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J. Haydn - L'Isola Disabitata (Vashegyi, 2022)
L'ISOLA DISABITATA (Hob. 28/9)
Azione teatrale in due parti
Composer: Josef Haydn (1732-1809)
Libretto: Pietro Metastasio (1698-1782)
First performance: Eszterháza (6 December 1779)
Silvia: Ágnes Kovács
Costanza: Eszter Balogh
Gernando: Márton Komáromi
Enrico: Szilveszter Szélpál
Conductor: György Vashegyi
Orfeo Orchestra
Live recording from the Liszt Academy of Music, Budapest (2 November 2022)
Libretto available at: www.librettidopera.it/isodis/rid.html
Picture: "Off Mount Desert Island" by Fitz Henry Lane (1856).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I
00:00 Overture
07:01 Recitative "Qual contrasto non vince" (Costanza)
09:59 Recitative "Ah germana! Ah Costanza!" (Silvia, Costanza)
17:13 Aria "Se non piange un’infelice" (Costanza)
21:29 Recitative "Che ostinato dolor!" (Silvia)
24:02 Recitative "Ma sarà poi, Gernando" (Enrico, Gernando, Silvia)
28:27 Aria "Chi nel cammin d’onore" (Enrico)
32:10 Recitative "Che fu mai quel ch’io vidi!" (Silvia)
34:09 Aria "Fra un dolce deliro" (Silvia)
ACT II
37:53 Recitative "Ah presaga fu l’alma" (Gernando, Enrico)
45:09 Aria "Non turbar quand’io mi lagno" (Gernando)
49:10 Recitative "Non s’irriti fra’ primi" (Enrico, Silvia)
55:43 Aria "Come il vapor s’ascende" (Silvia)
59:23 Aria "Ah, che in van per me pietoso" (Costanza)
1:03:43 Recitative "Giacché da me lontana" (Costanza)
1:04:03 Arietta and Recitative "Giacché il pietoso amico" (Gernando, Costanza)
1:06:32 Recitative "Ignora il caro amico le sue felicità" (Enrico, Costanza)
1:11:10 Recitative "Costanza, Costanza" (Silvia, Costanza, Enrico, Gernando)
1:15:30 Quartet "Sono contenta appieno" (Costanza, Gernando, Silvia, Enrico)
มุมมอง: 579

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ความคิดเห็น

  • @NinaAtanasova-of5eq
    @NinaAtanasova-of5eq 23 ชั่วโมงที่ผ่านมา

    Magnificent and exciting opera.Magic music.Bravo!

  • @jacobabadi8891
    @jacobabadi8891 12 วันที่ผ่านมา

    What a delicious music!

  • @bckarg5413
    @bckarg5413 12 วันที่ผ่านมา

    To be part of this Opera performed in Innsbruck was a pleasure and honor❤ thank you Maestro Marcon

  • @castermansmichel
    @castermansmichel 13 วันที่ผ่านมา

    Wonderful, of course but always the same question : when in CD's...?

  • @gruyerolivier1842
    @gruyerolivier1842 14 วันที่ผ่านมา

    Magnifique. Merci

  • @fquaranta8093
    @fquaranta8093 21 วันที่ผ่านมา

    Questo video mi era sfuggito. Ieri sera sono rimasta folgorata quando ho letto il cast! tutti i cantanti hanno voci strepitose, ma io sottolineo l’interpretazione dei miei contro tenori preferiti sullo stesso palco! Valer Sabadus/ Anastasio, imperatore temperato e autorevole e Carlo Vistoli /Giustino, il migliore Giustino che abbia ascoltato. Kim/Amanzio sfoggia una gran voce e personalità. Non dimentico l’orchestra barocca e il direttore: magnifici.

  • @MrPianogeek
    @MrPianogeek 24 วันที่ผ่านมา

    One of the most stunning and evocative, expressive operas of its time. Rameau is criminally underrated.

