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Opera Orange
เข้าร่วมเมื่อ 10 เม.ย. 2012
Rare operas. Rare recordings. Complete performances.
J. Haydn - L'Isola Disabitata (Vashegyi, 2022)
L'ISOLA DISABITATA (Hob. 28/9)
Azione teatrale in due parti
Composer: Josef Haydn (1732-1809)
Libretto: Pietro Metastasio (1698-1782)
First performance: Eszterháza (6 December 1779)
Silvia: Ágnes Kovács
Costanza: Eszter Balogh
Gernando: Márton Komáromi
Enrico: Szilveszter Szélpál
Conductor: György Vashegyi
Orfeo Orchestra
Live recording from the Liszt Academy of Music, Budapest (2 November 2022)
Libretto available at: www.librettidopera.it/isodis/rid.html
Picture: "Off Mount Desert Island" by Fitz Henry Lane (1856).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I
00:00 Overture
07:01 Recitative "Qual contrasto non vince" (Costanza)
09:59 Recitative "Ah germana! Ah Costanza!" (Silvia, Costanza)
17:13 Aria "Se non piange un’infelice" (Costanza)
21:29 Recitative "Che ostinato dolor!" (Silvia)
24:02 Recitative "Ma sarà poi, Gernando" (Enrico, Gernando, Silvia)
28:27 Aria "Chi nel cammin d’onore" (Enrico)
32:10 Recitative "Che fu mai quel ch’io vidi!" (Silvia)
34:09 Aria "Fra un dolce deliro" (Silvia)
ACT II
37:53 Recitative "Ah presaga fu l’alma" (Gernando, Enrico)
45:09 Aria "Non turbar quand’io mi lagno" (Gernando)
49:10 Recitative "Non s’irriti fra’ primi" (Enrico, Silvia)
55:43 Aria "Come il vapor s’ascende" (Silvia)
59:23 Aria "Ah, che in van per me pietoso" (Costanza)
1:03:43 Recitative "Giacché da me lontana" (Costanza)
1:04:03 Arietta and Recitative "Giacché il pietoso amico" (Gernando, Costanza)
1:06:32 Recitative "Ignora il caro amico le sue felicità" (Enrico, Costanza)
1:11:10 Recitative "Costanza, Costanza" (Silvia, Costanza, Enrico, Gernando)
1:15:30 Quartet "Sono contenta appieno" (Costanza, Gernando, Silvia, Enrico)
Azione teatrale in due parti
Composer: Josef Haydn (1732-1809)
Libretto: Pietro Metastasio (1698-1782)
First performance: Eszterháza (6 December 1779)
Silvia: Ágnes Kovács
Costanza: Eszter Balogh
Gernando: Márton Komáromi
Enrico: Szilveszter Szélpál
Conductor: György Vashegyi
Orfeo Orchestra
Live recording from the Liszt Academy of Music, Budapest (2 November 2022)
Libretto available at: www.librettidopera.it/isodis/rid.html
Picture: "Off Mount Desert Island" by Fitz Henry Lane (1856).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I
00:00 Overture
07:01 Recitative "Qual contrasto non vince" (Costanza)
09:59 Recitative "Ah germana! Ah Costanza!" (Silvia, Costanza)
17:13 Aria "Se non piange un’infelice" (Costanza)
21:29 Recitative "Che ostinato dolor!" (Silvia)
24:02 Recitative "Ma sarà poi, Gernando" (Enrico, Gernando, Silvia)
28:27 Aria "Chi nel cammin d’onore" (Enrico)
32:10 Recitative "Che fu mai quel ch’io vidi!" (Silvia)
34:09 Aria "Fra un dolce deliro" (Silvia)
ACT II
37:53 Recitative "Ah presaga fu l’alma" (Gernando, Enrico)
45:09 Aria "Non turbar quand’io mi lagno" (Gernando)
49:10 Recitative "Non s’irriti fra’ primi" (Enrico, Silvia)
55:43 Aria "Come il vapor s’ascende" (Silvia)
59:23 Aria "Ah, che in van per me pietoso" (Costanza)
1:03:43 Recitative "Giacché da me lontana" (Costanza)
1:04:03 Arietta and Recitative "Giacché il pietoso amico" (Gernando, Costanza)
1:06:32 Recitative "Ignora il caro amico le sue felicità" (Enrico, Costanza)
1:11:10 Recitative "Costanza, Costanza" (Silvia, Costanza, Enrico, Gernando)
1:15:30 Quartet "Sono contenta appieno" (Costanza, Gernando, Silvia, Enrico)
มุมมอง: 579
วีดีโอ
G.F. Händel - Belshazzar (Creed, 2005)
มุมมอง 5254 หลายเดือนก่อน
BELSHAZZAR (HWV 61) Oratorio in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700-1773) First performance: King's Theatre, London (27 March 1745) Nitocris: Rosemary Joshua Cyrus: Ann Hallenberg Daniel: Michael Chance Belshazzar: Mark Padmore Gobrias: Andrew Foster-Williams Conductor: Marcus Creed Concerto Köln NDR Vokalensemble Recorded live at the Hauptkirche ...
