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I find the rubato off-putting in the first movement... Anyone else?

Superb

More melody

Not all of Webern's pieces are short. His Missa Solemnis has fifteen movements and lasts over 55 second in total.

Just imagine what Webern would have done with the modern audio technology we have today.

excelente !

A very attractive piece by Reger! By the way, if any of you out there are familiar with a lot of Reger's solo piano music, if there are any pieces of his that you love and that don't require virtuoso technique, I would love to hear about them! Here is one solo piano piece by Reger that I've come to love, and it's played wonderfully by Markus Becker in this video: th-cam.com/video/jpqgOBZv8CA/w-d-xo.html

The Romanian Enescu was one of these composers of the late XIX th and the first half of the XX th who made efforts to malt popular, folkloric expressions to the classical language. Even if he developed a much less advanced language than his Hungarian colleague Bartok, his style, particularly in chamber music, is very original and appealing. ❤❤❤❤❤

inspired by Shostakovich?

That second movement is unbelievably perfect.

2nd movement so cute

My dog started barking uncontrollably when he heard this music. What does that mean?

sodelicious.............................

Wow! ✨

I don't think it's a 'wonderful piece' except in the sense that it's deeply disturbing. In this sense it's very effective. Quite difficult to 'enjoy' in the usual sense, as I expect to listen to music. The reference to Pfitzner feels relevant but to me, it leans towards later, less welcome composers, like Scriabin, the lesser works of Stravinsky and Bartók. Likeable it is definitely not as far as I'm concerned.

It is amazing how his earlier music has aged so well

love-love this

Absolutely extreme rendition! But unexpectedly talented in some episodes. Yet... this is not Haydn, but some madness.

24:30 Sehr innig

Could you send me the score? I have been looking for these for ages :(

Veramente bravi!!!!

I prefer his Concerto for the Left Big Toe 😂

It starts with a 'i'm gonna be the most performed chamber piece' vibe

0:16

Timestamps for second movement: Theme: 11:15 Var 1: 13:23 Var 2: 14:58 Var 3: 16:42 Var4: 18:16

Thanks for posting this astonishing work with its score. It's a fine performance, would have been even better if the quartet had respected Haydn's dynamic markings.

This is beautiful! Doesn’t even sound atonal

Ligeti ha imparato a bilanciare tradizione e innovazione, a trovare un equilibrio che passa dalla mente e dal cuore

A rare gem.....BRAVI TUTTI from Acapulco!

First I thought the last piano chord in measure 9 in the first piece was missing in the recording; it's not. It's just very subtle. Another reason one, preferably, shouldn't listen to this with ear-plugs.

30:18 fuga

Twelve tone is awful stuff

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This is like Beethoven but without all of the beautiful music

I can’t help but think Breath of the Wild with the sparseness and wild jumps

The first piece reminded me quite a bit of late Talk Talk. I wonder if Mark Hollis listened to this or if it was just a coincidence, given both of them were madly in love with silence

I often listen to this kind of music (2nd vienesse school and others) but i feel I don't get to feel or understand what is happening. People write about these pieces and say they are a condensed masterpiece. The same happens to me with most of the late 20th century and contemporary music, I feel I am not able to apareciate it, with their atonal tendencies and dissonances. Could someone develop his/her opinion on this matter? I'd really like to understand this. Thank you very much :)

TLDW it sounds like someone with a wood saw and a violin bow and it expects the listener to call it a genius.

Absolute masterpieces.

I’m sorry but this atonal stuff is bull shit. There is nothing beautiful about this. It’s like throwing paint at a canvas and calling it art.

On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier. On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities. This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law.

Based

My mind was blown by the dissonance near the start of Var II in the second movement (14:58), where the raised seventh of the ascending D melodic minor scale in the second violin clashes with the neutral seventh of the descending scale in the cello. Privileging the voice leading over "prettiness" in harmonies to this extent really gives this moment a Renaissance flavor to me, and I'm so glad that this cellist places the C natural on the downbeat to accentuate the tension. I browsed around other recordings where they dodge this by placing the grace note before the beat but I prefer this dissonant version so much more!

A masterpiece eclipsed by some overrated quartets.

lol the title is such a badass

I believe this is a wonderful comparison and a flawless marriage between Taneyev and Hans Pfitzner, I am blown away by their similarities and presentations, I just fell in love with their quartets

Amazing!

The composer’s name is Joseph Haydn. The ‘Franz’ is a baptismal name and should *not* be used, just like you wouldn’t add Johannes Chrysostomus Wolfgangus Theophilus to Mozart’s name - see how silly it is ?

Thank you for giving us this opportunity to listen to a beautifully lyrical chamber performance. I am really starting to admire Taneyev and hope to hear more of his work.

Oh my! Bravo Haydn!