  • @MrPianogeek
    @MrPianogeek 25 วันที่ผ่านมา

    I like French Baroque opera so much more than Italian now, which is reverse from how I felt growing up.

  • @fquaranta8093
    @fquaranta8093 หลายเดือนก่อน

    Sontuosa opera cantata da voci sontuose! Merita di essere riascoltata più volte! 😍

  • @thomasabarnard996
    @thomasabarnard996 หลายเดือนก่อน

    Ravishing masterpiece, first of its kind. And yet this is the man who in 1733 declared of Rameau, This man will eclipse us all!

  • @jaimeegusquiza8753
    @jaimeegusquiza8753 หลายเดือนก่อน

    💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙

  • @franckranaivo666
    @franckranaivo666 หลายเดือนก่อน

    💛🍒🌹🕯✒📃📚🇻🇦✝️🇻🇦🌻⛑🕊🔎🦔🎶🇲🇬🇲🇬💒🇲🇬🐣🔎🐣💡🇦🇲💒🇦🇲🎨🌼💐🕊🧭🌻🇻🇦✒📃📚🌹🕯😇❤😊💮🇦🇲🌿🌸🎨🌼🕊🏵🍒📚💛🇻🇦💛✝️🕯😇🌹🍒🏵⛑🌻🙋‍♂️

  • @franckranaivo666
    @franckranaivo666 หลายเดือนก่อน

    ❤💡🍒😊🌼🪢✒📃🎶🌹🎶⛑🌿🏵🇻🇦✝️🇻🇦🌿🌸🏵💛🍋🪢🍒💡💮🇦🇲💒🇦🇲🌸🪢🌼🍋💛🍒🇲🇬⛑🇲🇬🌸🌼🍋🌿🏵💡💛✒📃📚🧭🌿🏵✝️🍒✒📃🌹💒🎶🌸🪢🍋⛑🌿🙋‍♂️

  • @franckranaivo666
    @franckranaivo666 หลายเดือนก่อน

    DIEU🌹⛑🌹 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS✒📃🎶🧭,L'ÂME IMMENSÉMENT CATHOLIQUE de Monsieur de LULLY💛🍋⛑🌹💮🇻🇦✝️🇻🇦🌿🏵🌸🪢🌼🍒💡📚🙋‍♂️ !!!

  • @franckranaivo666
    @franckranaivo666 หลายเดือนก่อน

    DIEU🌿🇻🇦✝️🇻🇦🌿 ACCUEILLEZ DÉSORMAIS DANS VOTRE PARADIS🌺📚🧭,L'ÂME IMMENSÉMENT🇻🇦💒🇻🇦 CATHOLIQUE de Monsieur de LULLY💛🍋🎶💡🍒🪢🇻🇦✝️🇻🇦🌿🌼💮💒😇💒✒📃🎶🧭📚🙋‍♂️ !!!

  • @franckranaivo666
    @franckranaivo666 หลายเดือนก่อน

    ❤🪢🌸📚🕯🧭🎶🇦🇲💒🇦🇲🕊💛🌿🎶🇻🇦✝️🇻🇦🪢🍒🌼🎶🍋💡🌿🕯🇻🇦✝️🇻🇦✒📃📚🌺🏵🇦🇲⛑🇦🇲🍒🪢💛🎭💮💐🎶💡🕯🧭🌹🇲🇬✝️🇲🇬🌻🥰🕊🇦🇲💒🇦🇲🦁💮💛🐈‍⬛😇🔎🏵🙋‍♂️

  • @franckranaivo666
    @franckranaivo666 หลายเดือนก่อน

    💛🍋😊❤🇻🇦✝️🇻🇦🌸🌷🌼🌻🌿🤗🌹🏵🌺✝️🇻🇦💐🥰🍒🍋🌼🌻🕊💛🌿💮💐🌸🇲🇬⛑🇲🇬✒📃📚🧭🌍🍒🎨🪢🧸🎭🌼🍋🌸🎶💡🕯🪅🇦🇲⛑🇦🇲🍒🌸🌼🍋🌿🏵🌺✒📃📚🙋‍♂️

  • @campbellmays9900
    @campbellmays9900 หลายเดือนก่อน

    That moment when you discover an Armide you haven’t listened to before :)

  • @Pitts_not_Pitty
    @Pitts_not_Pitty หลายเดือนก่อน

    Man im so glad Hercules wasnt a castrato.

