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The ModicaLiszt
United Kingdom
เข้าร่วมเมื่อ 2 เม.ย. 2018
Pianist and composer in England. Mad Lisztomaniac.
Channel used to be called “Franz Liszt-Chopin” from 02/04/2018 to 31/07/2020
Please email any enquiries.
Channel used to be called “Franz Liszt-Chopin” from 02/04/2018 to 31/07/2020
Please email any enquiries.
Carl Czerny – Grand Étude en forme de Variations, Op 822 No 46 (Hay)
By chance, I stumbled across a poster in my new hometown - "Tyler Hay Piano Concert". I was shocked that a winner of the Liszt Society International Piano Competition, with excellent recordings of Liszt and Kalkbrenner, was coming to Cambridge soon to perform, and so I immediately got tickets for me and two friends. The poster advertised a programme of Rachmaninoff's First Sonata and Liszt's Sonata, which promised to be an excellent Saturday night. Upon my arrival, the programme given to me was very different: Chopin, von Henselt, Field and Czerny in the first half, with Beethoven's Op 57 and Liszt's Weinen Klagen Variations in the second. Upon seeing this change, and learning its droll backstory, I was naturally excited - this programme is even better than a conventional Liszt Sonata (as much as it is Liszt's second best achievement at the piano!).
Included in this concert (one of the best I have ever attended) was this piece by Czerny. Having studied the Op 299 and 840, and hearing his variation for Liszt's Hexameron, I thought that I had seen all of the musical talent he had to offer. But this piece certainly demonstrates an exceptional command of musical talent: transforming a childish and banal theme into a crowd-pleasing concert study. I thank the wonderful Tyler Hay for introducing me to new ideas about Czerny (as well as about the Liszt Variations!), and for having the most wonderful conversation about all things Alkan, Mereaux, Sorabji and Liszt.
Tyler Hay's introduction to this work: "Op 822 is a set of forty-six études that offer a neo-classical response to Clementi's Gradus Ad Parnassum from 1817. This charming piece brings the opus to a close after twenty consecutive preludes and fugues that are altogether more serious in feel. It opens with a curtain-raising introduction, followed by a comically simple eight-bar theme and thirty-four brilliant variations that display a masterclass in musical characters and textures. It could be thought of as a musical Punch and Judy show!"
Pf: Tyler Hay
Included in this concert (one of the best I have ever attended) was this piece by Czerny. Having studied the Op 299 and 840, and hearing his variation for Liszt's Hexameron, I thought that I had seen all of the musical talent he had to offer. But this piece certainly demonstrates an exceptional command of musical talent: transforming a childish and banal theme into a crowd-pleasing concert study. I thank the wonderful Tyler Hay for introducing me to new ideas about Czerny (as well as about the Liszt Variations!), and for having the most wonderful conversation about all things Alkan, Mereaux, Sorabji and Liszt.
Tyler Hay's introduction to this work: "Op 822 is a set of forty-six études that offer a neo-classical response to Clementi's Gradus Ad Parnassum from 1817. This charming piece brings the opus to a close after twenty consecutive preludes and fugues that are altogether more serious in feel. It opens with a curtain-raising introduction, followed by a comically simple eight-bar theme and thirty-four brilliant variations that display a masterclass in musical characters and textures. It could be thought of as a musical Punch and Judy show!"
Pf: Tyler Hay
มุมมอง: 2 649
วีดีโอ
When you discover a long-lost experimental composition...
มุมมอง 76728 วันที่ผ่านมา
I recently stumbled across this sketch for a fourth Vignette. These were some piano miniatures that I was composing four years ago. I had totally forgotten that I had started this one, although it seems like I considered it almost finished. There are lots of elements here reflecting my exploration of 20th century music, which is surprising when I consider that this was before I formally studied...
Ever heard Chopin's best coda played like this??
มุมมอง 2.7Kหลายเดือนก่อน
In Chopin's manuscript, and in any good edition, the end of the coda has no change in tempo. Many pianists play the low G minor chords between the virtuosic scales in a tempo quite unrelated to 'Presto con fuoco', and instead invent some sort of Adagio, which destroys the phrasing and the rhythm of this ending. Chopin wrote 'ritenuto' over the chords and 'accelerando' in the passages that follo...
