![Producer Josh](/img/default-banner.jpg)
- 41
- 134 076
Producer Josh
āđāļāđāļēāļĢāđāļ§āļĄāđāļĄāļ·āđāļ 11 āļ.āļ. 2023
Grammy Nominated ð Ive got some Billboard #1s in rock and metal. Just having fun in this virtual world!
Worked with bands like Alter Bridge, Slash (Guns N roses), Sevendust, Mammoth WVH, Tremonti, Myles Kennedy and many more!
I have a passion for music and people. If I can find a way to help someone, thatâs all that matters. Hope you all enjoy the videos ð
Click the Portfolio button below to check out some of the songs I've worked on :) every stream helps them too!
Worked with bands like Alter Bridge, Slash (Guns N roses), Sevendust, Mammoth WVH, Tremonti, Myles Kennedy and many more!
I have a passion for music and people. If I can find a way to help someone, thatâs all that matters. Hope you all enjoy the videos ð
Click the Portfolio button below to check out some of the songs I've worked on :) every stream helps them too!
Is Modern Music âWORSEâ now?
Does modern music really suck? Or are we just not finding the right music for us? Today we dive into a Producer and Engineers perspective on this. What it took to make the records we cherish and love today. Why you are not finding new music you enjoy and more will be talked about. Wether you're a Sleep Token fan or a Led Zeppelin fan, I hope you enjoy todays discussion!
Link for most expensive albums list
ultimateclassicrock.com/most-expensive-albums/
My name is Joshua Saldate, I produce music, I write it, and Iâve done a lot of things in the music landscape. Recently I've worked on Mammoth Wolfgang Van Halens albums, Alter Bridge, Slash, and more! From home studio to pro studio, maybe you can learn from my journey. Hopefully we can have our own journey! Enjoy :)
__FOLLOW ME
joshuasaldate
www.tiktok.com/@joshuajustjosh
__DISCOGRAPHY
Here's a playlist of stuff I've worked on!
music.apple.com/us/playlist/joshua-saldates-stuff-ive-worked-on/pl.u-V9D7vD9FEgj1Z9
Link for most expensive albums list
ultimateclassicrock.com/most-expensive-albums/
My name is Joshua Saldate, I produce music, I write it, and Iâve done a lot of things in the music landscape. Recently I've worked on Mammoth Wolfgang Van Halens albums, Alter Bridge, Slash, and more! From home studio to pro studio, maybe you can learn from my journey. Hopefully we can have our own journey! Enjoy :)
__FOLLOW ME
joshuasaldate
www.tiktok.com/@joshuajustjosh
__DISCOGRAPHY
Here's a playlist of stuff I've worked on!
music.apple.com/us/playlist/joshua-saldates-stuff-ive-worked-on/pl.u-V9D7vD9FEgj1Z9
āļĄāļļāļĄāļĄāļāļ: 178
āļ§āļĩāļāļĩāđāļ
Mixing on Airpods and No Outboard Gear?
āļĄāļļāļĄāļĄāļāļ 51728 āļ§āļąāļāļāļĩāđāļāđāļēāļāļĄāļē
Mixing on Airpods and just a laptop sounds wild, but thats exactly what Pro Mixer Zakk Cervini does. Im blown away by this guys mixes all the time. Love what he does, but when I learned about his minimalist approach I had to share it with you all and see what you think. This is kind of a rant about outboard gear and hardware, but it all stemmed from this podcast. Enjoy! Heres a link to the podc...
Productive Hacks for Producers
āļĄāļļāļĄāļĄāļāļ 181āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Are you procrastinating? Well maybe I can help with that. I've got ADHD and sometimes I have to get crafty when it comes to staying on task. So today I thought I'd share some of my tips on how I do just that! My name is Joshua Saldate, I produce music, I write it, and Iâve done a lot of things in the music landscape. Recently I've worked on Mammoth Wolfgang Van Halens albums, Alter Bridge, Slas...
