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Well I now feel a little stupid. I’ve been using Ubuntu studio for about a month and I’ve been trying to get all my windows plug-ins to run in linux. I guess this is a well trodden path. Time to see what Linux can actually do. Thanks for the reality check.

This is great. I especially like the association of intervals with emotions. Thank you for sharing!

A question to you Carl. Do you do copyright control stuff before publish your music in youtube channel?

As soon as I heard the track playing in the intro, I subscribed. I want to make music like that

Great content! I often wondered how emotions can be mapped to chords, chord progressions or melodies. Now I've got a perfect summary on this. Thank you for sharing your knowledge.

which distribution do you use?

Your split of the violin sections between left and right actually matches what would have been the norm for an orchestra of Tchaikovsky's era. He wrote "stereo effects" into his string writing (see the swapping semiquaver patterns in the score here or at the start of the last movement of his 6th symphony) so you've inadvertently put them back in where we often miss out with modern orchestra layouts.

Thank you for sharing. Very good video contain. Greeting from Malaysia

This video is a good refresher on a lot of topics i've studied/thought about when writing my own music. Thanks for sharing!

Where can I find the specified Musescore4 version and buildnumber?

beautiful composition. thank you

Lniux audio still does not have a full potential for my needs, but since Microsfot destroys Windows more and more, it is time to look for alternatives. The problem with many people is that they have already invested thousands of dollars in their existing libraries (espeically sample libs i.e. NI Komplete series) and it is really hard to bypass and drop these. I wish (and hope) that once Windows12 is introduced and it will certainly suck even more that Win11 there will be great movement into Linux in general. I have Mint installed on the laptop and I love it. The only thing I am missing is still not so broad choice of Apps. I am very happy however it is growing. Microsoft and Apple suck, really , really suck! Along with few other soft giants they becamy spying machines and do not care about users anymore at all. I will be super happy to see them eliminated from the market (at least partially)....

Thanks for sharing. This method is also work for me.

Between Calf, LSP, Dragonfly, and ZL Equalizer; I think I should have everything I need. Any other recommendations?

very much agree with you .

Genius is a strange concept in life.

Learn so much from your channel handling musescore 4. Thank you for sharing your music and your knowledge.

Is this a plug in or the default sound pacakge? Mine does not sound like this lol

This is a master class on realism. So important. Thank you!

the one thing holding me back from switching from mac to linux for audio production is software instruments, especially in the orchestral category, as i still heavily rely on those. (if anyone knows of some that already exist and support linux (mainly using reaper as daw) please leave a reply (both free and paid ones)).

Super info. I am working with Muse4 and Ardour. Just getting started. Will see if I can get to where you could. Many many thanks!

Since Muse Hub is Out of order since 11/11 (macos), could you explain how to retrieve the museSounds that are installed in my computer, directly from MuseScore 4 and all the paid instruments also. TY Chris

sounds great! Muse sounds are amazing, but I find them to be a bit inconsistent at times, specially when playing with differents dynamics and punctuation marks. Still incredible that they are avaiable for free.

To clarify what you're explaining at 9:30-10:00...basically you add a measure in musescore that will make up for the latency in play between blender and musescore as you're writing, which then gets deleted when you submit the finished product?

To clarify what you're explaining at 9:30-10:00...basically you add a measure in musescore that will make up for the latency in play between blender and musescore as you're writing, which then gets deleted when you submit the finished product?

I read a lot of comments that drum pads on a midi controller do not work with LMMS? And it seems there is no solution to that. I cannot find any information if they work on other software (apart from the one shipped with the controller). I use Linux, and thinking of buying a midi controller, but I do not know if all buttons and knobs will work.

This is really great stuff, man. I had chills from the first piece and the pizzicato at the end made my hair stand up…

One of the few videos I’ve watched twice, back-to-back. Thank you for taking the time to make this. The track sounds great, too!

❤❤❤

Nice!

Is this a real violin recording? Sounds very good!

Thanks for these videos! Have you tried the new paid libraries? It would be awesome if you make a video on that stuff.

The problem i have is that i already have a vast collection of virtual instruments for Windows, so moving to Linux would be a major hassle.