G.F. Händel - La Resurrezione (Dantone, 2017)
มุมมอง 6574 หลายเดือนก่อน
LA RESURREZIONE (HWV 47) Oratorio in 2 parts Composer: Georg Friedrich Händel (1685-1759) Libretto: Carlo Sigismondo Capece (1652-1728) First performance: Rome, Ruspoli Palace (8 April 1708) Angelo: Emöke Barath Maria Maddalena: Camille Poul Santa Maria Cleofa: Delphine Galou San Giovanni Evangelista: Martin Vanberg Lucifero: Lisandro Abadie Conductor: Ottavio Dantone Accademia Bizantina Record...
C. Graupner - Dido, Königin von Carthago (Marcon, 2024)
มุมมอง 1.6K5 หลายเดือนก่อน
DIDO, KÖNIGIN VON CARTHAGO Singspiel in 3 acts Composer: Christoph Graupner (1683-1760) Libretto: Heinrich Hinsch (1650-1712), based on Virgil's Aeneid. First performance: Oper am Gänsemarkt, Hamburg (1707) Anna, Juno: Alicia Amo Dido: Robin Johannsen Menalippe: Chelsea Zurflüh Aeneas: Emiliano Gonzalez Toro Achates, Disalces: Raphael Höhn Juba: José Antonio López Elgabal, Hiarbas: Andreas Wolf...
F. L. Gassmann - L’Opera Seria (Jacobs, 2003)
มุมมอง 8935 หลายเดือนก่อน
L'OPERA SERIA Comedia per musica in 3 acts Composer: Florian Leopold Gassmann (1729-1774) Libretto: Ranieri de’ Calzabigi (1714-1795) First performance: Burgtheater, Vienna (1769) Fallito (Impresario): Pietro Spagnoli Delirio (Poeta): Klaus Häger Sospiro (Maestro di Cappella): Jeremy Ovenden Ritornello (Primo Musico) / Nascerano (Generalissimo dell'Armi Mogole): Mario Zeffiri Stonatrilla (Prima...
G. Giacomelli - Merope (Marcon, 2022)
มุมมอง 1.4K6 หลายเดือนก่อน
MEROPE Dramma per musica in 3 acts Composer: Geminiano Giacomelli (1692-1740) Libretto: Apotolo Zeno (1668-1750), revised by Domenico Lalli (1679-1741) First performance: Teatro Grimani di San Giovanni Grisostomo, Venice (20 February 1734). The famous castrati Farinelli and Cafarelli were signing the role of Epitide and Trasimede. Trasimede: Vasilisa Berzhanskaya Merope: Magdalena Kožená Argia:...
G.F. Händel - L'Allegro, il Penseroso ed il Moderato (Christie, 2005)
มุมมอง 7056 หลายเดือนก่อน
L'ALLEGRO, IL PENSEROSO ED IL MODERATO (HWV 55) Pastoral Ode in 3 parts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700-1773) First performance: Theatre in Lincoln's Inn Fields, London (27 February 1740) Sophie Daneman Tristan Hambleton Paul Agnew Andrew Foster-Williams Conductor: William Christie Les Arts Florissants Recorded live at the Theatre des Champs Élysées,...
J. Mysliveček - L'Olimpiade (Luks, 2013)
มุมมอง 1.7K6 หลายเดือนก่อน
L'OLIMPIADE Dramma per musica in 3 acts Composer: Josef Mysliveček (1737-1781) Libretto: Pietro Metastasio (1698-1782) First performance: Teatro San Carlo, Naples (4 November 1778) Licida: Tehila Nini Goldstein Aristea: Simona Houda-Šaturová Alcandro: Helena Kaupová Megacle: Raffaela Milanesi Argene: Sophie Harmsen Aminta: Krystian Adam Clistene: Johannes Chum Conductor: Václav Luks Collegium 1...