Mixing advice I DONâT agree with
āļĄāļļāļĄāļĄāļāļ 4KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Some of these mixing tips I see online don't sit right with me. So I'm here to set the record straight on 5 common tips I see here on youtube. Hereâs some links to the bands I mentioned! Intruder 424 th-cam.com/video/ilqt3qm1OWQ/w-d-xo.htmlsi=wEnVYSDy1_5w_nu1 Kashâd Out th-cam.com/video/yqtqNtrUO_0/w-d-xo.htmlsi=YXlzj0Vs0hco1qkq My name is Joshua Saldate, I produce music, I write it, and Iâve d...
Writing songs WITHOUT a computer..?
āļĄāļļāļĄāļĄāļāļ 653āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
It worked for the Gorillaz, and now it can work for you. Garageband is the new way to write music. Wether you are a beginner or a pro, I think you would enjoy how easy it is to write music on an Ipad or Iphone. You dont need an instrument or any musical experience to even make some fun sounds. So in this video I show you 3 ways you can make some music and create some fun songs while doing it. E...
92% of guitarist are tuning WRONG
āļĄāļļāļĄāļĄāļāļ 52KāļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Tuning your guitar isn't always as simple as it sounds. I deal with tuning guitars on a daily basis as a producer. Its a struggle but its definitely worth it when you figure out the best ways to do it. Today I share 6 tips on how to get the best guitar tuning so you don't bother your neighbors or the people at guitar center. My name is Joshua Saldate, I produce music, I write it, and Iâve done ...
Why digital EQ sucks..
āļĄāļļāļĄāļĄāļāļ 10K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
A lot of people ask me how to get better at mixing. Well I think EQ would be step 1 or just the beginning in general. So today I dive into how I think you can improve your EQ skills by taking away your eyes, and focusing on your EARS! My name is Joshua Saldate, I produce music, I write it, and Iâve done a lot of things in the music landscape. Recently I've worked on Mammoth Wolfgang Van Halens ...
What does Mastering do?
āļĄāļļāļĄāļĄāļāļ 5642 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
I think a super big question in the audio world is, What is Mastering? and Do you need it? Today I tackle both of those questions and hopefully you will have a better understanding on mastering. From websites to plugins that do it all, I try to cover it! My name is Joshua Saldate, I produce music, I write it, and Iâve done a lot of things in the music landscape. Recently I've worked on Mammoth ...
Different ways musicians make MONEY
āļĄāļļāļĄāļĄāļāļ 3262 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
I think we can all agree, that as musicians and people in this industry, we wonder how we can quit our 9 to 5 job. How we can support our lives with music. Well today I thought I would tackle that subject and give you some ideas on how you can make that happen. I cover different areas of music opportunities, jobs, and advice on what you could try. Let me know if you have more questions about an...
Before you QUIT music, watch this first...
āļĄāļļāļĄāļĄāļāļ 2.3K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
I recently got a comment asking me when its too late to produce music, and it got me thinking. I don't really think too late exists these days. You can pick up that instrument, learn garage band, and write a song on your phone. So I thought I'd share my thoughts in hopes that I can inspire anyone that watches to keep on chasing those dreams and most importantly, HAVE FUN! My name is Joshua Sald...
You DONâT need expensive Studio Monitors
āļĄāļļāļĄāļĄāļāļ 8752 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Today I answered some questions about being a producer in this day and age, how to learn mixing, and speaker placement! Big thanks to my friend Adam for joining me and being a part of the video! Check out his channel for videos about music for sync and other fun stuff! th-cam.com/users/AdamSliger My name is Joshua Saldate, I produce music, I write it, and Iâve done a lot of things in the music ...
Why It's Okay to Fail as a Music Producer
āļĄāļļāļĄāļĄāļāļ 1833 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Im back from a long hiatus of sessions. albums, editing, and so much more. So I thought lets start with a bang! I think its important to discuss and reflect on your past mistakes and failures. To truly grow and learn in your journey as a musician or even just a person, its something that you will have to get used too. My main message in this is to not give up. Its to show you that through all t...
WHY The Beatles Brought John Lennon Back for âNow and Thenâ
āļĄāļļāļĄāļĄāļāļ 1.5K10 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
WHY The Beatles Brought John Lennon Back for âNow and Thenâ
Taylor Swift is CHANGING the Music Industry, and itâs not goodâĶ
āļĄāļļāļĄāļĄāļāļ 72710 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Taylor Swift is CHANGING the Music Industry, and itâs not goodâĶ
5 Skills Top Music Producers Taught me
āļĄāļļāļĄāļĄāļāļ 83110 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
5 Skills Top Music Producers Taught me
What PRO DRUMMERS Taught Me, That Actually MATTERS!
