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Charles Ede
เข้าร่วมเมื่อ 13 พ.ค. 2020
Martin Clist talks about the representation of nature in Roman marble sculptures
Martin Clist discusses three Roman marble sculptures that reflect the importance of nature.
The first object is a Roman cinerary urn. The front is exuberantly carved in high relief. The inscription 'MEMNO' is flanked by two birds in flight, their wings raised as they face each other and hold up the ends of a heavy garland of leaves and fruit., with two long ribbons fluttering downwards. The left and right sides are carved with an acanthus calyx, spreading into four symmetrical scrolls, each terminating with a rosette. The lid is composed of a gabled roof with leaf-shaped tiles, and at the edged are baluster-shaped adornments carved as opening flower buds, the circular ends at the front carved with rosettes, and a pediment in low relief with two birds facing a budding plant. The back of the urn and lid are roughly flattened with a series of short chisel strokes.
The next objects are two Roman columns. They are an evocative and highly decorative pair of matched columns with an intricate foliate design. The surface is carved in low relief with laurel branches which spiral around the shafts, the leaves delicately rendered to show their undulating surfaces. The laurel fruits are scattered amongst the foliage at the tips of small off-shoots.
And lastly, a floral architectural element from the 1st century AD. Carved in high relief, the fragment is composed of four incurving leaves or petals, encircling a small hole, set within six open and downward curling leaves.
For more information, please refer to our website www.charlesede.com
The first object is a Roman cinerary urn. The front is exuberantly carved in high relief. The inscription 'MEMNO' is flanked by two birds in flight, their wings raised as they face each other and hold up the ends of a heavy garland of leaves and fruit., with two long ribbons fluttering downwards. The left and right sides are carved with an acanthus calyx, spreading into four symmetrical scrolls, each terminating with a rosette. The lid is composed of a gabled roof with leaf-shaped tiles, and at the edged are baluster-shaped adornments carved as opening flower buds, the circular ends at the front carved with rosettes, and a pediment in low relief with two birds facing a budding plant. The back of the urn and lid are roughly flattened with a series of short chisel strokes.
The next objects are two Roman columns. They are an evocative and highly decorative pair of matched columns with an intricate foliate design. The surface is carved in low relief with laurel branches which spiral around the shafts, the leaves delicately rendered to show their undulating surfaces. The laurel fruits are scattered amongst the foliage at the tips of small off-shoots.
And lastly, a floral architectural element from the 1st century AD. Carved in high relief, the fragment is composed of four incurving leaves or petals, encircling a small hole, set within six open and downward curling leaves.
For more information, please refer to our website www.charlesede.com
มุมมอง: 202
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Martin Clist talks about a Hellenistic head of a male
มุมมอง 1048 หลายเดือนก่อน
In this video, Martin Clist discusses a Hellenistic head of a male believed to represent a Triton. Triton, in Greek mythology, a merman, demigod of the sea; he was the son of the sea god, Poseidon, and his wife, Amphitrite. According to the Greek poet Hesiod, Triton dwelt with his parents in a golden palace in the depths of the sea. A wonderful example of a Triton depicted is Bernini's Fountain...
Charis Tyndall talks about the Egyptian torso of Thutmose III
มุมมอง 608 หลายเดือนก่อน
In this video, Charis Tyndall talks about the Egyptian torso of Thutmose III, New Kingdom, 18th Dynasty, reign of Thutmose III, c.1479-1425 BC. Thutmose III sometimes called Thutmose the Great III was the sixth pharaoh of the 18th Dynasty. Officially he ruled Egypt from 28 April 1479 BC until 11 March 1425 BC, commencing with his coronation at the age of two and concluding with his death, aged ...
Charis Tyndall talks about a Greek red-figure plastic vase
มุมมอง 1568 หลายเดือนก่อน
The moulded body shows a tussle between an African man and a crocodile. The African is on his knees having been attacked by a crocodile which was once covered in a pistachio-green paint that only remains in a few minute patches, creating an impressive contrast to the lustrous black glaze that represents the African’s skin. The man’s body is contorted; his right arm is hooked around to grab his ...
