milos sofrenovic
milos sofrenovic
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MILOS SOFRENOVIC // Monologue No. 3, as read by Sheila Sofrenovic
Monologue No. 3, as read by Sheila Sofrenovic
Monologue prepared by Milos Sofrenovic
Text written by Marcel Proust
Performance film Lost Albertina directed by Mladomir Purisa Djordjevic
Camera and editing by Miodrag Misa Milosevic
Stage direction, choreography and performance by Milos Sofrenovic
"We do not get over pain any other way than by suffering it to the bitter end.
The only healthy thing for the body is happiness, while pain releases the forces of the spirit. As long as our life shall last, it is only when we suffer that our thoughts, forever in turmoil and tossed about by changes in direction, as in a storm, are raised to a level where we can see all of that huge space ruled by its own laws, which we would not otherwise see standing by a poorly set window because happiness offers us only a monotonous view, aimed too low.
We can emerge from suffering if by nothing else than by concluding that it exists. The mind reuses to believe that there is any situation in life that cannot be resolved. What we need to drag forth, bring out into the light of day, are our feelings, our passions, or rather, the passions and feelings of all people.
We do not get over pain any other way than by suffering it to the bitter end.
A man becomes a moral being as soon as he is unhappy. Pain is mostly our body’s need to become aware of a new state that disturbs it, a need to adapt our feelings to this state.
Disease is the doctor we listen to most of all; goodness and knowledge the doctor to whom we only make promises; and pain the doctor to whom we succumb. When someone believes for a long time that he is ill, he really becomes ill.
Life knows how to punish a person. Perhaps each night in our dreams we accept exposure to suffering that we consider to be worthless and unreal because we experience it in our dreams, for we believe dreams to be unconscious.
Often, it is only a lack o creative spirit that stops us delving deeper into suffering. Yet the most horrific reality offers us not only suffering, but the joy of a wonderful discovery because it simply presents a new clear form of something we have always wanted without knowing it.
Among the personalities of which we are composed, the most visible are not the most important.
It is better not to know anything, to think as little as possible, and not to give jealousy the slightest importance. Unfortunately, in the absence of an external life, accidents are caused by the life within us.
The things we most often mention in fun are those that are, on the contrary, painful, but we do not wish it to be seen that they give us pain, maybe hoping that the person we are talking to , seeing how we joke, will believe this none of it is true.
Man remembers truth because truth has a name and ancient roots, whereas a lie is invented on the spur of the moment and soon forgotten.
A man does not always readily accept tears he has caused to flow. We do not get over pain any other way than by suffering it to the bitter end."
Musical concept/ arrangement/ text dramaturgy by Milos Sofrenovic
Music composition/ arrangement/ sound engineering by Jan Vysocky
Text re-translated and spoken by Sheila Sofrenovic
Costume and stage design by Milos Sofrenovic
Sound by Stevan Milosevic
Produced by Nikola Lezaic
Performance film Lost Albertina is dedicated to the loving memory of ex-Yugoslav composer
KSENIJA ZECEVIC (1956 - 2006)
Duration of this performance film is 63 minutes
มุมมอง: 122

วีดีโอ

MILOS SOFRENOVIC // Radio Television Serbia (RTS 2) & Croatian National Television (HRT 1)
มุมมอง 19014 วันที่ผ่านมา
My gratitude goes to two journalists: Olivera Milosevic (RTS 2) and Vesna Mimica (HRT 1)
MILOS SOFRENOVIC // All Power to the Imagination!
มุมมอง 23728 วันที่ผ่านมา
"All Power to the Imagination!" Famous slogan from the French student protests of May 1968 schloss-post.com/performance-act-civil-disobedience/ Roundtable Discussion "Performance as an Act of Civil Disobedience: Forbidden to Forbid" With Denise Helene Sumi, Milos Sofrenovic, and Vinicius Jatobá "The latest performance in the series 'The Politics of Movement: On the Reinterpretation of Power' by...
MILOS SOFRENOVIC // Artistic Collaboration with Odyssey Dance Theatre (Singapore)
มุมมอง 4.9Kหลายเดือนก่อน
"M BODIES is a Refreshing and Bold attempt by Danny Tan. Together with outstanding talents from Austria, Korea, Malaysia and Singapore, they will perform a cross-cultural production with contemporary aesthetics. A distinctive voice in Asia. M BODIES is Danny Tan's full-length creation that dwells into a man's world of complex emotional feelings and desires. A juxtaposition of a "free" man's wor...