Frédéric Chopin - Ballade, Op 23 (Módica)
มุมมอง 597หลายเดือนก่อน
Pf: Aidan Módica (Recital at Christ's College, Cambridge, 18/10/2024)
![Alexander Scriabin - Préludes, Op 11 [Selection] (Módica)](http://i.ytimg.com/vi/YK6xdQZXYZw/mqdefault.jpg)
Alexander Scriabin - Préludes, Op 11 [Selection] (Módica)
มุมมอง 174หลายเดือนก่อน
0:00 - No 9 in E major 1:25 - No 10 in C-sharp minor 2:27 - No 11 in B major 3:53 - No 12 in G-sharp minor Pf: Aidan Módica (Recital at Christ's College, Cambridge, 18/10/2024
J.S. Bach - Prelude and Fugue in F-sharp minor from WTC II, BWV 883 (Módica)
มุมมอง 101หลายเดือนก่อน
Pf: Aidan Módica (Recital at Christ's College, Cambridge, 18/10/2024)
Zhu Jian'er (朱践耳) - Prelude "告诉你......", Op 4 No 1 (Módica)
มุมมอง 88หลายเดือนก่อน
Pf: Aidan Módica (Recital at Christ's College, Cambridge, 18/10/2024)
Chopin's Most Moving Two Minutes
มุมมอง 3.1Kหลายเดือนก่อน
I had displeased a minority of viewers with my comments regarding Chopin's Fourth Ballade, so while I stand by my own opinions, here is a peace offering for you all: the Fourth Prelude. Pf: Aidan Módica, 26/09/2024
Zhu Jian'er (朱践耳) - Five Yunnan Folk Songs, Op 15 (Módica)
มุมมอง 6423 หลายเดือนก่อน
0:00 - Mountain Song (山歌) 1:04 - Shepherd's Tune (牧羊腔) 2:11 - Guess Song (猜调) 4:31 - Waves of the Hong River (红河波浪) 7:35 - Birds on the West Plain (西厢坝子一窝雀) Pf: Aidan Módica (Live for the CIPMF at St Margaret Pattens, London, 06/08/2024)
The Ugliest Music on the Most Beautiful Piano
มุมมอง 1.2K4 หลายเดือนก่อน
The coda to Frédéric Chopin’s Fourth Ballade, Op 52. This Ballade is the ultimate curate’s egg, featuring Chopin at his best juxtaposed with his absolute worst. Pf: Aidan Módica
Olivier Messiaen - Première communion de la Vierge (Módica)
มุมมอง 5516 หลายเดือนก่อน
Vingt Regards sur l'Enfant Jésus: Regard XI Pf: Aidan Módica
Frédéric Chopin - Deuxième Impromptu in F-sharp major, Op 36 (Módica)
มุมมอง 1.1K6 หลายเดือนก่อน
Pf: Aidan Módica
The Greatest Music on a Century-Old Bechstein
มุมมอง 1.1K7 หลายเดือนก่อน
I am overjoyed to share this excerpt from Liszt's Sonata played on my newly-acquired 1901 C.Bechstein Model 3 in rosewood with inlay. I went the distance to get it, and it was worth every effort. Liszt was an advocate for the Bechstein piano manufacturers, and no company makes pianos like this in the modern day. If you are interested in this piano, Paul from The Derbyshire Piano Workshop is a s...
Charles-Valentin Alkan - Le chemin de fer, étude, Op 27 (Viner)
มุมมอง 1.6K11 หลายเดือนก่อน
This study by Alkan is often cited as the first piece of music based on a train journey, with the steam engine chugging along, happy passengers riding, and complete with train whistles and sirens. Pf: Mark Viner
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มุมมอง 1.3Kปีที่แล้ว
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Frédéric Chopin - Nocturne in G minor, Op 15 No 3 (Módica)
มุมมอง 651ปีที่แล้ว
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มุมมอง 501ปีที่แล้ว
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มุมมอง 646ปีที่แล้ว
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W.A.Mozart - Sonata No 7 in C, KV309 (Módica)
มุมมอง 181ปีที่แล้ว
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Jean Sibelius - Le Sapin, Op 75 No 5 (Módica)
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Béla Bártok - 15 Ungarische Bauernlieder, Sz.71 (Kocsis)
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Béla Bártok - 15 Ungarische Bauernlieder, Sz.71 (Kocsis)
Clara Schumann - Ich stand in dunklen Träumen, Op 13/1 (Módica)
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Clara Schumann - Ich stand in dunklen Träumen, Op 13/1 (Módica)
Frédéric Chopin - Fantaisie-Impromptu, Op 66 (Módica)
มุมมอง 534ปีที่แล้ว
Frédéric Chopin - Fantaisie-Impromptu, Op 66 (Módica)
Franz Liszt - Sonnambula de Bellini: Große Konzert-Fantasie, S.393iii (Bellucci)
มุมมอง 3.5Kปีที่แล้ว
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Franz Liszt - Grand Solo de concert, S.365 (Howard)
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Kaikhosru Shapurji Sorabji - Prelude, Interlude and Fugue, KSS25 (Habermann)
มุมมอง 1.8Kปีที่แล้ว
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Brilliant piece! Might consider transcribing it Edit: someone's already transcribed it
Liszt was awesome
Wow❤❤
0:13 "If your piano only has 7 octaves" in the alt lol
Nice
beautiful piece yea like the score for this.
Brilliant showpiece and exercise piece
Nice work, I’d love to learn this!
Hope to see it in your next programme 😏😏
Pezzo brillantissimo, si può capire perché Stravinskij definisse Czerny "musicista di razza": e l'esecuzione è strepitosa, Tyler Hay è uno straordinario pianista.
