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WOW! A DUO IS BORN! GREAT MUSIC!

What love sounds like. This is such a lovely tribute.

Very beItiful!!! Praying for Paul and his recovery!!!

Thank you so much 😊

SOOOOOO BEAUTIFUL! ANGELIC! Thank you, Mark!

Is the Eric Hansen you're playing, used to be a therapist? He used to be mine when I was a child. His music helped me and I'm searching for it again.

I hope you keep it up along with all your physics studies.

Great jazz! Well done! ❤❤❤

Great playing with you Mark!

This is just beautiful! Well done!

Thank you so much for your encouragement and support.

sooooo wonderful! so moving and feelings. feelings of love, gratitude and hope! luv yall, uj

Beautiful music for a beautiful woman! So much light and love! ❤❤❤

Beautiful!

❤🙏

I like this! Man if I had cuboro tracks/blocks, I would just use them for this since I have Marble tracks and marbles. But I am not gonna use the marble tracks for the cuboro blocks (maybe) . (idk what to put here but nice video)

Beautiful!❤

Very nice!❤

I find the 81/64 Pythagoꝛean thirds vſed here quite exciting and expanſiue. I vſed to be a big pꝛoponent foꝛ 5 limit iuſt intonation but in dealing with a 3 limit tuning extended out to 53 notes per octaue, I found it to be moꝛe pleaſing and pꝛactical. As the diminiſhed 4th in that tuning is leſſe than 2 cents flat of the 5/4, but becauſe it is a fourth and not a third, it has a vnique role in voyce leading. Alſo pleaſe only vſe and read and beleeue the authoꝛized 1611 Holy Bible aka the King Iames Bible. The ESV is a coꝛruption of God's woꝛd tranſlated in part by Catholics and thoſe who yoke vp with Catholics. It came from manuſcripts that alſo come from the Vatican and are the vaſt minoꝛity. They are peruerſions and ſhould not be vſed. God pꝛeſerued his woꝛd in Engliſh perfectly in the King Iames Bible. Pꝛaiſe God that we haue acceſſe to it. Pꝛomoting new verſions only encourages other people to read and quote them.

Beautiful

Beautiful combination of music and pictures, Mark! Thanks for sharing it with us.

while it is in G, it is not in myxolydian, but major, I'm not sure exactly how the modes work, but when you use the sharp 7th it and don't use the flat 7th once I wouldn't deem it to be mixolydian

Goodness. NO comments ? I appreciate this presentation - Thank you . I’m a respected ( in my circles , anyway ) pro musician. I briefly and privately studied strict counterpoint 50 years ago. I never got far into it. Maybe 3 rd species in two voices . But it never left me. So to speak . Would it be a pipe dream to find examples of where the Masters Had examples of counterpoint .. where we ( or I ) could witness what a Mozart ( Palestrina - Bach etc ) did ? I would pay for the privilege Thank you again

Beautiful!

I love it. thank you, Mark

Hey, thanks for the playlist! Keep up the good work! Im very interested in counterpoint and even though we learned quite some in the musical high school I attended, we skipped a lot due to covid (especially the different types of counterpoint as you categorized them and the writing of a fugue). I hope you will continue to do such awesome videos!

Good Video👍️

Beautiful, thank you for sharing

Serene,beautiful Lovely composition

Beautiful! Wish I can sing and perform with you again

Love it Mark!! Great work.

I love this piece of art so much! I can't believe it says "improvisation." Amazing Music and piano playing!

What pitch is this in?

So beautiful!!!

Wow! So beautiful!!

This is beautiful MARK!!

等待⌛️……wait for you ... 💐💐

太棒了👏👏🌟👏👏🌟

支持 点赞👍 💐💐 佩服 太喜了

太棒了👏👏👏👏🌟

支持 加油💪 fans

还有么 ... 太好了

太好了👌perfect

Pythagorean tuning is a good choice to contrast the perfect concords (tuned as simple ratios) with the imperfect (rather complex). A little nitpick in that your blurb says the M3 and m6 of 1/4-comma meantone are tuned to 5/4 and 25/16 respectively, and while I know what you mean, I think this is a little misleading, as readers will think that a minor sixth in 1/4-comma meantone will usually be 25/16, which is incorrect. All (true) major thirds (four fifths up) are tuned as the simple ratio 4:5, meaning all (true) minor sixths (four fifths down) are tuned as the simple ratio 5:8. With a compass of Eb-G# (one of the most common 12-tone compasses, although going beyond 12 tones has many benefits), one has pure 4:5 major thirds from Eb-G-B, Bb-D-F#, F-A-C#, and C-E-G#, and therefore 5:8 minor sixths from G#-C-E, C#-A-F, F#-D-Bb, B-G-Eb. Meanwhile, from C to G# is not a minor sixth but an augmented fifth, equal to two stacked major thirds, and so the ratio is (4:5)x(4:5)=16:25, hence your comment. I'm also not sure Bach intended true meantone tuning for his Inventions and Symphonias, as most of his output is best tuned to 12-tone circulating systems such as well-temperaments, though sometimes a gentle meantone like 1/6-comma can be quite lovely. To have those 15 keys sound well in a meantone, likely upwards of twenty pitches of a meantone spiral would be necessary.

Mark this was beautiful. thank you for sharing this with me. Danna

Thank you for this simple, beautiful unfolding music improv composition. It is reminiscent of Jonah's watchful, thoughtful presence. His quiet nature overlies the joy and anticipation of God's blessings, if we only look deeply.Just as when he was a small boy, he looked deeply into a rain puddle, he quietly looked, then, "Hi" He discovered the little boy looking back at him. He greeted his reflection in the water. Miracle.

Wow. This is beautiful. And I enjoy watching your fingers while you're playing.

As I always repeat to you; Is a blessing your music Mark, it is a window to hear our Lord. Thank you

Wonderful, Mark! I am praying for your family and your friend.

Thank you Mark for your reflection and encourage us with this words...