G.F. Händel - Belshazzar (Luks, 2022)
มุมมอง 2.2K6 หลายเดือนก่อน
BELSHAZZAR (HWV 61) Oratorio in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700-1773) First performance: King's Theatre, London (27 March 1745) Nitocris: Jeanine De Bique Cyrus: Mary-Ellen Nesi Daniel: Raffaele Pe Belshazzar: Juan Sancho Gobrias: Stephan MacLeod Conductor: Václav Luks Concerto Köln NDR Vokalensemble Recorded live at the St.-Johanniskirche, Gö...
A. Vivaldi - Il Giustino (Marcon, 2023)
มุมมอง 2.5K7 หลายเดือนก่อน
IL GIUSTINO (RV 717) Dramma per musica in 3 acts Composer: Antonio Vivaldi (1678-1741) Libretto: Nicolò Beregan (1627-1713), originally used for the 1683 opera of the same name by Giovanni Legrenzi (1626-1690). First performance: Teatro Capranica, Rome (23 January 1724) Fortuna: Martina Licari Leocasta: Marie Lys Arianna: Shira Patchornik Andronico, Polidarte: Alessandro Giangrande Amanzio: Kan...
G.F. Händel - Jephtha (Jacobs, 2002)
มุมมอง 7337 หลายเดือนก่อน
JEPHTHA (HWV 70) Musical Drama in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Thomas Morell (1703-1784), based on the story of Jephtha in Judges (Chapter 11) and Jephthes, sive Votum (1554) by George Buchanan. First performance: Royal Theatre, Covent Garden, London, 26 February 1752 Iphis: Rosemary Joshua Storgé: Patricia Bardon Hamor: William Purefoy Jephtha: Kobie van Rensbu...
F. Cavalli - La Didone (Garrido, 2004)
มุมมอง 1.3K7 หลายเดือนก่อน
LA DIDONE "Opera rappresentata in musica" in a prologue and three acts Composer: Francesco Cavalli (1602-1676) Libretto: Giovanni Francesco Busenello (1598-1659), based on Virgil's Aeneid (Book 4 in particular). First performance: Teatro San Cassiano, Venice, 1640. Didone: Emanuela Galli Fortuna, Iride, cortigiana: Betsabée Haas Venere: Elisabeth Holmertz Cassandra, Giunone, cortigiana: Rebecca...
M.-A. Charpentier - Actéon (Rousset, 2016)
มุมมอง 1.3K8 หลายเดือนก่อน
ACTÉON (H.481) Opéra de chasse en six scènes Composer: Marc-Antoine Charpentier (1643-1704) Libretto: Unknown. Based on Ovid's Metamorphoses First performance: ? 1683-1685. Actéon: Cyril Auvity Diane: Daniela Skorka Junon: Vivica Genaux Hyale: Valérie Gabail Daphné/Aréthuze: Anat Edri Conductor: Christophe Rousset Les Talens Lyriques Recorded live from the Théâtre des Champs-Élysées (1 October ...
G.F. Händel - Hercules (Moulds, 2007)
มุมมอง 2.7K8 หลายเดือนก่อน
HERCULES (HWV 60) Musical Drama in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Reverend Thomas Broughton (1704-1774) First performance: King's Theatre, London, 5 January 1745 Hercules: Nathan Berg Dejanira: Ann Hallenberg Iole: Ingela Bohlin Hyllus: Ed Lyon Lichas: Charlotte Hellekant Priest of Jupiter: Simon Kirkbride Conductor: Christopher Moulds St. James's Baroque Chorus o...
J.P. Rameau - Les Boréades (Vashegyi, 2023)
มุมมอง 3.7K8 หลายเดือนก่อน
LES BORÉADES Tragédie lyrique en cinq actes Composer: Jean-Philippe Rameau (1683-1764) Libretto: attributed to Louis de Cahusac (1706-1759) Composition date: c. 1763. The work remained unperformed in Rameau's lifetime. The first known staged performance happened on 21 July 1982 at the Festival d'Aix-en-Provence under the direction of John Eliot Gardiner. Alphise: Sabine Devieilhe Abaris: Reinou...