Martin Clist talks about a Roman bronze Minerva
มุมมอง 36411 หลายเดือนก่อน
Sometimes the distant past can feel remote and disconnected from our contemporary lives. But perhaps there are times when the ancient Greek and Roman worlds still exert a power over our imaginations. Director Martin Clist briefly talks about a lovely bronze sculpture of the goddess Minerva, which although small in size has a monumental presence and is a conduit to ideas that have relevance even...
Martin Clist talks about a remarkable Greek terracotta goddess from the Archaic Period, c.540-520 BC
มุมมอง 6152 ปีที่แล้ว
Charles Ede, a gallery dealing in ancient art in Mayfair London, presents an important sculpture from the Ancient Greek world. This statuette of an enthroned goddess dates to c.540-520 BC and likely comes from Thebes. Once part of the collection of Pitt-Rivers, and acquired in 1891, the goddess is almost certainly the best preserved example of her type.
Ancient Egyptian wood sculpture
มุมมอง 8K2 ปีที่แล้ว
In today's society, where the use of organic materials are prized for their biodegradable nature, it feels miraculous that objects made of one such material, that of wood, could have survived so many millennia. In this video Charis discusses the use of wood in ancient Egypt, focusing on a selection of objects that are on display at the gallery.
Roman marble horses from a sarcophagus - discussed by Charis Tyndall, director at Charles Ede
มุมมอง 7862 ปีที่แล้ว
Three marble horses from a an ancient Roman sarcophagus, dated to the 2nd century AD, are presented by Charis Tyndall of Charles Ede in the Mayfair gallery in London. The horses belonged the Titan moon goddess Selene, and are carved with dynamism, in a series of kinetic poses. The surface retains its original polish, the breaks show the crystalline nature of the luminous marble, and areas of ro...
Greek marble loutrophoros
มุมมอง 2.5K2 ปีที่แล้ว
Charles Ede Director Charis Tyndall talks about an ancient Greek marble grave marker in the shape of a water vessel, decorated with a scene of an Amazonomachy, and discusses its meaning and what it symbolised in 4th century Greece.
Roman Glass
มุมมอง 2.4K2 ปีที่แล้ว
Charis Tyndall, director at Charles Ede, discusses a group of Roman glass unguentaria which have a thick pearl-like iridescence
TEFAF New York 2022 - Three Bronzes from the collection of John Kasmin
มุมมอง 8102 ปีที่แล้ว
Martin Clist discusses bronze artefacts from the collection of John Kasmin, the great art dealer and collector, which are being presented by Charles Ede at TEFAF New York 2022. Kasmin was one of the first dealers to show the American Abstract Expressionists in London, as well as being an early champion of David Hockney.
Venus and Mars
มุมมอง 3772 ปีที่แล้ว
Martin Clist of London dealership Charles Ede talks about ancient sculpture and its resonance with modern art
Martin Clist of Ancient Art dealerships Charles Ede talks about two Bronze Age blades
มุมมอง 5542 ปีที่แล้ว
Martin Clist of Ancient Art dealers Charles Ede discusses
Putting Greek Black Glaze pottery into context - Charis Tyndall, Charles Ede gallery, London
มุมมอง 1.1K3 ปีที่แล้ว
Charis Tyndall, Director at Ancient Art dealership Charles Ede, discusses the latest exhibition on Greek Black Glaze Pottery. It is held that in the ancient world there were no finer potters than the Greeks, and by 550BC it was the workshops in Athens that surpassed all others in the finesse of the potting and the lustrous quality of the black glaze. Attic black glaze was primarily manufactured...
Douglas Mackie - Greek Black Glaze pottery
มุมมอง 1.4K3 ปีที่แล้ว
Internationally respected Interior Designer Douglas Mackie discusses Greek Black Glaze pottery and how it resonates with him.
