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At 10:31 this cue mark is a brown hairy rub

Hello. Here in Argentina I was a cinematographic operator for more than 25 years, I worked with 35 and 70mm. The last year I worked was in 2015, and in the cinema where I was we had 2 Victoria 5 projectors, in one room with a dish and in another with a tower. Then digitalization arrived and the cinema had to close. I had great memories left.

Very nice! I have 3 or 4 3D printers, and I need to take advantage of that. Eight years later and your video shows up. I guess you figured out the slip problem by now. A dado or recess printed into the wheels to allow traction tires (rubberbands) or Bullfrog Snot to be applied.

Vou escrever em português para que saibam de onde vi o vídeo. Parabéns! Que belo trabalho!!! O analógico é maravilhoso. Ainda mais com as soluções aplicadas para ter o digital trabalhando em conjunto.

I always wanted to do this as a job. Did it in school for free. I managed to do one of my childhood dream jobs. This would be the one I didn't get to do. The other was work in the VIDEO TAPE BUSINESS. And I did. Everything from working at a privately owned Video store way back in the beginning, renting and selling Machines and Movies to working at the duplication plant. Then also capturing and editing functions from Weddnings, Baptism to Corporate videos. But loved asking the manager for tours of the projection booth. I can watch this video's all day. And I basically do. I never get bored of these for some reason. Going to visit a local theatre that does 35 MM Fridays and ask for a tour. - Toronto, Canada.

Loving films as a child I began to piece together what the dot in the top right corner of the film represented and would often look back at the windows to see the switch. I was very young like 5 or 6 and mentioned it to the adults who never noticed it. I explained that's why there are two windows at the back of the theatre. I really do hope film comes back again. Just like Albums have, I hope the same for film. Thanks for this, I am finding myself watching many of these video's and finding both enjoyable, magical and relaxing. - Toronto, Ontario.

Childhood memories come alive..❤❤

Super nostalgic n heart pleasing video..❤❤

thank you for this. i salute anyone that can run 70mm. I run 35mm here at home and with DTS. I did not get to see your audio rack there. I saw a remote and it looks like it might be a CP65. I was also curious to see what DTS player you were using.

I have always been interested in film 🎥 l must admit I prefer film too digital all the different formats and lenses and how the film Hollywood studios had their different versions 😊and the colour so vibrant 😊

It's interesting they ship on cores these days. I my day they shipped 70mm on shipping reels in individual cases. DP70 (AAII in the US) is the Cadillac of projectors.

Wow!!! I wonder what the leaders and tails look like on this film. Impressive

I've done 1000s of changeovers on DP70s. It is nice to see that skill set still exists.

What a beautiful cinema! I love the fireplace in the foyer. So welcoming! Lovely to see 70mm projected with such care and presentation. I miss film, I know these days its not viable to do it with most movies when digital is so convenient, but when you get something this special, this just makes it perfect.

I love the how the change over went that's real cinema and DTS sound o yea !!!! and no gray bars on the screen I wish they only had this kind of care in showing movies the Digital Cinema is gonna kill the movie theaters because you get nothing magical with it and there is no care put in the presentation I quit going to the movie because its not that good at all with digital its just a phone are a tv with a blurry picture

Hej! Kul att du delar! Jag har två frågor. Varför projiceras ni bilden för stort på Rigoletto? Duken är 2.35:1 och bilden fyller ut hela bredden, men 70mm 5-perf är ju 2.20:1 om den inte är anamorfisk? Satt längst bak på balkongen på min visning och man kunde se bild projiceras i taket. Har ni funderat på att göra en retrofitting av ett 35mm non-rewind-system för att stödja 70mm? Har Filmstaden kvar några non-rewind-bord? Har sett många maskinister här på TH-cam (i USA primärt) som gjort det. Då skulle man man blir av med skarvande aktbyten (som tyvärr var väldigt synliga när jag såg Oppenheimer), och mindre jobb under visningen i maskinrummet förstås. Ha det bra!

Man, seeing 2 more DP70s out there with the mag heads still in them running DTS with the reader mounted where the fire rollers used to be makes me so happy. Exactly how ours are set up. For what its worth, we thread using the constant motion for the mag head, as well as the tension roller in it (as an idler) before dropping down to the 1st constant motion for 35mm optical, it better distributes load between the sprockets.

How old IS this video??? 2017??? 70mm film was first used in the late 70s along with continuous -film platter systems that required only a single projector per auditorium. With that, a single film could be played in multiple auditoriums simply by threading the film thru multiple projectors. All of that reduced tha amount of manual labor required in the projection booth, reducing the number of projectionists required from 1 per auditorium to one for the entire multiplex! Not to mention (but I will) the reduced wear and tear on the film prints (especially the more expensive 70mm films).So why hasn't this theater been upgraded?