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G.F. Händel - Israel in Egypt (Jacobs, 2022)
มุมมอง 5K9 หลายเดือนก่อน
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มุมมอง 9Kปีที่แล้ว
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C.W. Gluck - Iphigénie en Aulide (Bolton, 2002)
มุมมอง 835ปีที่แล้ว
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A. Campra - L'Europe Galante (Christie, 2005)
มุมมอง 3.1Kปีที่แล้ว
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W.A. Mozart - La Betulia Liberata (Rousset, 2003)
มุมมอง 933ปีที่แล้ว
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A. Sartorio - Giulio Cesare in Egitto (Cremonesi, 2004)
มุมมอง 2.3Kปีที่แล้ว
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J.-M. Leclair - Scylla et Glaucus (Rousset, 2005)
มุมมอง 926ปีที่แล้ว
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มุมมอง 4.3Kปีที่แล้ว
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M.-A. Charpentier - David et Jonathas (Haïm, 2004)
มุมมอง 4.5Kปีที่แล้ว
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G.F. Händel - Teseo (Cohën-Akenine, 2011)
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J.A. Hasse - Marc'Antonio e Cleopatra (Dantone, 2018)
มุมมอง 2.4Kปีที่แล้ว
J.A. Hasse - Marc'Antonio e Cleopatra (Dantone, 2018)
Magnificent and exciting opera.Magic music.Bravo!
What a delicious music!
To be part of this Opera performed in Innsbruck was a pleasure and honor❤ thank you Maestro Marcon
Wonderful, of course but always the same question : when in CD's...?
Magnifique. Merci
Questo video mi era sfuggito. Ieri sera sono rimasta folgorata quando ho letto il cast! tutti i cantanti hanno voci strepitose, ma io sottolineo l’interpretazione dei miei contro tenori preferiti sullo stesso palco! Valer Sabadus/ Anastasio, imperatore temperato e autorevole e Carlo Vistoli /Giustino, il migliore Giustino che abbia ascoltato. Kim/Amanzio sfoggia una gran voce e personalità. Non dimentico l’orchestra barocca e il direttore: magnifici.
Grazie 🤩
One of the most stunning and evocative, expressive operas of its time. Rameau is criminally underrated.
I like French Baroque opera so much more than Italian now, which is reverse from how I felt growing up.
Sontuosa opera cantata da voci sontuose! Merita di essere riascoltata più volte! 😍
Grazie🤩
Ravishing masterpiece, first of its kind. And yet this is the man who in 1733 declared of Rameau, This man will eclipse us all!
💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙
💛🍒🌹🕯✒📃📚🇻🇦✝️🇻🇦🌻⛑🕊🔎🦔🎶🇲🇬🇲🇬💒🇲🇬🐣🔎🐣💡🇦🇲💒🇦🇲🎨🌼💐🕊🧭🌻🇻🇦✒📃📚🌹🕯😇❤😊💮🇦🇲🌿🌸🎨🌼🕊🏵🍒📚💛🇻🇦💛✝️🕯😇🌹🍒🏵⛑🌻🙋♂️
❤💡🍒😊🌼🪢✒📃🎶🌹🎶⛑🌿🏵🇻🇦✝️🇻🇦🌿🌸🏵💛🍋🪢🍒💡💮🇦🇲💒🇦🇲🌸🪢🌼🍋💛🍒🇲🇬⛑🇲🇬🌸🌼🍋🌿🏵💡💛✒📃📚🧭🌿🏵✝️🍒✒📃🌹💒🎶🌸🪢🍋⛑🌿🙋♂️
DIEU🌹⛑🌹 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS✒📃🎶🧭,L'ÂME IMMENSÉMENT CATHOLIQUE de Monsieur de LULLY💛🍋⛑🌹💮🇻🇦✝️🇻🇦🌿🏵🌸🪢🌼🍒💡📚🙋♂️ !!!
DIEU🌿🇻🇦✝️🇻🇦🌿 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS🌺📚🧭,L'ÂME IMMENSÉMENT🇻🇦💒🇻🇦 CATHOLIQUE de Monsieur de LULLY💛🍋🎶💡🍒🪢🇻🇦✝️🇻🇦🌿🌼💮💒😇💒✒📃🎶🧭📚🙋♂️ !!!
