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Hi! Where can I find the sheet music for this? This is awesome

I realize this is a very old video, but I am curious to know the chord progression Jimmy plays from 3:09

Where can I get the entire series?

what is the next step once one has learnt these five shapes in all 12 keys?

Best lesson on TH-cam. ❤

Incredible lesson. Been playing for 30 years casually and this blew my mind. Makes total sense. Thank you!

I see the copyright notice at the end. Is Jimmy getting a cut of this youtube broadcast?

What changes when the root key is a minor chord ?

i just realized im stupid

Only guitarists and basists ignore theory because is such a mess to learn because all notes are all over the place, pianists can just count alphabets in order and so on. Just play what you like and enjoy the time, same time dip your toes in theory little bit so you dont get confused. Theory helps you understand what you did and why it works or sound good + it help you to come back to that chord progression what you "jammed" without getting lost because lack of understanding.

Thanks a lot for sharing this. It helped me a lot about learning jazz guitar and these 5 shapes are the best starting points. And appreciate really for introducing me to the Jimmy Bruno.!

Thanks a million. Jimmy. Love it

Diamond

thanks for posting, learned a lot. do you know where we can get the other classroom series lessons?

My Jazz Guitar teacher would tell me every so often, after seeing me get tied up in knots over harmony and theory issues, to remember what is really important...making the sound.

You gotta be a freaking gorp if you don't like the Chinese menu.😊

The major scale, played in the 4 fret box, comprises 3 distinct patterns. One need not restrict oneself to starting from the 5th or the 6th etc on the low E string, but can pick up the repetitive pattern from any scale degree anywhere on the neck. Find your happy root note anywhere on the A string. Surrounding this root note is a rectangle of scale degrees (low E string: 4-5-6, A string: b7-1-2, D:string b3-4-5 where the - represents a skipped fret). This rectangle repeats all over the neck and skews down 1 fret at the B string (of course). Keep track of where your root notes are, see the rectangle, pick a scale degree and play your major scale picking it up from that note, across the neck, wrapping around to the other side, up the neck, down the neck, around and around, all day long.

Logic and the undeniable truth!

The Chinese menu thing killed me

9 minutes of vidéo : 20 years of work to do for me . This vidéo is pure gold.

How did it go from A7 to Eb7? EDIT: OH I GET IT. Tritone. OK.

still love your work!!

love your work!!

Great choice, great job!

Viva a música! Uma composição dos brasileiros gênios Vinícius e Baden, interpretada pelo americano jonathan kreisberg e transcrita pelo colombiano Diego.

I wish I knew the point of this so I could know if I'm more or less advanced than this? (Like is this just introducing people to positions on the fretboard or is this some way of narrowing things down to apply them in some way?) I've been playing "three note per string" positions on the guitar for years so I kind of know the fretboard better than this. But I don't know if this is going to be about eliminating other choices so you'll have these standard fingerings to apply to some method.

I'd like to make my practice "exercises" involve practicing these chords by using them to play standards, (not thinking of the best-sounding way to play the standard or best voice leading, just killing two birds with one stone, getting familiar with the chords and standards at the same time.) There are about a million jazz standards, and I only recognize about 10 by name, and of those I know how maybe five of them sound. Can anyone recommend what standards would be the best for practicing chords? I guess what I'm thinking is the most popular standards with the most chords so I'm moving from chord to chord a lot while learning well-known tunes. I mean I'm going to browse through the real books and iReal on my own and listen, but I'm asking if someone could narrow it down with their recommendations?

Is there more in this series?

Very impressive!

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Excellent Jimmy!! You're a fantastic teacher!! 👍🎩👍🤗

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Goodness - this is so well done. Jack

You can also illustrate the relationship of the tritone substitution (A7 -> Eb7) by flattening the 5th of A7 to get A7b5 which is the same chord as Eb7b5. You can think of the similarity of the chords by observing that they contain each other's guide tones. The 3rd and b7 of A7 is C# and G. And the 3rd and b7 of Eb7 are G and C#(Db). Then the other two notes in the chord can be thought of as optional 5th and root.

Thanks Jimmy very educational stay well

Beautiful jimmy. Extremely clear.

Adding the right notes at the right time.

Hola Diego. Hay alguna posibilidad de conseguir las partituras de este bello arreglo?

Any reason there's no shape for the 4th note of the key?

What is this lesson from?

You are a great teacher, love it, also a great player,

Excellent, bravissimo!

Bravo!

This dude contradicts himself and comes off super bitter but hes a treasure trove of musical information

so good...

I am a multi-instrumentalist but primarily a guitarist. Of all the instruments capable of playing multiple notes simultaneously the guitar has to be among the most confusing and illogical. Classical guitarists have had a couple of hundred years to get things sorted out but the electric guitar hasn't been around that long at all. In 40 plus years of learning, playing and teaching the guitar I have seen some good, and some horrendous attempts to teach harmony on the instrument and I have to say that this short video is one of the best. If you are trying to find your way as a guitarist this video will definitely help. Even if you are not trying to be a jazz guitarist Mr. Bruno's lesson will open up the neck of the guitar for you. Your fingerboard geography cannot help but be improved by applying these ideas. (In fact a thorough study of chords can only help the soloist). It took me years to learn what Jimmy Bruno has laid out here in easy to understand language. What an awesome lesson.

You actually have to consider whether the dominant chord is functioning or non-functioning. Functioning dominant chords allow you to use more exotic scales like the super Locrian scale.

7:41 "The reason you need to learn it is because it's there!" lol. This is the best lesson on jazz chords I've ever seen in youtube

Que lió te has hecho para algo tan simple

Thank you mister Bruno