Tusen tack, fin inblick på hur det är där bakom då vi såg Oppenheimer 70mm på Rigoletto i Stockholm.

Kul och intressant! Tack för visningen!

Jag är endast här för jag var och såg Oppenheimer på Rigoletto ikväll på 70mm. Sjukt imponerande hantverk att se ett sådant proffs jobba. Förhoppningsvis inte en döende art av film & filmkunskap... Oppenheimer var 6 rullar för övrigt & Tack för att du laddat upp dessa och har kvar dom så alla kan se!!! Guld.

Jag är endast här för jag var och såg Oppenheimer på Rigoletto ikväll på 70mm. Undra om de va samma gubbe, Mikael? Mike? har jag för mig SF personalen sa han hette.. Sjukt imponerande hantverk att se ett sådant proffs jobba. Förhoppningsvis inte en döende art av film & filmkunskap... Såg nu i slutet att han hete Göran... Oppenheimer var 6 rullar för övrigt.

Is this the real silver film? Or the film is re-printed digitaly? Other wise how do they add digital seens like Intersteller did!? 🤔

Very Informative.

Fantastic ! ✨️🖤

I am surprised and impressed to see big film is still alive and delighting audiences throughout the world. At 5:19 you can see the FotoKem slate and Kodak Laboratory Aim Density chart, starring Marcie the color reference girl. FotoKem is one of the few labs on the planet that can still produce a theatrical film print. A little research turns up that they purchased a Celco Fury film recorder in 2003. To the best of my knowledge, only a CRT film recorder like the Celco can record the full 52.63 mm image width for the 65mm format. This would have been used to print the digital intermediate to 65mm film. This negative would be used to create many 70mm theatrical prints by conventional contact printing. Typically, film is always wound emulsion-in. I'm a little surprised that the projectionist chose to twist the film to make marks on the emulsion side. Also, maybe emulsion out projects slightly sharper on screen.

Long live celluloid film!

RAT FOTOKEM BEW

Joker (2019)

The video is great. But why on earth does the prjectionist have to draw the markings for "the change" himself? Since when does the copying plant no longer do this? That's so ridiculous.

Adding "extra" cue marks on the film, when these are printed on at the lab is considered poor projectionist technique. He also seems to be mixing emulsion-in with emulsion-out handling, by using S-winds at 4:50 and 6:43, while visible running straight-over in the projector at 10:08. Adding "extra" labels at 4:43 is considered poor projectionist technique, particularly in that the print is brand new, and is already perfectly labeled. These are textbook examples of why filmprints looked so bad after rumnning through your local movie house for only a few weeks.

Nice!👍😃

Move

So gratifying to see a professional projectionist with all those mad switches etc and clutter behind the scenes working his magic to the audience with great tabs ( curtains and lighting) and checking the focus and framing on the changeovers..I miss it !!

What happens if accidently something went wrong with film before devloping??

When I saw Star Wars on it's release I saw black oval marks. Thank you. I am your 727th sub. PS: that is a sweet theater.

Som liten var jag ibland uppe i maskinrummet till Bio-Pony här i Dalsbruk. På den tiden fanns där två projektorer med bågljuslampor. På 90-talet kom en projektor som klarade av en helaftonfilm utan omladdning. Den har dessutom xenon lampa. H. Stig Österberg från Dalsbruk i Finland.

Nice projector 👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍

What is this film called?

0:48 dat Joker's laugh 💯

we are almost colleagues and both work with the same projectors

why use a digital projector to run subtitles but use film? why not do the whole thing on digital

I was projectionist for many years. I worked on Century 35/70, Cinemeccanica Victoria X, and many other projectors. I was lacing the film in such a way that the upper reel always rotated clockwise with the emulsion side was towards the gate. When watching on TH-cam, I see almost all places in the USA, the upper reel rotates anti-clockwise. My question is what direction of film copy is laced in the gate, emulsion toward the gate or shiny side toward the gate. I was working in Israel for 20 years. Thanks for your kind input.

Joker was shot on an alexa 65 camera which has a resolution of 6.5k, on the other hand Todd-AO 70mm film has a resolution of 8k so seeing this movie on this format still has an advantage.

That's a job of passion.

Love these videos!

When showing undertitles on the digital projector -- how do You avoid stray light, destroying the contrast in picture ?

We need Tenet please

What happens to the reels when the film is done being shown?

Love it