❤🪢🌸📚🕯🧭🎶🇦🇲💒🇦🇲🕊💛🌿🎶🇻🇦✝️🇻🇦🪢🍒🌼🎶🍋💡🌿🕯🇻🇦✝️🇻🇦✒📃📚🌺🏵🇦🇲⛑🇦🇲🍒🪢💛🎭💮💐🎶💡🕯🧭🌹🇲🇬✝️🇲🇬🌻🥰🕊🇦🇲💒🇦🇲🦁💮💛🐈⬛😇🔎🏵🙋♂️
💛🍋😊❤🇻🇦✝️🇻🇦🌸🌷🌼🌻🌿🤗🌹🏵🌺✝️🇻🇦💐🥰🍒🍋🌼🌻🕊💛🌿💮💐🌸🇲🇬⛑🇲🇬✒📃📚🧭🌍🍒🎨🪢🧸🎭🌼🍋🌸🎶💡🕯🪅🇦🇲⛑🇦🇲🍒🌸🌼🍋🌿🏵🌺✒📃📚🙋♂️
That moment when you discover an Armide you haven’t listened to before :)
Man im so glad Hercules wasnt a castrato.
2:24:40
Hércules es una gran ópera . El inglés es un idioma muy fino y bonito. Saludos.
Bravissimi ! The three best "Armides" are: Handel, Jommelli and Sarti. A special feature of the libretto is that the dramatic development does not result from intrigues, as in Metastasio's texts, but from the inner conflicts of the protagonists. The power of Armida, who is initially far superior, gradually decays. Jommelli's music follows this dramatic development precisely and is unique in this respect compared to other contemporary operas. The composer did not limit himself to formal elements, but also interpreted the text in a picturesque way, motivically and harmonically. At the premiere on May 30, 1770 at the Teatro San Carlo in Naples, a first-class cast - Anna Lucia De Amicis (Armida), Giuseppe Aprile (Rinaldo), Apollonia Marchetti (Erminia), Arcangelo Cortoni (Tancredi), Pietro Santi (Rambaldo), Gerlando Speciali (Dano) and Tommaso Galeazzi (Ubaldo) sang.
I have had the CDs of this performance and think it a very fine opera, Jommelli is an exceptionally talented composer of Italian opera. Mozart heard Armida whilst in Naples in 1770 and in a letter to his sister notes that: ‘The opera playing here [in the magnificent Teatro San Carlo] is by Jommelli, it’s beautiful, but too learned and old-fashioned for the theatre’. (It is an opera seria). The much travelled Dr Burney described Jommelli as ‘…without doubt one of the greatest composers of the time’. My own view coincides with these opinions, and I think it worth adding that along with Gluck and Traetta, he is an important figure in the reform of opera seria in the mid/later 18th century. Regarding composers who set the Armida* story - whether abbandonata or not - the very long list is easily searched, picking out the ‘best’ Armida(s) is a debating point as there are some fine efforts including those you mentioned, to which I might add Lully and Gluck, as well as a string of Italians including Vivaldi, Anfossi, Gazzaniga, Righini, Sacchini, Salieri, and Cherubini (in fact over one hundred composers). The most notable omission from your list however is Haydn’s setting Haydn’s last Eszterhaza opera Armida was first performed 26 February 1784 and Haydn a few days later - clearly very proud of the work - wrote to his Viennese publisher after the second performance: ‘It is said that it is my best work to date’. (Haydn mentions his Armida elsewhere in very positive terms). HC Robbins Landon notes that with 54 performances at Eszterhaza, it was the single most performed work there by Haydn or any other composer; thus the work could be deemed Prince Nicholas’ favourite opera. I think Haydn’s setting is good, and does show that Haydn was aware of wider operatic reforms elsewhere, and that modern opera serie had to be more than just a series of showpiece numbers for famous singers; perhaps it deserves to join your ‘best’ list. * It really is better to stick with the original Italian spelling, rather than confuse the issue with later French, German or other variants as the story originates from Tasso’s La Gerusalemme liberata; the majority of libretti are Italian taken from Tasso; the exception is for specifically French Armide’s such that by Lully which has a French libretto (obviously based on Tasso) by Quinault.
I recognize most of these characters from the Handel opera, but who is “Rodisbe”? Handel’s version had no such character
According to the libretto, she is Cleopatra's nurse. The character has been removed in Handel's version.