āļĄāļļāļĄāļĄāļāļ 1.9K11 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
What PRO DRUMMERS Taught Me, That Actually MATTERS!
BUYING THIS Wonât Solve Your Problems
āļĄāļļāļĄāļĄāļāļ 2.4K11 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
BUYING THIS Wonât Solve Your Problems
NO ONE talks about this STUDIO UPGRADE anymore..
āļĄāļļāļĄāļĄāļāļ 6K11 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
NO ONE talks about this STUDIO UPGRADE anymore..
How to pick THE BEST guitar for you - Les Paul vs Stratocaster (Feat. Adam Sliger)
āļĄāļļāļĄāļĄāļāļ 68211 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
How to pick THE BEST guitar for you - Les Paul vs Stratocaster (Feat. Adam Sliger)
Stop Calling Gibson Trash
āļĄāļļāļĄāļĄāļāļ 2.3KāļāļĩāļāļĩāđāđāļĨāđāļ§
Stop Calling Gibson Trash
My Ross Phaser is broken already..?
āļĄāļļāļĄāļĄāļāļ 2.6KāļāļĩāļāļĩāđāđāļĨāđāļ§
My Ross Phaser is broken already..?
Why I havenât played this PRS in over 3 years..
āļĄāļļāļĄāļĄāļāļ 3.5KāļāļĩāļāļĩāđāđāļĨāđāļ§
Why I havenât played this PRS in over 3 years..
Letâs talk about Tim Henson
āļĄāļļāļĄāļĄāļāļ 7KāļāļĩāļāļĩāđāđāļĨāđāļ§
Letâs talk about Tim Henson
How to get inspired againâĶ
āļĄāļļāļĄāļĄāļāļ 556āļāļĩāļāļĩāđāđāļĨāđāļ§
How to get inspired againâĶ
How I Broke My Favorite Gibson With Super Glue
āļĄāļļāļĄāļĄāļāļ 711āļāļĩāļāļĩāđāđāļĨāđāļ§
How I Broke My Favorite Gibson With Super Glue
I've never heard from anybody about the tune up thing, but it was my intuition to do so. Great to hear it confirmed. The rest of advice rules also!
99% of videos with clickbait titles are pure shite. Science.
How did you calculate this 92%? ð
Get a rescue guitar like mine. I have to tune it to the specific song. : Also, it teaches you to appreciate a really good ax.
Donât forget Intonation is mega important! You need to insure this is correct across the neck, to play in tune!
Nice stuff.
some say tuning a guitar to get it exact after you do the tips you have said basically you should be tuning your guitar to the Harmonics at the 12 fret a harmonic is basically the true note you are tunning for when you tune to a note like you say you are basically tuning to a notes fundamentals as well which is not exact i would say with you starting with the high E STRING and working to B G D A E STRINGS THIS IS ALSO GOOD FOR THE GUITAR NECK
Interesting Josh, for number two I've always tuned to the decay not the attack. Seems to work for me. When I'm playing I pay attention to the guitar tuning and make adjustments if they are needed.
Why buy when you can remotely rent for pennies on the dollar? Access Analog and MixAnalog for the win!!!
Everyone is in such denial yamaha is all u need they are king just deal with it. It is what it is older analog tech will always be better full stop. Hence why everyone is going back eventually
We donât need monitors to be expensive, but we do need them to translate. ððž
There's no such thing as an in tune guitar and fiddling about like that just makes it worse. The reason why you may think it is in tune is because of you and providing the context to the notes that arise in a piece of music, which is in motion. Your mind and sense perception are not passive receptors of what you hear, they're active and they modify the sound. When you hear a piece of music you're reproducing the source of the sound that's on the outside. Some sources are pure notes, some are equal temperament. Unless it's way off, your mind will adjust to create the impression the piece of music is in tune. But if you pull the piece of music apart and just play bits of it you lose the context and you'll notice the bits and notes are not in tune. Some of the singing in your head hits the pure notes. That sets a standard. People think colour is on the outside. No, it's on the inside. You can't track the speed of light and you can't track the speed of sound either.
