

  • @yashodharakhanolkar1434
    @yashodharakhanolkar1434 18 วันที่ผ่านมา

    Please also consider movies of V Shantaram including the marathi movies like Pinjra also alongwith Hindi for analytical review

  • @tanu4647
    @tanu4647 19 วันที่ผ่านมา

    Great n fantastic viewpoint but it was BS film. Peace ✌

  • @user-wl3dh5nq7c
    @user-wl3dh5nq7c 29 วันที่ผ่านมา

    Satyajit Ray was product of the Ray-Tagore mindset, which were key proponents of Bengal Renaissance , very nationalistic yet globalists, dreamers but realists, faithful but not dogmatic or superstitious, he was a polymath and deep thinker, illustrations, music, filmmaking , professionally writing as an author, translator(many stories into Bangla Language) he was master of all...cannot just compare such a towering personality (literally!) with the hindi -punjabi belted Kapoor, khanna etc kinds

    • @eileenguy9478
      @eileenguy9478 7 วันที่ผ่านมา

      you do not understand what you're talking abt if the earliest generations of the kapoor family are not anything but towering themselves in your imagination. In the global "third world", they are still remembered as foundational filmmakers. The impact of films like Awaara is nothing short of extremely extraordinary, and your disdain for popular cinema seems to be overshadowing your judgement and perception if you truly think that the popular filmmakers of the Golden Age, from V. Shantaram to the Kapoors, are little more than Hindi-Punjabi belt types

    • @eileenguy9478
      @eileenguy9478 7 วันที่ผ่านมา

      Like this comment is just so profoundly pretentious and lacking in knowledge and empathy i don't think I know how to approach it.

  • @AjayArun-u6v
    @AjayArun-u6v หลายเดือนก่อน

    SATYAJIT RAY 🙏👌✨⭐🌟👏🌹

  • @tasneemshabbir2524
    @tasneemshabbir2524 หลายเดือนก่อน

    well written, very interesting ❤

  • @teddracott
    @teddracott หลายเดือนก่อน

    Excellent essay, as always. Best one yet! (First 🔥🔥🔥)

  • @doinmybit4988
    @doinmybit4988 2 หลายเดือนก่อน

    Bold of you to question Ray’s sense of authenticity as clickbait for the video

  • @DhruvPatel-tg4fw
    @DhruvPatel-tg4fw 2 หลายเดือนก่อน

    Amazing video. Quick correction though: Kal Ho Na Ho isn't directed by Karan Johar as shown at 00:48. It's a common misconception, the actual director is Nikhil Advani. KJo is the producer.

    • @mustafashabbirfilm
      @mustafashabbirfilm หลายเดือนก่อน

      Thank you for pointing it out! I completely missed that

  • @S0NAL_
    @S0NAL_ 2 หลายเดือนก่อน

    I really appreciate the existence of this video

  • @abhiraajsingh5878
    @abhiraajsingh5878 2 หลายเดือนก่อน

    Beautiful fucking analysis

  • @chaandketukde
    @chaandketukde 2 หลายเดือนก่อน

    thankyou for this

  • @inofmotion
    @inofmotion 2 หลายเดือนก่อน

    STELLAR video essay. Thank you immensely for your sensitive introspection on the racialization of authenticity within the politics of Indian cinema ❤❤❤

  • @hemangchauhan2864
    @hemangchauhan2864 2 หลายเดือนก่อน

    Love this, hope your dissertation earned you top scores. Have been learning about India's history a lot through movies.

  • @chevon5707
    @chevon5707 2 หลายเดือนก่อน

    Lovely, thank you

  • @CineScopeEssays
    @CineScopeEssays 2 หลายเดือนก่อน

    great essay!!! Do you have letterboxd account??

    • @mustafashabbirfilm
      @mustafashabbirfilm 2 หลายเดือนก่อน

      Hey yes! It’s @probablymustafa

  • @thelordkk512
    @thelordkk512 2 หลายเดือนก่อน

    You my friend just got another subscription

  • @zombieda6855
    @zombieda6855 2 หลายเดือนก่อน

    Maybe 70 years from now someone will make a video comparing Bhojpuri films and Influencer reelers...

