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Great content, thanks!

perfect for me at the moment as I’ve just started working on combining enclosures and arpeggios.

All I can say is were have you been all my life?? Lol. This is what I've been searching out for a long time. Thank you so much!!

So much to digest here! This really ties a lot together.

Nice man! Thanks 😎

So... the big question... when you're running up an inversion's arpeggio, I suppose you need to remember the final/ "soprano" chord degree (1,3,5,7) of that inversion and that in the chord you're going to, the pivot note is one degree lower than the "soprano" in the first arpeggio/ chord... cuz that's how pivots work... if you're going to keep running arpeggios and not just come down the scale or something else.

I’m having trouble finding the pdf?

Maybe retitle/ thumbnail this video to mention Minor 2-5 up front… it’s “the secret” to playing over them. Sort of obvious but us newbs don’t know!

Great content! What is the music notation software you’re using?

I’m tired of sounding like a rock guy trying to play jazz. I’m getting better but now everyone probably thinks I’m a freak being stuck in the middle. Nobody loves me or my jazzy rock or rocky jazz 😢. Just kidding great video man. 😎🎸

Hi, I really enjoyed that lesson, as I am exploring the Barry Harris method. I bought your two truefire videos for now. Thank you for your service!

Thanks. Do you provide also Guitar Pro (or xml) file on your Patreon?

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This is very good. I'm a professional-level classical player but have never been able to bring my jazz improv skills, which are next to nothing, up to a decent level. Over the decades, jazz cats have told me, "Simply listen to a lot of jazz." This advice never worked for me (listened to jazz since the late 80s but it has never transferred to my playing).

David- in terms of learning shapes- scales, arpeggios, triads, etc. - would you recommend working them in (all) string groups down the neck first, which limitation really implies one octave groups, then using that familiarity to run them in full across and then all around the neck? Seems to be your approach across these videos. Another beautiful video.

Thanks very much.

Great

I tell my wife she’s barely begun to scratch the surface of the applications of this one tiny lick too.

Great lesson, and great style of teaching. Please keep making content. Definitely have the recipe for success.

Great lesson. Instantly subscribed!

I believe the 6:18 lick is from Yardbird Suite

Great video...do you show more about enclosure on exploring melodic jazz comping ?

❤ Beautifully done! Clear, well organized & Elegant. Thank you! As always all my Best!

Another great lesson

Only channel I follow these days. Most effectively changed my playing. Cool stuff man.

I discovered the Studio a couple of weeks ago, my new favorite channel, thank you. 😊

This is a great way of thinking about connecting lines over progressions

Nice licks. Great explanation of the thinking behind them.

Loving this content

Hi. Are you going to continue making these videos? I was interested in getting some videos to learn standards, like trio chord-melody, comping, and improv etude, just like you have here. Could you tell me if you are doing something like this in your Patreon? The Barry Harris ideas were a little too far from my knowledge, but I think I will see the video you advised. Thank you.

@ 5:18 surely a 2 - 5 in the key of C is not F - G but Dm - G, this has confused me ???? Are you referring to the relevant minor of F ??? Am I missing something here?

The first part was good. The example pieces were too short/fast to really hear the chord changes. I would have focused on the common triad pairs (beside IV and V in major) and why.

this is my favorite lesson on triad pairs by a long mile. thanks for sharing.

THANKS

great!

Ты так много говоришь и красиво)а играешь плохо и мало))

Oh man, I absolutely love this, thanks you! It seems a much more practical way to apply all these concepts to the instrument. I’m definitely going to check out your TF course as well, cheers!

Excellent video and loved you referencing Robbie, he is amazing.

An excellent video for jazz musicians, my best compliments to you.

I will study and learn. Im looking for the rest of the lesson. Thank you!

Fantastic! Definitely joining you on Patreon!!!

that lick at 8:24 is so satfisfying to play in a loop

very intersting!!! practicing it right now! thanks!

Hey! I really love your videos, but I have a slight issue - it’s barely anything, and don’t want to come across as unappreciative or critical - it’s the scratchy handwriting sound that plays while text is written on the screen, it just does something to my brain where I am instantly distracted from the great stuff you’re saying! I wouldn’t mention it, but it’s in every video and means that I have to go back to focus harder on listening to you each time. Is it possible to turn it down in the mix a little? Sorry for the request, I know it’s dumb and it’s a me problem 😅

This is the missing link for me!

👍🎶

Triads are the secret building blocks of playing good music. Once you mastered it will open many ways of playing all over the guitar fretboard. It a simple 1 3 5 intervals played in its inverted forms 3 5 1 or 5 1 3. You can add additional intervals [E.g. 7th) to give a more bluesy or jazz up the chord voicing with a (9, 11, etc) in your playing.

Great lesson

Incredible how you're able to simplify two challenging concepts. Thanks!!