When I see a video like this it puts into focus the discombobulation of archeology when attempting to parse the technological achievements required to create these things to the standard which they present themselves. The universal beauty these objects is not a by product of the interior design sensibilities of pre pottery peoples but a function of the exacting design process and tooling. Also it is disappointing to relate these vases to Osiris since these vessels are by definition pre-dynastic and there is no direct evidence of Osiris before 5th dynansty and only indirect evidence back to the 1st. We have no idea what the choice in colour may have meant to the creators.
Thosee alien vases again. Shame to our governments for hiding the truth to the masses.
If you know anything about these vases, how in the world could you come to the conclusion someone made this using a bow drill? You have to be a moron.
Great confirmation bias. Well done. Who needs learning when unsupported claims are available for free.
predynastic/post Atlantis. We would be hard pressed to make those objects today..let alone how many thousands of years ago..We can't carbon date stone..I am saying that dynastic Egypt "found" thousands of those stone artifacts and then took them and used them for themselves. No one in dynastic Egypt made those thousands of vases and bowls with copper tools and hammer stones, honest injun !
Repeating nonsense claims that you heard on entertainment channels is not the way to accrue credibility.
There isn't the remotest of chances that these granite vases were made as or when you suggest.
Thanks for demonstrating topical ignorance.
@Eyes_Open Then fucking do it and show me I'm wrong.
@@Eyes_Open Then make one and show me I'm wrong. This is easy, right? I'll buy you a chunk of granite and you can go prove how smart you are with a bronze chisel, pounding stones and sand abrasion.
@@MrTL3wis You are offering to pay for a full project? Your logic is missing.
@@Eyes_Open I'm offering to pay for a block of granite. You just have to make a vase for me in the way you say they were made or give me $10000 cash if it doesn't duplicate the Egyptian ones. How much confidence do you have in your bronze chisel, Cupcake?
*Archaeology:* Stop saying it was another culture you're all being racist, they weren't primitive. Oh so they had basic tools like the lathe then? *Archaeology:* No we don't attribute the lathe to them. We model them as buttflap toting primitives barely surpassing simple primates whilst saying they were super amazing and not primitive. Uhh okay then. More likely ancient Egypt was a hell of a lot more advanced than 'team Egypt' like to admit and they inherited stuff from previous people as well.... You know like how the *real* ancient Egyptians actually claim.
_"We model them as buttflap toting primitives barely surpassing simple primates"_ Tell me you know nothing about ancient Egyptian history other than what UnchartedX has told you, without telling me you know nothing about ancient Egyptian history other than what UnchartedX has told you.
@@Leeside999 I'm pretty sure some guy on youtube in recent memory didn't coin the term butt flap or primate. Come on at least try.
@@CoffeeFiend1 in the context of the ancient Egyptian history, yes, there is one main guy who repeats that phrase which happens to fit with everything else you wrote.
@@Leeside999 One guy in the context of Egyptian history? Can you actually hear yourself?
@@CoffeeFiend1 you've never watched an unchartedx video?
Funny how the ancient Greeks never claimed to invent the things they are given credit by the Europeans hundreds and thousands of years later. We now know that the ancient Egyptians knew about the math that the Greeks knew. Yet the Greeks and Romans never made vases as well as these that were made thousands of years earlier. Some of these vases would take a very high level of engineering knowledge and very precise machines to make them. Some people see pretty vases, but I see thousands of years of development to get to that point. I also have a machining degree, and that makes me even more impressed with these vases.
If you can make a vase in clay in 15 minutes, isn't pointless to make one in granite in 3 months.
@@davidtop6242 This comment makes no sense. Have you ever used a lathe or potting wheel? You don't make clay vases by removing hard rock. The granite vases would be made on something closer to a metal lathe.
You don't think the Romans made granite vases? Ignorance is bliss as they say.
@@Eyes_Open Why would you say that? I never said they didn't. The Egyptians obviously made them before the Romans.