  • @unchangeYtr
    @unchangeYtr หลายเดือนก่อน

    2:24:40

  • @Jaumeparqe
    @Jaumeparqe หลายเดือนก่อน

    Hércules es una gran ópera . El inglés es un idioma muy fino y bonito. Saludos.

  • @stefanstamenic3640
    @stefanstamenic3640 หลายเดือนก่อน

    Bravissimi ! The three best "Armides" are: Handel, Jommelli and Sarti. A special feature of the libretto is that the dramatic development does not result from intrigues, as in Metastasio's texts, but from the inner conflicts of the protagonists. The power of Armida, who is initially far superior, gradually decays. Jommelli's music follows this dramatic development precisely and is unique in this respect compared to other contemporary operas. The composer did not limit himself to formal elements, but also interpreted the text in a picturesque way, motivically and harmonically. At the premiere on May 30, 1770 at the Teatro San Carlo in Naples, a first-class cast - Anna Lucia De Amicis (Armida), Giuseppe Aprile (Rinaldo), Apollonia Marchetti (Erminia), Arcangelo Cortoni (Tancredi), Pietro Santi (Rambaldo), Gerlando Speciali (Dano) and Tommaso Galeazzi (Ubaldo) sang.

    • @elaineblackhurst1509
      @elaineblackhurst1509 15 วันที่ผ่านมา

      I have had the CDs of this performance and think it a very fine opera, Jommelli is an exceptionally talented composer of Italian opera. Mozart heard Armida whilst in Naples in 1770 and in a letter to his sister notes that: ‘The opera playing here [in the magnificent Teatro San Carlo] is by Jommelli, it’s beautiful, but too learned and old-fashioned for the theatre’. (It is an opera seria). The much travelled Dr Burney described Jommelli as ‘…without doubt one of the greatest composers of the time’. My own view coincides with these opinions, and I think it worth adding that along with Gluck and Traetta, he is an important figure in the reform of opera seria in the mid/later 18th century. Regarding composers who set the Armida* story - whether abbandonata or not - the very long list is easily searched, picking out the ‘best’ Armida(s) is a debating point as there are some fine efforts including those you mentioned, to which I might add Lully and Gluck, as well as a string of Italians including Vivaldi, Anfossi, Gazzaniga, Righini, Sacchini, Salieri, and Cherubini (in fact over one hundred composers). The most notable omission from your list however is Haydn’s setting Haydn’s last Eszterhaza opera Armida was first performed 26 February 1784 and Haydn a few days later - clearly very proud of the work - wrote to his Viennese publisher after the second performance: ‘It is said that it is my best work to date’. (Haydn mentions his Armida elsewhere in very positive terms). HC Robbins Landon notes that with 54 performances at Eszterhaza, it was the single most performed work there by Haydn or any other composer; thus the work could be deemed Prince Nicholas’ favourite opera. I think Haydn’s setting is good, and does show that Haydn was aware of wider operatic reforms elsewhere, and that modern opera serie had to be more than just a series of showpiece numbers for famous singers; perhaps it deserves to join your ‘best’ list. * It really is better to stick with the original Italian spelling, rather than confuse the issue with later French, German or other variants as the story originates from Tasso’s La Gerusalemme liberata; the majority of libretti are Italian taken from Tasso; the exception is for specifically French Armide’s such that by Lully which has a French libretto (obviously based on Tasso) by Quinault.