Quest’esecuzione è mirabile: voci espressive, nitide e potenti rendono concreti i protagonisti. La Freiburger Barockorchester ricama gli affetti in modo meraviglioso! Giulio Cesare viva! 🎶🎶🎵🎵😊
How could Lully compose such beautiful music to this story full of dramatical weakness? Sorry to quinault, this plot is confusing.... but thanks to him for all those moments that Lully inspired to this wonderful music , making Amadis one of his best operas. Amadis is a miracle....
❤magnifique !
Oktober 2025 four performances at the Teatro Massimo in Palermo.
❤❤
❤❤
❤🌺🏵🍒💐🌺🎶🌸💛🇻🇦✝️🇻🇦💛🌸🌿🎶🌺🍒🏵💐🍋🧭✝️👍🍓📚💮🕊🇦🇲💒🇦🇲👍🍋❤💮😊🇲🇬✝️🇲🇬🪢🏵💮🍒🍋💐🧭💡💛🇻🇦💒🇻🇦💛⛑🌿🌸🎶🌺🕊📚🍓💮🏵🌺🙋♂️
Quelle merveilleuse musique...Merci infiniment. ❤
Bravo 😗
Música maravilhosa. Máxima representação da Escola Veneziana.
Great!!!
Sadly, even the brilliant Sandrine Piau failed to pull this terrible performance off. Actually there's nothing to listen to here but her
1:36:43 1:53:13
I love to sing, but the CONTINUO section is smokin' good!!!
I was there!!!!!! Listening again!
Un des plus beaux et émouvants opéras du grand Lully. Sublime ❤❤
💐🙏
Splendide opéra, l'un des chefs-d’œuvre de l'opéra tardo-métastasien. Luks est excellent comme d'habitude. Je m'interroge toutefois sur certains changements : la Sinfonia originale n'est pas perdue (Freeman commente dans son livre cette ouverture qui a par ailleurs été enregistrée) ; le (splendide) chœur "I tuoi strali" est manifestement repris de la version de Hasse, qui est tout aussi réussie que celle de Myslivecek, mais est beaucoup plus ancienne (1756) et relève donc d'une esthétique assez différente. Quant à l'extrait de l'Ezio de Gluck (1750), il est très beau, mais ne me semble pas du tout à sa place et change le dénouement du drame.
Очень красивая, компактная, и вполне динамичная опера. Речитативы 🔥 И.. пожалуй, это уже почти не барокко, не правда ли? Очень понравились меццо и сопрано. И дирижёр) Спасибо❤
Что значит - "опера"? Надо говорить: ВИМОН - вокально-інструментальная музьіка особого назначения! На вашем 👅 сейчас, вроде бьі, так нужно изъясняться.
@@user-xv4yn9dj8h , - сказал он на том же самом языке
@@Peptidnaya.gumanoidka ихули? Что єто меняет, по-сути?🤷🏼♂️
Somptueux...Merci pour ce cadeau merveilleux. ❤
❤🌼💐🌸🌺🌻🌹🏵🌿🇻🇦✝️🇻🇦🌺💮🌸🧸🌻🌹🏵🌿💐🌼🌸❤🇲🇬💒🇲🇬✒📃📚🎶🌍🧭🕊🇵🇸🎨🪢🪅🕊💮🌺🇦🇲💒🇦🇲🥰🌿🌻🌹🤗🏵💮💐🌸🎨🪢🪅🇬🇧✝️🇬🇧🍋🍒🪢🦁🙋♂️
Thank you 🌻
j'y ai assisté ce soir-là ; le 3ème acte est une merveille..à voir et entendre ..1:46 ===== Merci.
En effet! J’avais moi-même assisté à l’époque aux représentations lilloises, avec un cast légèrement différent (Salomé Haller en Médée). Un beau souvenir!
ce qui serait vraiment appréciable : les paroles au bas des images !
Merveilleux opéra, tragédie en musique !! ❤❤
Le roi Mithridate Eupator apparaît comme un souverain courageux qui a affronté l'inflexible pouvoir romain pour aggrandir son royaume et comme un incroyable stratège, faisant fabriquer une tour portée par un vaisseau pour l"appuyer contre les murs d'une ville portuaire impossible à conquérir - un cas unique à son époque. De plus ce ne sont pas les soldats romains qui ont eu raison de lui, mais les auxilliarii Ligures, les seuls guerriers qui se sont montrés capables d'affronter victorieusemente les redoutables phalanges de Mithridate
Händel, one of the "metal" guys of the baroque! Love him!