@@robbsclassics You said the Romans did not make them as well as the Egyptians. Why say that?
I brush my teeth with natron every day. It's fine. Just salty.
Egyptians made this y'all just jealous
Amazing to see people constantly supporting the lost technology grift in this comment section. Arguments from ignorance and incredulity.
It's quite incredible...
Have you reviewed the dimensional inspection of some of these items done in reputable metrology labs? The handles of vases like the one she was holding seem to have a geometric tolerance rivaling modern mechanical components made from metals in our best 5 axis cnc machines. I think only a small portion of the population is NOT ignorant to these results which is the only reason this isn't seen as a huge discovery. The only logical reaction here from anyone who has ever been part of a modern team making similar components is... wtf.
@@williamheimsoth4156 Of course I have seen the entertainment channels promoting a mystery that only they could discover while scholars are ignorant and unwilling to open their minds. Basic level conspiracy strategy. They can't prove the authenticity of their objects and they make unfalsifiable claims. Scientists Against Myths showed a simple process, without the use of metal, how stones can be shaped by grinding. It was already obvious to most but they demonstrated anyways. Add generational experience and the guidance of masters and you get what we see in museums. Amazing quality pieces with visible imperfections.
Apparently it should be easy to prove the grifters wrong, just get your bow drill out and a block of granite.
@@staticgrass Consider that this topic has been studied by experts. No actual physical demonstration is required after comprehending the issue. Now consider that experiments have been performed. Then consider that you can see the most recent experiments on the Scientists Against Myths channel.
Yes, you can usually touch wooden artifacts without gloves because their surfaces are robust and not easily affected by the acidic exudations of fingers and palms. However, gloves are generally worn to protect objects, and exceptions may include two-dimensional paper-based collections and books. However, gloves can be necessary when handling objects that are fragile or susceptible to damage from skin contact, such as archaeological objects, metals, or objects with fragile pigments. Nitrile gloves are preferred by museum professionals because they provide better protection for a wider variety of objects.
If you want to be fascinated by the best example of these vases, then take a search of that vase with a base tip that stands tangent to a horizontal surface. This vase has perfect weight distribution/symmetry, without which the vase would lean to one side and or tip over (especially when filled with say, water/items inside). The top tip is near perfectly flat, the inside hollowed out from the granite that it was made from and smooth. Speak to any craftsman/artist today and show them what "experts" think Ancient Egyptians had at their disposal, the craftsman/artists today would disagree with the purported theory.
Pre-pharaonic...Who did it? That is high tech..
how are they made?
Lapidary techniques. Grinding and polishing.
You are holding the what no one could recreate from the beginning! 35,000 of them found and they could only make sad copies! as well they made mud like lids for them it's that bad. People with brains would like to know how old and who really made them!
Over 35000 found and the majority were shallow bowls and dishes made from alabaster.
What is amazing are the ear lugs. These cannot remain while the body is turned on a lathe.
Why not? Many people repeat that claim which is obviously false.
You just turn the shape including them then carve them out...
10 out of 10 for being able to pronounce vase correctly. I would have been interested if you could have measured the items and then shared the findings. These have very clearly been created using a lathe of some kind.
Where are the tools that would have been required to make these objects?
The tools are well documented from excavations and exist now in museums and galleries.
@@rosetaylor2808 The only tools I've ever seen are hand tools of bronze and copper. These vessels of hard stone could not have been made with such precision with these tools.
Spread all over Egypt; rocks
Where and how was something so fragile as this found still intact? That story would be also the biggest and coolest things about it. It is amazing
Wow the art on the older one is amazing! I would wonder if the person who carried this did the art design or if it was done after casting by the maker
Excellent!
no explanation how were the vases made, the process? they didnt know the wheel?
They did know the wheel.
of course they had wheels. Pharaos runs with chariots.
Where was the wood imported from
You should check out Uncharted X and his scientific study on the precision engineering of these stone vases !