  • @campbellmays9900
    @campbellmays9900 หลายเดือนก่อน

    I recognize most of these characters from the Handel opera, but who is “Rodisbe”? Handel’s version had no such character

    • @opera_orange
      @opera_orange หลายเดือนก่อน

      According to the libretto, she is Cleopatra's nurse. The character has been removed in Handel's version.

  • @fquaranta8093
    @fquaranta8093 หลายเดือนก่อน

    Quest’esecuzione è mirabile: voci espressive, nitide e potenti rendono concreti i protagonisti. La Freiburger Barockorchester ricama gli affetti in modo meraviglioso! Giulio Cesare viva! 🎶🎶🎵🎵😊

  • @aronb1336
    @aronb1336 2 หลายเดือนก่อน

    How could Lully compose such beautiful music to this story full of dramatical weakness? Sorry to quinault, this plot is confusing.... but thanks to him for all those moments that Lully inspired to this wonderful music , making Amadis one of his best operas. Amadis is a miracle....

  • @florentbureau7452
    @florentbureau7452 2 หลายเดือนก่อน

    ❤magnifique !

  • @hansvanbussel2999
    @hansvanbussel2999 2 หลายเดือนก่อน

    Oktober 2025 four performances at the Teatro Massimo in Palermo.

  • @antoninopirrone2541
    @antoninopirrone2541 2 หลายเดือนก่อน

    ❤❤

  • @antoninopirrone2541
    @antoninopirrone2541 2 หลายเดือนก่อน

    ❤❤

  • @franckranaivo666
    @franckranaivo666 2 หลายเดือนก่อน

    ❤🌺🏵🍒💐🌺🎶🌸💛🇻🇦✝️🇻🇦💛🌸🌿🎶🌺🍒🏵💐🍋🧭✝️👍🍓📚💮🕊🇦🇲💒🇦🇲👍🍋❤💮😊🇲🇬✝️🇲🇬🪢🏵💮🍒🍋💐🧭💡💛🇻🇦💒🇻🇦💛⛑🌿🌸🎶🌺🕊📚🍓💮🏵🌺🙋‍♂️

  • @valerieheinderyckx4506
    @valerieheinderyckx4506 2 หลายเดือนก่อน

    Quelle merveilleuse musique...Merci infiniment. ❤

  • @prodavec-zeleni
    @prodavec-zeleni 2 หลายเดือนก่อน

    Bravo 😗

  • @edwaldorodrigues4477
    @edwaldorodrigues4477 2 หลายเดือนก่อน

    Música maravilhosa. Máxima representação da Escola Veneziana.

  • @elisabethruger8293
    @elisabethruger8293 2 หลายเดือนก่อน

    Great!!!

  • @MrAtomicPig
    @MrAtomicPig 2 หลายเดือนก่อน

    Sadly, even the brilliant Sandrine Piau failed to pull this terrible performance off. Actually there's nothing to listen to here but her

  • @stefanstamenic3640
    @stefanstamenic3640 2 หลายเดือนก่อน

    1:36:43 1:53:13

  • @yearofthevoice484
    @yearofthevoice484 2 หลายเดือนก่อน

    I love to sing, but the CONTINUO section is smokin' good!!!

  • @ascarius
    @ascarius 2 หลายเดือนก่อน

    I was there!!!!!! Listening again!

  • @user-oc6xm6dj8b
    @user-oc6xm6dj8b 3 หลายเดือนก่อน

    Un des plus beaux et émouvants opéras du grand Lully. Sublime ❤❤

  • @user-xv4yn9dj8h
    @user-xv4yn9dj8h 3 หลายเดือนก่อน

    💐🙏

  • @francoishou5862
    @francoishou5862 3 หลายเดือนก่อน

    Splendide opéra, l'un des chefs-d’œuvre de l'opéra tardo-métastasien. Luks est excellent comme d'habitude. Je m'interroge toutefois sur certains changements : la Sinfonia originale n'est pas perdue (Freeman commente dans son livre cette ouverture qui a par ailleurs été enregistrée) ; le (splendide) chœur "I tuoi strali" est manifestement repris de la version de Hasse, qui est tout aussi réussie que celle de Myslivecek, mais est beaucoup plus ancienne (1756) et relève donc d'une esthétique assez différente. Quant à l'extrait de l'Ezio de Gluck (1750), il est très beau, mais ne me semble pas du tout à sa place et change le dénouement du drame.

