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Los Angeles Printmaking Society
เข้าร่วมเมื่อ 25 มี.ค. 2020
Los Angeles Printmaking Society (LAPS) is a national artist run non-profit dedicated to the encouragement of printmaking, the interests of artists who make prints, and the general advancement of printmaking in public awareness and education. LAPS fosters dialogue for artists to expand the appreciation of printmaking in contemporary art.
Art Marketing Workshop with Dale Youngman
The Los Angeles Printmaking Society presents a free Zoom Workshop for members and nonmembers: Basic Art Marketing - How to Get Your Art Seen and Sold with Dale Youngman
Dale is an art curator/ dealer/ consultant and former gallery owner with a 2 decades long history in the LA Art Scene. She has twice been recognized with a certificate from the City of LA Mayor’s Office for her many years of achievement and art advocacy, and now spends her days doing marketing, social media and management for artists, galleries, and art organizations. Her talk will cover the topic of Basic Art Marketing - How to Get Your Art Seen and Sold.
The talk will include info on these points about OUTREACH:
* Building your database, and how to use it for email marketing, invitations, and newsletters
* Artist Websites
* About social media strategy for posting /reels/ engagements on various platforms
* How to find the best gallery for your work and how to submit
More Exposure - shows, events, online, pop-ups, charities, auctions
www.daleyoungman.com/
Dale is an art curator/ dealer/ consultant and former gallery owner with a 2 decades long history in the LA Art Scene. She has twice been recognized with a certificate from the City of LA Mayor’s Office for her many years of achievement and art advocacy, and now spends her days doing marketing, social media and management for artists, galleries, and art organizations. Her talk will cover the topic of Basic Art Marketing - How to Get Your Art Seen and Sold.
The talk will include info on these points about OUTREACH:
* Building your database, and how to use it for email marketing, invitations, and newsletters
* Artist Websites
* About social media strategy for posting /reels/ engagements on various platforms
* How to find the best gallery for your work and how to submit
More Exposure - shows, events, online, pop-ups, charities, auctions
www.daleyoungman.com/
มุมมอง: 105
วีดีโอ
Between Us and the Trees
มุมมอง 120ปีที่แล้ว
Between Us and the Trees: Conversations in the Secret Language of Nature Exhibition Dates: April 1 - April 27, 2023 Opening Reception & Awards Ceremony: April 1, 3:00 - 6:00 PM Earth Day Event: April 22nd, 1:00 - 4:00 PM: Demos for Cyanotype and Gelli Plate Printing with Plants VENUE: Center for Arts Eagle Rock (CFAER) Cfaer.org 2225 Colorado Blvd. Los Angeles, CA info@cfaer.org
LAPS 22nd National Print Exhibition
มุมมอง 9312 ปีที่แล้ว
Opening celebrations for the LAPS 22nd National, October 15th, 2022. Since 1973, The National Print Exhibition has been a prestigious national open call print exhibition presented by the Los Angeles Printmaking Society. The National is a presentation of excellence and achievement in the field of contemporary printmaking and 2022 marks the 60th year of this artist run non profit organization. Th...