MILOS SOFRENOVIC // On the Acceptance of Imperfection ( Finale )
มุมมอง 155หลายเดือนก่อน
On the Acceptance of Imperfection ( Finale ) Antonio Correa (2013) - Maquina III Arrangement for synthesizers by LP Duo - Sonja Loncar & Andrija Pavlovic Directed, choreographed & performed by Milos Sofrenovic * Full performance recording: th-cam.com/video/kUOM5tC2HeA/w-d-xo.html Produced by NOMUS Festival, Serbia Project developed through Artistic Residency Program at MMF - Cultural Center in ...
MILOS SOFRENOVIC // Solo from Black Swan (Antwerp, Belgium)
มุมมอง 75หลายเดือนก่อน
Choreography : Michael Lazic Black Swan: Veronique Lievin Princes: Milos Sofrenovic Stefan Wise Pierre Doncq Michael Lazic White Swans: Ilse Orozco Pauilne De Laet Ewa Sikorska Pauilne De Laet Silke Muys Shannon Lucija Kukor www.ciemess.be Contemporary dance production in collaboration with Antwerp based dance theatre company cie M.E.S.S. and Theater aan de Stroom.
MILOS SOFRENOVIC // TV Portrait by Radio Television Vojvodina
มุมมอง 62หลายเดือนก่อน
"He dared to do the impossible, but he has never forgotten the child in himself and he did not stop playing. Because life is Movement! He fights against transience with movement, trying to express everything he feels. He most often chooses the solo form, which is, when it comes to dance forms of a conceptual nature, extremely demanding and one of the boldest creative processes. His visual metap...
MILOS SOFRENOVIC // Choreographic triptych THREE SEASONS
มุมมอง 30หลายเดือนก่อน
Milos Sofrenovic: Portrait of the post-modern artist as a young man Written by Dr Milica Konstantinović, art and media theorist excerpt: "The artist on the artist - the definition of Po-Mo art - discovers a consistent ambassador in Miloš Sofrenović. His triptych of solo pieces, starting in 2009 with Solo for Three Visions , continuing with M. - Solo for Three Minds in 2011, and culminating i...
MILOS SOFRENOVIC // Artist Talk with journalist Vesna Mimica (Croatian National Television)
มุมมอง 55หลายเดือนก่อน
An interview by journalist Vesna Mimica (Croatian National Television) Recorded: 12/10/16 @ ZKM (The Zagreb Youth Theatre) in Zagreb, Croatia
MILOS SOFRENOVIC // Black Swan - excerpt (Antwerpen, Belgium)
มุมมอง 4296 หลายเดือนก่อน
BLACK SWAN Choreography, stage, lighting : Michael Lazic Rehearsal coach: Elles Grzybek Black Swan: Veronique Lievin Princes: Milos Sofrenovic Stefan Wise Pierre Doncq Michael Lazic White Swans: Ilse Orozco Pauilne De Laet Ewa Sikorska Silke Muys Shannon Lucija Kukor www.ciemess.be Contemporary dance production in collaboration with Antwerp based dance theatre company cie M.E.S.S. and Theater a...
MILOS SOFRENOVIC // Collaboration with Chikako Kaido (Japan/Germany) - Tanztheater
มุมมอง 185ปีที่แล้ว
WE NEED FICTION Individual histories can be represented by a variety of universal histories. The dance piece “We Need Fiction” deals with the need to tell these universal stories based on choreographic material. People are always looking for a new mythology. In a world that runs so much on information, we need more fiction. Concept & choreography by Chikako Kaido Choreography, creation of texts...
MILOS SOFRENOVIC // Monologue of Two Worlds ( performance film excerpt )
มุมมอง 215ปีที่แล้ว
Performance film LOST ALBERTINA Artistic Statement: Live movement, performed and perceived in the present, is actually a temporal experience, in a sense of, that once executed, it is constantly analyzed and processed through revisiting of past experiences. Through my dialogue with Marcel Proust's capital work "Remembrance of Things Past", I discovered a strong relationship between three discour...
