วีดีโอ

Kate Hepburn é maravilhosa. Mas Glen Close não fica atrás. Ambas são atrizes perfeitas para representar a forte Eleanor.

Alfredo Kraus...an impossible combination of sensitive poetic interpretation and powerful projection of metalic rounded voice. He was inconceivable perfection but only better.

Has all the nuances, all the shades and colours, what a work of art.

bei immer wieder hören, umso mehr wird es klar, um was es hier bei old singing eigentlich geht. Ich kann neuzeitlicheTenöre überhaupt nicht anhören. Grazie for your effort!

Sorry but movie Snob here, Glenn Close as much as I love her should not have redone Lion in Winter..Its like Lucille Ball redoing Mame! Apples to Orange's..

Я Вас люблю

En fermant les yeux, je vois là-bas une humble retraite, une maisonnette toute blanche au fond des bois! Sous ses tranquilles ombrages, les clairs et joyeux ruisseaux, où se mirent les feuillages, chantent avec les oiseaux! C'est le Paradis! Oh! non! Tout est là triste et morose, car il y manque une chose: il y faut encor Manon!

Is the man in this scene Anthony Hopkins wow he was so young back then😮

Amazing beautiful, thousands thanks for the share !!!

El mas grande tenor lirico ligero de la historia. Un fenomeno vocal y tecnico. Único

Danke für dieses Dokument ....ich bin nicht gerade ein Fan von DFD, aber von James King ( beide übrigens gleichaltrig ). Als Dokument unschätzbar wertvoll.....es grüßt ein alter Opernfreund❤

The Lion In Winter is a film that should NEVER be re-made. The 1968 version is the only one that counts. No-one can compare to O'Toole and Hepburn as King Henry The Second Of England and Elinor of Aquitaine. As for this young man who plays the part of Richard The Lionheart.........no way can he compare to Anthony Hopkins.

na das ist wirklich unglaublich, dass wir noch so viele Franco Corelli fans sind weltweit. Danke allen Corelli fans!

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Потрясаючий ,чудовий Альфредо Крауз!

Does anyone know the exact date of this recording?

Perfetto

Hermoso.... ❤

Where in Rhode Island was this performed? I'm originally from Rhode Island.

A tono.... neppure Alagna lo fa...

Franco! as Birgit Nilsson would say th-cam.com/video/XHdK1UDtH-s/w-d-xo.html

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I heard him live at Covent Garden when he was 75 and his voice made the whole theatre shake!

Merveilleux !!!

Kate Hands Down!!! I adore Glenn Close but Kate Had it all over her!!! And So did Anthony Hopkins over whatever Actor that was that played his role of Prince Richard. Kate & Anthony captured the Regal Detachment that The original Real Life Royals would have had at the time (1100s) while only hinting at the ethos of the modern period from which the Actor and Actress came. Glenn Close and this other Actor put far too Much 20th century emotion in a 10th Century play. Also, the costuming was more appropriate for the time!! In Kate’s version. Close looks ridiculous in the cobbled together washer woman’s Turban combined with the ratty old fur!! Looks like a Bag Lady went dumpster diving behind a Salvation Army store!! 🙄🙄 Kate nor Anthony Hopkins never let their Regal Bearing drop for a moment during their dialogue. Regal Stoicism took precedence over emotion. Which only made the performance more compelling!!!

Con la evidencia disponible, Alfredo Kraus es el mejor tenor de todos los tiempos

Top❤🎶

MÁXIMO

Superb Superhuman Exquisite Extraordinary Sublime

Ogni fibra del suo volto esprime sofferenza,tristezza,angoscia......ma quale tenore attore potrebbe oggi esprimere tutto ciò??Corelli fu unico e penso lo sarà unico per sempre...Favoloso come voce ma anche come interprete.Grande grande Franco

Assolutamente magnifico ❤❤❤

The 2 or 3 days’ growth “beard” thing in the 2003 version is soooo not the look of late 12th century royal circles. Princes and kings didn’t run around with their beards looking unkempt like that. They had well-groomed, trimmed beards. That 2 or 3 days’ growth look is strictly late 20th century and 21st century to appeal to modern audiences, not the royal look of 1183 Europe. He was supposed to be playing Prince Richard the Lionhearted, not a cowboy in a spaghetti Western.

The Best tenor. For me and my husband.

Franco was the greatest tenor who ever lived.

FRANCO CORELLI THE BEST

Si, in effetti in Corelli, forse suo malgrado c'e' in senso metaforico tutta la parabola dell' esistenza umana. La gioia traspare piu in Pippo. Ma il carattere saturnino, lunare di Franco me lo fa sentire piu vicino

Fantastic!!

Another really beautiful moment of Corelli singing sensitively is when he sings, “Il mio nome non sai. Dimmi il mio nome. Dimmi il mio nome, prima dell’alba, et al alba, miriro.”

Atmosphere ruined by applause over the music - even at the beginning of the song. That's not true appreciation.

Maestoso

J'oserais dire que Franco a été un PHÉNOMÈNE UNIQUE. On ne peut pas trouver assez de superlatifs pour décrire l'extraordinaire richesse de ses qualités artistiques. Plus on l'écoute plus on en découvre des nouvelles.

She’s not wearing point shoes?

Why doesn't Giselle in Giselle and the Willis Ballet wear some Peasant Clothes in her Past, some Noble Clothes in her Present, and some Willi Clothes in her Future?

Why doesn't Giselle in Creole Giselle Ballet wear some African American Country Clothes in her Past, some African American City Clothes in her Present, and some African American Willi Clothes in her Future?

Fantastica voz! Al nivel de Rockwell Blake👍

Se cuenta que el maestro Tulio Serafin al final de una actiación se encontró con Kraus entre telones y le dijo que deseaba hablar con él. El tenor sorprendido, entendió que le iba a corregir algo de su interpreración, a lo cual el director le respondió que nada más lejano de eso...Le aseguró que ese rol lo abordaba de tal manera que pareciera que Bellini lo hubiera creado pensando en él...

Selezione sublime! Complimenti!!!si evince dalla cura con cui sono postati i brani l’amore e il rispetto che TUTTI NOI condividiamo per questo ARTISTA IMMENSO E INEGUAGLIABILE. GRAZIEGRAZIEGRAZIE

Ma mio Dio che meraviglia !!!!!! Intensità a prova di cuore❤

He was in a class of his own in this role, ans he sang it in the original key of B major, that no one does anymore. What a truly amazing tenor he was.