Guitars DO NOT TUNE. Either do a bit of in depth research into temperaments and such, or get a Peterson with offsets and let someone with the knowledge solve it for you. Guitars DO NOT TUNE...mic drop.
I've heard something regarding tuning your strings a penny flat or sharp...not sure which. Could you explain the reason for this theory.
Tuning clasical nylons?? Took me a week
Das waren nur ganz grobe Hinweise mit dem Stimmen fÞr AnfÃĪnger. Ein Teil wurde bereits angesprochen - und zwar die mechanische Komponente, die z. B. beim Bending auftritt. Doch auch dies wurde nicht konsequent weiterverfolgt. Es ist nÃĪmlich so, dass die Saite, wenn man sie bendet, sich nach einer Weile wieder erholt und dann eventuell auch zu hoch ist, wenn man zuerst sehr stark bendet und dann noch einmal nachstimmt. Was Þberhaupt nicht berÞcksichtigt wurde - und das ist ein sehr wichtiger Faktor - ist die temperierte Stimmung der Gitarre und das dem Menschen angeborene harmonische GehÃķr. Erst wenn man diese beiden Faktoren miteinander vereinbaren kann, bekommt man eine perfekt gestimmte Gitarre. Das verwendete StimmgerÃĪt im Video war Þbrigens viel zu grob in seiner Anzeige - damit bekommt man keine perfekt gestimmte Gitarre hin. FÞr einen AnfÃĪnger reicht das zwar aus, aber ein professioneller Spieler merkt, dass die Gitarre danach immer noch nicht so ganz toll klingt. Nun aber zum Problem mit der temperierten Stimmung und unserem harmonischen GehÃķr: Problematisch dabei sind eigentlich nur zwei Intervalle, die fÞr das Ohr gut klingen mÞssen - das ist die Quint und die groÃe Terz. Hinzu kommt dann natÞrlich auch noch der im Video angesprochene Effekt, wie stark man die Saiten mit der linken Hand drÞckt. Wenn man ein sehr genaues StimmgerÃĪt verwendet (mindestens auf 1/10 Cent genau) wird man merken, dass die Anzeige permanent hin- und her schwankt. Dies wird auch noch durch die AnschlagstÃĪrke beeinflusst. Am Anfang des Anschlags (ca. 1/2 bis 1 Sekunde) klingt die Saite immer ein kleines bisschen hÃķher und wird dann tiefer. So fragt man sich, nach welchem Ton man sich Þberhaupt orientieren soll - am Anfangston oder am Ausklang? Das sind zwar Feinheiten - aber die spielen letztendlich eine Rolle, wenn man die Gitarre perfekt stimmen will. Dazu kann ich nur raten: Mit mittlerer AnschlagstÃĪrke die Saite anschlagen und die Saite dann so stimmen, dass im ersten kurzen Moment die Anzeige des StimmgerÃĪts zu hoch anzeigt und anschlieÃend der Ton als zu tief angezeigt wird. SelbstverstÃĪndlich wird auch noch das eingebracht, was Producer Josh Þber das Benden bereits gesagt hat - aber man darf nicht zu stark benden, denn die Saite erholt sich mit der Zeit wieder - hÃķchstens Þber zwei HalbtÃķne benden. Wenn die Arbeit mit dem StimmgerÃĪt abgeschlossen ist, widmet man sich dem Problem mit der Quint und der groÃen Terz. Dazu arpeggiert man ganz simpel zuerst einen C-Dur Akkord vom C an bis zur hohen e-Saite. Die problematische Stelle ist die leere g-Saite, weil diese die Quint reprÃĪsentiert. Ist sie zu tief, klingt es grauenhaft. Ist sie aber fÞr unser GehÃķr ganz genau gestimmt, ist sie nicht mehr temperiert - und dies hat zur Folge, dass dann das a auf dem 2. Bund der g-Saite zu hoch ist. Das muss also ganz haarfein gehÃķrt werden. Wenn man glaubt, die g-Saite richtig hinbekommen zu haben, muss auch noch auf die Quart vom g zum c gehÃķrt werden (Wechsel von der g zur h Saite, bei welcher der 1. Finger auf dem c liegt). Wenn man dann das GefÞhl bekommt, dass es sich grauenhaft hoch anhÃķrt, wenn man von g nach c spielt, wird man die g-Saite noch winzig hÃķherdrehen