You should understand the logical fallacies at the foundation of his claims.
@@Eyes_Open you can agree or disagree with his claims, but scientific studies have been done by professionals to the vases, and the results are there for everyone, and of a massive significance. videos like this one are ridiculous at this point.
@@tenebrafallen Scientific studies? Which scientific journal published the findings? Professionals with what relevant ancient stone working experience? Are the raw data available to all or just the processed STL file? Authenticity of vase origin? Any proof of the negative claims?
Don't trust that grifter
2:13 It should have wine in it when you move it like this ☺️
No problem, all you need is a pounding stone & a piece of flint... apparently!
Your strawman demonstrates a complete lack of topical knowledge.
@@Eyes_Open what knowledge do you have in stone manufacturing or ancient stone manufacturing methods? What is your background... ? Please enlighten us ;)
@@Kitties-of-Doom Considering that you have failed with your commentary on multiple other channels discussing this topic, it does seem childish of you to rant here.
@@Eyes_Open lol so no knowledge? yet you preach here. Posted some blabber on every single comment under this clip. The great teacher with no knowledge in the field of stone manufacturing or ancient stone building methods.
@@Kitties-of-Doom The opening comment here was a strawman by someone who heard nonsense and believed it. Your personal nonsense has been dismantled countless times on multiple channels. Yet here you are again. The funny thing is that you can easily research papers, watch online demonstations and even do simple experiments in your home. But no, easier for you to rant for attention.
😂That mallet was used to build pyramids😂
wonderful.
Nice to see you here James!
No clue that pi and fi are literally worked into every part of the design. The taller ones opening on top has a radieye of 1 in proportion to no less than 10 other precise measurements on the vase. When looking straight down on the tall the inner circle is exactly fi and the outer circle same lip is pi moving back to the center one side of the opening equals 1 moving directly across middle opening to other side. I can’t stress enough tholerances. In measuring are .0002 at most but no more than .005 thou
@@darklight2.1 Might want to brush up on Qvists analysis of the vase. He surely knows more about math than you. Radii formula is built into the vase with some 14 circles in a precise relationship. A radii relationship picked up by computer.
@@darklight2.1 yes Radians are present in every circle except that has nothing to do with Radial traversal pattern picked up by qvist in the vase. "All of the circles created with this function map to the actual radii of the FEATURES of the object with incredible precision" Minimal radial deviation 3 microns Maximal radial deviation 68 microns mean radial deviation 16 microns median radial deviation is 9 microns Most radii (even those exhibiting local deviations above the mean) have areas that are, in any meaningful sense of the word, perfect. In many places the deviation is so small, that we cannot say with certain whether the deviation is due to "imperfections" of the object, or inaccuracies in the scan. All radii in the following illustration are generated by the R(n) function, and are there for tightly interrelated. " has nothing to do with seashells, and not a single spiral was shown in his report, 15 FEATURES of the vase showed radii correlation. you think you can just glue some words together and say "its been laughed off by everyone" Who has it been laughed off by? idiots subbed to world of antiquity ? The laugh came with the recent scans of the vases made by scientists against myths. You seen that stuff? oh boy.
@@darklight2.1 Nightscarab did a debunk video of the scan. He scanned a modern polished lathe turned granite vase without the handles, and it was inferior to the Egyptian one. Symmetry in surface disparity of the Chinese vase was worse than the Egyptian one. He literally posted the numbers. Hilariously. WITH NO HANDLES, the chinese vase was inferior. Anyone with half a brain should understand that thing is not handmade, nor made in the 60s with superior symmetry to a 2022 Vase without handles. Talk about shooting yourself in the foot with debunking. You know what's crazy. Is that the academic camp, has doubled down, tripled down, on the idea that nothing ever will be discovered or admitted to be advanced from our ancient past. Literally writing off all of archeology and saying "We already know everything and nothing will be dug up that will change our mind and accepted timeline of every culture, known or unknown" .... except the digging is ongoing, and independently funded research is ongoing. When new digs and new scans start getting posted in scientific journals and prove to be of advanced origin, we will witness the largest psychological destruction event in history. Career ending stuff really. World of Antiquity will start deleting his videos and his subs will scatter like cockroaches. Im crossing off days in my calendar. I'm just here for the popcorn. I'll be pushing the cockroach heads down with a stick as they try to grab on to the edge as they drown. See you around,
I think you would like the journey i have in making such wears, the clay slip a ferrite , from local clay takes 2 years to settle.