Privet friends! Interesting video. The 2nd part sounds better to me, close to real live performance. Also, this comment is for those curious of NotePerformer 4.5. Follow the link here and discover the magic of NotePerformer. I cannot recall any VST sounding like a recording like this. The music in the linked video was produced by Dorico 5.1 Pro driving NotePerformer 4.5.0. The music performance can still be tweaked using Dorico's MIDI lanes, but the listener will definitely hear how NotePerformer is not this 'in-between', medium quality VST as some claims. NotePerformer has a lot of power, if one knows how to use its magic! th-cam.com/video/QfHQ5ZM4BaE/w-d-xo.html

I am very happy that I found this, because being able to synch audio or film to Musescore would be increadibly useful to me. I hope this will be part of Musescore in the future, as I am definitely not tech-savy enough to set this up myself. I have been looking for solutions to this for a long while and not found any, so thank you so much for working on this!

Hi Carl. It appears you've placed some of your target dynamics under rests after the preceding hairpin. Far as I know, these don't have any effect in Muse Score 4. Target dynamics only take effect when they're placed under notes. Also you have some hairpins with no target dynamic indicated. I'm not sure these have any effect either. N.B. I think this may have changed since Muse Score 3, as I seem to remember dynamics being handled differently in that version.

🎯 Key points for quick navigation: 00:00:00 *🎶 Introduction to Linux Digital Audio Workstations (DAWs)* - Introduction to DAWs available for Linux, - Mention of alternatives like proprietary software, - Focus on native Linux applications discussed. 00:03:56 *📝 MuseScore Capabilities* - Strong orchestral and notation capabilities in MuseScore, - Limitations of MIDI layer and play engine in MuseScore, - Import and utilization of sound fonts and libraries. 00:06:11 *📼 Role of Audacity* - Use of Audacity for audio editing and sequencing, - Mention of Audacity's limitations with MIDI functionality, - Final polish sequencing and mastering by using Audacity. 00:07:49 *🎹 Features of LMMS* - Strength in MIDI handling and plugin integration in LMMS, - Limitations with audio recording and interface, - Functionality for electronic and hybrid music creation. 00:11:37 *🔄 Qtractor Attributes* - Strong MIDI sequencing capabilities, - Issues with tempo and meter mapping during MIDI import, - Exclusively utilizes JACK and requires pipewire for low latency setup. 00:16:18 *🚀 Ardour's Robustness* - Ardour's proficiency in MIDI import and customization, - Comprehensive audio and video editing features, - Recommendation for serious and comprehensive usage. 00:20:05 *🔗 Carla and Patch Bay* - Use of Carla for routing and connecting multiple DAWs, - Benefits of using PipeWire for seamless audio integration, - Encouragement to update to the latest PipeWire for enhanced capabilities. Made with HARPA AI

That's super cool that you can create your own reverbs as you said aka 3d rooms. Do you have a tutorial video on how to do this? Curious since I would love to do field recordings to generate reverbs.

Very, very educational.

Honestly, I was a bit shocked to see this, you actually did it! This is enormously helpful. There were a good few things in here that I hadn't picked up from your other videos (or from my own experimentation), and for the things I had heard before, it's great to have them all in one place. Additionally, seeing how you go about use these tricks-both in hearing what you're looking out for and in the actual implementation-makes for a great reference. Thanks for taking the time to make and record this, it's a great resource I'll be passing on to many people I imagine. P.S. You don't have to make a whole nother video on this (I've asked plenty of you as it is), but do you have any tips for more soloistic playback, e.g. in chamber/small ensembles?

Seems like i will watch this later. Thanks for the hard work! :)

Hello Carl. Thank you very much for sharing your workflow with audio and video in Linux. It is contributions like yours that do justice to the possibilities that the platform offers to work in terms of quality, ease and flexibility of use (some things more than others, of course ;) -as in any ecosystem-) and, above all, as a tool for professional musicians (composers, arrangers, teachers, etc.) that has nothing to envy of other OS/Software. I have been following the development of MScore4 jack branch for months through your videos and I use it daily. I hope it will be an official part of MSCore soon. Greetings from Argentina and apologies for my "google translator" English. Thanks again!

does this work on mac?

If you spend big bucks on windows programs like izotope for audio mixing and mastering, it is hard to change.

It feels like I'm watching a very old Disney cartoon😮

Thank you - really excellent advice here. What is the word used at 16:08? "Crire"?

Such a good video been on linux using Mixbus Pro10 which is built on Ardour. Never missed any plugins for my music.

Great to see you working on Pipewire, I went back to Jack setup because Tracktion Waveform give some problems with PW