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Loudness war is over. Loudness won.

This helped a lot. Thank you!

ко стаа, мара ба, как я карате и всякакви таива тъпотий. 5 минути дърдорене. Или ще е празни приказки или ще са приказки от 1001 нощ или история на музиката от времето на Адам и Ева......и 3 минути по темата. Да не споменавам софтуера. Не мога да повярвам колко много безсмислици има в тубата.

We need a follow up on the album. Where can we find it?

This guy seems chill but this is kinda a wild suggestion. The music is actually worth a huge amount of money and the record label didn’t create it. I don’t want to be a content creator if I wanted to be a content creator I wouldn’t be an artist. Labels spend nothing they go on TikTok. They are about to realise how unnecessary they are, they can just hold onto queens catalogue

The loudness war is over, and louder won.

I learned all this the "hard" way - by testing knowledge and assumptions over 20 years of mixing and mastering. I was most blown away to find that at the end of the journey, spectral balance is the key - the Fletcher-Munson curve. It is vital to build that spectral balance into the mix, but you can correct that balance, then compress if needed, and the effect of that compression and the smoothness (the lack of artifacts) will be obvious every single time. I can now mix or master and know that it will sound good in any playback system, but it took a long time to achieve that. If I can do it, anyone can. Just don't give up!

Thank. You.

The loudness wars may be over, but the scorched earth remains. Overcompression has become the norm and normalized overcompression sounds dull.

Good tips but all those pops and clicks brought me back to 2016 when I started recording music

Like they say"you learn something new every day"...and this is one of them...

What do you mean when you say "nail that frequency range (3k) in the process of production and mixing"? What does nailing that area mean in that context?

Hi, I hope you are well... One thing I would know is how many lufs this track is peaking in the final process of mastering?

This knowledge is pure. Thank you for sharing!

The competition is over, but the overcompression of albums and songs remains.

Recently, I watched a review of the new remixed releases of The Red and Blue album of the Beatles. Unfortunately on CD some tracks have been brickwalled and those tracks sound better on vinyl.

Dan Worrall won the loudness war. Go home to your families. It's over. The war is over.

"Get the compression in there, but don't take too much away from the kick and the snare " man's got BARS 😂 18:20

Is it just me or is there a fair ammount of clicks and also audio is not in sync with video?

When I find that a release in 2020 is less dynamic and is indeed still louder than the same exact tracks released in 1988... no, the loudness war isn't over.

Holy fuck he’s hot

🔥Agreed🔥

Why is the audio on this video full of pops and clicks …

Highs and lows is hip hop not much mid range that masked this loudness crap. However I suffered through early analog master to CD and it was horrible. This Guy looks old but he is a millennial. Don’t let him fool you. He doesn’t know the original version. He wasn’t aware he was in a diaper fuck off. He is telling us how music sounded in 1991 lol.

Hey, can you do a follow up video on how Connor became a Nazi? I would like to know what leads someone to that point!

Ok so my question is, should i avoid limiting and comp and eq when im producing? Should i first make a track with controlling the volumes via gain staging and then export it at 16 bit dithered? and then import the track and master it with comp/eq/limiting after? or i do need to do comp/eq/limiting during production and then export it. Import it and finish the master with more comp/limiting/eq?

Hello, I'm here to post this a year after this video was releaed and I just opened up my all-new Rolling Stones Hackney Diamonds album, and I have to say, it sounds like garbage and is worthless because of how loud it is. Many are saying how this is the best album the Stones have put out in YEARS! But it sounds like pure garbage and I can't enjoy it enough to tell you how great the music is. It's distorted at the utmost level and as the songs get louder, the more distorted it gets -- in 2023. It's WORSE than a Bigger Bang in 2005.

This is an excellent video! This walkthrough helped solidify my understanding of how a compressor works and what approach to take when compressing a master. Thank you Caleb! Looking foward to more videos!

‘Everything You Need to Know About the Music Industry’ (*****whatever is the most current edition when anyone reads this*****) helps to demystify!

Thank you for this mega insightful vid! ✌️❤

If you were to bounce your mix to tape before final limiting, would you use any plugins on the master bus or hold off until you have the post-taped file (and then apply further processing)? I may have to experiment with mix:analog but that means having to rely on headphones in another setting with good wifi. Any thoughts?

this video was very well put together , thank you !

Hey Moe! Where did you go now?

P R O M O S M

Wait a minute. It looks like the only analoue gear people would have from this moment onward will just be a preamp. I may be wrong.

02:37 BIG FACTS‼️ I figured out the 2k 3k secret YEARS ago when I solo an EQ node and scanned the frequency spectrum on a song I liked, that’s when I realized....the MID RANGE around 2/3 is what your ears love 2/3k ❤️

YYYEEAASSS I was the 69th like 🫵😶🎉

TikTok has officially convinced me to be in love with this man 😌

How do you get a loud bass sound like the song come together by the Beatles but still get a good blend of all instruments? Thamks

Cuzzo been trying to get me to switch to LUNA. I watched Cruz and Guru record in it…..TOUGH CASE

THIS GUY NEEDS MEDALS.

I really appreciate caleb @ 8:00 "decoding" what devvon was saying a lil bit and explaining the non-destructive nature of the mb comp vs the destructive nature of the eq. In other words, how the mb comp only clamps down on the *build ups* of the frequency on a moment to moment basis where as eq permanently decreases the level of the frequency. So the mb comp allows for more nuance. Super helpful clarification

I strongly dislike this "turn 1 hour into 10 hours" content strategy.

What if i record Ambient sounds and there ar many quiet parts for longer duration but also very loud parts. If i bring the Loudness to -16Lufs the loud Parts need to be ultra compressed or hard limited and loosing all it´s dynamic Range. So it would be better to lower the overall Loudness to keep the dynamic Range. But what will TH-cam do with that? Does TH-cam normalize to quiet Parts to -16Lufs anyway or does TH-cam only lower too Loud Parts and leaf the Quiet Parts as they are?

you are awesome man. thank you!

"AM" Pop and rock music in the 60s was often almost as distorted as it is today. The bass was really growling. The music also often lacked nuance with vocalists coming on at full blast immediately. Guitars and vocals were often bandpassed for different reasons, but with a similar outcome. People give old music a free pass because the processing was analog. American pop music seems to have suffered more than European or Soviet. Only later in the late 70s up to the early 90s, we had high fidelity long form music for "FM" stations. LUFS is a simple as it gets, an RMS meter with a highpass and a high shelf. Modern pop producers only know the loud sound and can't make it any other way. The loudness won in the war.