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Hey this was really good knowledge. Your channel is worth subscribing!! 🤜🤛

There is one more hybrid option, and it might be the best. A C-Fast dummy attached to a dock with one of the really large Samsung SSD-cards like the 860 Pro 4 TB. You do have to carve a little hole like 2x5 mm in the top of the opening into the card slots to make room for the flat cable. It works great. And it's much cheaper that the C-fast cards and with much more storage.

Hello from italy and good 2025 This year i will buy fx3 and i have yet a7s3 You kniw anithing about sony fx 3 m2?

I've been waiting for the 12-24 or the 12-28; this is my dream come true.

me ajudou muito, obrigado por compartilhar, vou usar o seu link

Is this lens available for the L mount

Jonathan do both the Sony A74, Sony FX3, Sony FX30, Panasonic S5 Mark 2 have battery grips available for them. Nikon do the best screens in my opinion. My Nikon D5500 and Nikon D5600 have better screen than on the Sony A74.

Going to get the Batteries for the Panasonic S5 Mark 2 and Panasonic S1H and the Furniture Panasonic S1H Mark 2 and possibly the Future Panasonic S1 Mark 2

Might buy thus before i buy the Sony A74

This lens on the Sony A74 and Panasonic S5 Mark 1 and Mark 2, NIKON Z5, and Canon R5 Mark 2, Canon R6 Mark 2 and Canon R7 in crop mode in 24fps would be great for long form interviews and just filmmaking.

Happy New Year Mr. Have a blessed one.

If only they made a f2.8 version of it. This is a lens im always tempted to buy, due to being parfocal and having OSS at that wide range. The new 28-70 f2 makes me think its possible. The only reason i have not bought it, is because it limits shooting pictures to 15 fps and focusing aint fast enough for sports. It needs the new xd linear motors 😢

On FX3/A7S3/ZV-E1, I'd rather go with Tamron 17-50 f/4 or Sony 16-35 f/4. Both are internal zoom and having more reach, which is more important than f/2.8. On a7IV and a7R5, the cheaper route is to go with Sigma 10-18 f/2.8 and/or Tamron 20-40 f/2.8. When budget is no issue, 16-35 GM2 is the way to go. On L-mount, this might be the best or only choice.

Ooh yeah I swapped to this lens on my S5IIX recently, and it replaced all my other Panasonic wide lenses for video. I use the 50% crop in 50p mode as you say, to get a longer focal length. Overall very happy with it - bright enough for indoor use (even in my dark office) but flexible enough for all-day use for me.

Most often used lens with my fx3 - simetimes a little bit to heavy, but most convenient

Once Nikon purchased Red, yes you should’ve waited😆

how about a7s iii?

People misunderstand what a "Netflix camera" means. Plenty of films streaming on Netflix were shot on the fx3 a7iii and a7iv and look great and we're either sold or licensed to Netflix. Being "Netflix worthy" just means IF YOU WERE SHOOTING for Netflix and creating assets they could or would be posting or owning, you would at least need what they were asking for camera-wise. If you shot a film or doc on the FX3, did a festival run, and then shopped it, you would be fine.

Shutter angle without a built in Auto ND is useless and does not make FX3 a "truly" pro camera.

can you compare to the sony 14mm? thanks

This is how every single person burned the powet board of their sony ...keep seperate batteries

Can the built-in batteries be easily replaced? I really hate products that don't facilitate easy battery change out. Good review Cheers.

Godox KNOWLED MS60R thats what I call small, light-weight and versatile. I do have the smallrig 450b and Anglerfish 130s.

60w is a lot for LEDs. That is like a 600w incandescent bulb!

Nice video. Do you mind, what camera are you using? Lots of noise in the shadows 5:51. I'm playing back in 4K as well.

Fan noise might put off your interviewee , but really, these days it's not a problem , A I powered software will get rid of this stuff in seconds , 100% .

Time for the end of year update on this? :)

...... no.......

What’s the weatherproofing like?

I do not understand, with the 35 mm, I can just stand back 0.5 - 1.5 m from where I am to get the 24 mm equivalent shot. Assuming one has room to move back. No?