try making them using the ancient gloss slips.
Considering the tools they had, most likely they didn't make these at all and inherited them from a previous much advanced civilization, just like they didn't make the great pyramid or the Sphinx.
That is a completely irrational comment.
The vases are all pre dynastic,the pharaohs used to robe tombs to get what they wanted. The machine used to make this jars are so advanced that we don’t have the technology to make them to the 1000th of a inch. Check the measurements of one pre dynastic jar by aerospace engineers that will blow your brain th-cam.com/video/WAyQQRNoQaE/w-d-xo.html
Sorry but this is a reality based channel.
If you believe people made these without technology, you'll believe anything
Define your version of technology. A flaked chip of flint is an example of cutting technology. Using stone and abrasive grinding to shape other stones is also technology.
@@Eyes_Open Machinery. those are not made by hand.
@@tenebrafallen You can provide proof of that claim? You would be the first human to do so.
@@Eyes_Open I´m just a dude in a comment section so as you, don't ask me for proof, but doesn´t have to be a genius to see something odd is happening with those artifacts, an at least this people are doing something about it instead of just labeling and put them on display.
@@tenebrafallen So we should ignore Denys Stocks work from 30 years ago and the experiments shown on the Scientists Against Myths and Sacred Geometry Decoded channels? Those people actually performed work instead of just making negative claims.
If we experienced a meteorite impact or super volcano eruption and our civilisation was sent back to the Stone Age, in 10000 years our steel buildings would be gone and our stone buildings left as buried ruins. After this time, if future archaeologists found these granite vases, they would attribute them to our 21st century civilisation or some later neo-Bronze Age civilisation between us and them. They would have no idea how old they truly are just as we have no idea of their exact age. We attribute them to the time period of the tombs and structures we found them in but that’s like attributing a collection of relics to the time period of the museum you found them in.
Are you suggesting that we completely ignore contextual evidence and instead believe in an imagined reality for which there is zero evidence?
@@Eyes_Open you do not know what you are talking about
@@al2207 I know that reality confuses some folks.
Why does it feel like this 5000 year old technology was lost and those vases were never repeated in such advanced detail, and how can one explain 40,000 of those vases in Djoser pyramid?
300 years of pre-dynastic Egyptian stone working. Multiple teams of skilled workers working full time. Not so difficult to imagine that number.
@@Eyes_Open no man, its 0.1mm precision, there is a video on youtube how they tried to recreate this vase, took them 6 months and it looked awful, very bent edges and stuff. Those vases are made from extremely hard stone, bronze tools are not capable of cutting it. Another video they show photoscanned vase, and the engineer is mind blown by extreme precision. This knowledge was lost for some reason, never repeated again in 5000 years.
@@artmaknev3738 I know the videos that you reference. The vase created in Russia was an example to show the basic methodology. She made and repaired her own tools and figured out ways to do it. Egyptians had generational experience and dedicated crews for this work. The recent scanned vase is from a channel devoted to making money by telling you that academics are unintelligent. Claims are presented without evidence. Modern engineers who seem to be surprised and awestruck are not of much use unless they have relevant knowledge of ancient stone working methods. If that channel could present evidence to show that computer aided machinery was required to construct the vase, then it would be proven to be a modern vase. Remember that they have a claims. 1) it is an ancient vase, 2) it was impossible to create by hand. There is no evidence for either claim.