  • @Peptidnaya.gumanoidka
    @Peptidnaya.gumanoidka 3 หลายเดือนก่อน

    Очень красивая, компактная, и вполне динамичная опера. Речитативы 🔥 И.. пожалуй, это уже почти не барокко, не правда ли? Очень понравились меццо и сопрано. И дирижёр) Спасибо❤

    • @user-xv4yn9dj8h
      @user-xv4yn9dj8h 3 หลายเดือนก่อน

      Что значит - "опера"? Надо говорить: ВИМОН - вокально-інструментальная музьіка особого назначения! На вашем 👅 сейчас, вроде бьі, так нужно изъясняться.

    • @Peptidnaya.gumanoidka
      @Peptidnaya.gumanoidka 3 หลายเดือนก่อน

      @@user-xv4yn9dj8h , - сказал он на том же самом языке

    • @user-xv4yn9dj8h
      @user-xv4yn9dj8h 3 หลายเดือนก่อน

      @@Peptidnaya.gumanoidka ихули? Что єто меняет, по-сути?🤷🏼‍♂️

  • @valerieheinderyckx4506
    @valerieheinderyckx4506 3 หลายเดือนก่อน

    Somptueux...Merci pour ce cadeau merveilleux. ❤

  • @franckranaivo666
    @franckranaivo666 3 หลายเดือนก่อน

    ❤🌼💐🌸🌺🌻🌹🏵🌿🇻🇦✝️🇻🇦🌺💮🌸🧸🌻🌹🏵🌿💐🌼🌸❤🇲🇬💒🇲🇬✒📃📚🎶🌍🧭🕊🇵🇸🎨🪢🪅🕊💮🌺🇦🇲💒🇦🇲🥰🌿🌻🌹🤗🏵💮💐🌸🎨🪢🪅🇬🇧✝️🇬🇧🍋🍒🪢🦁🙋‍♂️

  • @bugraguz5679
    @bugraguz5679 3 หลายเดือนก่อน

    Thank you 🌻

  • @G3475-wu2fh
    @G3475-wu2fh 3 หลายเดือนก่อน

    j'y ai assisté ce soir-là ; le 3ème acte est une merveille..à voir et entendre ..1:46 ===== Merci.

    • @opera_orange
      @opera_orange 3 หลายเดือนก่อน

      En effet! J’avais moi-même assisté à l’époque aux représentations lilloises, avec un cast légèrement différent (Salomé Haller en Médée). Un beau souvenir!

  • @ezzovonachalm9815
    @ezzovonachalm9815 3 หลายเดือนก่อน

    ce qui serait vraiment appréciable : les paroles au bas des images !

  • @user-oc6xm6dj8b
    @user-oc6xm6dj8b 4 หลายเดือนก่อน

    Merveilleux opéra, tragédie en musique !! ❤❤

  • @ezzovonachalm9815
    @ezzovonachalm9815 4 หลายเดือนก่อน

    Le roi Mithridate Eupator apparaît comme un souverain courageux qui a affronté l'inflexible pouvoir romain pour aggrandir son royaume et comme un incroyable stratège, faisant fabriquer une tour portée par un vaisseau pour l"appuyer contre les murs d'une ville portuaire impossible à conquérir - un cas unique à son époque. De plus ce ne sont pas les soldats romains qui ont eu raison de lui, mais les auxilliarii Ligures, les seuls guerriers qui se sont montrés capables d'affronter victorieusemente les redoutables phalanges de Mithridate

  • @leonaldobrum
    @leonaldobrum 4 หลายเดือนก่อน

    Händel, one of the "metal" guys of the baroque! Love him!