Printmakers Breaking the Mold: Dirk Hagner
มุมมอง 3.1K2 ปีที่แล้ว
Part of a series by filmmaker Poli Marichal in which Los Angeles printmakers discuss their ideas, techniques, objectives, and inspirations. This documentary series was sponsored by Los Angeles Printmaking Society and the Pasadena Art Alliance. For more information on LAPS or to become a member, visit www.laprintmakingsociety.org
Printmakers Breaking the Mold: John Greco
มุมมอง 2.3K2 ปีที่แล้ว
Part of a series by filmmaker Poli Marichal in which Los Angeles printmakers discuss their ideas, techniques, objectives, and inspirations. This documentary series was sponsored by Los Angeles Printmaking Society and the Pasadena Art Alliance. For more information on LAPS or to become a member, visit www.laprintmakingsociety.org
Printmakers Breaking the Mold: Kimiko Miyoshi
มุมมอง 3.5K2 ปีที่แล้ว
Part of a series by filmmaker Poli Marichal in which Los Angeles printmakers discuss their ideas, techniques, objectives, and inspirations. This documentary series was sponsored by Los Angeles Printmaking Society and the Pasadena Art Alliance. For more information on LAPS or to become a member, visit www.laprintmakingsociety.org
Printmakers Breaking the Mold: Michelle Rozic
มุมมอง 2.7K2 ปีที่แล้ว
Part of a series by filmmaker Poli Marichal in which Los Angeles printmakers discuss their ideas, techniques, objectives, and inspirations. This documentary series was sponsored by Los Angeles Printmaking Society and the Pasadena Art Alliance. For more information on LAPS or to become a member, visit www.laprintmakingsociety.org
Printmakers Breaking the Mold: Camilla Taylor
มุมมอง 2K2 ปีที่แล้ว
Part of a series by filmmaker Poli Marichal in which Los Angeles printmakers discuss their ideas, techniques, objectives, and inspirations. This documentary series was sponsored by Los Angeles Printmaking Society and the Pasadena Art Alliance. For more information on LAPS or to become a member, visit www.laprintmakingsociety.org
Printmakers Breaking the Mold: Dave Lefner
มุมมอง 3.4K2 ปีที่แล้ว
Part of a series by filmmaker Poli Marichal in which Los Angeles printmakers discuss their ideas, techniques, objectives, and inspirations. This documentary series was sponsored by Los Angeles Printmaking Society and the Pasadena Art Alliance. For more information on LAPS or to become a member, visit www.laprintmakingsociety.org
Stone Lithography Demonstration: Etching and Printing a Limestone
มุมมอง 17K2 ปีที่แล้ว
Artist and Printmaker Curtis Bartone shows the step-by-step process of taking a drawing on a limestone through the etching and printing processes of lithography. This demo was filmed at Savannah College of Art and Design.
ImMigration Exhibition at Scuola Internazionale di Grafica, Venice, IT
มุมมอง 783 ปีที่แล้ว
This collaborative exhibition asks artists to respond to the complicated and layered themes around “Migration”. As a natural process, migration brings to mind compelling images of caribou herds, butterfly swarms and flocks of birds; annual rituals following the seasons, migrations that occur also as reactions to disasters from crisis, fear, hunger, political upheaval or war, with whole populati...
IMMIGRATION EXHIBITION OPENING RECEPTION
มุมมอง 333 ปีที่แล้ว
IMMIGRATION EXHIBITION AT SELF HELP GRAPHICS JANUARY 11, 2020 - FEBRUARY 22, 2020 ImMigration is a collaborative project that asked artists to respond to the complicated and layered themes around migration as part of unique visual exploration. Each participating artist created at least one 15” right-angle triangular print responding to their personal reaction to the theme. The triangles are pie...
World On Fire Exhibition at Center for the Arts Eagle Rock
มุมมอง 653 ปีที่แล้ว
The juried exhibition "World on Fire" opened April 2, 2021 and ran through Earth Month with art & environmental science panels, seed bomb making, and printmaking with natural materials workshops, with the generous support of Pasadena Art Alliance. The exhibition featured original works from members of the Los Angeles Printmaking Society and special guests. The show was an exploration of the ext...
Monotype Viscosity Printing Demo by Linda Lyke
มุมมอง 1.8K3 ปีที่แล้ว
Here is a 15 minute flash demonstration of monotype viscosity printing from LAPS Artist Member and Board Member Linda Lyke. She and her daughter made this video this summer for Oxy Research at Occidental College in Los Angeles.
Printing the First Color in a Reduction Woodcut
มุมมอง 1773 ปีที่แล้ว
Just a quick look at how to use a wooden spoon to print the first color in a reduction woodcut.
Monotype Demonstration and Print from Reduction Woodcut video (https://youtu.be/sxpwe-wyovA)
มุมมอง 1363 ปีที่แล้ว
Monotype Demonstration and Print from Reduction Woodcut video (th-cam.com/video/sxpwe-wyovA/w-d-xo.html)
Like what he is saying but too discombobulated by the music to finish this. Please re-upload it without the music. Thank you.