mÞssen, so dass die Quart etwas kleiner wird. Wenn das gut klingt, muss noch die hohe e-Saite gut dazu passen. Dies bekommt man auch dadurch heraus, wenn man sich genau die groÃe Terz anhÃķrt, die vom 1. Finger auf dem 1. Bund der h-Saite zur leeren e-Saite entsteht. Wenn diese groÃe Terz als zu groà empfunden wird, muss man tatsÃĪchlich die hohe e-Saite winzig tiefer stimmen. Auch wenn das StimmgerÃĪt anderer Meinung ist. Das sind nur totale Feinheiten, die nur professionelle Spieler hÃķren (fÞr die Profis selbst sind es natÞrlich keine Feinheiten mehr, sondern deutlich wahrnehmbare Unterschiede) - und dabei selbstverstÃĪndlich ihren Fingerdruck mit einbeziehen. Nach dem C-Dur Akkord macht man das selbe mit dem E-Dur Akkord. Vor allem muss man darauf hÃķren, wie der Ãbergang von der 4. Saite zur 3. Saite sich anhÃķrt - also die groÃe Terz vom e auf der D-Saite zum gis auf der g-Saite. Und zuletzt nimmt man noch den D-Dur Akkord. Dabei kommt es auf die Quint an, die von der leeren D-Saite zum a auf der g-Saite gebildet wird. Wenn die vorausgegangene Stimmprozedur korrekt abgelaufen ist, wird diese Quint auch befriedigend klingen - wenn nicht, muss noch einmal nachjustiert werden. Ebenso muss man beim D-Dur Akkord auf die groÃe Terz hÃķren, die beim Ãbergang von der h-Saite zur hohen e-Saite entsteht - und zwar vom Ton d zum Ton fis. Sollte da etwas nicht stimmen, muss nachkorrigiert werden. Und wenn dies korrigiert wurde, prÞft man zur Sicherheit noch einmal mit dem C-Dur und dem E-Dur Akkord alles durch. Das alles liest sich zwar sehr lang und klingt vielleicht komplex - aber am Instrument ist das eine Sache von wenigen Sekunden, sofern man ein gut entwickeltes GehÃķr hat. Diese Tipps sind auch nichts fÞr AnfÃĪnger - denn die hÃķren diese Feinheiten Þberhaupt noch nicht. Aber man kann sie dazu schulen, dass sie dies im Laufe der Zeit hÃķren. SelbstverstÃĪndlich setze ich eine richtig eingestellte Gitarre voraus - denn wenn die Stegreiter nicht richtig platziert sind, wÞrde das in den oberen Griffbrettlagen dann nicht stimmen. Viele Gitarristen sind auf dem Wege ihrer Entwicklung zunÃĪchst ein bisschen hilflos, wenn sie zwar mit dem StimmgerÃĪt alles genau richtig gemacht haben, aber trotzdem das GefÞhl haben, dass die Gitarre noch nicht so ganz gut klingt. Sie wissen dann nicht, wo der Fehler liegt - und der liegt eben immer bei diesen beiden Intervalllen, die ich beschrieben habe: Der Quint und der groÃen Terz. Deshalb prÞft man diese am besten mit diesen simplen drei Akkorden, die ich erwÃĪhnte. Jumbo-BÞnde verstÃĪrken das Problem mit der Stimmung enorm - denn da wirkt sich die Kraft der linken Hand viel stÃĪrker aus auf das Stimmverhalten, besonders, wenn man dann Akkorde in einer hÃķheren Griffbrettlage spielt. Manchmal sieht man sogar, dass Gitarristen versuchen, mittels der Flageolett-TÃķne die Gitarre zu stimmen. Das kann aber nicht funktionieren, weil dabei temperierte TÃķne mit harmonischen TÃķnen verglichen werden. Man muss beim Stimmen einer Gitarre eines verstehen: Es handelt sich dabei um ein temperiert gestimmtes Instrument - und die temperierte Stimmung kann n i e total rein klingen, denn sie ist ja bewusst "falsch" gestimmt, damit man in allen Dur- und Moll-Tonarten spielen kann. Man kann nur versuchen, sie so harmonisch wie nur mÃķglich auf der Gitarre hinzubekommen beim Stimmen. Bei Tonintervallen von zum Beispiel einer groÃen oder kleinen Sekunde spielt das keine Rolle - aber die groÃe Terz und die Quint haben es in sich - die wollen ganz genau justiert sein, damit es fÞr unser harmonisch angeborenes GehÃķr noch gut klingt.