  • @MoonBeam-fv8wb
    @MoonBeam-fv8wb 2 หลายเดือนก่อน

    When I was younger I used to watch movies that depicted the characters and the setting in a realistic yet poetic way, but as I grew older and started getting buried in more and more of the REAL WORLD of just wanted to escape into a world of fantasy😂. My point is for people who are already struggling with their real life the fantastical world of cinema can create a way to escape for a couple of hours and there's nothing wrong with that, I personally love both the worlds equally ❤

  • @jerrycasanova953
    @jerrycasanova953 2 หลายเดือนก่อน

    Western Intellectuals loved Ray, Soviet Masses loved Kapoor. Talk to an old Russian and they will tell you their love of Indian cinema and even sing the songs.

    • @jerrycasanova953
      @jerrycasanova953 2 หลายเดือนก่อน

      This is not meant to insult Ray or praise Kapoor, this is my observation

    • @swagatochatterjee7104
      @swagatochatterjee7104 2 หลายเดือนก่อน

      Disagree, Ray had more socialist realism in his films than Raj Kapoor. However, it is indeed true, that for the Soviet masses seeing the victory of the working class over seeing the pathos of capitalism was more cheerful.

  • @susantbhoi2419
    @susantbhoi2419 2 หลายเดือนก่อน

    Damn I'm impressed, I'm genuinely quite impressed. Best of luck dude

  • @swagatochatterjee7104
    @swagatochatterjee7104 2 หลายเดือนก่อน

    Great essay. However, I disagree on two points though. 1) The Shantiniketan school didn't even reject the western tradition even in the Gandhian way of cottage industries, in fact Rabindranath championed the ideals of enlightenment which he always felt without whose appreciation India was stuck in its dark days of Smriti and Sruti education imparted in the traditional education. However, he hated the industrial mass produced education colonialism brought to India. He kind of wanted a Humboldtian education system, where knowledge is for sake of learning, free thought and self actualisation but with Indian characteristics free from the ideals of Western supremacy which the Enlightenment gave the west. 2) Satyajit Ray's films are more socialist and collectivist, than the West's understanding that capitalism has won. In fact Mahanagar, Hirok Rajar Deshe, Seemabaddha, and Jana Aranya, critiques the individualist direction of the post colonial bengali society and also especially Hirok Rajar Deshe calls for a collectivist overthrow of such a society. While Raj Kapoor's films, trying to serve us a socialist fantasy we can achieve via collective action distances itself from the material reality, Satyajit Ray's films reflect the social and material reality of colonial and post colonial society; and firmly upholds the notion that without an honest conversation about these realities, a collective action is anti-dialectical. In this viewpoint its very much socialist.

    • @adityasharan9568
      @adityasharan9568 2 หลายเดือนก่อน

      Very well written, you are spot on about the naivety in Raj Kapoor's Cinema, it truly lacks a grasp of material reality. Can you shed more light on how Satyajit Ray's Cinema lays bare the anti diaelectic approach of it's protagonists? I hope I am making sense here.

    • @MoonBeam-fv8wb
      @MoonBeam-fv8wb 2 หลายเดือนก่อน

      Growing up I got to watch a couple of Raj Kapoor's films with my parents but, I've only see one short film by Satyajit Ray, never seen any full length films of his if there are any films of his that you could suggest for a first time viewer I would appreciate it 😊

    • @Shokunin_Spirit
      @Shokunin_Spirit 2 หลายเดือนก่อน

      ​​​@@MoonBeam-fv8wbYou really can't go wrong with Ray. But, as a soft entry point I would suggest something lighter like Agantuk or Hirak Rajar Deshe. However, none of Ray's works fall into the category of frivolous, escapist movies that are so common today. Even with a film like Hirak Rajar Deshe, while the plot depicts the exploits of Gupi and Bagha, two average individuals endowed with magical powers by Bhuter Raja ( the king of ghosts), at its heart is a story of an uprising against a despot. It uses humor to comment on fascism.

    • @swagatochatterjee7104
      @swagatochatterjee7104 2 หลายเดือนก่อน

      @@adityasharan9568 try Hirok Rajar Deshe or Jana Aranya

    • @swagatochatterjee7104
      @swagatochatterjee7104 2 หลายเดือนก่อน

      @@MoonBeam-fv8wb as the other person said, try Hirok Rajar Deshe. It is perhaps his best production, and it's universal requiring absolutely zero understanding of any historical context of Bengal.

  • @Yashodhan1917
    @Yashodhan1917 2 หลายเดือนก่อน

    Ray is highly overrated

    • @susantbhoi2419
      @susantbhoi2419 2 หลายเดือนก่อน

      Your knowledge of cinema is overrated

    • @adityasharan9568
      @adityasharan9568 2 หลายเดือนก่อน

      Blasphemy!!

