วีดีโอ

Hey, please reply I’m a euphonium player and I like the 51d you recommended but i kinda want one with a deeper cup for a reasonable price

There is no upgrade. Only adjusting exists. Mouthpieces have no faults. Only player does have.

That sax did not look the same after it was cleaned. Looked like a brand new sax.

Diamond 💎 Fred ❤

What a TERRIBLE video 🙄 you showed NOTHING 🤷

Please please please get rid of the background music!!!!

Tattoos and diapers, a match from heaven.....

where is the Yamaha 9835 ?

What a beautiful bridge and workmanship on that lovely 51

merci bravo...

How much would a restoration like this cost?

In 1951 they were using hide glue! You can hear the difference.

Safety slippers are essential in a professional workshop ! 😅 Really nice work, too bad the quality of the video is spoiling it a little ...

I totally understand the thinking of the bracing for support of the glued surface so it won't Crack again. But if you read the bottle of the glue it says that the glue is stronger than the wood. So under that assumption you really shouldn't need the bracing.

Hi there I have an old premier sax. I loce your work and I’m wondering if you can help me restore my saxophone

please can you advise me - what is this polishing liquid, that you put on the bridge?

I'm using a Bach 5G mouthpiece on my Bass Trombone, and I am trying to find one that makes it easier to switch from pedal tones to non-pedal tones.

Great Job!

Started with a 6.5, spent most of my time on a 5G, now I play both tenor and bass on a 1.5G

I bought a used V8 on Ebay and love it.

Elsa’s procession to the cathedral in the background music?

This was a wonderful video! I'm a little bit outside of the target demographic of it but I figured I'd tune in to see what the common insights are. The one thing that might have been worth adding on is a section for jazz trombone mouthpieces. Things like the Bach 5GS, 6-3/4C, 7C, or 7; Wick 7CS or 10CS. I find it's important to differentiate tone quality in jazz versus classical trombone playing to a pretty great extent, and that high school kids shouldn't feel forced to produce a 'jazz sound' on a 5G because that's what their director recommended for classical playing.

Watch this video in TH-cam for many explanations concerning the 4-valve-flugelhorn: Vierventiliges Flügelhorn Grundlagen / flugelhorn with 4 valves - fundamentals - with English subtitle and grip table.

Amazing!

This guy did really know how to restore an old J45. I,m full of admire of his way to solution this very tricky restoring of the X brace and also find the places for the clets, without taking the back of.

I didn't watch this video before I bought my advance mouthpieces. After doing all the research, I can compare my experience with this video. This vid is extremely accurate and informative. A must watch for all! ❤

Your vibrato is sometimes out of time.

hi, how about Brian Bowman BB1BT? should i choose that or the SM3

I’m using the same rosin right now, along with your notes on the sound and feel I love the smell of it too. It has a minty earthy smell to it

I use a Bach 5GS on all my trombones, and euphonium. I think I'll try the Shilke 51D on euphonium, and see what I think. Thanks for the advice. By the way, that's a fine arrangement of "Elsa's Procession to the Cathedral" playing in the background. Playing Lucien Cailliet's arrangement in concert band is one of my best memories from high school.

She is very talented and incredibly beautiful!

Are you using the standard mouthpiece that comes with the horn?

Aw man, masks. That is absolutely ridiculous. Should take this down and redo it, or delete it altogether.

Nice

RIP Jon Ruff

Schilke 51 (25.63 mm) is a good compromise between the Bach 5G (25.50 mm) and Denis Wick 5AL (25.73 mm).

Great work. After sanding the wood on the bridge, what product do you use to restore the colour and shine? Also, would you risk polishing at the end if the finish is in bad shape? I am preparing to start work on a 1954 Gibson J160E and pick grooves down to the wood as well as some cracking exists. How can I prevent further deterioration and preserve its patina?

What’s very confusing is the lack of standardized nomenclature.

I always had my trombone and euphonium students start on a Bach 12C. As they advanced, I would recommend the Bach 7C for trombone and the Bach 6.5AL for euphonium. As for those going to bass trombone, I would always suggest they start with a Bach 3G (I didn't want them to fall into the dark hole of "all low range" before developing their complete range). After that, it becomes (I feel) a mostly personal preference. BTW, in all my years of "professional" all-around playing, I used a Bach 1.5G for bass trombone, a Bach 7C for tenor trombone, and a Bach 6.5AL for euphonium.

Beautiful job!

I play tuba, but for Jazz band i’m starting on valve trombone. Do you have any recommendations for a mouthpiece if I’m used to a large rim?

I am switching from a medium-bore french horn and hope to obtain a Conn 88HNV trombone (large bore). Most of the music I will be playing will be in the jazz/swing and concert band genres. What would be the best style of mouthpiece to research, eg funnel-shaped with a narrow rim (similar to the french horn) or cup-shaped with a wider rim? I am in my early 70s and played french horn for about 30 years.

For those looking for new mouthpieces, it’s good to take advice and listen to different ideas but always remember that your sound is different than anyone else’s, so just check out a lot of different mouthpieces to know what fits you best

Good video. What is the horn with the copper bell on wall behind you on the left side of the screen?

Oh man. I wasn't expecting to see Jon here. Rest in Peace man. He was a great player and an even better guy.

very helpful and straight to the point much appreciated

Great video!

p̾r̾o̾m̾o̾s̾m̾

Very helpful video. Thank you.

What’s the song at 1:20