this comment is way way too long
@@curtrod Geistig Behinderte empfinden diesen Text natÞrlich als zu lang. Sie begreifen nicht, dass Informationen immer genau die LÃĪnge benÃķtigen, die ihrem Informationsgehalt entspricht. Geistig Gesunde kÃķnnen die dort enthaltenen Informationen aber verarbeiten und freuen sich, etwas dazu gelernt zu haben. Und mein Kommentar galt natÞrlich geistig gesunden Menschen - nicht dir.
@@curtrod Der ist nicht zu lang - du bist nur so dumm, dass du dir schwer tust mit Texten, die lÃĪnger als 3 SÃĪtze sind.
@@curtrod Nicht zu lang - du bist nur geistig minderbemittelt, um Texte zu verstehen. Und derjenige, welcher meine Antwort laufend wegzensiert wie in Nordkorea, ist ebenfalls strohdumm!
Is there a specific breed of guitar that holds its' tuning better than others? Thx, for sharing this interesting info...
Alle Gitarren mit Stahlsaiten halten ihre Stimmung besser gegenÞber Gitarren mit Nylon-Saiten.
Viewer tip number pineapples: Tune the largest string first, and the thinnest string last. Else the large strings will cause your tuning to go all whack and you need to tune more often.
Good tips!
I donât mix on AirPods but Iâve been using my AirPods to test my mixes. Using AirPods is like taking a black light to a hotel room. Youâre going to see all the gross parts really quickly. I hear stuff that I totally canât hear from my studio monitors. I think my studio setup has a better balance but the AirPods is closer to hearing it like a music consumer does. Itâs actually pretty convenient to test my mixes with AirPods. I print the track and itâs instantly available on my network hard drive and so I can access it and play it right from my iPhone. I can walk away and just listen for a few minutes and take a break from my computer screen.
Good anti-tips ð. I agree with these. Especially the thoughts in reverb. I hear a lot of people putting way too much reverb on everything and it kills me. Would you like some music with your reverb sir? ð
I was at the Coach House in Dana Point Ca. in 1998 watching Robin Trower playing with his band . If you know Robinâs work , you know he is a great guitarist . They used to call him the white Jimi Hendrix . Check him out on TH-cam . Well he played the whole show with his guitar out of tune from the rest of his band , which only was a drummer , bass player , and singer and Robin on lead guitar . I told all my friends he was out of tune and they said he sounded great . I couldnât believe the guy doing the mixing board didnât hear it . But when he did the Encore , he changed his guitar and that one was in perfect tune . At the time I had been playing the guitar since I was 12 years old . And this was 1998 so I was 12 in 1973 . So I had been playing for 25 years already . I knew he was out of tune .
92% of unemployed youtubers don't know how to use adverbs in their titles.
To be a guitar player it appears to be compulsory to have arms heavily tattooedâĶ if I get the sleeve tattoos will my playing improve?
That's a nice Le's Paul in video. I won't buy and epiphones because the neck on mine was nowhere near comfortable as the true Gibson and My switches shorted out on My epiphone les Paul so I decided not to invest in purchasing switches and rewiring it so next les Paul I get if I get one will be the 2000 dollar Gibson not the 300 dollar epiphone I had to throw away because of garbage wiring from factory but I had to compliment that guitar. Nice Gibson. Peace and God bless.
