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Somewhere Suburban
เข้าร่วมเมื่อ 22 ก.ย. 2008
VHS Mystic // Associate producer of my son & daughter
The End of the World - Wonder Valley - Sony F35 CCD Sensor
Sony F35 with a Nikkor 17-55mm f2.8 lens and an internal CineMorph Anamorphic Looks filter installed from www.vid-atlantic.com/
มุมมอง: 115
วีดีโอ
Homage to Amboy - Sony F35 CCD Sensor - Nikkor Anamorphic-Looks Zoom Lens (Route 66, CA, USA)
มุมมอง 3863 หลายเดือนก่อน
About 2 years ago after collecting quite a few “vintage digital cinema cameras” I bought the Sony F35. It’s not my main workhorse camera, currently that’s the Mavo LF from Kinefinity, and it’s not my hobby/vacation camera which is the OG Blackmagic pocket camera. But I do love using this camera as often as I can. What I mainly use it with is the Nikon 17-55mm that I opened up and put a Vid-Atla...
Sony F35 CCD sensor - 50mm f1.2, 17-55mm f2.8 Vid-Atlantic CineMorph Anamorphic Looks Mod Filter
มุมมอง 2963 หลายเดือนก่อน
A few clips from a film production. I was able to "steal" a few shots using the old Sony F35 even though it's not the camera being used for the film. The opening classroom scene was filmed with the Nikkor 50mm f1.2. The remaining clips were filmed with the Nikkor 17-55mm f2.8 zoom lens. Both lenses were fitted with a CineMorph Anamorphic Looks Mod Filter at the rear of the lens and at the iris/...
Tonopah picnic - Sony F35 (CCD Sensor)
มุมมอง 1915 หลายเดือนก่อน
Stopped while driving through Tonopah, AZ for a coffee and a snack and grabbed a few shots. Filmed with the Sony F35 CineAlta and a Nikkon 17-55mm f2.8 DX lens along with a CineMorph Anamorphic Looks Mod filter installed within the lens from www.Vid-Atlantic.com Graded & Super Scaled to 4k using Davinci Resolve & Dehancer
Snow Play - Sony F35 (CCD Sensor)
มุมมอง 2265 หลายเดือนก่อน
Filmed in Big Bear, California Filmed with the Sony F35 CineAlta and a Nikkon 17-55mm f2.8 DX lens along with a CineMorph Anamorphic Looks Mod filter installed within the lens from www.Vid-Atlantic.com Graded & Super Scaled to 4k using Davinci Resolve & Dehancer
A Minute on the Mountain - Sony F35 (CCD Sensor)
มุมมอง 1505 หลายเดือนก่อน
Filmed with the Sony F35 CineAlta and a Nikkon 17-55mm f2.8 DX lens along with a CineMorph Anamorphic Looks Mod filter installed within the lens from www.Vid-Atlantic.com Graded & Super Scaled to 4k using Davinci Resolve & Dehancer
Downtown Twilight - Sony F35 CCD in 2024
มุมมอง 6996 หลายเดือนก่อน
Haven't posted much with this camera lately. Collected some clips for a corporate video and these are some leftover snippets. Filmed on the old Sony F35 with a Nikkor 17-55mm f2.8 and a CineMorph Anamorphic Looks Mod filter installed within the lens from www.Vid-Atlantic.com Superscaled to 4K in Resolve. Halation and some glow were added using Dehancer.
Sony F35 - CCD - Palm Springs Windmills with in-camera Film Burns - Nikkor 50-300mm f4 (4K)
มุมมอง 58210 หลายเดือนก่อน
Also used a Nikkor 17-55mm f2.8 lens on the first few shots along with a CineMorph Anamorphic Looks Mod filter installed within the lens from www.Vid-Atlantic.com Graded & Super Scaled to 4k using Davinci Resolve & Dehancer
Sony F35 - CCD - Film Burn & Ramp Tests (4K)
มุมมอง 29610 หลายเดือนก่อน
Thanks to Jo Kami for helping us F35 owners unleash this cool effect that allows the camera to ramp up and down as well as expose like a proper 35mm Motion Picture film camera. Super Scaled & graded in Resolve.
