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No you cannot use your guitar amp with this, this unit is specifically designed for guitar pedals only.

@@Relicsun thank you

@@Relicsun thank you. What would i need to play with an amp and pedals where there is no outlet around? Just this power supply and a wireless amp?

only if you set the MA on stereo

Only if the stereo switch is toggled on the MA400. if your signal path and channels are mono, it will come through both Left and Right

DI not needed, unless you want to have the option to route a copy signal using the THRU output AND to use the GROUND switch to clean up the signal. Mono use for less cables and small clubs. Crowd will never know the difference let alone care if its mono or stereo. I have nothing against Stereo but for beginners and clubs with few channels on the desk, a mono option is a nice compromise.

Bass Gtr -> Pedal input -> Pedal Preamp -> Pedal EQ -> Pedal Cab sim, Blend -> pedal volume -> Audio interface

yes you can, you'll have to run outputs from your mixer either main FOH L/R (or with a stereo splitter), or from a mono/stereo AUX send back into an audio interface going to your laptop. Note, there could be some latency in the recording process but you can always shift the waveforms to sync up to the click/beat

Helix stomp is a good one. I think you can with that one.

@@kevystead I’m not too sure sorry. I only use the DL16s and the DL32s

@@FlowerWine_Club I liked the softer cases (grey KZ). Just coz there is a tiny bit more space. The coloured hard cases offer a good peace if mind being solid and sturdy but you will need to coil and wrap the cables neatly and in a small loom to make sure the edges of the case don’t pinch the cable when closing it

@@BryanMiraflor no I haven’t tried it with that. I do think for a live setting or a live performance you won’t be able to tell. But using a DAC and some visual reference and monitoring you could see some differences.

Addendum I wish it came with a case

@@lovecraftmusic8717 full video and reveal here: th-cam.com/video/YWppvDQgW0M/w-d-xo.htmlsi=x51AOly4Lf5jh9kL

@@josephbusuttil3030 I have a feeling it’s 500 mA per group of 3 but the packaging describes it as 300mA each. Won’t know without testing it with a meter but for a straight out of the box review and practical test in the field, it’s holding up well and I still use it for every gig.

100% is fine. I've never had any issues with the wave forms being too compressed or overtly clipping. The waveforms are pretty dynamic. I would only adjust the volume from Karaoke version if I find a certain instrument (mostly sound FX) to be over bearing and distracting. Alternatively you can do the time consuming approach and download each stem/track individually and then load it into your DAW and mix and adjust levels to your own liking. I do this more often now because I like to play around with the audio, add my own samples, instruments and FX as well as EQ some of the instruments, particularly bass guitar adding a bit more of a low end boost.

Agreed. I just stack a compressor at the start of my pedal board and run a high gain distortion pedal from one outputs after the drive and distortion on the NUX, then feed it back into the input for the digital section of the Nux Cerberus

You're welcome =)

No it only charges devices. So if you want to charge your portable power bank yes that should work, but a power bank wont supply power to the unit.

How loud do you need it though? Are you trying to protect your ears? are you using noise cancelling? I use earphones (IEMs) and they are plenty loud with a lot more room to spare

We use one on stage it's plenty loud.

According to the website - Yes. According to users who tested it with a meter - No. I still use it and have a pretty clean and reliable set of power, as do a few other users. Still cheap and affordable. If needing isolated as a deal breaker then save up a bit more and get a different branded one =)

Since it is powered by a battery, it is DC powered and I would say there's no worry about the hum caused by 60Hz/50Hz AC power.

@jasonstlouis9871 Same principles apply, but since you're already using P16's it should be a simpler one. Since it's already connected via USB, then from the DAW, have the metronome send outputs to your preferred output (ours is 17-18), then from the I/O or Routing page on your M32R, have it routed to empty channels, link both to make it a stereo input, and name it appropriately (i.e. Click L, Click R). Then from the Routing page again, route the stereo channel and send to an empty ultranet send channel. Should be good to go. If you prefer using the headphone jack of your laptop, then get the output by using the same stereo splitter cable mentioned in the video and plug it in to two DI boxes that will transform both signals to a mic-level signal. Then plug both inputs to the stage box/mixer and link those two together in the M32R as stereo inputs, name them appropriately (i.e. Click 1, Click 2). Finally route the signal in your ultranet sends in whatever channel you prefer it to be in (e.g. Channel 16) and it should be good to go. Finally, you just need to tell your musicians that you have the click track on channel ## on their P16's. Hope this helps :>

$30!!! that's so cheap! what a good find that was

@@BandOnABudgetNZ yes, that was really good offer :) I hope more people will trust in this brand. Their pedals are also very cool, for bass especiallly

How is the noise?

​@@paulomanabat2351I haven't noticed any additional noise. I have couple of Behringer pedals and on daisy chain they were noisy but on isolated power supply it's much more quiet. If you are changing already isolated power supply with this one maybe you'll notice some changes but I don't think so. If you buy new one you can always return it and buy other one

@@paulomanabat2351 I don't hear any other than the 60hz cycle hum from my fender pickups.

Its just a copy of the signal. The mic level volume knob should not affect the output signal from the Mic THRU. I used mine last night at a rehearsal and had a setup where I used the Mic THRU output and can confirm the volume knob didn't affect the signal

I just followed the instructions from the manual which I'll put the link here: mackie.com/img/file_resources/Master%20Fader_V5_1_RG.pdf Also just contact their tech support, they're pretty good at getting back to people.

Does it need an external? Silly question, does the external router require internet

Yes all 4 receivers can connect to the same channel and all 4 can be used at the same time or individually

I'm pretty sure there is a way but I have not explored it. Best to seek advice from someone who works with metal... not metal music though lol, I mean like metal coating, alloys, building, cutting and shaping etc.

On my drum pad, I usually set the on board drum pad volume about 1 o'clock on the dial. I use jack to jack from the drum pad to a DI box, then XLR out of the DI box straight to the FOH mixer. From here you may need a bit of help. You'll have to play the drums at your usual velocity and style and have someone else adjust the gain on the FOH mixer so there's a strong signal but not peaking, and maybe add a compressor for those loud moments. Then you can move the fader up to how loud you need it and also on the master fader for your FOH.

Thanks. I'm not using a di box between kit and mixer, do think i should

@@MrLines22 Its not necessary but one of the benefits of using a DI is having a Grounding switch to cancel out hums as well as a Thru output to send another copy of the signal to a personal monitoring system, pre amp etc. I always carry one with me just in case as well as an XLR to extend the length needed to the FOH, or snake box

Thank you Really helpful gone from accustic to electric and backing tracks with a keyboard /singer... One thing having a bit of an issue with is levals of backing tracks and without an engineer on gigs I thinks gonna bit a issue, songs coming from different sources isnt helping. Any Advice welcome. Once again Thanks for your time.

@@MrLines22 setting levels would be best done starting with your DAW. For example in logic you need a reference track and then adjust levels, EQ and compression of you backing track. You want to make sure the overall volume of your track is as loud as you need. You should also play around with the LUFS integrated levels. This is basically your overall "loudness" of the track. Find a suitable LUFS level and then try to mix all your other backing tracks to the same output level and LUFS level. This is so all your backing tracks are at a relatively consistent playback level in terms of Volume and output signal. Once that's done you'll have to play a bit of a guessing game at a live performance to get your guitar and vocals balanced in the mix. Ideally ask a bar tender, or friend to help adjust these levels in the first 2-3 songs. Hope that helps =)

Do you mean using the CTRL button to select clean boost instead of reverb, mod? I'm not sure I understand.

You're welcome 😁