@@artmaknev3738 Newest video from Scientists Against Myths from 5 days ago: the result looks awsome.
@@Eyes_Open😂
Try explaining why the first ones made of very hard stones like granite, diorite etc are so much better and more impressive than those that were made after of alabaster a much softer stone and there seems to be a big sudden collapse in knowledge and skills of making them when they should have just kept getting better. Same with many other things in Egypt.
Try explaining your version of history without repeating what you heard from Alternative history leaders who twist truth for profit.
@@Eyes_Open The further back in time we go the more easily we can be wrong and that it’s good to take some alternative points of view into consideration because there has been people who were ridiculed for giving an alternative point of view when new discoveries decades later proved them right all along.
@@aaron6963 Science moves forward based on evidence. Not unsupported claims.
@@Eyes_Open Unsupported claims that could someday prove to be right all along if scientists try helping instead of ridiculing.
@@aaron6963 Claims need to be accompanied by some sort of usable data and a hypothesis that can be tested.
its all a lie there was wood at one point egypt was tropical before the radiation war destroyed the green and killed everything turning it to sand
Poe's Law
Copper Chisels.
Why do alternative believers think that copper chisels were used to create these vessels? Toolmarks clearly show an abrasive grinding process.
@@Eyes_Open It was sarcasm my friend. Ofcourse, copper chisels were not used.
@@zmarssojourner7435 Fair enough. Cheers.
KIDS MUST READ THIS , have you seen the dynastic vases.. they’re like a Honda Civic next to a Maserati First they tried to smash out a rough shape with rocks and steel chisels, but that would’ve taken at least a few months for one person to complete one wonky stone vase.. then they gave up all together and just made them from clay and painted fake marbling and granite effects onto the clay. Clearly these are from pre history/ pre younger dryas cataclysm these pots and all the other amazing constructions around the world that we can’t even replicate today.. are minimum 12,500 years old / and that’s if they were just built right before the younger dryas cataclysm reset the planet. Likely most these items were already finished centuries or Millenia before this event. Also look up how long iron can last, but let’s pretend they were using 316 stainless steel It is estimated to last for 1200 years before heavy rust/ damage In the marine environment this is reduced to a mere 260 years. That explains how it’s impossible for the tools to even be here, don’t forget that the cataclysm included global flooding.. salt 🤷♂️. Oh and also copper , gold and silver are very soft and make terrible tools.. but they don’t contain more than 1-2 ish % iron.. so they pretty much last forever.. that’s why they’re the only tools we see.. remember that when people bring up “WHERE ARE THE TOOLS? 🤪”
th-cam.com/video/dC3Z_DBnCp8/w-d-xo.html&ab_channel=ScientistsAgainstMyths seems like this lady debunks you
100%, looking at the tools they had it's a joke that they could make these, a skilled person would have trouble making these vases with power and turning tools today.
Amazing how pompous she sounds when you realize she doesn't actually know, the best *interpretations* of archeologists parroted. Curiosity & Critical Thinking, these will bring down the dogmatic constructs.
Why do folks from the unsupported Alternative view call other people pompous?
@Altriex Well she is "parroting" what we have evidence for. How do you believe they were made and what is your evidence?
@@Leeside999 If they were mada as she says they were - lets make one. I mean it's not like asking to build a pyramid.
@@w.loczykij5354 Why don't you commission an expert in ancient methods of stone vase making to make one for you. They still use the ancient methods in Luxor.
Sexiest vase I've ever seen
This woman is more lovely than the artifacts
Great, please why do you date them to 5,000 years ago ? Isn't Andesite only workable with carborundum or even diamond dust ? Pritty well done pre flood art in my opinion ... that should require much more attention
Abrasive drilling with quartz sand will work. Corundum dust is better. No metal required.
They are likely dated based on the tombs where they were found.