MILOS SOFRENOVIC // Duet with Ilse Orozco ( Antwerpen, Belgium )
มุมมอง 282ปีที่แล้ว
BLACK SWAN Choreography : Michael Lazic Dancers: Veronique Lievin Eva Sikorska Pauilne De Laet Ilse Orozco Lucija Kukor Silke Muys Shannon Stefan Wise Pierre Doncq Milos Sofrenovic Michael Lazic www.ciemess.be Contemporary dance production in collaboration with Antwerp based dance theatre company cie M.E.S.S. and Theater aan de Stroom.
MILOS SOFRENOVIC // We Need Fiction by Chikako Kaido, Japan / Germany - Tanztheater
มุมมอง 203ปีที่แล้ว
WE NEED FICTION Individual histories can be represented by a variety of universal histories. The dance piece “We Need Fiction” deals with the need to tell these universal stories based on choreographic material. People are always looking for a new mythology. In a world that runs so much on information, we need more fiction. Concept & choreography by Chikako Kaido Choreography, creation of texts...
SHEILA SOFRENOVIC // Emisija JACI POL, autorke Tanje Stevanovic
มุมมอง 987ปีที่แล้ว
SHEILA SOFRENOVIC // Emisija JACI POL, autorke Tanje Stevanovic
MILOS SOFRENOVIC // The Ghosts of Sylvia Plath - Tanztheater
มุมมอง 529ปีที่แล้ว
MILOS SOFRENOVIC // The Ghosts of Sylvia Plath - Tanztheater
MILOS SOFRENOVIC // Retrospective of dance theatre masterclasses: 2002-2022
มุมมอง 708ปีที่แล้ว
MILOS SOFRENOVIC // Retrospective of dance theatre masterclasses: 2002-2022
MILOS SOFRENOVIC // Prologue & Vision of Peter Handke (Solo for Three Visions) - Tanztheater
มุมมอง 1132 ปีที่แล้ว
MILOS SOFRENOVIC // Prologue & Vision of Peter Handke (Solo for Three Visions) - Tanztheater
MILOS SOFRENOVIC // Yukio Mishima Vanishing: Solo for one piano & one idea - Tanztheater
มุมมอง 1122 ปีที่แล้ว
MILOS SOFRENOVIC // Yukio Mishima Vanishing: Solo for one piano & one idea - Tanztheater
MILOS SOFRENOVIC // Who is Afraid of Virginia Woolf? - Tanztheater
มุมมอง 582 ปีที่แล้ว
MILOS SOFRENOVIC // Who is Afraid of Virginia Woolf? - Tanztheater
MILOS SOFRENOVIC // Sheila Sofrenovic (voice): Dialogues with Marcel Proust (trailer)
มุมมอง 2012 ปีที่แล้ว
MILOS SOFRENOVIC // Sheila Sofrenovic (voice): Dialogues with Marcel Proust (trailer)
MILOS SOFRENOVIC // Epilogue: Solo for Three Visions - Tanztheater
มุมมอง 772 ปีที่แล้ว
MILOS SOFRENOVIC // Epilogue: Solo for Three Visions - Tanztheater
MILOS SOFRENOVIC // Sacrifical Dance (The Rite of Stravinsky)
มุมมอง 2262 ปีที่แล้ว
MILOS SOFRENOVIC // Sacrifical Dance (The Rite of Stravinsky)
MILOS SOFRENOVIC // Mladomir Purisa Djordjevic & Miodrag Misa Milosevic LOST ALBERTINA - Tanztheater
มุมมอง 1922 ปีที่แล้ว
MILOS SOFRENOVIC // Mladomir Purisa Djordjevic & Miodrag Misa Milosevic LOST ALBERTINA - Tanztheater
MILOS SOFRENOVIC // Trailer: Dialogues with Marcel Proust
มุมมอง 542 ปีที่แล้ว
MILOS SOFRENOVIC // Trailer: Dialogues with Marcel Proust
MILOS SOFRENOVIC // We: Implicated and Complicated
มุมมอง 522 ปีที่แล้ว
MILOS SOFRENOVIC // We: Implicated and Complicated
MILOS SOFRENOVIC // Trailer: The Anatomy of Will ( An encounter with Wilhelm Furtwängler )
มุมมอง 372 ปีที่แล้ว
MILOS SOFRENOVIC // Trailer: The Anatomy of Will ( An encounter with Wilhelm Furtwängler )
MILOS SOFRENOVIC // Duet with Veronique Lievine ( Antwerpen, Belgium )
มุมมอง 912 ปีที่แล้ว
MILOS SOFRENOVIC // Duet with Veronique Lievine ( Antwerpen, Belgium )