Minor section is Handel rewritten by Czerny
Wow! That's astonishing for a live recording
I agree!!
no 3 in D Flat is missing Dam
This is the first version
Sensational! BRAVO from Acapulco!
Great choice of preludes. His preludes in op 37 and 48 are my favorite.
Incredible playing
My new favorite Czerny piece
This is a fantastic performance of a really fun work. Very similar in spirit to Beethoven’s C minor variations.
It was such an experience to watch this live without knowing the piece beforehand. It’s really effective!
No more Liszt ?
Liszt
@ could you please upload Reminiscence de Robert le Diable S 413, I have the NLA sheet if you need
@@jukeban646 Liszt's best worked paired with Lucrezia Borgia.
@@williamtaittinger4529 absolutely and Spanish fantasy too
ah thanks for uploading this one :D
No worries!
Well The ModicaLiszt, what a wonderful story. ❤
❤️
fun idea but no form
Par rapport à cette merveille , Debussy n a apporté que confusion. , redites et monotonies ...
un sospiro is missing
This is just... unbelievable it's just amazing friggin beautiful sublime... I feel so lucky to be able to listen and play this... How beautiful it is to just Feel this.... Thank you bro.
You’re too kind :)
Her interpretation of those emphatic notes in the beginning of No.8 is the best version for me!
The theme seems familiar. Probably from a Bach fugue.
If you find it, let me know!
The start is quite beautiful actually
Thank you!
Are you also going to be doing the other ballades as well?
I planned to, but maybe another time.
Well The ModicaLiszt, Bravo ! As You know I always say. 'Abandoned', not finished ❤
Now we have ‘the complete lost works’ of ModicaLiszt
@@kmytpmv314😂😂
こっちのバージョンのほうが好きと思ったが、それ以前にFilipecが上手すぎる
Here are the other three Vignettes: th-cam.com/video/wjYebtHYaVw/w-d-xo.htmlsi=cNEos1LQQay8FRIB th-cam.com/video/WWf4R7oIXXI/w-d-xo.htmlsi=LYyw5YAiBdIGKhmM th-cam.com/video/WdjEOv3Lbrk/w-d-xo.htmlsi=SJucN11DEj4EvggJ
I love randomly discovering very old unfinished compositions
I prefer this version over Leslie Howards...
Well excuted! A bit rushed for my taste but bravo none the less!
Thanks! In the description I explain why I made the tempo decisions I did.
Goran Filipec is a wonderful Liszt interpreter
4:50 so good voicing! Love when pianists does cheeky things like that! Brilliant!
Thanks very much!
Oh yeah!! Bravo!!👏👏
It's nice, but remember that playing classical music is not just historical revival. If you like it like this, then go on! Good for you! But there's no "correct" way, not even Chopin's.
Roberto Szidon is the king of this
I’ve never heard the first edition of the fourth movement. Very interesting!
Well done :) it's probs the easiest part of the coda but nice execution
The rest of it is also on TH-cam!
@@TheModicaLiszt if you've got it all it's very cool. I do play it but there's a part in the middle with very annoying stuff where I do struggle
To be honest..., not too good, seems tense and uneven, while it should be more ethereal and there should be a lot more loossness in arms and hands.
Exactly how do you see this? The arms arent even visable. Are you just guessing?? It does have very little rubato and a fast phase.
@@PaelloDisanta I can see it looking at his motion and I can hear it.
@@martinjohnson2549well if youre sure youre not fully capping on that. I never understood this. to me it sounds at least decent. Would rather say the player made good progress playing like this. Not the most musical performance but technically pretty good. It annoys me that i dont understand this after 14 years of playing. Its hard to know if someone is just saying random stuff by now after seeing people backseat pianist for so long it only gets more confusing for me.
@@PaelloDisanta I don't know his progress, but next step should be achieving this lightness necessary for Chopin.
If you read the description, you’ll see the justification for the lack on an “ethereal” atmosphere. And I am loose, I just naturally sit high. It’s impossible to play without tension (humans are not jellyfish). The goal is to play with as much relaxation of tension once you have struck the keys down.
3:19 very pretty, I haven't heard it that way before. 4:33 how do you learn how to play octaves like that? 4:43 I like how you play this section a lot. I like how you play the coda. It's more thoughtful. I've always thought that louder interpretations didn't fit with the rest of the piece well.
1) The voicing is clear in Chopin’s score, with the rest of the right hand “sempre pp”! 2) My octave technique isn’t great in that passage, should be more legato… 3) Thanks! I agree with you.
What got you into Chinese music?
Listening to it?
Cool stinwey paino very good playing1 beautiful music sounds good on the piano
Absolutely Fabulous
You've been cooking a lot in just a few minutes wth
I’m uploading pieces from a recital I played last night!
bass clef looks strange
Ballade no.1?
Woah, I like this so much more than the original!