I bought this. Freakin love it. I use it even not for my videos but just living. It's amazing haha

any idea whats the c/p for? I read it is for phase and contrast focus, but pressing it on my 14mm ef doesnt do anything focus goes back to ey tracking

It’s really time for Sony to have some sort of RAW format internally on the next gen Cinema Line cameras, namely the FX6 and FX3. The current all-intra codecs are fine but they really start to lag behind when compared with the internal RAW codecs of the (fierce) competition. The FX3 can’t even record MXF files like the FX6 for unknown reasons, I have to transcode on CB to get the Sony RAW functionality on Resolve which is extremely time consuming. Sony obviously have the knowledge and the financial resources to make it happen if they really want to. Having great AF and low light performance isn’t enough anymore, most competitors have internal RAW nowadays which is a major advantage for professional work. It’s certainly nice to get a great codec like BRAW but it will still be externally. Not ideal at all. It’s time Sony.

How's the noise?

My brother, this is $500.

Amazing on paper, but we had this die during a professional shoot :( Zhiun changed to new one but Im not sure how to rely on this for next projects..

how does a 20mm give a focal length of 35 in apsc

I do most if not all my TH-cam recording apart from a bit of GoPro stuff on my iPhone. I needed better audio than I currently had but didn’t quite have the budget yet for the pro,so I got the new rode wireless micro & am very impressed

Is it no loose in rotating screw after months?

This little guy is looking great! Love the size and simple of it. Would love to get it in future.

Ok thanks for saving me, wil get an iPhone 16 pro max than I have an Samsung 24 ultra now

Thanks for this video about your Octopus gimbal rig. I built a similar rig, everything seems to be set up correctly, but I am having trouble getting the balance calibration once the gimbal is on the Octopus rig. When my RS 2 is mounted on the Octopus rig, entering the calibration mode gives me an error that the RS 2 is not horizontal and can't be balanced. If I go back to a conventional Ronin set up and balance and calibrate the gimbal, it is way out of balance when I mounted it back on the Octopus rig. Any suggestions?

I would recommend staying away from Purger, as it seems the company is not very real, has awful correspondence with customers and, thus far, has not meaningfully responded to my multiple requests to honor its money back guarantee. I bought two of the Type A cf cards and the reader and then changed my mind. I wrote the company stating that, pursuant to the company's money back guarantee, I wanted to return the cards and reader; I also stated that all boxes were still unopened and sealed). I requested that the company furnish a return address so I could return the unopened boxes. Despite several requests, the company has not given me the address I requested. Indeed, it took days before I could even get a response. It's as though no one works there. The company is messing around with me and it seems that it simply does not want to honor it promise to refund. My advice: Stay away. Any company that fails to honor its promises is way way way too risky to trust that its products will work. As of this date, I'm still waiting for the return address.

These mics are ace, I have used these on alot of shoots. Although had a few issues on certain jobs so now using these deity Theo’s but these are always in my bag! Nice video 🎉

As a pro system design on mission critical setups, 2.4GHz is a non starter. Working in any larger city would provide too many obstacles for interference free communication where the predominance of wireless networks are everywhere. It is already difficult enough to find clear channels in the AW+ bandwidth.

Hi, thanks for the video. Please could you explain something a bit more, I didn't quite follow. Around 1.55 you say you use them more as a backup rather than relying on the 32bit audio, i don't quite understand this workflow sorry, please could you explain a bit more? Does this mean the receiver is recording its own audio? i get that it avoids syncing because its burning in the audio track along with the video, but how is this 'avoiding' the 32bit float? is it not receiving the 32bit float tracks from the lavs? cheers

I got mine as soon as it became available in EU, and I love them to bits. I have a lot of audio equipment, but this set is the one I use most. So versatile...

I was looking a V Mount Battery for the Godox ML100Bi. It was so difficult to find a battery that outputs at least 120W. Apparently the 99 does 150W which is great. Now I only need a D Tap to DC cable :))

I own this system and love it!! Excellent sound quality and ease of use. As for harping on the size, I don’t get that. I ALWAYS use the lavs which have better quality and look more professional on your guests instead of a clunky box attached to the chest area. No brainer right? Your critique of not having a replaceable battery is a non-starter as well. Being able to split the tracks from 2 mics going into the camera to help in editing is also great! Nice review so thank you !!!!