Last Pool Day 2023 - Sony PMW F3 with Tokina 11-16mm f2.8 lens
มุมมอง 571ปีที่แล้ว
Also used a CineMorph Anamorphic Looks Mod filter installed within the lens from www.Vid-Atlantic.com Graded & Super Scaled to 4k using Davinci Resolve & Dehancer
Super Moon over Redlands, California 2023 - Sony F3 - Nikkor 50-300mm f4.5
มุมมอง 166ปีที่แล้ว
Filmed with the old Sony PMW F3 and Nikkor 50-300mm f4.5 lens
Phelix Jones - No Next Time (Paris, Texas Unofficial Video)
มุมมอง 615ปีที่แล้ว
Made a little fan video for a very hooky song I love written by a good friend, singer-songwriter Phelix Jones from Washington, D.C. Song Lyrics Below. I’ve been alone before Relate to the feeling Question your life now Every evening It’ll get better The things that you’re saying But you’ll always wonder If you give up on praying She’s alright, I’ve been there She’s calling up strangers on a Fri...
Sony PMW F3 in 2023 - The first 2 Minutes (with shutter off)
มุมมอง 1.3Kปีที่แล้ว
I accidentally had the shutter switch set to off, so there are some motion trails in the movement. Filmed with Nikkor 50mm f1.2 and 35mm f1.4 Ai-s lenses and a Vid-Atlantic Multi-Colored Streak filter from www.vid-atlantic.com/products/vid-atlantic-pro-line-filters Captured on the odyssey 7Q in 422 and 444 Prores. Superscaled to 4k in Resolve. A slight filmic flicker added in some shots.
Sony F35, Kinefinity Terra 4K, Red Komodo Comparison - Anamorfake lens
มุมมอง 1.4Kปีที่แล้ว
Answers are way down below. Testing all 3 cameras using the same lens, positioning & composition for upcoming projects. In this version of the test, the footage was graded using color space transformations in an attempt to better work with each camera's strengths. Also added a little Halation & Bloom via Dehancer. Nikkor 28mm f2 with Vid-Atlantic CineMorph Anamorphic-Looks Rear Decal filter. Le...
Red Komodo & Sony F35 Comparison - 4K vs 1080 / No Super Scaling or Sharpening
มุมมอง 462ปีที่แล้ว
Red Komodo & Sony F35 Comparison - 4K vs 1080 / No Super Scaling or Sharpening
Guess the camera? Sony F35 compared to Kinefinity Mavo LF (S35 Mode)
มุมมอง 457ปีที่แล้ว
Guess the camera? Sony F35 compared to Kinefinity Mavo LF (S35 Mode)
Sony F35 - CCD Sensor - NikkorMorphic Zoom 17-55 w CineMorph Anamorfake filter installed
มุมมอง 611ปีที่แล้ว
Sony F35 - CCD Sensor - NikkorMorphic Zoom 17-55 w CineMorph Anamorfake filter installed
Sony F35 - CCD Sensor - Nikkor 17-55mm f2.8 Modified w/ Internal CineMorph Anamorphic-Looks Filter
มุมมอง 861ปีที่แล้ว
Sony F35 - CCD Sensor - Nikkor 17-55mm f2.8 Modified w/ Internal CineMorph Anamorphic-Looks Filter
Arrow Line Train - Redlands to San Bernardino & back - OGBMPCC Pancake Lumix 14-42mm & Prism Filter
มุมมอง 259ปีที่แล้ว
Arrow Line Train - Redlands to San Bernardino & back - OGBMPCC Pancake Lumix 14-42mm & Prism Filter
Santa Ana River Bed, Colton // Sony F35 - CCD Sensor w/ Nikon 50-300 f4.5 lens
มุมมอง 528ปีที่แล้ว
Santa Ana River Bed, Colton // Sony F35 - CCD Sensor w/ Nikon 50-300 f4.5 lens
Over the Hills w/ the Sony F35 CCD Sensor in 2023 - Squarish Anamorphic - Isco, Schneider, Nikkor
มุมมอง 354ปีที่แล้ว
Over the Hills w/ the Sony F35 CCD Sensor in 2023 - Squarish Anamorphic - Isco, Schneider, Nikkor
Sony F35 CCD Sensor On Tatooine - CineMorph Anamorphic Looks filters on the Sigma 18-35 & 50-100
มุมมอง 620ปีที่แล้ว
Sony F35 CCD Sensor On Tatooine - CineMorph Anamorphic Looks filters on the Sigma 18-35 & 50-100
Solstice & New Years Day - Sony F35 CCD Sensor Isco Anamorphic 35mm & Sigma 18-35 w CineMorph Filter
มุมมอง 407ปีที่แล้ว
Solstice & New Years Day - Sony F35 CCD Sensor Isco Anamorphic 35mm & Sigma 18-35 w CineMorph Filter
Sony F35 CCD Sensor - Desert Turbines // 50p // DPX // Nikon 17-55mm f2.8
มุมมอง 519ปีที่แล้ว
Sony F35 CCD Sensor - Desert Turbines // 50p // DPX // Nikon 17-55mm f2.8
Echo the Green Cheek Conure - Sony F35 // 50p // Low Light // Nikkor 17-55
มุมมอง 284ปีที่แล้ว
Echo the Green Cheek Conure - Sony F35 // 50p // Low Light // Nikkor 17-55
November Drive - Sony F35 CCD Sensor // 50p // Nikkor 17-55
มุมมอง 343ปีที่แล้ว
November Drive - Sony F35 CCD Sensor // 50p // Nikkor 17-55
Tokina 11-16mm with Anamorphic-Looks filter - Sony F35 CineAlta - ProRes 444
มุมมอง 336ปีที่แล้ว
Tokina 11-16mm with Anamorphic-Looks filter - Sony F35 CineAlta - ProRes 444
Think about you so much all the time ❤️
I've owned an F3 body for a few weeks now, and at long last my first lens, an Olympus OM S Zuiko 35-70mm (F/4) will be arriving in the mail tomorrow (--no worries, I have a native OM mount) and I couldn't be more excited to finally start shooting and seeing what's possible. Seeing your footage only makes me all the more psyched, as I'm currently still limited to recording internally as well! I was wondering how large of an SD card you've managed to get away with your SxS adapter was? I currently have two official 32GB cards, but I want to expand as much as I can in the future!
