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All for the tubes <3

I’m using the grain from Dehancer, and yes, you can use 10 bit footage in the free version.

Thank you!

Thank you dudeeee!!

ZV-E10 with Tamron 17-70 :) the last 20 seconds is with the kit lens :)

Thank you so much! 😊

A mix of cineprint35, filmvision ii, dehancer and davincis own 2383, I’m not going to tell which is which though, because that kind of defeats the purpose of what I’ve been saying :)

Did you watch the whole video? He stated towards the end that he wants to try out more cinema/video oriented lens. That Tamron lens is probably the best jack of all trade lens and the price is reasonable.

@@elliscofield9756 yes but he bought it to work, but wants to try others. I'm telling you they can work but without loot it will look bad no matter what light he uses. In cinema the main thing is the script - idea, light and only then equipment. You can shoot with this but of course if there is light, then the G9II is better than nothing, especially since there are Laova speed boosters for 300 bucks. Convenience is the main thing, speed, but everything for the implementation of ideas!

@@ggdfggdfgdffgfddg34 loot 😂😂😂😂

@@ZeroGravityDesignStudio Well, this is a good camera for video, but it’s very expensive; it’s better to buy a C70, believe me, you will thank the camera more than once when you don’t need to screw in ND filters. And the dynamic range of the C70 is higher than the FX3, and there is also less noise and the C70 can write in Raw lite, but this is overkill. The Panasonic s5II costs $1,700, which is several times cheaper and more convenient than the Sony! If you have already purchased FX3, then you can also work with 3 people. You are a camera operator, a focus puller, a lighting designer and a cool script writer. Without light, a movie won’t work; a movie is a production, not a live filming. Focus puller will force viewers to focus on the things you have chosen.

loot, (I'm Russian-speaking, translation difficulties) this is lut adjustment to the image.

Thanks so much, man! I really really appreciate you :)

I start with ZV-e10 and this lens, and later on I have brought A7R5 and ZV-e1 and just sold E10 last week. For starter I highly recommend you get e10 with this lens first and understand what you want first. Later on you will know what you will need in your path😊

I recommend the new Sony A6700

Hey man, thanks for your kind words! Honestly, a used ZVE10 mark 1 with a lens like Tamron 17-70 is pretty good for starting out. You can always sell that when you want to upgrade. A6700 is really good from a value standpoint, but I still think for beginning, ZV-E10 is a better choice. I get your idea with professional level quality and stuff, but like I’ve said, starting with the zve10 and then selling it and upgrading if you really want to pursue this career is I think the best option. Alternatively in this price range there is also Fujifilm XS-10 and XS20, which you can find a used XS-10 for about ~700 without the lens though. I think they are both really great for starting out, and at that point, the question becomes, do you want to stay in the Sony system or Fuji system. I hope this helps :) if you have any more questions, do let me know :)

Thank you so so much! You just made my day :)

Hahahaha that was good!!! 🤣🤣

I just used Davinci CST to Cineon output with some adjustments and turned it into a LUT, but it's not something i've made publicly avaibale *yet :)) But you can totally use CST and it would get you there 80% :))

Yes that’s right!

@@ZeroGravityDesignStudio sir I am planning to buy this camera only for Instagram reels , could you please tell me that kit lens is enough for Instagram reels or should I upgrade ?

It’s totally enough!

@@ZeroGravityDesignStudio thank you so much sir , settings is same as you shown on this video ?

@sagarjoshi8095 yesss!

Do you mean film stock? This was a bit of everything, but mostly 500T and Ektachrome.

Very intentional choice :))) thanks!

Wow dude… Thank you so much! Means a lot :) I definitely think that is the way to go! I just got the Tamron too and it’s amazing 🤩

This gets pinned!!! Love it hahaha thanks :)))

@@ZeroGravityDesignStudio like "pin me down"? hahaha let's keep it PG ;)

Yeahhh I meant this comment gets pinned

@@ZeroGravityDesignStudio Ohhh... that is so embarrassing (haha)

🥳😬

😇

Thanks so much :)

Hahahahaha honestly, I might as well do that too

Thanks so much :))) I used CinePrint16 and FilmVision II for this video. Here’s my video about those :) th-cam.com/video/4747zAZyc08/w-d-xo.html

If you mean the colors on the ZV-E10 screen, that is not a problem, you can turn on gamma display assist and it will show you how it would look in Rec709. But in general that is not a problem, as soon as you turn that SLog gamma into the normal Rec709 in your editing program, everything will look normal :)

@@ZeroGravityDesignStudio Thanks for your reply. I will try to check the settings on my camera later. I'm also worried because I'm afraid my camera might be damaged or something.

@BoyWithPlans how does it look on Davinci with CST?

Hey, yesss I have a video about the settings right herre in the link :) th-cam.com/video/_DQTLyBY-W8/w-d-xo.html

Oh, that’s good to know, thanks!! :)

Free works as well, but the grain will not work.

Noise Reduction, Grain and Dust nodes will not work. You may switch them off and use the others. The Halation node works which is quite important to the look.

Thanks!!! Glad I was able to help :))))

Here you go man! th-cam.com/video/4747zAZyc08/w-d-xo.html There is also a lot more in my channel! :)

You can probably export a LUT using Davinci Resolve, and import it into the camera, but haven't tried it myself.

@@ZeroGravityDesignStudiookay thanks

I put some extra grain on it :) the image out of the camera is really not super noisy!

Hey, thanks so much :)) I was using the Monitor+ App on the iPad

There is a detailed explanation with the PDF guide Tom provides, but other than that, turning it on or off helps a lot of to understand what’s happening :)

Generally just an ND filter (just got it about two weeks ago) but other than that one, no! Every filter-like effect is being done in post-production :)

Thanks so much! I just got an ND filter about two weeks ago, highly recommend it, allows me to still shot at 2.8 while not blowing out the image. I think the image quality is mostly two things: are you shooting in good light, and are you post-processing your footage to cater it’s needs, while knowing the limitations and strengths of your camera. I spent a lot of time understanding my camera (ZVE10 mark i) that is what my recommendation would be :) And, yes, I do get the maximum quality out of my gear, but like I’ve said, it comes down to knowing the capabilities of it :)

@@ZeroGravityDesignStudio great advice thanks sm!

Thanks so much! 100% agree

Well, thanks for taking the time and letting me know :)

Thank you so much :))

Please you Can make a tutorial for beginner please on the color grading in DaVinci resolve please 🎉🎉🎉🎉🎉​@@ZeroGravityDesignStudio

Of course! Until then, this video will also be very useful! th-cam.com/video/4747zAZyc08/w-d-xo.htmlsi=5rvDoT0jjyUk1OmR

🥲🥲

Hey, man thanks!!! This is till the ZVE10 Mark I, though :)

@@ZeroGravityDesignStudio That is so sick! Clean shots. I've had this camera for a while now. The only downside compared to the FX3 for me is the color getting distorted after heavy color grading. I thought this was the new one because your coloring is super nice here.

Hey, thanks! Other than not being able to use the built-in Davinci grain, there are no limitations :)

Hey, man thanks!!!! I really really appreciate you!

Hey, thanks! You still need to use it. But now your color space is REC709, and your gamma is SLog2 :)

Hey, I was using Slog2 with ITU709 :) thanks so much!!! I was using CinePront16 for this one, I’ve done a couple of videos on this, I’ll paste it here for you :) th-cam.com/video/4747zAZyc08/w-d-xo.html

Thank you so much :) Glad you enjoeyed it!!!