Not so much have you seen the dynastic vases.. they’re like a Honda Civic next to a Maserati First they tried to smash out a rough shape with rocks and steel chisels, but that would’ve taken at least a few months for one person to complete one wonky stone vase.. then they gave up all together and just made them from clay and painted fake marbling and granite effects onto the clay. Clearly these are from pre history/ pre younger dryas cataclysm these pots and all the other amazing constructions around the world that we can’t even replicate today.. are minimum 12,500 years old / and that’s if they were just built right before the younger dryas cataclysm reset the planet. Likely most these items were already finished centuries or Millenia before this event. Also look up how long iron can last, but let’s pretend they were using 316 stainless steel It is estimated to last for 1200 years before heavy rust/ damage In the marine environment this is reduced to a mere 260 years. That explains how it’s impossible for the tools to even be here, don’t forget that the cataclysm included global flooding.. salt 🤷♂️. Oh and also copper , gold and silver are very soft and make terrible tools.. but they don’t contain more than 1-2 ish % iron.. so they pretty much last forever.. that’s why they’re the only tools we see.. remember that when people bring up “WHERE ARE THE TOOLS? 🤪”
@@kalebgullan4157 There was no global reset due to a YD cataclysm. And there is nothing that could not be recreated today if there was a will and a budget. When someone asks "where are the tools", remember to tell them that they are already found in the archarological records.
@@Eyes_Open please do some research on engineering and machining before making such ignorant comments
Im not trying to be a dick, and I usually like this channel, but why is archaeology the only science that doesn't have to test their theories? First of all, If you started as a child, with that "hammer" and a copper or bronze chisel, and tried to make just one of those huge blocks with it, you would die before ever completing even one of them. Second, I dont even think that's a hammer. See that part in the middle there? They probably has some kind of twine or rope wrapped around that like a spool or something.
Why did you jump from the wooden mallet to shaping large blocks?
@@Eyes_Open Have you seen Egypt? You should change your name bro. I only watched this video because the chick is kinda cute.
@@davidallard1980 She did not all say Egypt was built with that wooden mallet. Studies have been performed. Dolerite hammers combined with fire setting is effective for breaking apart granite in the quarries. Flint cuts granite and is found as a tool in the archaeological records throughout Egyptian history. Abrasives were used as a cutting agent for copper alloy saws and tube drills. The attractive speaker knows this I am sure. Why do you make comments if you do not?
@@Eyes_Open I don't even think that's a hammer bro. Look at at. Some ancient dude couldn't find his hammer, and grabbed a random tool, like I do. I usually use a big wrench or something, but that's a spool.. For sure. Then some archaeologist found it, saw it had hammer marks on it, and labeled it a hammer even though it isn't one. Then I saw a cute chick playing with tools, and wanted to watch the video. Its not complicated.
@@davidallard1980 I also grab the nearest object for hammering. However, this example is a mallet of a type used by Egyptian masons and carpenters.
Now drill HA! What hardness of stone?! You need diamond to cut it.. engineers say, and as one who worked hard stone, Bronze Age technology could not possibly have done this.
Earlier than Bronze age. It is just not true that you need diamonds. That is easily proved. People today still use steel to carve granite. And abrasive cutting/grinding/polishing of stones doesn't necessarily require any metal.
You do not need diamond to cut these stones ya goof
th-cam.com/video/dC3Z_DBnCp8/w-d-xo.html&ab_channel=ScientistsAgainstMyths this lady did it without steel tools
I want to thank everyone at Charles Ede Ltd. for making these videos and sharing all this beautiful art with the public. Most of these pieces will end up in private collections and most of us can't afford them. But through these videos we are able to enjoy their artistry.
Thank you! What a nice comment to start off our New Year.
2:48 🤦🏾♂️This is exactly how "Experts" lose their Credibility. That's NOT a Wig. Black Men ie Negro Men in Africa, STILL wear that exact Hair-Style TODAY! Look it up.
Beautiful pieces. I have a few myself - pricey for sure, but worth every cent for the joy of owning an intricate piece of history. And hopefully a good investment!