love it
En qué grabas con un átomos?
Love these shots
interested to know which camera was used instead of this beauty? This is so not a hobby camera, and would love to see the footage compared to what you shot here. This is beautiful indeed. I can't imagine any other camera looking better, different yes.
so cool, love it
Once again, superb images shot on the F35. Congratulations! I've been actively looking to buy one for my next project, but couldn't find one at a reasonable price... I even looked for an SRW-9000PL, but it's the same or worse. So I bought an Alexa PLUS for much less than the F35 salesmen were asking. And I unfortunately sold my F3 + my AJA CION to reduce the bill.
Thank you! Very cool! But sorry to hear that you sold those amazing cameras! Would love to know your thoughts on how the Alexa compares to the F3 - especially if you film something similar to your last F3 video.
Always love to see new stuff coming from you. There are almost always people in your clips, which is great. Love the natural acting of the couple.
I was convinced the footage was from the opposite cameras. CRAZY!
Could you provide the original clips for me to do my own bit of grading? I'm absolutely interested in this camera
No comparison, the Kinefinity Terra 4K is absolutely amazing!
The shadows are looking slightly orange/brown. Did you put a film lut on it? or is that what it looks like out of the camera?
Probably a bit of both. This camera yields a "burnt copper" look (I think David Mullen, ASC used those words to describe the F35) especially in the shadows. If you watch my other videos I did some comparisons with other cameras. The black shirt became brown or dark burgundy; a result of IR pollution according to others. I personally like it as it reminds me of various vintage film stocks. I added a bit of overall magenta and highlight-halation to the grading so that probably leans more into the burnt copper & orange look.
"Hey pups.. Stay in one spot.. I'm not pulling focus too!" hah. Great footage. I love this lens. You have your tokina PL converted or you have the nikon converted F35? No vertical striping in the direct sun..?
Thanks for watching! I have the Sony F35 with a Nikon mount front plate. There are a few shots in the beginning that show the vertical stripe. I guess the sun wasn't strong enough at the end ¯\_(ツ)_/¯
Thank you for the video! I have a question! How did you put this lens on the camera? which adapter did you use and how much did it cost?
I used a somewhat easy-to-find Nikon FZ adapter for the Sony F3
@@edwardenciu thank you for reply
What a time to be alive a former quarter million dollar camera used for home videos now lol, beautiful footage, considering pulling the trigger on one for $2000 nothing looks more like film than the F35, maybe the bolex.
Love the way your f35 footage looks. Do you have any way that I can reach you offline, maybe through email, so you could give me some tips on the way you grade these. I love the look of yours more than any other. Feels a lot like some of the indies shot in early 200s. I’m shooting a feature next month with the f3 (not f35), but everyone states (including you) that color science is pretty much the same. Please let me know if you would be willing to do that. I would greatly appreciate it. Dennis
Thanks for your kind words on my grading style. Sure, not a problem. I'll help as best as I can. Yes, the F3 is just as special as the F35. I like the F35 more only because it handles highlights better, but the F3 handles shadows much better - so it's a trade-off. In the end, their looks are pretty similar. And my grading is somewhat simple. I use Davinci Resolve along with a touch of Dehancer. I like adding a hint of glow that mimics a pro-mist filter (I also use a mist filter in front of the lens) and a tinge of halation (either from Dehancer or directly in Resolve, both are great). Anyway, my email is eddie@vid-atlantic.com Feel free to reach out!
What a gem, another very nice video. I like CCD sensors!