    • @Yashodhan1917
      @Yashodhan1917 2 หลายเดือนก่อน

      @@susantbhoi2419 I think it is unrated

    • @Yashodhan1917
      @Yashodhan1917 2 หลายเดือนก่อน

      @@adityasharan9568 Why? I have read all Feluda novels and watched Aparajito. Ray's mind is underwhelming and mediocre. He is seriously over-celebrated. Tarkovsky at home:

    • @adityasharan9568
      @adityasharan9568 2 หลายเดือนก่อน

      @@Yashodhan1917 Just Aparajito? Aparajito is one of his least sophisticated films. Pratidwandhi, Jana Aranya, Nayak, Charulatha, Agantuk all these films are masterpieces in their own right. There is no Indian Filmmakers right now of Ray's calibre.

  • @darshandabrase3265
    @darshandabrase3265 2 หลายเดือนก่อน

    Master of Commercial cinema + master of art cinema

  • @xanaxcel
    @xanaxcel 2 หลายเดือนก่อน

    Good Video ❤ Could you tell where have you taken scenes from the Awara movie? They’re of good quality and most of the movies uploads on TH-cam are low quality.

  • @saonbhattacharya8817
    @saonbhattacharya8817 2 หลายเดือนก่อน

    A key difference between the two is that Kapoor's target audience was the general public, while Ray's films, in his own words, were not for "the unintelligent audience"...

    • @xanaxcel
      @xanaxcel 2 หลายเดือนก่อน

      “Those who don’t understand or watch movies are Unintelligent Audience” - well, not really a good thing.

    • @Bengal_Queen9
      @Bengal_Queen9 2 หลายเดือนก่อน

      ​@@xanaxcel nope. She said what Satyajit Ray had said. Go and watch his interviews first. And he said absolutely right.

    • @stevewhite6241
      @stevewhite6241 หลายเดือนก่อน

      ​@@xanaxcelRay actually said so many derogatory things about the general audience.

  • @Booyawatchin
    @Booyawatchin 2 หลายเดือนก่อน

    Your audio needs to be clearer and louder homie

  • @pankajmandal_2648
    @pankajmandal_2648 2 หลายเดือนก่อน

    First of all comparing satyajit ray with raj Kapoor itself is a crime 😂 and you have committed this crime

    • @vipulparmar6974
      @vipulparmar6974 2 หลายเดือนก่อน

      @@pankajmandal_2648 satyajit ray is a legend but Raj Kapoor is not a common person, his film awara was nominated at cannes for jury prize , time magazine included it in top 50 greatest movies of all time and performance was counted among best,another point to be noted that awara was produce and directed by himself at a young age of just 26, you can call it luck if 1 movie got hit but man gave 6 all time blockbusters across five decades, he also created for selling 100 million tickets in China and Russia

    • @xanaxcel
      @xanaxcel 2 หลายเดือนก่อน

      Raj Kapoor was a producer, director and actor. And not just someone who did some average movies but someone who was popular in India, Turkey, USSR, Middle East and China. And not just simply popular but SO DAMN POPULAR. Mao reportedly had a private print for Awara (1951). Satyajit ray is good but Raj Kapoor is the greatest 🤷‍♂️- it’s obvious.

    • @vipulparmar6974
      @vipulparmar6974 2 หลายเดือนก่อน

      @@xanaxcel it can be luck to have 1 blockbuster but man gave 6 blockbusters ,clearly he had talent and charm

    • @adityasharan9568
      @adityasharan9568 2 หลายเดือนก่อน

      ​@@xanaxcelSatyajit Ray's cinema is qualitatively superior to anything Raj Kapoor has ever made. Popularity is not a good measure of how good a film as a piece of art is. Even Mithoon's films were quite popular in the USSR and Central Asia, would you put his films on the same league?

    • @adityasharan9568
      @adityasharan9568 2 หลายเดือนก่อน

      ​@@vipulparmar6974He was talented no doubt but it might also be true that he got hold of a trope, a trick to captivate the audience, even Karan Johar gave blockbusters in the late 90's and early 2000's.

  • @vipulparmar6974
    @vipulparmar6974 2 หลายเดือนก่อน

    Don't know about other things but the songs of Raj Kapoor will be played till eternity❤❤❤❤