I learned to play on really crappy guitars with high action........later in life using well made and set up guitars I noticed I was pulling separate strings while playing chords that made the chord sound"sour" and finally I realized I was still (in my mind) playing those crappy guitars. Once I relaxed (it took awhile) things cleaned up. I call this my vice grip problem and still have to concentrate on playing easier....old haits die hard.PARENTS TAKE HEED buy your kid the best you can afford and set it up so there is no Vice Grip issues .
This was fantastic. I couldnât imagine what the video would be, but as someone whoâs been playing guitar for over 30 years, these are all things that I had picked up over the years and I absolutely know that they work. I think itâs brilliant that you put all of these together in one place, these are things I wouldnât have even thought to tell a new player. Every one of these makes a big difference, what a brilliant video. ððŧððŧððŧ
Glad you enjoyed it!
When a string is sharp to begin with, I've been a total believer in TUNING BELOW PITCH & THEN COMING BACK UP TO PITCH for decades. Yet nowadays, I see most guitarists NOT doing this.......even some of the greatest guitar players simply "tuning DOWN to pitch". Just 2 examples are: one of the top Nashville session men & true gunslinger Tom Bukovac, as well as acoustic guitarist JD Cormier...........and it literally drives me nuts to watch them do that.........even though I am in total awe of their playing & prowess.
Strum refers to playing more than one string. - otherwise very well presented.
and 38,5 % of people know, that using made up statistics, you can win as much as 64% of debates
You missed the point like nearly everybody (except for e.g. Slash & Brian May): guitars have to have a zero fret or have to be compensated at the saddle. If you do not know what that does and why it's important - what I am sure you do not know, probably never heard about it - learn something about physics and oscillating strings especially on fretted instruments. All in all your video is superflous and more on the stupid side. Nothing new or helpful except for complete idiots. :-(( Go back to square one and learn before you blabber about any issue.
Man, you tuned the G down after bending it. Dumby.ð
More like 10% but ok
Good video ððð
I hate great players that check the tuning really quick and say, "Good enough!" when it isn`t. Errr!
I tune at the 5th fret.
Jimi Hendrix says don't worry about being perfectly in tune when you play. Close enough is good enough!
Hendrix could play a shovel with a string and make it sound great ðĪ
Jimi Hendrix could hear the proper pitch and tune effortlessly and immediately; I saw him do it different times in life performance way back in the day in New York.
Was fÞr einen guten Musiker "nah genug" ist, klingt fÞr einen AnfÃĪnger oder Laien perfekt. AuÃerdem: Die temperierte Stimmung der Gitarre beruht darauf, dass sie eine bewusst verstimmte harmonische Stimmung ist. Aber immerhin ist sie "nah genug" an den richtigen TÃķnen. Die einzigen Intervalle bei der temperierten Stimmung, die mit der harmonischen Stimmung Þbereinstimmen, sind die Oktave und die Prime.
I've heard some live Hendrix performances where Jimi's guitar was so out of tune that it actually annoyed me. They say the more you learn to play in tune then it becomes easier to notice when someone is playing out of tune. Jimi is my favorite guitarist and I have spent a lifetime trying to master his technique and have not been able to achieve it yet. Thank you for the comment!
Mum is worried.
After tuning a string, tap the harmonic on that string's 12th fret and see if it reads the same on the tuner. If not, then that string's intonation needs adjustment, otherwise, each of the notes you play on that string will be slightly off tune.
Strum a note ?
Dredg - El Cielo Listen to it front to back - thank me later.
10 tips to make you a great guitarist!!!!!!!!!!!!!!!!!!!!!!!!!!!! SEE THEM BELOW âŽïļâŽïļâŽïļâŽïļâŽïļâŽïļâŽïļâŽïļâŽïļâŽïļ
10th and final thing ! Never ever make anyone an apology about being to loud or you did not do it just right by any other personâs standards!
9th thing Thrash that guitar like a true professional musician does and wail on!
8th thing crank the volume up to 11 and on the gain to 11 also!
7th thing is quit listening to this nonsense and jam like thereâs No tomorrow!
6th thing find music that you want to learn to play!
5th thing stretch you hands and fingers out and your wrist and and arms!
4th thing hire a real professional teacher to teach you guitar!
3rd thing have a true Luthier set up your ðļ guitar!