Looks great. How would you compare your F35 footage vs the F3, color wise, etc? What did you do here as far as pst is concerned? Thanks in advance.
Absolutely love this!
Thanks! Means a lot coming from the OG F3/35 master!
such a fun video. love the retro holiday vibe
Thank you!!
Nice one. I'm done with snow though :D
We're very lucky in that when we drove down the mountain, we got to enjoy 80-degree weather at home that same day. Snow is nice, but at a distance.
I love the look but man do I wish you hadn't shown the faces of unsuspecting socioeconomically challenged people. Were they aware of you? Did they consent?
I know what you mean and am very respectful of all people, but I don’t think it’s exploitation as there wasn’t any statement or editorializing happening here. I don’t think anyone should hide what millions drive by and see in order to maintain that class separation between ‘us & them’. It’s does no one any service to shutter and hide them away. I didn’t ask them to sign talent release forms (that would’ve been weird), all of them saw us, half of them talked to us and asked about the tank of a camera & lens system that was set up on a tripod - definitely didn’t come across as unsuspecting.
@@edwardenciu thanks for answering in good faith. I’m sorry if this came across as an attack. I don’t know the situation there. Thanks for the test, I’d love a f35. I’m looking at a 50-300 right now.
@@simonrabeder1599 don’t sweat it. I understand your concern. Just wanted to make the situation and myself clear in my response. I would never exploit anyone’s suffering. That’s pretty evil. Thanks for watching! I hope the footage was helpful. It’s an amazing lens!!
They look so close it doesnt matter. Before topaz ai or super scale, I'd say you might be in a pickle if you needed to crop in post. But now..... Theres not much reason. They still shoot 35mm and thats 2k so its all about dynamic range and color depth. Something these fancy HD cameras had.
They're so close, it doesnt matter. Thats shocking. Like you can tell one has more detail than the other, but you can add that back in post these days so... Close enough.
Beautiful. Wish it was widescreen though I see it's squished!
lovely. great to see some new stuff. love the reverse playback bit
DUDE!! AMAZING!!
I guessed correctly as well after having to watch a whole bunch of different clips… Love the CCD pastel colors but wow the Kinefinity almost stumped me a few times.
Never seen a digital "film burn", very cool. Does this mean you are manually ramping the fps while shooting? if so that's wild
Gorgeous!
mavo has better color (real red trousser) and noise clean dynamic range
Love the colors :) What do you think of collaborating with us?
Okay so I feel like you’ve got some real authority at this point What is your pic for the most filmic low budget camera? Which one would you pick to shoot a feature with?
If you like or don’t mind feel of an old arricam or panavision camera then the F35 by far is the best choice as its image is very filmic. But if you need something a lot more incognito then go with the original blackmagic pocket or cinema camera. These 2 are my favorites. Some great in betweens are the Sony F3 (minus its highlights and slightly soft image) and the Terra 4K. I would 100% shoot a feature on any of those cameras but the F35 is king in regards to mimicking celluloid film.
It is worth to buy for canon rp instead of 24-105l lense ...my main purpose is wedding videos ...and how z the autofocus of the lens please reply
Nice job
awesome, looks like a fun day with the F35
probably 422 caused the problem.
from this footage, i don't see any f35 mojo.
1:52 What is causing some of the color cast changes in depth here with the refocusing? Are you using a polarizer?
I’m surprised. The colours on the f35 seemed awful
the internal color is such a good look
Honestly thought I was the only one that kinda preferred the 8 bit internal footage lol, alister chapman has some good custom picture profiles that have a great look straight out of camera
Love your pool 🏊 😅😅😅
Always amazing man. F3 always going strong. Looks like a fun time man.
Looks good 👍 was wondering why youve written shutter off in the title and what effect does it have to the footage?
Right away I noticed the extra motion blur which screams 'video' to me, so I just wanted to make it clear as to why that is. If the shutter switch is turned off, the camera reverts to a 360-degree angle shutter. In this case, it was 1/24 when it should have been set to 1/48 (180 degrees) for a more filmic look.
You have the 444 upgrade? Looking forward to filming with it
Yeah, this was filmed in 444 ProResXQ. Such a fun a camera that wows people right out of the gate.
wow how did you get the image quality to be so clear on this lens?
Definitely don’t underestimate the quality of the Panasonic Lumix lenses. I don’t think I added any sharpening other than the medium setting applied when super scaling to 4K in Resolve.
@@edwardenciu :O I just bought the lens :)
how to you get the color and bloom effect its perfect!!
.....a day in the life type of video. .....old pictures feeling. ........there's a video by Still Corners called The Trip with the same vibe.
"We'll always have Paris."❤️