Great work! Thank you for sharing your experience.
Just fabulous ❤
Very cool
Que no son los mismos?
This guy is so all over the place that it's hard to understand. Maybe a script next time. Too much information
That was very detailed. More so than any other videos on the subject but I’m still not sure, is their depth to the etch? Or is there just a difference in material on a smooth surface? Can you feel the etch? You mentioned it’s like glass, so it’s just completely smooth? It’s really amazing. I don’t think I’ll be able to afford to try this for a while.
the grease which the ink adheres to penetrates the stone, so there is no depth due to removed material. Feels smooth.
I really like your "Boots" accordian book "Boots". I love the form, the concept and the art.
I like that you shared it is important to leave things out of the picture plane. That is a successful part of photography as well.
Incredible work, so beautiful
Gorgeous images! ❤
Very different, very interesting.
I leave first layer 2-3 minutes second layer 15 minutes third layer 24h
Exciting work!
Thanks for excellent work in keeping this medium alive!!!
Beautiful work.
thank you.
thank you for sharing.
odd not to show the proofs to the camera.
This is why I never wanted to do lithographs . . . zinc and copper etching is simple compared to lithography. 😁
Wonderful experience
Hand made . . . no assistants . . . small number editions! Yes! 👍👍😘
Inspiring work. As a sculptor/printmaker working mainly in black/white I identify with this artists work.
I’m so appreciative of your sharing with us. I’ll watch you over again several times.
Really nice film - I love hearing artists talk about their practice. As a sculpture graduate, I find this artists work very inspiring - the merging of print and sculptural elements. Thank you for the upload.
Absolutely stunning work. I'm awed.
incredible work! I'm so jealous of that giant printing press
I love it.
Fantastic, great work, great philosophy!
Absolutely beautiful! I love your work!
*Well done!*
Awesome!
Thank you for the demonstration Linda! May I ask how much linseed oil is needed for the colour layer? And what type of oil based ink do you? Relief or etching ink?
Such beautiful work……why this channel doesn’t have more subscribers and views, I really don’t know!
Its no need for the extreme time to let the gum stay on. After the etch is done I wipe IT off after 5 minutes. I've been doing this for 35 years.
Thanks for your comment. We usually only do three minutes before we buff (that varies in accordance to what you are putting on the stone). The long time is after you buff down and put away your stone. Stones like a little time for the bonds to strengthen.
Beautiful work!
Nice demonstration! Just a side note from me: Lithography comes from the greek words Lithos= Stone and Grapho= Write. So lithography is meant to be on stone.
Thanks! A fellow traditionalist! For me there is only stone, but I step out with the occasional posi or ball grained plate.
Thank you for making this video. Why should a roller with roll-up black NOT be used when inking for printing? Does it mess with the grease content or is that ink not stiff enough? I'm just wondering if I should get another fresh leather roller for printing only, or just use a rubber roller for now.
Sorry for the late reply! I didn't think to check my comments, but it's nice to see such interest! Ink is a complicated issue--but it can be kept simple. Roll up inks tend to be stiff and greasy to reinforce the image of a stone and make it more stable. Some blacks can be used for roll up and initial printing of a stone and I have many times printed detailed images with roll up ink (Graphic chemical 1803 is super stiff). A shop mix black can be used for everything--roll up or printing. It all depends what you are printing. You can use the same roller for roll up and printing--I would scrape a leather roller when switching inks. leather rollers are best because they grab and pick up stiffer ink and they pull ink out of non-image areas as you roll due to the nap of the roller (the leather hairs). I've seen lithographers just use nice, soft takach brayers for roll up and printing. If you have other questions--you can get a faster response by e-mailing me at cbartone@scad.edu or go through my website.
Huge work!!! Amazing and fascinating... :-) could you please tell what paint you use? Thank you
Lovely effects!! Thank you for sharing your work. I wonder how I could get those results without a press...
Been a huge fan for years. Great video. Thanks
I have a few questions. What paper are you using? Is the paper wet?? Thank you for the video. I really like it. Very informative.
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